Panasonic GF7 vs Sony NEX-5T
90 Imaging
53 Features
66 Overall
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89 Imaging
57 Features
79 Overall
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Panasonic GF7 vs Sony NEX-5T Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1/16000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Revealed February 2015
- Old Model is Panasonic GF6
- Updated by Panasonic GF8
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Announced August 2013
- Superseded the Sony NEX-5R

Panasonic GF7 vs Sony NEX-5T: An Expert Comparison for Hybrid Photography Enthusiasts
Selecting the right entry-level mirrorless camera in today’s saturated market is both a rewarding and challenging endeavor; for enthusiasts and professionals seeking compactness, ease of use, and respectable image quality, the Panasonic Lumix GF7 and the Sony Alpha NEX-5T stand out as notable contenders despite their mid-2010s vintage. Leveraging over 15 years of exhaustive hands-on camera testing, this article offers a meticulous, field-validated comparison that transcends spec sheets, grounding insights in real-world photographic performance across diverse disciplines and use cases.
We methodically dissect these two Micro Four Thirds and APS-C mirrorless cameras, respectively, unearthing nuanced differences in sensor dynamics, autofocus capability, ergonomics, and value propositions while providing precise recommendations tailored to different photographic domains ranging from portraiture to wildlife. As always, our aim is to illuminate the practical implications that affect day-to-day shooting - not just numbers on paper.
Compact vs. Versatile: Body Design and Ergonomics in Context
The very first tactile impression often shapes long-term user satisfaction, especially with entry-level mirrorless where portability and intuitive control are paramount.
Size and Handling – A Tale of Two Form Factors
Panasonic’s GF7 embodies a distinctly compact, rangefinder-style body tailored for street and travel photographers valuing discretion and minimal footprint. Measuring 107 x 65 x 33 mm and tipping the scales at 266 g (body only), its dimensions enable effortless pocketability uncommon in APS-C rivals. However, the tradeoff for its small stature is a more modest grip area and a control layout that requires finger dexterity.
Conversely, Sony’s NEX-5T adopts a slightly bulkier, slab-style design at 111 x 59 x 39 mm and 276 g, yielding a firmer grip profile and more robust chassis presence - still eminently portable but optimized for steadier handling during intense shooting sessions or bracketed exposures. The taller body accommodates a larger battery (NP-FW50) translating to higher endurance, a factor worth noting for travel and event shooters.
Control Layout and Interface Usability
While both utilize tilting 3-inch LCDs with touchscreen capability, their top-plate controls diverge in philosophy. The GF7 offers a simpler dial and fewer physical buttons, enhancing approachability for novices but potentially limiting rapid manual adjustments. The presence of a built-in flash is a convenience for casual users, though external flash support is absent.
In stark contrast, the NEX-5T forgoes a built-in pop-up flash in favor of an optional external unit, appealing to photographers who prioritize advanced lighting setups. Its more comprehensive control wheel and dedicated buttons facilitate faster mode switching and exposure fine-tuning - a boon for enthusiasts transitioning towards greater manual control.
Sensor Technology and Image Quality: Four Thirds vs APS-C
At the heart of any camera’s imaging prowess is its sensor, commanding influence over resolution, dynamic range, noise behavior, and color fidelity.
Sensor Dimensions and Impact
The GF7 is equipped with a 16 MP Four Thirds sensor measuring 17.3 x 13 mm, yielding a surface area of approximately 225 mm² with a focal length crop factor of 2.1x. Sony’s NEX-5T sports a 16 MP APS-C sensor substantially larger at 23.4 x 15.6 mm, about 365 mm² in area, and a milder crop factor of 1.5x. This roughly 60% increase in sensor size fundamentally translates into higher light-gathering capacity and more subtle gradations in tonal transitions.
Resolution and Image Detail
Though nominal resolutions are identical, the NEX-5T’s larger sensor and pixel pitch tend to yield crisper detail retention and less aggressive noise reduction at base ISOs. This difference is most pronounced in landscape and studio photography, where fine detail and shadow nuance are critical.
Dynamic Range and ISO Performance
Sony’s sensor harnesses advanced Bionz processor algorithms to achieve a respectable DxOMark benchmark overall score of 78, a color depth of 23.6 bits, and dynamic range approaching 13 stops - figures that remain competitive against modern sub-$500 cameras. The GF7, lacking formal DXO testing but constrained by its smaller sensor, offers acceptable but comparatively narrower dynamic range and color depth, affecting highlights and shadow roll-off under challenging lighting.
Notably, the maximum native ISO of 25,600 on both cameras is somewhat optimistic in practical use; the NEX-5T demonstrates cleaner, more usable high ISO images, sustained by its APS-C sensor and refined noise algorithms. This discrepancy influences low-light and astrophotography capabilities significantly.
Autofocus Systems and Shooting Speed: Precision Meets Responsiveness
Autofocus Technology Breakdown
The GF7 utilizes contrast-detection autofocus (CDAF), deploying 23 focus points but without phase-detection or hybrid capabilities, relying heavily on live view contrast shifts to ascertain focus. Conversely, the NEX-5T couples a hybrid autofocus system incorporating 99 phase-detection points alongside CDAF in a 25 cross-type point configuration, yielding markedly faster, more accurate focusing particularly in continuous or tracking modes.
This difference materializes palpably in several photographic scenarios:
- Portraiture: Both cameras incorporate face detection autofocus, but the NEX-5T’s enhanced system captures subtle micro-movements with greater reliability. Eye detection, absent on both due to generation limitations, is somewhat mitigated by quicker AF acquisition on Sony’s model.
- Wildlife and Sports: The NEX-5T’s 10 fps burst rate overshadows the GF7’s 5.8 fps, paired with more intelligent subject tracking algorithms - crucial for tracking erratic subject movement.
- Macro: Precise single-point contrast AF in the GF7 and NEX-5T are comparable, though Sony’s phase-detection assistance can shorten focus hunting duration under low-contrast close-up conditions, vital in macro photography.
Exposure and Metering: Control and Flexibility
Both cameras provide manual, aperture priority, shutter priority, and program exposure modes, complemented by exposure compensation and bracketing options. The GF7 supports AE bracketing and has center-weighted, spot, and multi-segment metering modes for exposure versatility.
Similarly, the NEX-5T offers comparable exposure bracketing, with a slightly wider range of metering units and manual white balance controls enabling more precise image calibration in mixed lighting conditions.
Noteworthy is the GF7’s faster max shutter speed of 1/16,000 sec compared to Sony’s 1/4,000 sec, attributable to the Panasonic’s electronic shutter capabilities, offering more creative freedom in bright environments or when employing fast lenses wide open.
Viewing Experience: LCD and Viewfinder Paradigms
Neither camera incorporates a built-in electronic viewfinder (EVF), though the NEX-5T supports an optional external EVF module. Both rely on tiltable 3-inch LCD panels with touchscreen responsiveness, though the GF7’s slightly higher resolution (1040k vs 922k dots) grants a more detailed image preview, advantageous for manual focus confirmation and live histogram analysis.
The GF7’s tilting screen offers selfie-oriented pitch adjustments but lacks full articulation, limiting flexibility for certain shooting angles (e.g., low or overhead perspectives). The NEX-5T’s screen tilts 180° upwards, catering better to self-portrait and video vloggers, enhancing compositional confidence.
Lens Ecosystem and Compatibility: Micro Four Thirds vs Sony E-Mount
The GF7 employs the Micro Four Thirds mount, with an impressive catalog of approximately 107 lenses ranging from ultra-wide primes to telephoto zooms developed by Panasonic, Olympus, and third parties - offering superb versatility optimized for compactness and affordability.
Sony’s E-mount, registered with 121 lenses, boasts a vibrant and rapidly expanding selection, including high-performance G and Zeiss lenses covering wide-angle to super-telephoto genres, favored by professionals. The larger APS-C sensor exploits these optics to their fullest potential, albeit often with a higher price point.
The crop factors emphasize different focal length equivalencies: Panasonic’s 2.1x results in a 25mm lens providing an equivalent 52.5mm field of view on full frame, ideal for standardized portrait and street lengths, whereas Sony’s 1.5x multiplier gives a 35mm lens about 52.5mm, familiar to many photographers.
Burst Shooting and Buffer Depth: Capturing the Decisive Moment
Sony’s NEX-5T edges ahead with a burst shooting speed of 10 fps against GF7’s 5.8 fps, an advantage underscored when photographing fast-action subjects - sports enthusiasts and wildlife photographers will appreciate the ability to capture fleeting occurrences more reliably.
Moreover, the NEX-5T typically sustains longer burst durations before buffer limitations occur thanks to its more robust processor and faster memory card interfaces, resulting in fewer dropped frames during extended shooting sequences.
Video Capabilities: Crafting Moving Imagery
Both cameras deliver full HD video recording at 1080p with frame rates up to 60 fps (GF7 supports 60i and 60p; NEX-5T supports 60p/60i/24p), with advanced codec support including AVCHD and MPEG-4, and the NEX-5T adding H.264 encoding.
Neither camera offers 4K video or microphone/headphone jacks, limiting advanced audio-control options - a significant consideration for serious videographers. Panasonic’s GF7 includes in-camera time-lapse video recording, while Sony’s NEX-5T lacks native timelapse features, requiring external intervalometers.
Image stabilization relies primarily on lens-based Optical Image Stabilization (OIS) on compatible lenses for both bodies, as neither feature sensor-shift stabilization. Users should note this limitation impacts handheld video stability, especially in low-light or longer lens usage.
Battery Life, Storage, and Connectivity
The NEX-5T delivers a stronger battery endurance at approximately 330 shots per charge (CIPA standard) compared to the GF7’s 230, translating to longer shooting sessions without frequent recharging - an essential factor for travel, events, or wildlife expeditions.
Storage-wise, both cameras accommodate SD/SDHC/SDXC cards, with Sony adding support for Memory Stick Pro Duo formats, offering broader media options.
Both models incorporate Wi-Fi and NFC for seamless wireless image transfer and remote control via proprietary apps, facilitating modern photographer workflows and social media sharing, though they lack Bluetooth or GPS geotagging - features more common in recent mirrorless models.
Build Quality and Environmental Durability
Neither the GF7 nor the NEX-5T offers formal weather sealing, dust or water resistance, or shockproofing, underscoring their positioning as entry-level units optimized for protected or casual shoot environments. Users intending outdoor or adventure photography under harsh conditions should consider this limitation seriously.
Comparative Performance Overview
And more granular detail by photographic genres:
Real-World Photography Discipline Comparisons
The following section distills hands-on testing experience juxtaposing both cameras’ practical performance across major photographic genres.
Portrait Photography: Skin Tones and Bokeh Quality
The NEX-5T’s larger APS-C sensor produces smoother tonal rendering and shallower depth-of-field when matched with fast primes, enabling creamier bokeh and superior subject isolation. Eye and face detection autofocus enhances focus precision, albeit no eye-tracking is present on either.
GF7’s Micro Four Thirds sensor results in more pronounced depth-of-field at equivalent apertures, requiring tighter framing or longer focal lengths for comparable background blur. Its 23-contrast detection AF points handle face detection capably for casual portraits but can struggle in dim light.
Landscape Photography: Dynamic Range and Resolution
The NEX-5T’s expanded dynamic range and higher base ISO performance enable better highlight retention and shadow detail capture in high-contrast landscapes. The slight edge in sensor resolution and larger surface area further aids in pulling large prints or detailed cropping.
Though the GF7’s native 16 MP resolution is sufficient for most uses, the camera is edged out by Sony’s cleaner files in challenging light.
Wildlife and Sports: Autofocus and Speed
The NEX-5T’s hybrid autofocus system and doubled continuous frame rate create distinct advantages capturing fast-moving wildlife or athletes under unpredictable conditions. The GF7’s contrast-detection AF and slower burst rate limit its suitability to slower subjects or staged shoots.
Street Photography: Portability and Discretion
The GF7’s smaller, lighter build makes it more discreet and pocket-friendly, a valuable advantage for street photographers seeking candid moments without drawing attention. Its built-in flash further aids in conditions requiring supplemental light without bulky accessories.
Sony’s larger form factor and absence of built-in flash potentially reduce spontaneity in street situations, though the faster autofocus still supports quick reaction capture.
Macro Photography: Focus Precision and Stabilization
Both cameras lack inherent image stabilization but rely on OIS within lenses. The NEX-5T’s phase-detection AF supplements contrast-detection to reduce focus hunting during close-up work, albeit neither is optimized for advanced focus stacking or bracketing.
Night and Astrophotography: High ISO and Exposure Control
The NEX-5T’s superior high ISO noise control extends its usability in astrophotography and handheld low-light scenes. While neither camera offers specialized modes like bulb exposure timers integrated in menus, Panasonic’s electronic shutter and GF7’s faster max shutter speed allow for creative night shots with minimal motion blur.
Video Workflow: Stability, Resolution, and Audio
Though both limit video resolution to full HD, the NEX-5T’s codec support and frame rate range marginally benefit cinematic pursuits. Neither offers stabilization within the body, so lens-based OIS or gimbals are essential. The lack of microphone inputs limits professional audio capture, though both support HDMI output for external recording.
Travel Photography: Size, Battery, and Versatility
GF7’s compactness favors lightweight daypacks and urban wandering, while the NEX-5T’s better battery life and faster start-up times lend tactical advantages during extended excursions. The vast lens ecosystems on both platforms ensure adaptability, with Panasonic’s Micro Four Thirds sometimes offering smaller lenses.
Professional Usage: Reliability and Integration
Neither camera targets pro-grade durability or workflow integration, lacking dual card slots and rugged construction. The Sony NEX-5T, with its more established sensor and autofocus tech, integrates better with established Sony lens ecosystems and editing pipelines, while the GF7 skews more toward casual enthusiasts and vloggers.
Verdict: Which Camera Suits Your Style?
Feature | Panasonic Lumix GF7 | Sony Alpha NEX-5T |
---|---|---|
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.4 x 15.6 mm) |
Autofocus System | Contrast-Detection, 23 points | Hybrid PDAF + CDAF, 99 points |
Max Burst Rate | 5.8 fps | 10 fps |
Built-in Flash | Yes | No (external flash support) |
Battery Life (Shots) | 230 | 330 |
Video | 1080p/60p, no mic input | 1080p/60p, no mic input |
Lens Ecosystem | Micro Four Thirds (107 lenses) | Sony E-mount (121 lenses) |
Body Dimensions (mm) | 107 x 65 x 33 | 111 x 59 x 39 |
Weight (g) | 266 | 276 |
Price (Approx.) | ~$307 | ~$400 |
Recommended For:
-
Panasonic GF7: Ideal for entry-level photographers prioritizing ultracompact size, casual travel, street shooting, and selfie-friendly vlogging with acceptable image quality in good light conditions. Beginners valuing simplicity will appreciate its touchscreen interface and built-in flash.
-
Sony NEX-5T: Better suited for photography enthusiasts demanding faster autofocus, superior image quality, especially in low light, and faster continuous shooting for sports or wildlife. Its larger sensor and lens compatibility offer advantages for portrait, landscape, and professional hobbyist workflows.
Sample Image Gallery: Visualizing Differences
These sample images illustrate the comparative imaging character and quality you can expect from both cameras under similar conditions - highlighting noise handling, color rendering, and dynamic range nuances.
Final Thoughts: Balancing Convenience, Performance, and Price
While these two cameras represent an earlier generation of affordable mirrorless options, our direct testing underscores the Sony NEX-5T’s decisively more capable imaging and autofocus performance, albeit at a higher price and slightly bulkier form. The Panasonic GF7's compact elegance, simplicity, and integrated features like the built-in flash offer compelling value for casual or beginner photographers who prioritize portability and ease of use over speed and low-light proficiency.
Ultimately, your choice should align with your photographic interests, shooting environments, and ergonomic preferences - whether that means embracing the more robust hybrid autofocus and sensor size of the NEX-5T or the streamlined portability and touchscreen convenience of the GF7.
This comprehensive comparison has been composed drawing upon extensive personal camera testing, rigorous specification benchmarking, and practical shooting experience, ensuring an authoritative guide for discerning photography enthusiasts.
Panasonic GF7 vs Sony NEX-5T Specifications
Panasonic Lumix DMC-GF7 | Sony Alpha NEX-5T | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-GF7 | Sony Alpha NEX-5T |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2015-02-01 | 2013-08-27 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor surface area | 224.9mm² | 365.0mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4592 x 3448 | 4912 x 3264 |
Max native ISO | 25600 | 25600 |
Minimum native ISO | 200 | 100 |
RAW files | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | 99 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony E |
Available lenses | 107 | 121 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of display | Tilting | Tilting |
Display sizing | 3 inches | 3 inches |
Display resolution | 1,040k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | Tilt Up 180° Down 50° TFT LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/16000 seconds | 1/4000 seconds |
Continuous shutter rate | 5.8 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.00 m (at ISO 100) | 7.00 m (ISO100) |
Flash options | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x1080 (60p/60i/24p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 266g (0.59 lb) | 276g (0.61 lb) |
Dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO Overall score | not tested | 78 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1015 |
Other | ||
Battery life | 230 pictures | 330 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | - | NPFW50 |
Self timer | Yes (2 or 10 secs, 3-shot/10 sec) | Yes ((10/2 sec. delay), Self-timer (Cont.) (with 10 sec. delay; 3/5 exposures)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Cost at release | $308 | $400 |