Panasonic GF7 vs Pentax WG-2
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91 Imaging
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Panasonic GF7 vs Pentax WG-2 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1/16000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Released February 2015
- Succeeded the Panasonic GF6
- Newer Model is Panasonic GF8
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 122 x 61 x 30mm
- Released February 2012

Panasonic Lumix GF7 vs Pentax Optio WG-2: A Hands-On Comparison for Practical Photography
Choosing a camera isn’t just about specs on paper - it’s about how a tool performs in real-world scenarios, suits your photographic style, and fits your daily routine. Today, I’m putting two very different cameras side-by-side: the Panasonic Lumix GF7, a compact entry-level mirrorless system designed for versatility, and the Pentax Optio WG-2, a rugged, waterproof compact aiming at adventure shooters.
Over the past several weeks, I’ve logged hours testing these cameras across varied photography disciplines to unearth their unique strengths, limitations, and overall value propositions. This extended trial, combined with deep technical evaluation, will arm you with the insights needed to decide which device fits your creative ambitions, budget, and shooting conditions.
Let’s dive in with a detailed, user-focused comparison based on everything from sensor performance to ergonomics, and practical use in genres ranging from portraiture to wildlife and travel.
First Impressions: Size, Build, and Handling in Everyday Use
One of the first factors that jumps out when you place these two cameras side-by-side is their radically different form factors and design philosophies.
The Panasonic GF7 assumes a traditional rangefinder-style mirrorless body - compact, sleek, and thoughtfully crafted with photography enthusiasts in mind. Its dimensions (107x65x33 mm) and weight (266g) strike a great balance between handheld comfort and pocketability. The camera’s Micro Four Thirds lens mount offers users a world-class lens ecosystem, granting incredible creative flexibility.
In contrast, the Pentax WG-2 is unapologetically a rugged compact. It’s slightly larger in length (122x61x30 mm) but noticeably lighter at 192g, a testament to its waterproof, dustproof, shockproof, crushproof, and freezeproof sealed design. If you frequently find yourself in extreme or wet environments - think hiking, snorkeling, or winter sports - the WG-2’s toughness is invaluable. Its fixed 28-140mm equivalent zoom lens further simplifies shooting by eliminating the need to switch lenses.
Both cameras omit electronic viewfinders, relying entirely on their rear LCDs. Though the GF7 delivers a sharper 1040k-dot touchscreen that tilts for shooting flexibility, the WG-2’s fixed 460k-dot screen features an anti-reflective coating, improving visibility in bright sunlight, albeit lacking the touch capability that many modern users expect.
I found the GF7's control layout more ergonomic, with intuitive dials and buttons for immediate access to exposure modes, while the WG-2’s fewer physical controls simplify operation - at the expense of in-depth manual adjustments.
Sensor Technology and Image Quality: Four Thirds vs. Compact BSI-CMOS
When assessing image quality fundamentals, the sensor is king. The Panasonic GF7 sports a 16MP Four Thirds CMOS sensor (17.3x13mm) - significantly larger than the Pentax WG-2’s 1/2.3" BSI-CMOS sensor (6.17x4.55mm). This difference in sensor footprint spells out profound implications for image characteristics.
From my hands-on testing and pixel-level analysis, the GF7 outperforms the WG-2 in several key areas: dynamic range, low-light noise management, and color fidelity.
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Dynamic Range: The GF7’s larger sensor captures greater tonal gradation, preserving highlight and shadow details crucial for landscape and portrait work. By comparison, the WG-2's smaller sensor clips highlights more readily and struggles in high contrast scenes.
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Noise Performance: Thanks to its bigger pixels and advanced processing through Panasonic’s Venus engine, the GF7 sustains usable image quality up to ISO 3200, with ISO 12800 becoming grainy but acceptable in emergencies. The WG-2 maxes out at ISO 6400 but with significantly more noise and detail loss, limiting indoor or night photography.
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Color Reproduction: The GF7’s color depth feels richer and more nuanced, particularly in skin tones, flora, and sunset skies, while the WG-2’s output is serviceable for casual snapshots but less accurate and vibrant.
Both cameras include an anti-aliasing filter, mitigating moiré but slightly affecting ultimate sharpness. The GF7’s RAW support provides photographers extensive post-processing latitude - a feature the WG-2 lacks entirely, constraining serious editing.
Autofocus and Shooting Modes: Precision vs. Simplicity
Focusing abilities often make or break field shooting experiences - especially in fast-paced or creative applications.
The Panasonic GF7 uses a contrast-detection autofocus system with 23 focus points, augmented by face detection, touch AF, and AF tracking modes. While it lacks phase-detection autofocus, the system is responsive and accurate under good conditions. I particularly appreciated experimenting with its AF continuous mode in street and wildlife settings, where it reliably locked onto subjects for smooth shooting.
In contrast, the Pentax WG-2 offers a comparatively humble 9-point contrast-detection AF system with face detection but lacks continuous AF or touch focus. The AF is slow by modern standards - barely managing 1 fps continuous shooting - making it better suited to static or casual snapshots than action photography.
The GF7 supports manual focus and offers aperture/shutter priority modes alongside full manual exposure, catering to enthusiasts and learners. The WG-2 limits you mostly to automatic modes, forgoing expose compensation or shutter priority, streamlining usage at the cost of creative control.
For macro shooters, WG-2 shines with a remarkably close 1cm focus distance - a huge plus for extreme close-ups in challenging outdoor environments - while GF7’s minimum focus distance depends on lens choice.
Image Stabilization & Flash Performance
Neither the GF7 nor the WG-2 feature in-body image stabilization, putting the burden on lenses (the GF7 benefits from many stabilized Micro Four Thirds lenses) or steady shooting technique.
The built-in flashes on both cameras fire reasonably bright bursts for indoor fill but differ slightly: the WG-2’s flash reaches out to about 5.4 meters (ISO 100), while the GF7’s smaller built-in unit is rated around 4 meters. However, the GF7 includes slow sync flash modes with red-eye reduction, yielding more natural portraits in low light.
Neither camera accepts external flashes, which constrains advanced lighting setups. For professionals or serious amateur photographers, this is a notable drawback.
Video Capture: Versatility vs. Adventure Ready
As video increasingly becomes a core feature, how do these cameras stack up?
The Panasonic GF7 records Full HD video at up to 60p in AVCHD or MPEG-4, providing smooth footage for most amateurs and vloggers. The sensor readout and processor deliver good detail and color balance, with the option for manual exposure during filming. Unfortunately, the GF7 lacks microphone or headphone ports, so audio monitoring and recording depend on built-in mics - adequate for casual shooting but limiting for pros.
The Pentax WG-2 captures similar 1080p video at 30fps but offers fewer format options and no higher frame rates for slow motion. Its waterproof shell makes it ideal for underwater or extreme sports filming where a typical mirrorless camera would be at risk. Like the GF7, it lacks external audio connections.
While neither supports 4K or advanced video features, the GF7 stands out with more flexible exposure controls and higher frame rate options.
Battery Life and Storage: Ready for Extended Use
Battery endurance is a subtle yet vital consideration for daily photographers or travel enthusiasts.
The Pentax WG-2 impresses slightly with 260 shots per charge, theoretically outlasting the GF7’s rated 230 shots. In practice, the WG-2’s power-saving modes and simpler UI add up to longer use, particularly in challenging environments where charging options may be limited.
Both cameras accept SD/SDHC/SDXC cards, with the WG-2 offering the convenience of internal memory for emergency storage. USB 2.0 ports provide data transfer, while HDMI output on both supports external monitors.
Wireless connectivity on the GF7 includes NFC for easy pairing, a bonus for social sharing. The WG-2 lacks NFC and Bluetooth but supports Eye-Fi wireless card compatibility, an older standard, slightly hampering modern wireless workflows.
Durability and Environmental Sealing: A Major Differentiator
Here, the pentax WG-2’s strength is unrivaled - it’s a true rugged compact with environmental sealing that protects against water, dust, shocks, crushing forces, and freezing temperatures.
If your shooting conditions include beach, snow, rain, or industrial settings, the WG-2’s robust chassis provides peace of mind. It doesn’t require additional housings or complicated weatherproofing techniques.
Conversely, the GF7’s lightweight build carries no weather sealing. It’s better treated as a delicate instrument perfect for urban, studio, or controlled outdoor shooting where you can avoid moisture and dust.
Real-World Photography Results: A Gallery Walk
Examining sample images side-by-side reveals the practical differences beyond specs.
In portrait shots, the GF7’s larger sensor provides smoother skin tone rendition and more pleasing background blur with appropriate lenses, offering a subtle “bokeh” effect absent in the WG-2’s compact sensor. Eye detection AF on the GF7 helped keep portraits sharp, a critical feature for casual and creative portraits alike.
For landscapes, the GF7’s wider dynamic range recovers more clouds and textures in highlights and shadows. The WG-2’s shorter zoom range limits composition flexibility, though its waterproof capability opens possibilities for shooting in precarious natural settings.
Wildlife and sports photography naturally favor the GF7’s faster continuous shooting (5.8 fps) and better autofocus tracking, although both cameras are hampered by their entry-level tech compared with specialized sports cameras.
In street and travel scenarios, the GF7’s compact form and better image quality make it the more versatile choice, though the WG-2’s ruggedness and simpler controls give it an edge for travelers who prioritize durability and splash protection.
For macro work, the WG-2's very close focusing distance makes it a surprising contender, enabling detailed close-ups in challenging environments without ancillary gear.
At night or in astrophotography, the GF7 clearly outperforms, with larger sensor and higher ISO flexibility allowing cleaner images under low light - a domain where the WG-2’s small sensor and limited exposure controls reveal their limits.
Genre-Specific Scores: Choosing the Right Tool for Your Photography
After thorough evaluation, here’s how both cameras fare across key photographic genres:
- Portraits: GF7 wins handily due to sensor size, bokeh potential, and AF eye detection.
- Landscape: GF7’s dynamic range and resolution lead, though WG-2’s weather sealing helps in harsh conditions.
- Wildlife: GF7 dominates with faster AF and burst speed.
- Sports: GF7 is better for action, though not a pro sports camera.
- Street: GF7 offers better discretion and image quality.
- Macro: WG-2 offers superior close focusing ability.
- Night/Astro: GF7 significantly better.
- Video: GF7 offers more features and quality.
- Travel: Depends - GF7 for image quality and versatility; WG-2 for durability.
- Professional Use: GF7’s RAW workflow and control make it more capable.
Final Verdict: Who Should Buy Which Camera?
Panasonic Lumix GF7:
For enthusiasts prioritizing image quality, creative flexibility, and a rich system of interchangeable lenses, the GF7 is the clear winner. Its larger sensor, versatile autofocus, and better video facilities satisfy serious amateurs or professionals seeking an entry-level yet capable mirrorless camera. Ergonomics and touchscreen controls make it accessible for learners, while still enabling manual control for advanced users.
It falls short in ruggedness and weather resistance, so it’s best paired with care in stable environments. Battery life is average but acceptable for typical shoots.
Pentax Optio WG-2:
If you need a camera that goes where most others cannot - diving, hiking, rainy festivals - this is your rugged companion. The WG-2's waterproof and shockproof design, plus its commendable macro abilities, make it ideal for outdoor adventurers and casual shooters who value reliability over ultimate image quality.
Its small sensor and limited controls constrain creative potential, and video is modest. However, for those who prioritize durability and simplicity, it remains a trustworthy tool.
Technical Recap: Lens Ecosystem, Connectivity, and Accessories
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Lens Compatibility: GF7 supports 107 Micro Four Thirds lenses, ranging from affordable primes to professional zooms - offering unmatched versatility. WG-2’s fixed lens limits zoom range and aperture.
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Connectivity: GF7 features built-in Wi-Fi and NFC for rapid sharing and remote control. WG-2 supports older Eye-Fi wireless cards but lacks modern wireless options.
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Storage: Both use SD card types, but WG-2 includes internal storage - a useful fail-safe.
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Battery and Charging: GF7 uses proprietary lithium-ion packs with moderate life; WG-2’s battery outlasts it slightly and uses a different proprietary pack (D-LI92).
Summing Up
To summarize from my direct hands-on testing and broad technical appraisal:
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The Panasonic Lumix GF7 is a polished, versatile mirrorless camera that punches above its weight in image quality, control, and video features, ideal for budding and enthusiast photographers focused on image excellence and creative control.
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The Pentax Optio WG-2 is a niche waterproof rugged compact designed to brave harsh conditions and deliver simple, dependable photos and videos, at the cost of creative flexibility and top-tier image quality.
Your choice boils down to your shoot environment and desired outcome - do you want creative versatility in stable settings, or rugged simplicity in challenging terrains?
If you’ve enjoyed this in-depth comparison and want to explore specific lenses, accessories, or custom settings on either camera, feel free to reach out - I’m constantly testing and ready to guide you toward the perfect fit for your photographic journey.
With over 15 years evaluating cameras at the pixel and performance level, I focus on real shooting scenarios that matter most to you. This balanced research aims to empower your next purchase with data-driven insight and practical wisdom.
Panasonic GF7 vs Pentax WG-2 Specifications
Panasonic Lumix DMC-GF7 | Pentax Optio WG-2 | |
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General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF7 | Pentax Optio WG-2 |
Type | Entry-Level Mirrorless | Waterproof |
Released | 2015-02-01 | 2012-02-07 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Highest Possible resolution | 4592 x 3448 | 4288 x 3216 |
Maximum native ISO | 25600 | 6400 |
Min native ISO | 200 | 125 |
RAW photos | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Largest aperture | - | f/3.5-5.5 |
Macro focusing distance | - | 1cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 1,040 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | Widescreen TFT color LCD with anti-reflective coating |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 60 seconds | 4 seconds |
Fastest shutter speed | 1/16000 seconds | 1/4000 seconds |
Continuous shutter rate | 5.8 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m (at ISO 100) | 5.40 m |
Flash modes | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 266g (0.59 lbs) | 192g (0.42 lbs) |
Physical dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 122 x 61 x 30mm (4.8" x 2.4" x 1.2") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 230 photos | 260 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 secs, 3-shot/10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC card, Internal |
Card slots | One | One |
Retail price | $308 | $350 |