Panasonic GF2 vs Pentax E70
88 Imaging
47 Features
50 Overall
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94 Imaging
33 Features
11 Overall
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Panasonic GF2 vs Pentax E70 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Released February 2011
- Previous Model is Panasonic GF1
- New Model is Panasonic GF3
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 35-105mm (F3.1-5.9) lens
- 175g - 94 x 61 x 26mm
- Announced January 2009

Panasonic Lumix GF2 vs. Pentax Optio E70: A Hands-On Comparison for Photography Enthusiasts
When revisiting cameras from the early 2010s like Panasonic’s Lumix GF2 and Pentax’s Optio E70, it’s fascinating to explore how differing design philosophies and target audiences shaped these models. One an entry-level mirrorless with Micro Four Thirds sophistication, the other a compact small-sensor point-and-shoot - both catering to beginners yet with vastly different capabilities and photographic aims. Having tested both extensively with a variety of lenses and scenarios, I’m sharing a detailed comparison that dives deep into their performance, handling, image quality, and real-world use across a broad photography spectrum.
Let’s unpack what each offers and how those legacy technologies continue to shape photographic choices today.
The Shape and Grip of Things: Ergonomics and Handling
From the outset, the Panasonic GF2 impresses with its rangefinder-style mirrorless body, embodying compactness without sacrificing control. Measuring 113x68x33mm and weighing around 310g, its design strikes a balance between portability and manual operation. The inclusion of a fixed 3-inch touchscreen LCD adds a tactile dimension that many mirrorless models of its era lacked.
In contrast, the Pentax Optio E70, at 94x61x26mm and 175g, is an ultra-compact point-and-shoot. Its clamshell compact silhouette is easy to slip into a pocket. However, this size comes at the cost of limited manual control - no physical dials, no focus rings, and aperture/shutter priority modes are absent.
Holding the GF2, I appreciate its deliberate button placement and textured grip, affording confident handling during more involved shoots - precisely what a mirrorless camera should deliver. The E70, designed for casual photography, feels minimalistic, making it ideal for quick snaps but less so for intentional composition or tactile feedback.
The Panasonic's top view shows a thoughtfully laid-out control cluster, including dedicated exposure compensation, mode dial, and a shutter button that’s built for two-stage focusing. The Pentax, by contrast, offers a very simplified top surface devoid of physical dials, which sometimes leads to fumbling through menus for exposure adjustments.
If you value ergonomic precision and button accessibility, especially for manual overrides, the GF2 takes the win hands down.
Sensor Technology and Image Quality: A Divide by Design
Image quality often defines how far a camera can take your creativity, so let’s peek under the hood.
The Panasonic GF2 houses a 12-megapixel Four Thirds CMOS sensor, sized at 17.3x13mm with an active sensor area of approximately 225 mm². Its sensor features an antialiasing filter and is paired with the Venus Engine FHD processor, delivering respectable image processing capabilities typical of Panasonic’s 2011 lineup.
Meanwhile, the Pentax Optio E70 features a diminutive 10-megapixel 1/2.3" CCD sensor, measuring just 6.08x4.56mm (27.7 mm² sensor area) - notably smaller with a much narrower dynamic range.
As expected, the GF2’s larger sensor size significantly impacts image quality across multiple metrics. Panasonic's CMOS technology affords better low-light performance with a lower noise floor at ISOs up to 6400 native, and a dynamic range rating around 10.3 EV according to DxOmark tests. The GF2’s color depth clocks in at 21.2 bits, delivering richer tonal gradations and more latitude in post-processing.
The E70’s sensor, while competent in brightly lit conditions, falls short as light dims. The CCD sensor, despite decent color reproduction under ideal light, underperforms at ISO settings beyond 400, resulting in noticeable noise and detail loss. Dynamic range is tighter, limiting highlight retention in high-contrast scenes.
Practically, I found the GF2 capable of crisp landscapes with excellent shadow retrieval, while the E70 occasionally clipped highlights or rendered dark areas muddy. For large prints or detailed cropping, the GF2’s 12MP resolution paired with better image quality gears it towards semi-professional usage, whereas the E70 serves best for casual sharing or small prints.
Screen, Viewfinder, and User Interface: Seeing Your Picture
The GF2’s 3-inch Fixed TFT LCD with a 460k-dot resolution and touchscreen input was ahead of its time in this price range. It offers a wide viewing angle and responsive touch controls, improving composition and focusing especially when using manual or selective autofocus modes. This is a critical feature for photographers tapping into creative autofocus options or shooting at tricky angles.
The Pentax E70’s 2.4-inch LCD, at a resolution of 112k dots, looks dim and grainy by comparison, without touchscreen support. This makes manual focusing or exposure checking less precise - particularly under bright outdoor lighting where reflections are distracting.
Neither camera offers an electronic viewfinder (EVF), which is a slight drawback for shooting in bright sunlight or for photographers accustomed to eye-level framing. For the GF2, this omission is somewhat mitigated by the articulated LCD and touchscreen responsiveness.
Using the GF2, I enjoyed direct menu navigation on the screen - improving workflow speed during shoots. The Pentax’s simple interface felt a bit sluggish and less intuitive, often requiring multiple button presses to access settings.
Lens Ecosystem and Focal Flexibility
Here is where the GF2 shines with a broad and growing Micro Four Thirds lens ecosystem. Panasonic’s compatibility with Olympus and third-party lenses gives photographers upwards of 107 lens options ranging from ultra-wide primes to telephoto zooms, macro lenses, and specialty glass.
The E70 offers a fixed 35-105mm equivalent zoom lens with a slow maximum aperture of f/3.1–5.9, severely limiting shallow depth-of-field and low light flexibility. While suitable for casual snapshots, the fixed lens architecture forecloses creative experimentation with prime lenses or super-telephoto glass.
This lens factor distinctly positions the GF2 for portraiture, wildlife, and macro, depending on what glass you attach; the E70 is strictly a simple walk-around camera.
Autofocus Systems: Speed, Accuracy, and Versatility
The GF2 employs a contrast detection autofocus system with 23 focus points including multi-area, face detection, and tracking AF modes. Although it lacks phase detection, the AF is responsive and accurate under varied lighting thanks to its processing engine and touchscreen AF points.
In my field tests, the GF2 managed reliable AF locks on faces, making it fairly portrait-friendly. Animal eye AF isn’t supported, unsurprising given the camera’s vintage, but the relevant face-detection helps track people effectively.
The E70 instead uses a 9-point contrast-detection system without face detection. The focusing speed is adequate for static subjects but slower and more prone to hunting in low-light or moving subjects. There’s no continuous autofocus mode, which restricts utility for sports or wildlife photography.
Burst Rates, Shutter Speeds, and Low Light Capabilities
The Panasonic GF2 supports continuous shooting at 3 fps with mechanical shutter speeds from 1/60 to 1/4000 sec. While modest by today’s standards, it’s more than adequate for casual sports action or street photography. It also includes manual, aperture, and shutter priority modes - a boon for creative control.
The Pentax E70’s shutter range is from 4 seconds to 1/2000 sec, with no burst mode for continuous shooting. Its lack of manual exposure control or shutter priority limits challenging shooting modes considerably.
For low-light shooting, the GF2’s sensor and higher ISO ceiling enable usable images indoors or at dusk, especially when paired with fast primes. The E70 struggles at ISO 800+, where noise becomes prevalent, and its slower aperture compounds exposure challenges.
Portability and Travel Considerations
The GF2’s rangefinder-style body strikes a nice middle ground: it’s light enough to carry comfortably all day but offers more control and image quality than compact cameras of that era. Classic travel scenarios benefit from the interchangeable lenses, letting users toggle between wide landscapes and distant details without packing multiple bodies.
The E70’s small size and lightweight AA-battery convenience are perfect for ultra-light travel or as a backup casual camera, easily slipping into secondary pockets. However, its image quality and limited flexibility make it a second choice for serious travel photographers seeking versatility or image fidelity.
Battery life on the GF2 is rated at around 300 shots per charge, typical for mirrorless models, while the E70 uses AA batteries, which can be swapped out in the field but may add bulk if carrying spares.
Photography Discipline Performance Snapshot
Now to put both cameras through their paces across the common genres:
Portrait Photography:
GF2’s superior sensor and autofocus face detection yield natural skin tones, controlled bokeh with fast lenses, and crisp eye focus. The E70’s fixed zoom and small sensor limit shallow depth of field and detail. Verdict: GF2 is clearly better for portraits.
Landscape Photography:
The GF2’s Four Thirds sensor with its greater dynamic range, 12MP resolution, and manual exposure modes outperform the E70’s tiny sensor and limited dynamic range. Both suffer from the lack of weather sealing, but this is a general limitation for these budget-conscious models.
Wildlife and Sports:
GF2’s 3 fps continuous shooting and AF tracking make it a basic but usable option for wildlife or casual sports. The E70’s lack of burst mode and slower AF hinder capturing motion.
Street Photography:
The E70’s small footprint beats the GF2’s marginally larger size in stealth and portability, but the GF2’s faster shutter speeds and touch-focus add responsiveness that can unlock more decisive moments.
Macro Photography:
GF2’s lens flexibility grants access to dedicated macro lenses with precise focusing. E70’s 10cm macro limit and fixed lens are rudimentary at best.
Night/Astro:
GF2’s higher ISO support and manual modes allow longer exposures and better noise handling. E70’s high noise and limited exposure controls restrict night photography potential.
Video Capabilities:
GF2 records Full HD 1080p at 60fps using AVCHD and Motion JPEG, with HDMI out - a decent package for the time, though lacking onboard mic inputs. E70 records only 720p video, insufficient for quality video work.
Build Quality, Weather Resistance & Durability
Neither camera boasts environmental sealing, waterproofing, or shockproofing. For entry-level models from their respective years, this is not unexpected. GF2’s somewhat rugged Micro Four Thirds build feels more durable compared to the E70’s delicate compact plastic shell.
Connectivity and Storage
The GF2 offers HDMI output and USB 2.0 for tethering or file transfer. The E70 lacks HDMI but supports USB 2.0. No wireless or Bluetooth connectivity is available on either model - a reflection of their pre-smartphone integration era.
Both rely on SD/SDHC/SDXC cards for storage, with the E70 also offering internal memory - a handy backup but limited capacity.
Price and Value: Contextualizing Costs
At launch prices, the GF2 commanded about $330 versus the E70’s $140. For two to three times the price, the GF2 delivers a substantial jump in image quality, flexibility, and creative control. Secondhand prices today remain low, but the GF2’s more modern lens compatibility may retain user value longer.
Summarizing the Numbers: Performance Ratings
The GF2 rounded solid mid-range marks for entry-level mirrorless cameras of its generation, particularly shining in image quality, usability, and lens compatibility. The Optio E70 scored respectably for ultra-compact convenience and simplicity but underperforms across key photographic disciplines due to sensor and control limitations.
Final Thoughts: Who Should Choose Which?
Choose Panasonic Lumix GF2 if:
- You’re a beginner or enthusiast seeking a compact mirrorless system with room to grow.
- You want access to a broad lens system for portraits, macro, and landscapes.
- You desire manual controls, an intuitive touchscreen interface, and better video specs.
- You shoot low-light or want more creative freedom through aperture/shutter priority modes.
Choose Pentax Optio E70 if:
- You need a truly pocketable point-and-shoot for casual snapshots and travel ease.
- You prefer the convenience of AA batteries and simplicity over complexity.
- You have a very tight budget and prioritize compactness above all else.
- You’re mostly shooting in good light and sharing images at small sizes.
Closing Reflections
Testing both cameras back-to-back is a reminder of how the gap between entry-level mirrorless and compact cameras has historically been a chasm - in sensor size, handling, and image quality. While the Pentax Optio E70 is a friendly, straightforward companion for everyday snapshots, the Panasonic GF2 opens doors for more deliberate photography, blending portability with the merits of Micro Four Thirds.
When considering a purchase today, both cameras are dwarfed by current mirrorless offerings, yet their legacies endure. If you prioritize photographic authenticity, manual operation, and image quality, the GF2 stands tall as a worthy classic. If ease-of-use and portability reign supreme, the E70 could still serve those needs well.
In any case, understanding these cameras’ distinct characters will serve you well as you chart your own photographic adventures.
I hope this detailed comparison helps you make an informed choice tailored to your photography goals. If you have questions about modern alternatives, feel free to ask - I’m always happy to guide the next step in your photographic journey.
Panasonic GF2 vs Pentax E70 Specifications
Panasonic Lumix DMC-GF2 | Pentax Optio E70 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GF2 | Pentax Optio E70 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Released | 2011-02-24 | 2009-01-05 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4000 x 3000 | 3648 x 2736 |
Highest native ISO | 6400 | 6400 |
Min native ISO | 100 | 64 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 35-105mm (3.0x) |
Highest aperture | - | f/3.1-5.9 |
Macro focus distance | - | 10cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 2.4" |
Display resolution | 460 thousand dot | 112 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 secs | 4 secs |
Maximum shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shooting speed | 3.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | 3.50 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video data format | AVCHD, Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 310 gr (0.68 lbs) | 175 gr (0.39 lbs) |
Physical dimensions | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") | 94 x 61 x 26mm (3.7" x 2.4" x 1.0") |
DXO scores | ||
DXO All around score | 54 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 506 | not tested |
Other | ||
Battery life | 300 shots | - |
Battery form | Battery Pack | - |
Battery model | - | 2 x AA |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC, Internal |
Storage slots | 1 | 1 |
Pricing at launch | $330 | $140 |