Panasonic GF2 vs Panasonic LS5
88 Imaging
47 Features
50 Overall
48


94 Imaging
37 Features
25 Overall
32
Panasonic GF2 vs Panasonic LS5 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Announced February 2011
- Superseded the Panasonic GF1
- New Model is Panasonic GF3
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 97 x 62 x 27mm
- Introduced July 2011

Panasonic Lumix DMC-GF2 vs Panasonic Lumix DMC-LS5: An In-Depth Camera Comparison for the Discerning Photographer
In the ever-evolving landscape of digital imaging, selecting the right camera often hinges on nuanced factors like sensor technology, lens compatibility, user interface design, and intended photographic discipline. Today, we meticulously compare two Panasonic models from the early 2010s: the Panasonic Lumix DMC-GF2 - an entry-level mirrorless system camera designed for enthusiasts seeking portability without compromising creative control - versus the Panasonic Lumix DMC-LS5, a compact small-sensor point-and-shoot aimed at casual users desiring simplicity and versatility in a pocketable form.
Our detailed 2500-word analysis will cover every critical dimension relevant to photographers ranging from novices to professionals, emphasizing real-world usability, technical performance, and practical value. Drawing on hands-on testing methodologies honed across thousands of camera evaluations, we provide authoritative insights to elevate your purchasing confidence.
Understanding Their Core Identities: Categories and Design Philosophies
Before delving into technicalities, it is essential to appreciate the foundational purposes these cameras serve.
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The Panasonic GF2 is a rangefinder-style mirrorless interchangeable lens camera (ILC), introduced in early 2011 as the successor to the GF1. It targets enthusiasts seeking a lightweight but capable system with creative exposure modes and excellent lens choices via the Micro Four Thirds mount.
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The Panasonic LS5, announced mid-2011, is a small sensor compact designed for users emphasizing convenience and all-in-one zoom versatility rather than customization or advanced controls.
This categorization frames the lenses, sensor technology, interface complexity, and performance trade-offs that follow.
Size, Ergonomics, and Handling: How They Feel in Your Hands
Physical feel strongly influences usability, especially for extended shooting sessions or travel.
Attribute | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Dimensions (mm) | 113 x 68 x 33 | 97 x 62 x 27 |
Weight (g) | 310 (body only) | 126 (with batteries) |
Body Type | Rangefinder-style mirrorless | Compact point-and-shoot |
Viewfinder | None | None |
Screen | 3.0" touchscreen, fixed, 460k dots | 2.7" fixed, non-touchscreen, 230k dots |
The GF2’s larger footprint accommodates a more substantial grip and manual controls, evidenced by the rangefinder-style layout and dedicated external dials. This ergonomy benefits photographers accustomed to tactile feedback and manual adjustments inline with creative goals.
Conversely, the LS5’s ultra-compact chassis caters to ultra-portability. Weighing less than half the GF2 and barely larger than a pack of cards, it caters well to casual users who value pocketability, albeit at the cost of reduced physical control and slower operation speeds.
Ergonomic nuances include the GF2’s touchscreen interface, allowing intuitive touch-focus and quick menu navigation - a boon for street and travel photographers - whereas the LS5 requires button presses, making on-the-fly adjustments less fluid.
Sensor Technology and Image Quality: Heart of the Matter
Arguably, sensor size and technology are paramount in determining image quality, dynamic range, and low-light ability.
Parameter | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Sensor Type | Four Thirds CMOS | 1/2.3" CCD |
Sensor Dimensions (mm) | 17.3 x 13.0 (224.9 mm²) | 6.08 x 4.56 (27.7 mm²) |
Sensor Resolution | 12 MP | 14 MP |
Anti-Alias Filter | Yes | Yes |
ISO Range | 100-6400 | 100-6400 |
RAW Support | Yes | No |
DxO Mark Overall Score | 54 | Not Tested |
The GF2’s larger Four Thirds sensor noticeably outperforms the LS5’s minuscule 1/2.3-inch CCD on multiple fronts. Despite the slightly lower megapixel count, the GF2 excels in dynamic range (approximately 10.3 EV measured), color depth (21.2 bits), and low-light noise handling (ISO performance rating to 506). This sensor technology, paired with its Venus Engine FHD processor, grants GF2 users a distinct image quality advantage - especially evident in shadows and highlights preservation.
The LS5’s sensor works well for snapshots in good lighting but struggles with noise and limited dynamic range in challenging conditions. Its use of a CCD sensor, now largely obsolete in higher-end cameras, leads to slower readout speeds and reduced flexibility (e.g., no RAW capture).
Photographers pursuing landscape and portrait work, where detail and tonality are paramount, will find the GF2 distinctly superior. Casual users or vacation photographers prioritizing ease of use may find the LS5’s sensor adequate for prints and social sharing.
Autofocus Systems: Precision and Speed
For capturing sharp images across genres, autofocus (AF) technology is a critical factor.
Feature | Panasonic GF2 | Panasonic LS5 |
---|---|---|
AF Type | Contrast detection | Contrast detection |
AF Points | 23 | 9 |
Face Detection | Yes | Yes |
Continuous AF | Yes | No |
AF Tracking | Yes | No |
AF Live View | Yes | No |
Animal Eye AF | No | No |
While both cameras rely on contrast-detection autofocus - typical for their categories during their release era - the GF2 offers a more advanced AF system with 23 points and tracking capabilities, improving accuracy and speed for moving subjects. Face detection integration and continuous AF further enhance its utility for portrait and street photography.
In contrast, the LS5 has a simpler AF system with 9 points, lacks continuous or tracking AF, and no live AF feedback - leading to slower focus acquisition and less reliability on fast or erratic subjects.
Wildlife and sports photographers, where decisive focus is non-negotiable, would find the GF2’s system far better suited. Even for casual portraiture, the GF2 offers greater confidence in nail-sharp focus, especially combined with higher quality lenses.
Lens Ecosystem and Compatibility: Creative Flexibility vs Fixed Convenience
Arguably, one of the greatest advantages of mirrorless systems like the GF2 is their lens adaptability.
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GF2 uses the Micro Four Thirds mount with access to over 100 native lenses, ranging from ultra-wide primes to high-quality telephotos, plus many third-party options. This ecosystem supports everything from macro to cinema-grade lenses.
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LS5 features a fixed 26-130mm equivalent zoom lens (F2.8-6.5 aperture range). This versatile zoom covers wide-angle to telephoto but cannot be interchanged or upgraded.
This difference is profound in terms of creative potential and image quality. Practitioners can pair the GF2 with fast prime lenses for portraits with creamy bokeh, dedicated macro lenses for close focus, or weather-sealed zooms for challenging outdoors use.
In contrast, the LS5’s fixed lens is convenient but compromises on sharpness and low-light performance at the telephoto end due to small aperture. It limits the photographer to a single focal range and available creative styles.
Build Quality and Weather Resistance: Durability Considerations
Both cameras do not offer any environmental sealing or ruggedized protections against dust, moisture, or drops. This is consistent with their market segment focus:
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GF2 lacks weather sealing but has a sturdy plastic and metal chassis with a comfortable grip and well-laid-out controls.
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LS5 is a lightweight plastic compact with minimal weather durability.
Photographers working outdoors in unpredictable conditions (landscape, wildlife, travel professionals) should take note that additional protective measures (rain covers, weatherproof bags) may be necessary.
Exposure and Manual Controls: Creative Freedom vs Automation
This dimension truly distinguishes the GF2 as a more serious photographic tool compared to the LS5’s automated approach.
Exposure Feature | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Shutter Speed Range | 60 s – 1/4000 s | 8 s – 1/2000 s |
Exposure Modes | Manual, Aperture Priority, Shutter Priority, Program | None |
Exposure Compensation | Yes | No |
Custom White Balance | Yes | Yes |
Bracketing | AE, WB bracketing | WB bracketing only |
Self-timer Options | Yes (2, 10 sec, 10 sec 3 shots) | Yes (2, 10 sec) |
The GF2 supports full manual exposure control - a vital feature for professional and enthusiast photographers who want precise control over depth of field, motion blur, and artistic effects.
In contrast, the LS5 offers primarily fully automatic exposure with no manual or semi-manual mode. It’s optimized for point and shoot use, where speed and simplicity trump bespoke settings.
Those focused on experimenting with long exposures, HDR workflows, or studio lighting will find the GF2’s control suite indispensable.
Continuous Shooting, Buffer, and Burst Performance: Catching the Decisive Moment
Speed matters in genres like sports, wildlife, and candid street photography.
Metric | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Continuous Shooting | 3 fps | 1 fps |
Maximum Shutter Speed | 1/4000 s | 1/2000 s |
Buffer Capacity | Limited | Limited |
The GF2’s ability to capture three frames per second at full resolution is modest but sufficient for casual sports or action sequences. Meanwhile, the LS5’s single frame per second limits the ability to capture fast sequences completely.
Neither camera specializes in high-speed shooting, but this comparison underscores the GF2’s better suitability for dynamic photography. More advanced cameras in Panasonic’s line or competitors surpass these figures, but for the budget-conscious, it’s an important distinction.
LCD Screen and User Interface: Feedback and Interaction Quality
A critical element influencing shooting confidence and operation speed.
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GF2: 3.0-inch fixed TFT touchscreen with wide viewing angles and a resolution of 460k dots; supports live view touch AF and intuitive menu navigation.
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LS5: 2.7-inch fixed TFT non-touchscreen with a lower resolution of 230k dots; basic menu navigation, no touch functionality.
The GF2’s larger, sharper screen enables more precise framing, better judge focus and exposure, especially in bright daylight. Touchscreen support facilitates rapid focus point adjustment and can accelerate workflow.
The LS5’s smaller, lower-res screen is adequate for casual previewing but less comfortable for detailed composition or assessing focus critically.
Video Capabilities: From Casual Clips to Full HD Recording
Video performance is key for versatile content creators.
Parameter | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Max Resolution | 1920 x 1080 @ 60 fps (Full HD) | 1280 x 720 @ 30 fps (HD) |
Video Formats | AVCHD, Motion JPEG | Motion JPEG |
Microphone Input | No | No |
Headphone Output | No | No |
In-Body Stabilization | No | Optical stabilization in lens |
4K Photo Modes | No | No |
The GF2 clearly leads in video recording flexibility, supporting Full HD at 60 frames per second with quality AVCHD compression. This renders it more viable for semi-professional video, including smooth slow-motion and crisp interlacing-free footage.
Though limited by the lack of microphone or headphone jacks, its superior codec and frame rates offer more creative room.
The LS5 records only up to 720p in Motion JPEG - producing larger, less efficient files, and less suitable for anything beyond casual social media clips.
Optical image stabilization on the LS5’s lens helps mitigate handheld shake during video. The GF2 lacks in-body stabilization but can leverage stabilized lenses - one advantage of interchangeable optics.
Battery Life and Connectivity: Practical Daily Use
Efficiency and connectivity support user flexibility and workflow integration.
Feature | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Battery Type | Proprietary rechargeable pack | 2 x AA batteries |
Battery Life (CIPA) | ~300 shots | ~160 shots |
Wireless Connectivity | None | None |
HDMI Output | Yes | No |
USB | USB 2.0 | USB 2.0 |
The GF2 offers moderate endurance with a lithium-ion battery designed for mirrorless system demands. At roughly twice the shot capacity vs LS5’s AA batteries, the GF2 provides greater convenience for longer shoots.
The LS5’s reliance on standard AA batteries offers an advantage where recharging infrastructure is limited - ideal for casual travelers or emergency use cases.
The presence of HDMI output on the GF2 enables direct connection for playback or tethered shooting workflows, an option missing on the LS5.
Neither camera supports Wi-Fi, Bluetooth, or NFC, reflecting their era but limiting instantaneous image transfer or remote control.
Real-World Performance Across Photography Genres
Below we summarize practical usage observations in various disciplines based on extensive shooting tests with both cameras.
Genre | Panasonic GF2 | Panasonic LS5 |
---|---|---|
Portrait | Excellent color rendition and skin tones with creamy bokeh using quality primes; reliable face detection AF | Adequate for snapshots; limited bokeh and shallow focus control due to sensor and fixed lens |
Landscape | Superior dynamic range preserves shadow and highlight details; high resolution and interchangeable lenses expand creativity | Modest detail; limited dynamic range; fixed lens lacks ultra-wide options |
Wildlife | Faster autofocus, better tracking, ability to mount super-telephoto lenses | Slow AF and minimal reach; zoom quality suffers at tele end |
Sports | Burst mode adequate for casual sports; lacks advanced tracking; no in-body stabilization | Insufficient continuous speed; lagging focus hampers action capture |
Street | Compact body balance for casual street shooting; touchscreen enhances experience despite no EVF | Highly pocketable; very discreet; but slow AF reduces responsiveness |
Macro | Compatible with dedicated macro lenses for high-precision focus and magnification | Limited macro ability; optical zoom and focus not optimized for close-ups |
Night/Astro | Larger sensor excels at high ISO; longer shutter speeds supported | Struggles in low light; limited shutter speed range reduces creative long exposures |
Video | Full HD, 60 fps enables smooth footage; some lens stabilization options | Only HD 720p; motion JPEG format with limited frame rates |
Travel | Lightweight compared to DSLRs; versatile lenses available; moderate battery life | Ultralight; pocket-friendly; AA batteries allow easy swaps abroad |
Professional Use | RAW support and manual controls integrate with workflows; HDMI aids tethering | Lacks professional features; suitable only for casual use |
For clarity, ratings adapted from extensive lab testing are illustrated below.
Performance Scores and Final Ratings
Quantitative benchmarking confirms the GF2’s well-rounded superiority in most performance categories, notably image quality, autofocus, and video capabilities. The LS5’s strengths lie in portability and simple point-and-shoot use.
Summary: Who Should Buy Which Camera?
Choose the Panasonic Lumix GF2 if you:
- Desire a lightweight mirrorless with manual control and interchangeable lenses
- Require better image quality, low-light performance, and creative flexibility
- Shoot portraits, landscapes, macro, or video needing full HD and advanced exposure control
- Value touchscreen interface and faster, more reliable autofocus
- Have a modest budget for acquiring lenses and accessories
Choose the Panasonic Lumix LS5 if you:
- Prioritize compactness and true pocket portability
- Need a simple “grab-and-go” camera for casual snapshots and vacation
- Prefer AA battery convenience without chargers/plugs
- Want an all-in-one zoom with no fuss over camera settings or lenses
- Are less concerned with image quality and more with compact design
Concluding Thoughts
Through hands-on testing encompassing various disciplines and lighting conditions, the Panasonic Lumix GF2 affirms its position as a competent entry-level mirrorless system camera providing high image fidelity, versatile controls, and expandable lens choices unmatched by compact fixed-lens alternatives like the LS5. Meanwhile, the LS5 fits a narrower niche emphasizing simplicity and portability at the cost of image quality and creative control.
By aligning camera capabilities with your photographic ambitions - whether casual, enthusiast, or semi-professional - you can make informed choices supported not just by specifications but real-world experience validating those numbers.
For enthusiasts ready to explore deeper photographic expression with a balanced cost-performance ratio, the GF2 remains a commendable choice even a decade after release. Casual users valuing convenience above all may find the LS5 adequate but should expect compromise in image fidelity and control.
This comprehensive comparison integrates technical analysis, practical experience, and usage insights to assist you in selecting the camera best tuned to your needs and aspirations.
Thank you for reading this detailed evaluation.
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Panasonic GF2 vs Panasonic LS5 Specifications
Panasonic Lumix DMC-GF2 | Panasonic Lumix DMC-LS5 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GF2 | Panasonic Lumix DMC-LS5 |
Class | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2011-02-24 | 2011-07-21 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Full resolution | 4000 x 3000 | 4320 x 3240 |
Max native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 26-130mm (5.0x) |
Largest aperture | - | f/2.8-6.5 |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 2.7 inches |
Resolution of screen | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Color LCD with wide-viewing angle | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 8 seconds |
Highest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shooting rate | 3.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | 4.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | AVCHD, Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 310g (0.68 lbs) | 126g (0.28 lbs) |
Physical dimensions | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") | 97 x 62 x 27mm (3.8" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | 54 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 506 | not tested |
Other | ||
Battery life | 300 photographs | 160 photographs |
Style of battery | Battery Pack | AA |
Battery model | - | 2 x AA |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Launch cost | $330 | $294 |