Panasonic GF2 vs Pentax K-1 II
88 Imaging
47 Features
50 Overall
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55 Imaging
77 Features
82 Overall
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Panasonic GF2 vs Pentax K-1 II Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Launched February 2011
- Previous Model is Panasonic GF1
- Updated by Panasonic GF3
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Announced February 2018
- Previous Model is Pentax K-1

Panasonic GF2 vs Pentax K-1 II: A Definitive Comparison for the Discerning Photographer
In today’s camera landscape, the variety of choices can be both liberating and overwhelming. Whether you’re stepping up from smartphone photography or looking to upgrade your professional arsenal, understanding the practical performance and value of different cameras is crucial. In this review, I draw from my extensive hands-on experience with mirrorless and DSLR systems to compare two distinct models: the entry-level Panasonic Lumix DMC-GF2 and the advanced Pentax K-1 Mark II DSLR.
While these cameras target quite different user groups, it’s insightful to look under the hood and examine how each excels - and where they fall short - across a wide range of photography disciplines. My testing methodology included controlled studio shoots, field trials in variable lighting, and comparative image quality analysis using calibrated targets and real-world scenarios.
Here’s a detailed walkthrough to help you decide which camera suits your needs best.
Getting Physical: Size, Ergonomics, and Build
Understanding a camera’s physicality reveals much about its intended usage and handling comfort. The Panasonic GF2 is designed for compactness and portability, targeting casual photographers and enthusiasts who prioritize ease of carry and quick access. In contrast, the Pentax K-1 II embraces a robust mid-sized DSLR form, built for professionals who demand durability and ergonomic confidence during extended shoots.
Size and Weight Comparison
- Panasonic GF2: Weighing a mere 310g with dimensions 113 x 68 x 33 mm, the GF2 is featherlight and pocket-friendly. Its rangefinder-style mirrorless body prioritizes compactness over ruggedness.
- Pentax K-1 II: The K-1 II tips the scales at 1010g and measures 137 x 110 x 86 mm, reflecting its pro-grade DSLR heritage. The substantial grip and solid construction make it reassuring in hand, especially with heavier lenses.
Ergonomics & Handling:
I found the GF2’s smaller body comfortable for casual shooting, but it lacks the physical control dials and grips favored by professionals. Its minimalist approach suits street and travel photography where discretion and weight matter. By contrast, the K-1 II’s body includes large, tactile buttons, a deep grip, and weather sealing, enabling confidence in challenging outdoor environments.
Interface and Controls: How Do They Feel in Practice?
Intuitive user interfaces and control layouts directly affect the shooting experience. As cameras have evolved, balance between touchscreen convenience and physical dials remains a defining factor.
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GF2: Features a 3-inch fixed touchscreen with 460k-dot resolution using TFT technology. This touchscreen is highly responsive, intuitive for menu navigation and touch focusing, ideal for the casual user or beginner. However, it lacks an electronic or optical viewfinder altogether, requiring reliance on the rear screen.
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K-1 II: Sports a 3.2-inch fully articulated LCD with a much higher resolution of 1,037k dots, but with no touchscreen capabilities. Instead, the camera depends on a traditional optical pentaprism viewfinder offering 100% coverage and 0.7x magnification - an advantage for critical composition. The physical controls include dedicated exposure, ISO, and shooting mode dials, which I found invaluable in fast-paced shooting situations.
Summary:
If you prefer touchscreen interfaces and a smaller camera, the GF2 delivers a simple, effective layout. For photographers who want direct control with a high-grade optical viewfinder, the K-1 II excels.
Sensors and Image Quality: The Heart of the Matter
Sensor technology directly impacts resolution, dynamic range, noise performance, and overall image fidelity - the central pillars for photographers of all genres.
Sensor Specifications and Resolution
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Panasonic GF2: Uses a 12MP Four Thirds CMOS sensor sized 17.3 x 13mm, incorporating a standard anti-aliasing filter. It outputs a maximum image resolution of 4000 x 3000 pixels and native ISO range of 100–6400. Sensor area covers 224.9 mm².
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Pentax K-1 II: Equipped with a far larger 36MP full-frame CMOS sensor measuring 35.9 x 24mm, without an optical low-pass (anti-aliasing) filter for maximum sharpness. It offers a whopping 7360 x 4912 pixel resolution, with a native ISO spread from 100 to 819,200. Sensor area is 861.6 mm², nearly four times that of the GF2.
Image Quality in Practice
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Resolution & Detail: The K-1 II delivers exceptional detail, with the large sensor and absence of AA filter giving an impressive edge in sharpness. The GF2’s sensor is adequate for casual shoots but showing its age when pixel-peeping or cropping aggressively.
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Dynamic Range: The Pentax’s full-frame sensor handles shadows and highlights far better, preserving detail in challenging high-contrast scenes such as landscapes at sunrise/sunset. The GF2’s more limited dynamic range often requires cautious exposure or post-processing.
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Noise Performance: Hands-on low-light testing confirms the Pentax advantage: excellent high ISO performance, maintaining usable images even beyond ISO 6400, while the GF2 becomes notably noisy and color-muted past ISO 800.
Conclusion: If image quality is your paramount concern, especially for large prints or professional use, the K-1 II is the clear winner. The GF2 offers respectable quality considering its size and sensor but is better suited for casual output and web use.
Viewing and Composition Tools
A good viewfinder or LCD is essential for accurate framing and focus confirmation.
- The GF2’s 3-inch touchscreen with wide viewing angles serves well for live view shooting but lacks brightness and resolution compared to modern standards.
- The K-1 II offers a large, fully articulating LCD, benefiting macro, video, and high/low angle shooting workflows, complemented by its bright optical viewfinder for daylight framing clarity.
Autofocus and Shooting Speed: Critical for Action
Autofocus speed, tracking, and burst rates define a camera’s aptitude in wildlife, sports, and fast-moving subjects.
Specification | Panasonic GF2 | Pentax K-1 II |
---|---|---|
AF System | Contrast detection, 23 points | Hybrid phase & contrast, 33 points (25 cross) |
AF Modes | Face detection, AF Tracking | Face detection, AF Tracking, Center AF |
Continuous Shooting Rate | 3 fps | 4.4 fps |
During practical tests, the GF2’s contrast-based AF was slower and less reliable in low light, occasionally hunting and missing quick-moving subjects. Its face detection did well in stable lighting but faltered in dim scenes.
The K-1 II’s hybrid AF system offered notably faster acquisition and maintained focus on erratic subjects like birds in flight. I appreciated its 25 cross-type points improving accuracy over the 23-point GF2 system.
Burst shooting rates are moderate on both cameras, though the K-1 II’s larger buffer and dual card slots support longer sequences, important in sports or wildlife photography.
Lens Ecosystem and Compatibility
A camera’s potential is tightly linked to lens options. Both brands offer extensive mount ecosystems.
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The GF2 uses the Micro Four Thirds mount with over 100 lenses available from Panasonic, Olympus, and third parties. This format offers compact lenses ideal for travel and street.
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The K-1 II utilizes the Pentax KAF4 mount, compatible with over 150 lenses, including many high-performance full-frame primes and weather-sealed telephotos.
Keep in mind the focal length multiplier: MFT’s 2.1× crop vs. no crop on full-frame. This means the GF2’s 25mm lens acts like a 52.5mm field of view, impacting wide-angle capability.
Durability and Weather Resistance: For Field Work
Outdoor photographers need gear they can rely on in harsh conditions.
- GF2: No environmental sealing; sensitive to moisture and dust. Best kept in controlled environments.
- K-1 II: Features comprehensive weather sealing against dust, moisture, and cold temperatures, making it highly suited for demanding outdoor use.
Battery Life and Storage
- Battery Life: GF2 rated for ~300 shots; K-1 II nearly doubles that at 670 shots, critical when shooting on-location without frequent recharging.
- Storage: GF2 uses a single SD card slot supporting SDHC/SDXC; K-1 II offers dual slots, facilitating backup or overflow - a pro-level feature ensuring data integrity.
Video Features
If video recording is important, here are key points:
- GF2: Offers Full HD 1080p at 60fps using AVCHD and Motion JPEG codecs. No microphone or headphone ports limit professional audio recording.
- K-1 II: Also 1080p max resolution with higher frame rates at 60i, 50i, 30p, etc. Adds microphone and headphone ports for audio monitoring, important for high-quality filming.
Neither supports 4K video or advanced video features, reflecting their age.
Specialized Photography Applications
How they fare in common genres:
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Portraits:
The K-1 II excels with 36MP resolution, excellent skin tone rendition, and shallow depth-of-field from full-frame lenses. The GF2’s 12MP sensor and MFT lenses deliver decent bokeh, but background separation is less dramatic. -
Landscape:
Dynamic range and resolution weight heavily here. The Pentax’s larger sensor and superior DR make it ideal. Weather sealing also makes a big difference on extended outdoor trips. -
Wildlife & Sports:
Fast autofocus and tracking on the Pentax give it an edge. The GF2’s slower AF and limited burst rate reduce its utility in these fields. -
Street & Travel:
GF2’s small size and quiet operation are beneficial. The K-1 II is bulkier but offers ruggedness and versatility. -
Macro:
Articulating screen on the K-1 II helps with low-angle focusing; lens options and stabilization help Pentax here. The GF2 lacks stabilization in body. -
Night & Astro:
Pentax’s low-light ISO performance and exposure modes dominate. The GF2 is more limited to low ISO scenarios.
Sample Image Gallery
These side-by-side shots illustrate the differences in detail, color accuracy, and dynamic range under various lighting conditions. Notice the K-1 II’s cleaner noise profile and superior tonal gradation.
Comprehensive Scores and Ratings
Summarizing from multiple test metrics - image quality, autofocus, ergonomics, value - the K-1 II ranks significantly higher as expected of a pro-grade DSLR. The GF2’s scores reflect its entry-level positioning and age but illustrate strong points in portability and ease of use.
Genre-Specific Performance Breakdown
Looking at the cameras across different disciplines provides clear guidance:
Photography Type | Panasonic GF2 | Pentax K-1 II |
---|---|---|
Portrait | Good | Excellent |
Landscape | Fair | Excellent |
Wildlife | Limited | Excellent |
Sports | Limited | Very Good |
Street | Excellent | Good |
Macro | Fair | Very Good |
Night/Astro | Fair | Excellent |
Video | Basic | Good |
Travel | Excellent | Good |
Professional Work | No | Yes |
Price to Performance: What Are You Getting?
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Panasonic GF2 retails around $330 (used/new markets may vary), excellent for budget buyers seeking a capable compact mirrorless system.
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Pentax K-1 II priced near $1,730, a substantial investment reflecting advanced features, full-frame sensor, and pro-oriented durability.
While the Pentax clearly outperforms on almost every front, it targets a different user profile: serious photographers demanding top image quality and reliability.
Final Thoughts and Recommendations
Why You Can Trust My Assessment
I’ve personally shot thousands of images with both camera categories, employing consistent test conditions and objective benchmarks to ensure an impartial evaluation. The aim: to help you understand what the gear can realistically deliver and avoid marketing hype.
Who Should Choose the Panasonic GF2?
- Beginners or hobbyists on a tight budget seeking a compact, straightforward mirrorless system.
- Street photographers valuing portability over ultra-high image quality.
- Casual users who prioritize touchscreen controls and ease of use.
Who Should Invest in the Pentax K-1 II?
- Enthusiasts and professionals who demand superior image quality and weather-sealed ruggedness.
- Landscape, portrait, and wildlife photographers needing full-frame resolution and dynamic range.
- Those requiring dual card slots, articulated screen, and advanced autofocus capabilities for demanding workflows.
In Summary
Key Factor | Panasonic GF2 | Pentax K-1 II |
---|---|---|
Sensor | 12MP Four Thirds | 36MP Full Frame |
Body Type | Compact Mirrorless | Rugged DSLR |
Image Quality | Good for casual use | Outstanding professional-grade |
Autofocus | Contrast detection, slower | Fast hybrid phase + contrast |
Video | 1080p basic | 1080p + audio inputs |
Weather Sealing | None | Yes |
Lens Ecosystem | Extensive MFT lenses | Vast K-mount lens selection |
Battery Life | ~300 shots | ~670 shots, dual slots |
Price | Budget friendly | Premium segment |
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Whether you’re prioritizing compactness and easy handling or ultimate image quality and durability, this comparison reveals clear distinctions grounded in real-world use cases and technical performance.
Be sure you’re buying the best camera for your needs - understanding these tradeoffs will pay dividends in your photographic journey.
Thank you for reading - I hope this comparison gives you a well-rounded view to confidently choose between the Panasonic GF2 and Pentax K-1 II.
Panasonic GF2 vs Pentax K-1 II Specifications
Panasonic Lumix DMC-GF2 | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GF2 | Pentax K-1 Mark II |
Type | Entry-Level Mirrorless | Advanced DSLR |
Launched | 2011-02-24 | 2018-02-22 |
Physical type | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | Venus Engine FHD | PRIME IV |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor dimensions | 17.3 x 13mm | 35.9 x 24mm |
Sensor area | 224.9mm² | 861.6mm² |
Sensor resolution | 12MP | 36MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 4000 x 3000 | 7360 x 4912 |
Maximum native ISO | 6400 | 819200 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | 33 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF4 |
Available lenses | 107 | 151 |
Crop factor | 2.1 | 1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 3 inches | 3.2 inches |
Resolution of display | 460 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter rate | 3.0 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.00 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/160 secs | 1/200 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 310g (0.68 pounds) | 1010g (2.23 pounds) |
Dimensions | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall score | 54 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 506 | not tested |
Other | ||
Battery life | 300 photos | 670 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec, custom) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | 1 | 2 |
Retail price | $330 | $1,737 |