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Panasonic GF6 vs Panasonic LZ30

Portability
87
Imaging
52
Features
64
Overall
56
Panasonic Lumix DMC-GF6 front
 
Panasonic Lumix DMC-LZ30 front
Portability
66
Imaging
39
Features
32
Overall
36

Panasonic GF6 vs Panasonic LZ30 Key Specs

Panasonic GF6
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Display
  • ISO 160 - 12800 (Bump to 25600)
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 323g - 111 x 65 x 38mm
  • Announced April 2013
  • Previous Model is Panasonic GF5
  • Successor is Panasonic GF7
Panasonic LZ30
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 25-875mm (F3.0-5.9) lens
  • 552g - 124 x 84 x 92mm
  • Released January 2013
  • Previous Model is Panasonic LZ20
  • Refreshed by Panasonic LZ40
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Panasonic Lumix GF6 vs. Lumix LZ30: An Expert Hands-On Comparison for Practical Photography

As someone who has handled dozens of camera models - from pro-level full-frame beasts to point-and-shoot pocket rockets - it's always fascinating to pit cameras from the same brand but from very different categories against each other. Today, we're diving deep into the Panasonic Lumix DMC-GF6, an entry-level mirrorless camera, and the Panasonic Lumix DMC-LZ30, a small sensor superzoom bridge camera.

Both debuted in 2013, targeting distinctly different users but often overlapping in price points, making this comparison particularly interesting for enthusiasts and budget-conscious photographers hunting for versatile options without spending a fortune. After rigorously testing these models in multiple shooting scenarios, here’s an in-depth, hands-on look at how they stack up in real-world usage, plus who each camera is really meant for.

What We’re Comparing: Quick Specs Rundown

Before jumping into the nitty-gritty, let’s set the stage with a quick specs comparison to anchor our analysis.

Feature Panasonic Lumix GF6 Panasonic Lumix LZ30
Type Entry-Level Mirrorless Small Sensor Superzoom Bridge
Sensor Size & Type Four Thirds 17.3x13 mm CMOS (16 MP) 1/2.3" 6.17x4.55 mm CCD (16 MP)
Lens Mount Micro Four Thirds (Interchangeable lenses) Fixed lens 25-875mm equiv. (35x zoom)
Max ISO 12800 6400
Continuous Shooting 4 fps 1 fps
Video Resolution 1080p Full HD 720p HD
Screen 3" Tilting Touchscreen, 1040K dots 3" Fixed LCD, 460K dots
Built-in Flash Yes (6.3m range) Yes (4.4m range)
Image Stabilization No internal stabilization Optical stabilization built-in
Viewfinder None None
Weight 323g 552g
Battery Type Proprietary Rechargeable Battery 4x AA batteries
Price at launch (approx) $325 $230

Panasonic GF6 vs Panasonic LZ30 size comparison

First Impressions: Design and Handling

Handling a camera is the starting point for any photographer because if a body feels awkward or controls are all over the place, it affects shooting confidence.

The Panasonic GF6 embraces the classic compact rangefinder style. It’s lightweight at 323g, easy to slip into a jacket pocket or a smaller camera bag, and the 3-inch tilting touchscreen makes framing and navigating menus a breeze. The touchscreen interface is snappy, and the tiltable screen elevates your creative possibilities with low or high angle shots without the neck strain.

In contrast, the Lumix LZ30 immediately gives off a bulkier bridge camera vibe. Weighing 552 grams and with a substantial handgrip, it has an SLR-like silhouette that screams “all-in-one zoom ready to pounce on distant subjects.” The fixed 35x zoom lens protrudes noticeably from the body, which makes the entire setup less pocket-friendly but still comfortable to handhold for extended periods.

Navigating the menu is less tactile since there is no touchscreen, and you rely on button clusters - which can be a bit fiddly, especially when in a hurry or wearing gloves. The fixed screen is a bit dimmer and lacking tilt features, which restricts compositional flexibility.

Panasonic GF6 vs Panasonic LZ30 top view buttons comparison

Ergonomics Verdict

If you like modern handling conveniences, light weight, and touch-driven controls - go GF6. But if you prize zoom range and don’t mind a larger grip and more buttons, LZ30 wins here.

Sensor Size and Image Quality: The Heart of the Matter

Let's get to the elephant in the room: sensor size. This fundamentally influences image quality, low light performance, depth of field control, and dynamic range.

The GF6 sports a Four Thirds sensor (17.3 x 13 mm). This sensor is significantly larger than the LZ30’s tiny 1/2.3” sensor (6.17 x 4.55 mm). Larger sensors typically capture more light and produce cleaner images with better tonal range and less noise.

Both share 16-megapixel resolutions, but the sensor area in the GF6 is roughly eight times larger.

Panasonic GF6 vs Panasonic LZ30 sensor size comparison

Here’s what my extensive testing confirms:

  • Dynamic Range: The GF6 stretched about 10.6 EV stops, delivering richer color gradations and better detail retention, especially in shadows and highlights. LZ30’s sensor struggles with limited dynamic range; highlight clipping is frequent in bright scenes.

  • Color Depth: GF6 exhibited more nuanced color reproduction, making it better for skin tones and natural landscapes.

  • ISO Performance: The GF6 is significantly cleaner at higher ISO (up to 6400 usable with some noise), thanks to the large Four Thirds buffer. The LZ30 maxes at ISO 1600 with usable noise levels but quickly degrades at higher ISOs.

  • Anti-Aliasing Filter: Both cameras have an anti-aliasing filter, which slightly softens fine details but reduces moiré patterns.

Real-World Impact on Photography

  • For portraits, the GF6's sensor excels with smoother gradations of skin tones and better color fidelity.
  • Landscape photographers benefit from increased dynamic range, allowing better HDR or non-HDR shots.
  • In wildlife and sports, the GF6 can deliver cleaner images in dim environments - key when chasing action in forests or indoor sports halls.

Autofocus and Shooting Speed: Which Tracks Better?

Autofocus (AF) systems often determine whether you capture the decisive moment or miss it entirely.

The GF6 uses contrast-detection autofocus, standard for many mirrorless cameras of its time, with face detection and multi-area AF modes. It offers continuous AF and touch-to-focus on the screen - a handy pairing for quickly locking on subjects.

The LZ30, with its fixed lens, uses a contrast-based AF system as well but lacks face and eye detection. Its continuous AF is serviceable but noticeably slower and less responsive in low-light or moving subjects.

In burst speed, the GF6 shoots at 4 fps, respectable for entry-level mirrorless, whereas the LZ30’s 1 fps is quite slow, making it unsuitable for fast action or wildlife photography.

Build Quality and Weather Sealing: Durability in the Field

Neither camera boasts weather sealing or rugged milestone ratings such as dustproof or freezeproof constructions. The GF6 uses a solid plastic chassis but feels sturdier to me than the bulkier yet plasticky LZ30.

For trailblazers or those often shooting in unpredictable conditions, both fall short, but the GF6’s lighter weight and compact design reduce the fatigue factor on extended shoots.

Lens Ecosystem and Versatility

One of the standout benefits of the GF6 is the Micro Four Thirds lens mount. This opens up access to over 100 lenses (as Panasonic notes), including excellent primes, versatile zooms, and specialty optics - ideal for experimentation.

This system caters to:

  • Portrait photographers wanting fast primes for gorgeous bokeh.
  • Landscapers chasing corner-to-corner sharpness.
  • Macro lovers seeking dedicated close-focusing lenses.

In contrast, the LZ30 has a fixed 25-875 mm equiv. lens (24mm to 875mm in 35mm terms, roughly), covering ultra-wide to super-telephoto in one package. Its F3.0-5.9 aperture range means decent daylight shooting but limited low light capability and depth of field control.

If carrying multiple lenses or switching setups sounds limiting, the LZ30’s fixed lens is a convenient all-in-one, capturing from wide landscapes to distant wildlife without lens swaps.

LCD Screens and User Interface

The GF6’s 3" 1040K-dot tilting touchscreen is a joy to use: bright, responsive, and excellent for shooting from tricky angles. Its touch AF and menu controls streamline navigation significantly.

The LZ30’s fixed 3" 460K-dot LCD is serviceable but duller and restricts your shooting angle options. No touchscreen means you’re stuck with button controls, which felt slow and unintuitive during burst or quick exposure adjustments.

Panasonic GF6 vs Panasonic LZ30 Screen and Viewfinder comparison

Image Stabilization: Optical vs. None

Surprisingly, the GF6 doesn’t have in-body image stabilization (IBIS), relying on lens-based stabilization whenever available. On the other hand, the LZ30 compensates a bit here with optical image stabilization in its zoom lens, helping avoid blur at long focal lengths or in low light.

For handholding at telephoto ranges, LZ30 stabilizer shines - especially since it is designed with extreme zoom in mind, where camera shake is most apparent.

Video Capabilities: Full HD vs. HD

If video use is a factor:

  • The GF6 supports Full HD 1080p recording up to 30 fps (PAL region) or 60i (interlaced), with AVCHD and MP4 formats. The video quality is clean, with reasonable autofocus during filming but no microphone port for external audio.

  • The LZ30 maxes out at 720p HD video at 30 fps, using Motion JPEG compression. The quality is modest and not great for demanding video shooters.

Neither camera supports 4K, but for casual video, the GF6 is your better pick thanks to better sensor quality and higher resolution recording.

Battery Life and Portability

The GF6 uses a proprietary rechargeable battery rated for about 340 shots per charge. The LZ30’s use of 4x AA batteries is both a blessing and a curse: you can always find replacements on the road, but they add weight and bulk.

In practice, the LZ30 lasts longer in casual shooting, but the GF6’s overall smaller size makes it easier to carry everywhere.

Connectivity and Extras

The GF6 wins with built-in Wi-Fi and NFC connectivity for instant sharing and remote control via smartphone apps - super handy for travel and social media shooters.

The LZ30 offers no wireless connectivity, limiting sharing to plugging into a computer via USB.

Who Should Consider the Panasonic GF6?

If you’re:

  • A beginner stepping into mirrorless systems and want room to grow
  • Passionate about image quality and want to experiment with lenses
  • Shooting portraits, landscape, or travel with finesse in mind
  • Interested in full HD video capture with decent controls
  • Prioritizing portability and modern touchscreen usability

Then the GF6 packs great value and creative flexibility, despite lacking image stabilization or a viewfinder.

Who Is the Panasonic LZ30 Best For?

If you’re:

  • A casual shooter wanting a powerful superzoom in one package
  • On a tight budget, seeking hassle-free fixed lens shooting
  • Focused on daylight travel photography with varied focal lengths
  • Wanting optical image stabilization to stabilize long zoom shots
  • Less concerned about low-light performance or manual controls

Then the LZ30 offers unbeatable convenience at a lower price with a huge zoom range that no interchangeable lens setup at this price can match.

Pros and Cons: A Quick Summary

Panasonic GF6 Panasonic LZ30
Pros: Pros:
- Larger Four Thirds sensor, better image quality - 35x zoom lens covers wide to super telephoto
- Interchangeable Micro Four Thirds lenses - Optical image stabilization
- Touchscreen with tilting LCD - Runs on easy-to-find AA batteries
- Full HD 1080p video - Easy all-in-one setup, no lens swaps
- Wi-Fi + NFC connectivity
Cons: Cons:
- No internal stabilization - Small 1/2.3" sensor limits dynamic range and low-light
- No viewfinder - Lower resolution 720p video only
- Average continuous shooting speed at 4fps - No touchscreen or wireless connectivity
- Limited buffer for fast sports or wildlife - Bulkier and heavier

Examining sample images side by side confirms the GF6’s prowess in color depth, sharpness, and low noise - especially in challenging lighting. Meanwhile, the LZ30 photos remain serviceable at daylight but visibly noisier and less detailed indoors or at high ISO.

Photography Styles and Use Case Breakdown

To help you visualize whether either camera fits your artistic inclinations, here’s a genre-specific scoring based on intensive field tests.

  • Portraits: GF6 excels with pleasing bokeh and skin tone rendering; LZ30 limited by small sensor.
  • Landscapes: GF6 dynamic range edges the LZ30.
  • Wildlife: LZ30 zoom is useful, but GF6 AF and image habits better for rapid capture.
  • Sports: GF6 faster shooting and tracking.
  • Street: GF6 discreet and compact.
  • Macro: GF6 with dedicated lenses; LZ30’s 1cm macro is decent.
  • Night/Astro: GF6 better ISO and exposure control.
  • Video: GF6 superior Full HD with better format.
  • Travel: LZ30’s zoom wins for versatility; GF6 is lighter and easier to manage.
  • Professional Work: GF6 supports RAW and better file formats; LZ30 limited to JPEG.

Final Ratings and Value Analysis

Based on my testing methodology - including lab sensor tests, field trials, and usability scoring - here’s an overall performance comparison.

The GF6 ranks substantially higher overall, reflecting strengths in sensor quality, imaging versatility, and user experience. The LZ30 appeals for those prioritizing zoom and convenience over image quality and creative control.

The Bottom Line: Which Panasonic Is Your Next Best Friend?

For enthusiasts stepping beyond smartphones, I wholeheartedly recommend the Panasonic Lumix GF6 for its superior image quality, flexible lens ecosystem, and modern ergonomics. It provides the best bang for your buck if you want a mirrorless system that can grow with you.

On the flip side, if you are a cheapskate who wants a capable all-in-one zoom camera with minimum fuss and don’t mind compromises in image quality or video, the LZ30 remains a solid pick - especially for family snaps, travel sightseeing, or casual nature photos.

Final Thought With a Fun Anecdote

When I took the GF6 hiking, its tilting screen and interchangeable lenses made creative compositions a delight. The LZ30, however, was the trusty companion on a recent beach trip, where its huge zoom came in handy spotting surfing action far offshore (with the usual softness at max zoom, mind you).

Both bring something to the table - and your choice depends heavily on how much you value image finesse versus all-in-one convenience. Hopefully, this breakdown helps you make the call with both clarity and confidence!

If you’re hungry for more hands-on comparisons or have specific photo scenarios you want tested, drop a comment - I’m always eager to share more real-world insights from my camera-curious adventures. Happy shooting!

Panasonic GF6 vs Panasonic LZ30 Specifications

Detailed spec comparison table for Panasonic GF6 and Panasonic LZ30
 Panasonic Lumix DMC-GF6Panasonic Lumix DMC-LZ30
General Information
Manufacturer Panasonic Panasonic
Model Panasonic Lumix DMC-GF6 Panasonic Lumix DMC-LZ30
Class Entry-Level Mirrorless Small Sensor Superzoom
Announced 2013-04-08 2013-01-07
Body design Rangefinder-style mirrorless SLR-like (bridge)
Sensor Information
Processor Chip Venus Engine FHD -
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.17 x 4.55mm
Sensor area 224.9mm² 28.1mm²
Sensor resolution 16 megapixels 16 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 -
Maximum resolution 4592 x 3448 4608 x 3456
Maximum native ISO 12800 6400
Maximum boosted ISO 25600 -
Min native ISO 160 100
RAW images
Autofocusing
Manual focus
Autofocus touch
Continuous autofocus
Autofocus single
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Cross focus points - -
Lens
Lens mount Micro Four Thirds fixed lens
Lens focal range - 25-875mm (35.0x)
Maximal aperture - f/3.0-5.9
Macro focus range - 1cm
Total lenses 107 -
Focal length multiplier 2.1 5.8
Screen
Display type Tilting Fixed Type
Display diagonal 3" 3"
Display resolution 1,040k dot 460k dot
Selfie friendly
Liveview
Touch capability
Display technology TFT Color LCD with wide-viewing angle TFT LCD
Viewfinder Information
Viewfinder None None
Features
Slowest shutter speed 60s 15s
Maximum shutter speed 1/4000s 1/2000s
Continuous shooting speed 4.0 frames per second 1.0 frames per second
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Set white balance
Image stabilization
Built-in flash
Flash range 6.30 m 4.40 m
Flash options Auto, On, Off, Red-Eye, Slow Sync Auto, On, Off, Red-eye, Slow Syncro
Hot shoe
AE bracketing
WB bracketing
Maximum flash sync 1/160s -
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) 1280 x 720 (30 fps), 640 x 480 (30 fps)
Maximum video resolution 1920x1080 1280x720
Video format MPEG-4, AVCHD Motion JPEG
Mic input
Headphone input
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 323 gr (0.71 lbs) 552 gr (1.22 lbs)
Physical dimensions 111 x 65 x 38mm (4.4" x 2.6" x 1.5") 124 x 84 x 92mm (4.9" x 3.3" x 3.6")
DXO scores
DXO All around score 54 not tested
DXO Color Depth score 20.7 not tested
DXO Dynamic range score 10.6 not tested
DXO Low light score 622 not tested
Other
Battery life 340 pictures 380 pictures
Battery format Battery Pack AA
Battery model - 4 x AA
Self timer Yes (2 or 10 sec, 10 sec (3 images)) Yes (2 0r 10 sec)
Time lapse recording
Storage media SD/SDHC/SDXC SD/SDHC/SDXC, Internal
Storage slots One One
Retail price $326 $230