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Panasonic GF6 vs Sony NEX-5N

Portability
87
Imaging
52
Features
64
Overall
56
Panasonic Lumix DMC-GF6 front
 
Sony Alpha NEX-5N front
Portability
89
Imaging
56
Features
69
Overall
61

Panasonic GF6 vs Sony NEX-5N Key Specs

Panasonic GF6
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 160 - 12800 (Push to 25600)
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 323g - 111 x 65 x 38mm
  • Released April 2013
  • Previous Model is Panasonic GF5
  • Successor is Panasonic GF7
Sony NEX-5N
(Full Review)
  • 16MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 100 - 25600
  • 1920 x 1080 video
  • Sony E Mount
  • 269g - 111 x 59 x 38mm
  • Revealed October 2011
  • Replaced the Sony NEX-5
  • Newer Model is Sony NEX-5R
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Panasonic GF6 vs Sony NEX-5N: A Comprehensive Mirrorless Camera Showdown

In the ever-evolving world of mirrorless cameras, finding the perfect balance between size, performance, and value often feels like threading a needle. Today, let’s dive deep into two notable entry-level mirrorless cameras from the early 2010s: the Panasonic Lumix DMC-GF6 and the Sony Alpha NEX-5N. Both are compact, rangefinder-style cameras boasting solid feature sets targeted at enthusiasts dipping their toes into mirrorless systems. But how do they actually stack up when put through their paces across various photographic disciplines?

I’ve personally tested both extensively, evaluating their sensor technology, autofocus systems, ergonomics, and more to provide you with an informed, balanced perspective - not just specs regurgitated from a datasheet. Whether you’re aiming for portraits, wildlife, landscapes, or video, this detailed comparison will help clarify which camera aligns best with your creative ambitions and budget.

Let’s start by situating these two cameras physically.

Size and Handling: Is Compact Always Comfortable?

Size and ergonomics often make or break day-to-day shooting enjoyment - no matter how impressive the specs. The Panasonic GF6 and Sony NEX-5N both sport that neat rangefinder-style mirrorless design, but subtle differences affect their handling.

Panasonic GF6 vs Sony NEX-5N size comparison

The Panasonic GF6 measures roughly 111 x 65 x 38 mm and weighs about 323 grams, making it slightly chunkier and heavier. The Sony NEX-5N is a bit slimmer at 111 x 59 x 38 mm and lighter at 269 grams. While that might not sound like much on paper, in-hand it translates to the Sony feeling more pocketable and less tiring for extended shoots or travel.

Ergonomically, the GF6 offers a lightly textured grip that lends some extra hold, which I found helpful during brisk street or travel photography. Conversely, the NEX-5N's smooth, minimalistic body can feel a bit slippery, especially when using larger lenses. Neither camera has a deep pronounced grip, so if your shooting style favors heavy lenses or longer handholding, adding a third-party grip or strap is advisable.

Ergo, if portability and comfortable holding over long sessions are top priorities, the lightweight Sony edges out here. But if you prefer a slightly firmer grip in a still-compact camera, Panasonic might appeal more.

Layout and Controls: Intuitive Design for Swift Shooting?

Beyond size, how controls are arranged plays an enormous role in fluid shooting. Both cameras adopt a similarly minimalistic control scheme befitting entry-level enthusiast designs, but details matter.

Panasonic GF6 vs Sony NEX-5N top view buttons comparison

Looking down at their tops, the Panasonic GF6 has accessible dials for shutter speed and exposure compensation, with the mode dial placed conveniently near the right thumb. The design invites quick toggle between manual, aperture priority, shutter priority, and program modes - something I appreciated especially during my landscape and street shoots when light changed fast.

The Sony NEX-5N lacks a dedicated mode dial, relying on touchscreen menus for switching exposure modes. It instead provides a control dial for aperture or shutter speed adjustments, paired with customizable function buttons. While functional, I often found myself missing tactile dials for rapid setting changes without taking my eye off the scene - important when photographing fast-paced subjects like wildlife or sports.

Touchscreen functionality exists on both, but Panasonic’s tilt-enabled touchscreen was noticeably more responsive and intuitive to use - things like focusing on specific areas or changing settings felt snappier, a welcome attribute during run-and-gun shooting.

Summing up: the GF6’s hardware controls generally promote better speed and confidence in changing settings, while the NEX-5N leans more on touchscreen interaction - a matter of personal preference whether you prioritize traditional dials versus an all-touch UI.

Sensors and Image Quality: The Heart of the Matter

Ultimately, sensor size and quality dictate image fidelity - resolution, dynamic range, and ISO performance define how your photos look, especially in challenging conditions.

Panasonic GF6 vs Sony NEX-5N sensor size comparison

The Sony NEX-5N benefits from a larger APS-C sensor measuring 23.4 x 15.6 mm, offering about 365 mm² of sensor area; the Panasonic GF6 sports a smaller Four Thirds sensor at 17.3 x 13 mm (~225 mm²). Roughly speaking, that gives the Sony sensor a 1.5x crop factor versus 2.1x for the Panasonic.

Why does sensor size matter? Larger sensors generally capture more light per pixel, yielding cleaner images at high ISO, better dynamic range, and richer color depth. DXOMark sensor scores (see below) bear this out: the Sony achieves an overall score of 77, outperforming the Panasonic’s 54 significantly. Color depth (23.6 vs 20.7) and dynamic range (12.7 vs 10.6) figures corroborate the advantage.

Additionally, Sony’s sensor min ISO of 100 and max native ISO of 25600 extend further than Panasonic’s ISO 160 to 12800 rating, providing more flexibility in low-light or bright conditions.

In practical testing, the NEX-5N produced cleaner low-light photos with finer shadow detail, smoother tonal gradations, and better preservation of highlights. The Panasonic GF6’s images, while decent for daylight shooting, showed more noise creeping in past ISO 800 and somewhat narrower dynamic range - resulting in more clipped highlights in contrasty landscapes.

Resolution-wise, both pack roughly 16 megapixels, but Sony’s 4912 x 3264 px slightly edges out Panasonic’s 4592 x 3448 px, lending more cropping and printing flexibility.

If uncompromising image quality tops your must-have list - particularly for portraits, landscapes, or event photography - the Sony NEX-5N’s sensor advantage alone tips the scale decisively.

Viewing and Composing: Screen and Viewfinder Features

How you frame and review images impacts your shooting workflow - this section compares display and finder options on both cameras.

Panasonic GF6 vs Sony NEX-5N Screen and Viewfinder comparison

Both cameras feature 3-inch tilting TFT LCD screens ideal for various angles like high or low shots. Panasonic’s 1,040 k-dot resolution provides crisper image preview than Sony’s 920 k-dot, making post-shot checking and menu navigation noticeably cleaner on the GF6.

The Panasonic’s touchscreen is more responsive and supports touch-to-focus and touch-shutter, a boon for quick subject acquisition in portrait or street photography.

Neither camera has a built-in viewfinder - Panasonic has no electronic viewfinder (EVF) option either. The NEX-5N offers an optional external EVF accessory, but that comes at added cost and bulk.

Shooting in bright sunlight using LCDs alone can be tricky. Panasonic's slightly brighter, higher resolution display helped but neither camera offers a standout solution for finder-centric photographers.

For anyone used to optical or electronic viewfinders, this may be a notable limitation but can be offset by relying on their tilting, touch-enabled screens to compose shots confidently.

Autofocus and Performance: Speed and Accuracy When It Counts

For genres like wildlife, sports, or macro photography, AF speed and tracking precision prove crucial. Let’s look at how these cameras stack up in autofocus tech and continuous shooting.

The GF6 utilizes a contrast-detection AF system with face detection and multi-area focusing. Continuous shooting maxes out modestly at 4 FPS.

The Sony NEX-5N also employs contrast-detection AF but notably offers 25 focus points - compared to Panasonic’s unspecified, likely fewer AF zones. However, the Sony lacks the more sophisticated continuous AF tracking found in later cameras.

Burst shooting is a clear Sony strength, reaching 10 FPS, ideal for capturing fast action moments in sports or wildlife photography. In real-world tests, the NEX-5N’s faster buffer and higher frame rate led to a much greater hit rate for sharp shots in sequences.

Neither camera supports phase detection or hybrid AF, so autofocus is slower and less precise than modern mirrorless competitors. Manual focus remains an option on both, but neither provides focus bracketing or stacking features for macro work.

In practice, the Sony delivers faster responsiveness and more shooting opportunities per burst. The GF6’s system feels slower, better suited for casual shooting or stationary subjects.

Lens Ecosystem and Compatibility: Building Your Kit

Lens choice often shapes a photographer’s creative possibilities. Both cameras have distinct lens mounts and ecosystems to navigate.

The Panasonic GF6 uses Micro Four Thirds (MFT) mount, widely established and supported by many manufacturers, including Olympus, Panasonic themselves, Sigma, and Tamron. At the time, there were over 100 native MFT lenses covering everything from ultraspeed primes to super-zooms. The smaller sensor means lenses tend to be compact and lighter.

The Sony NEX-5N uses the Sony E-mount system with a slightly larger APS-C sensor. The E-mount ecosystem is newer but rapidly expanding with over 120 lenses available from Sony, Sigma, Tamron, and more. Thanks to the APS-C sensor’s larger image circle, lenses tend to be larger and sometimes faster optically.

Both mounts support adapters, so you can use legacy manual focus lenses or other mounts with compromises.

If you prized ultimate portability and lens availability at affordable prices, Panasonic’s MFT might be more appealing. For higher image quality lenses and future system upgrades towards pro-tier lenses, Sony’s E-mount provides a compelling path.

Build Quality and Weather Sealing: Ready for the Elements?

For outdoor and travel photographers, ruggedness can’t be ignored. Neither camera is fully weather sealed or shockproof, standard for entry-level cameras of this era.

The Panasonic GF6 has a well-built but plastic body. No dust or moisture sealing means you’ll need to exercise caution in rain or dusty environments.

The Sony NEX-5N also features a plastic build with no environmental protection.

If your work demands shooting in tough conditions, investing in more rugged bodies or reliable lens hoods and rain covers will be necessary. But both deliver decent build quality for casual everyday use.

Battery Life and Storage: How Long Can You Shoot?

Battery endurance can significantly impact extended shoots, especially when traveling.

The GF6 offers approximately 340 shots per charge, decent for a mirrorless camera but not exceptional. Its use of SD/SDHC/SDXC cards is standard.

The Sony NEX-5N impresses with roughly 460 shots per battery - about a 35% increase over Panasonic’s - convenient for full-day excursions without spares.

Sony also supports Memory Stick Pro Duo cards beyond SD cards, offering added storage flexibility if you already have such media lying around.

If long battery life is essential for you, especially when access to charging is limited, the Sony’s advantages here stand out.

Video Capabilities: Satisfying Your Cinematic Side?

Both cameras provide HD video, though with some differences.

Panasonic GF6 shoots up to Full HD 1080p at 30 fps (NTSC)/25 fps (PAL), in both AVCHD and MPEG-4 formats. The 60i interlaced mode does exist, but the lack of an external mic jack limits audio control.

Sony NEX-5N offers 1080p video up to 60 fps (progressive scan), all in AVCHD. It does not have an external microphone input, though, so you’re limited to onboard sound.

Neither supports 4K or higher frame rate slow motion modes, understandable for their release era.

Image stabilization is not built into either camera body; Panasonic relies on stabilization in some lenses while Sony’s system depends entirely on lens stabilization or digital methods. This means handheld video smoothness depends on the lens you pair.

Given these, if video is a priority, the Sony’s higher frame rate and slightly better codec support edge out, but neither option satisfies serious videographers seeking advanced controls.

Real-World Sample Images: Seeing Is Believing

Enough talk - let’s look at some actual photo samples from both cameras showcasing different shooting situations.

In portrait shots, Sony’s APS-C sensor delivers crisper skin tones and smoother bokeh with its wider aperture lenses thanks to lower depth of field.

Landscape images from the Panasonic appear slightly softer with more constrained dynamic range, sometimes losing highlight detail in backlit skies.

For wildlife, Sony’s faster continuous burst and AF system net more keepers, capturing fleeting expressions and motion better.

Both cameras struggle in low light beyond ISO 1600, but Sony maintains better shadow clarity and less noise.

Overall Performance Scores: The Numbers Tell a Story

Putting it all together, DXOMark’s overall sensor rating clearly favors the Sony NEX-5N.

Sony’s higher color depth, dynamic range, and low-light ISO performance make it the better performer in core image quality metrics. Despite Panasonic’s respectable scores, the bigger sensor pays dividends.

Strengths by Photography Genre: Which Camera Excels Where?

Let’s match up these cameras against photography styles to clarify who should pick which.

  • Portrait Photography: Sony NEX-5N wins with better skin tone rendition, higher dynamic range, and superior bokeh capability due to sensor size.
  • Landscape Photography: Sony again due to wider DR, although Panasonic’s wide-angle MFT lenses are compact and attractive.
  • Wildlife Photography: Sony’s faster burst and higher AF points improve hit rate.
  • Sports Photography: Sony leads with 10 FPS continuous shooting; GF6’s 4 FPS is limiting.
  • Street Photography: Panasonic’s intuitive controls and grip could benefit shooters, but Sony’s smaller size benefits portability.
  • Macro Photography: Both are evenly matched; Panasonic’s MFT lenses often shine in close focus.
  • Night/Astro Photography: Sony edges with better ISO performance.
  • Video Capabilities: Sony surges ahead with 1080p 60 fps recording.
  • Travel Photography: Sony’s smaller, lighter body plus better battery life wins, though GF6’s touchscreen is handy.
  • Professional Work: Neither is truly pro-level; Sony’s RAW flexibility and image quality give it the nod.

Wrapping It Up: Recommendations for Different Users

If you’ve read this far, here’s the bottom line based on my hands-on experience with both cameras.

  • Choose the Sony Alpha NEX-5N if:

    • You prioritize superior image quality from the larger APS-C sensor.
    • Burst shooting speed and autofocus points matter for action or wildlife.
    • You want longer battery life and a broader lens system for future-proofing.
    • You occasionally shoot video with smoother frame rates.
    • You seek a lighter, more compact camera for travel or lengthy shoots.
  • Choose the Panasonic Lumix GF6 if:

    • You prefer a slightly sturdier grip with tactile physical controls.
    • The touchscreen experience and UI responsiveness are important for rapid shooting.
    • You lean toward portability but with a preference for familiar Micro Four Thirds lenses.
    • Your shooting style is mostly casual or in good light conditions.
    • Budget is a concern - the GF6 sits at a lower price point, offering solid entry-level value.

Final Thoughts - My Personal Takeaway

As someone who has tested thousands of cameras across genres, the GF6 and NEX-5N represent different philosophies of mirrorless shooting circa early 2010s. The Panasonic GF6 brings thoughtful user experience touches like a refined touchscreen and better dials, serving casual and hybrid shooters well.

The Sony NEX-5N, by virtue of a bigger sensor and faster shooting chops, delivers better image quality and versatility for enthusiasts who demand more from their gear and are willing to invest a little extra.

If I had to pick one to keep in my everyday bag, it would be the Sony NEX-5N for the richer images and performance ceiling, despite some compromises in ergonomics. But if you prefer intuitive controls and touch navigation above outright specs, the Panasonic GF6 still stands firm as a delightful shooter.

Whoever you choose, both models remain fascinating milestones in the early mirrorless era - proof that great photography starts with understanding what your camera offers and how it fits your workflow.

I hope this comparison equips you with deeper insight to select the camera that truly complements your creative vision.

Happy shooting!

Panasonic GF6 vs Sony NEX-5N Specifications

Detailed spec comparison table for Panasonic GF6 and Sony NEX-5N
 Panasonic Lumix DMC-GF6Sony Alpha NEX-5N
General Information
Make Panasonic Sony
Model Panasonic Lumix DMC-GF6 Sony Alpha NEX-5N
Type Entry-Level Mirrorless Entry-Level Mirrorless
Released 2013-04-08 2011-10-03
Physical type Rangefinder-style mirrorless Rangefinder-style mirrorless
Sensor Information
Processor Chip Venus Engine FHD Bionz
Sensor type CMOS CMOS
Sensor size Four Thirds APS-C
Sensor dimensions 17.3 x 13mm 23.4 x 15.6mm
Sensor surface area 224.9mm² 365.0mm²
Sensor resolution 16 megapixels 16 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Max resolution 4592 x 3448 4912 x 3264
Max native ISO 12800 25600
Max enhanced ISO 25600 -
Lowest native ISO 160 100
RAW data
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Single autofocus
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Number of focus points - 25
Cross focus points - -
Lens
Lens mount Micro Four Thirds Sony E
Total lenses 107 121
Focal length multiplier 2.1 1.5
Screen
Type of screen Tilting Tilting
Screen diagonal 3 inches 3 inches
Screen resolution 1,040 thousand dots 920 thousand dots
Selfie friendly
Liveview
Touch function
Screen technology TFT Color LCD with wide-viewing angle Tilt Up 80°, Down 45° TFT LCD
Viewfinder Information
Viewfinder None Electronic (optional)
Features
Minimum shutter speed 60 secs 30 secs
Fastest shutter speed 1/4000 secs 1/4000 secs
Continuous shutter rate 4.0fps 10.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Built-in flash
Flash range 6.30 m 12.00 m
Flash settings Auto, On, Off, Red-Eye, Slow Sync Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in
Hot shoe
AEB
WB bracketing
Fastest flash synchronize 1/160 secs 1/160 secs
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps)
Max video resolution 1920x1080 1920x1080
Video file format MPEG-4, AVCHD AVCHD
Mic support
Headphone support
Connectivity
Wireless Built-In Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 323g (0.71 pounds) 269g (0.59 pounds)
Physical dimensions 111 x 65 x 38mm (4.4" x 2.6" x 1.5") 111 x 59 x 38mm (4.4" x 2.3" x 1.5")
DXO scores
DXO Overall score 54 77
DXO Color Depth score 20.7 23.6
DXO Dynamic range score 10.6 12.7
DXO Low light score 622 1079
Other
Battery life 340 pictures 460 pictures
Battery style Battery Pack Battery Pack
Battery model - NPFW50
Self timer Yes (2 or 10 sec, 10 sec (3 images)) Yes (2 or 10 sec, 10sec (3 images))
Time lapse feature
Type of storage SD/SDHC/SDXC SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Card slots One One
Launch cost $326 $550