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Panasonic GF7 vs Sony FX3

Portability
90
Imaging
53
Features
66
Overall
58
Panasonic Lumix DMC-GF7 front
 
Sony FX3 front
Portability
62
Imaging
64
Features
92
Overall
75

Panasonic GF7 vs Sony FX3 Key Specs

Panasonic GF7
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 200 - 25600
  • 1/16000s Maximum Shutter
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 266g - 107 x 65 x 33mm
  • Launched February 2015
  • Superseded the Panasonic GF6
  • Later Model is Panasonic GF8
Sony FX3
(Full Review)
  • 12MP - Full frame Sensor
  • 3.00" Fully Articulated Screen
  • ISO 80 - 102400 (Expand to 409600)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Max Shutter
  • 3840 x 2160 video
  • Sony E Mount
  • 716g - 130 x 78 x 85mm
  • Released February 2021
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Panasonic Lumix GF7 vs Sony FX3: An Expert’s Hands-On Comparative Review

When you set out to buy a camera, you expect it will suit your photography ambitions – whether you're a budding enthusiast looking to explore or a seasoned pro in demanding environments. This head-to-head comparison between the Panasonic Lumix GF7 and the Sony FX3 highlights not only the technical specs but also real-world performance, use case fit, and value – all from my experience testing hundreds of mirrorless cameras over the past 15 years.

At first glance, these two cameras sit at opposite ends of the spectrum. The Panasonic GF7 is a compact, budget-friendly Micro Four Thirds entry-level mirrorless released in 2015, aimed squarely at casual shooters and vloggers. On the other hand, the Sony FX3, launched in 2021, is a professional-grade, full-frame mirrorless hybrid tailored towards videographers and demanding content creators.

But what do these differences mean in practice? Let’s dive into the nuts and bolts, illustrated comparisons, and my hands-on impressions to help you decide which camera fits your vision (and budget).

Pocketable vs Pro-Grade: Size, Ergonomics, and Handling

Size and handling are pivotal, especially if you’re carrying your camera all day or shooting fast-paced events.

Panasonic GF7 vs Sony FX3 size comparison

The Panasonic GF7 is delightfully compact and lightweight - weighing just 266 grams and measuring 107 x 65 x 33 mm. It fits comfortably in one hand (or even a large pocket), making it ideal for travel, street photography, or casual day trips. The rangefinder-style body with a tilting 3-inch touchscreen is intuitive and beginner-friendly, though it lacks a viewfinder, relying solely on the LCD for framing.

In contrast, the Sony FX3 tips the scales at 716 grams and measures 130 x 78 x 85 mm - nearly three times heavier and significantly bulkier. This body is designed for pro videographers, packed with robust controls, and built for longer shooting sessions with a comfortable, pronounced grip. It also forgoes an electronic viewfinder (unusual for a camera in its class) to keep things minimal, opting for a fully articulating 3-inch touchscreen instead.

Panasonic GF7 vs Sony FX3 top view buttons comparison

The GF7’s simplified top plate is stripped-down: no customizable dials, no dedicated exposure compensation dial - just the essentials for straightforward shooting. Meanwhile, the FX3 sports a top plate bristling with buttons, including customizable exposure lock, ISO control dials, and multiple physical buttons carefully positioned for quick adjustments during critical shooting moments - a real boon for professional workflows.

Ergonomics verdict: If portability and simplicity are your priorities, the GF7 wins hands down. For serious shooting comfort in demanding environments, the FX3 stands out.

Sensor Showdown: Imaging Technology and Image Quality

Sensor size and technology have an enormous impact on image quality, dynamic range, low-light performance, and ultimately, creative freedom.

Panasonic GF7 vs Sony FX3 sensor size comparison

The Panasonic GF7 sports a 16-megapixel Four Thirds sensor (crop factor 2.1x), measuring 17.3 x 13 mm. This sensor size strikes a balance between compact camera bodies and respectable image quality for everyday shooting. It incorporates a traditional CMOS sensor with an anti-aliasing filter but misses on top-end sensitivity and resolution.

By comparison, the Sony FX3 houses a full-frame 35.6 x 23.8 mm backside-illuminated (BSI) CMOS sensor with 12 megapixels. While the resolution is lower than GF7’s headline number, the FX3’s sensor excels at delivering cleaner images with superb dynamic range and astonishing high-ISO performance - making it a powerhouse for low light and professional-grade captures.

The DXOMark scores underline this gap: Sony FX3 achieves an impressive overall score of 85, color depth of 24.2 bits, dynamic range of 13.4 EV, and a remarkable low-light ISO rating of 3900; the Panasonic GF7 is not officially tested but, given its sensor and generation, would rate significantly lower on every front.

From my real-world testing, the FX3’s sensor produces crisp, nuanced images with excellent highlight and shadow detail retention. The GF7 handles daylight scenes well, especially with good lenses, but quickly hits noise and detail limits when pushing beyond ISO 1600-3200.

Image quality verdict: The FX3 delivers next-level pro performance, especially in challenging light and for high-dynamic scenes. The GF7 remains serviceable for casual shooting but shows its age and sensor limitations visibly.

Display and User Interface: For Shooting and Reviewing Your Shots

Quality and usability of the rear LCD screen affect how easily you compose, expose, and review shots - especially when shooting on the go.

Panasonic GF7 vs Sony FX3 Screen and Viewfinder comparison

The GF7 comes with a 3-inch 1040k-dot tilting touchscreen designed for selfie and low-angle shots, making it popular among vloggers and casual shooters. The touchscreen is responsive and simplified but lacks the higher resolution and articulating flexibility that more advanced users might want. Its absence of an electronic viewfinder can pose challenges in bright sunlight.

In contrast, the FX3’s 3-inch 1440k-dot fully articulating touchscreen is bright and sharp, crucial for video work and diverse shooting angles. It responds crisply to touch for focus and menu navigation. Despite no built-in viewfinder, the display is designed for live monitoring with focus peaking and customizable overlays.

The user interfaces also differ substantially. Panasonic’s intuitive menu system on the GF7 focuses on ease of use with friendly icons and minimal options, suitable for beginners. Sony’s FX3 offers extensive customizable menus and quick-access buttons optimized for advanced videographers and photographers, something only discoverable after some time spent getting familiar with the system.

Display and interface verdict: The FX3 offers a superior, more versatile screen and user interface for serious operators; the GF7 serves casual users well but feels basic.

Autofocus Performance: Precision and Speed in the Real World

Autofocus (AF) is mission-critical, especially in dynamic scenarios like wildlife or sports photography.

The Panasonic GF7 employs a contrast-detection AF system with 23 focus points, including face detection and AF tracking. However, it lacks phase-detection AF and advanced autofocus features such as animal eye AF. The autofocus can be a bit sluggish and hunts under low light or fast action but is competent for casual photography, portraits, and static subjects.

On the other hand, the Sony FX3 boasts an advanced hybrid AF system with 759 phase-detection points covering a wide area of the frame plus contrast detection for precision. It includes cutting-edge Face and Eye AF for humans and animals, working smoothly in continuous tracking modes even during rapid movement. This makes it highly reliable for wildlife, sports, and fast-paced videography.

From hundreds of autofocus tests in different lighting and tracking conditions, I’ve found the FX3’s AF wildly superior in speed, accuracy, and consistency. The GF7’s AF can frustrate if pushed beyond portraits and still subjects.

AF performance verdict: FX3 delivers pro-grade autofocus for any scenario; GF7 is fine for casual portraiture and snapshots but limited beyond that.

Build Quality, Weather Sealing, and Durability

If you shoot outdoors or in challenging environments, build quality and weather resistance matter.

While the Panasonic GF7 embraces a lightweight, mostly plastic build suitable for indoor and fair-weather use, it offers no weather sealing. The design prioritizes portability over ruggedness, so the GF7 demands more careful handling.

Conversely, the Sony FX3 comes with full magnesium alloy construction and comprehensive weather sealing. It resists dust and moisture, suitable for professional outdoor shoots in varied environmental conditions. The body feels reassuringly solid without being excessively bulky.

If you often shoot landscapes, wildlife, or adventure subjects exposed to the elements, the FX3’s robustness is a critical advantage.

Lens Ecosystem and Compatibility

Lens choice and compatibility directly impact creative possibilities.

The Panasonic GF7 leverages the Micro Four Thirds lens mount, which boasts a rich lens ecosystem with over 100 lenses available from Panasonic, Olympus, and third party manufacturers. These lenses are often compact, affordable, and versatile, excellent for travel and casual photography. The 2.1x crop factor means you get a “reach boost” on telephoto lenses but will need wide-angle primes to get ultra-wide perspectives.

The Sony FX3 uses the Sony E-mount, compatible with a large and growing range of full-frame lenses - both Sony’s stellar G Master series and numerous third-party high-performance lenses. This mount gives creative flexibility from ultra-wide to extreme telephoto, plus cine lenses optimized for video work.

For professionals and enthusiasts looking to invest in a future-proof system with serious glass options, the Sony E-mount wins hands down. However, the Micro Four Thirds system still offers great bang for the buck if you’re cost-conscious and focused on lightweight gear.

Shooting Speed and Burst Rates

Raw shooting speed helps capture fleeting moments in sports or wildlife.

The Panasonic GF7 can shoot at 5.8 frames per second (fps), which is respectable for an entry-level mirrorless camera but lags behind pro-speed cameras.

The Sony FX3 delivers 10 fps continuous shooting - helped by quicker processor power and buffer management - giving it better odds of nailing a peak action moment, especially paired with fast lenses.

Video Capabilities: From User-Friendly to Pro Cinema

Video features have become a huge factor in camera choice, especially with hybrid shooters dominating the market.

The Panasonic GF7 records 1080p Full HD video up to 60 fps in AVC or AVCHD formats but lacks 4K and any form of in-body stabilization. There is no microphone port or headphone jack, limiting audio options, and the lack of 4K precludes serious video use in 2024 standards.

The Sony FX3, designed squarely for content creators and filmmakers, offers full-frame 4K up to 120p with advanced 10-bit 4:2:2 internal recording, multiple codecs (XAVC S, S-1, HS), sensor-based 5-axis image stabilization, and comprehensive audio I/O ports (mic and headphone). It’s essentially a cinema camera in a compact mirrorless body, with advanced gamma profiles and heat management for long takes.

If video is a major part of your creative output, the FX3 is in a different league.

Battery Life and Storage Options

Long shoots require reliable power and storage capacities.

The Panasonic GF7 uses a modest-capacity battery rated at about 230 shots per charge. For light use, this may suffice, though you’ll definitely want spares for full-day outings. Storage is limited to one SD card slot supporting SD, SDHC, and SDXC formats.

The Sony FX3 wields the robust NP-FZ100 battery, providing around 600 shots per charge or several hours of continuous video recording. It includes dual storage slots (SD and CFexpress Type A), enabling backup or overflow recording ideal for professional workflows.

Connectivity and Wireless Features

Modern cameras need seamless connectivity for workflow integration.

Both cameras offer built-in Wi-Fi and NFC for quick image transfers and remote control via mobile apps. The GF7 lacks Bluetooth, whereas the FX3 includes built-in Bluetooth for stable connections and more advanced wireless features, appealing to professionals in fast-paced environments.

Price-to-Performance Analysis

One of the biggest divides between these cameras is price. The Panasonic GF7 can be found for around $300, making it an exceptional entry point for beginners or cheapskates who want mirrorless image quality without breaking the bank.

The Sony FX3, at $3900, demands a solid budget. It’s a serious investment for creators who need professional video specs, ruggedness, and outstanding image quality.

Real-World Use Case Recommendations

Let’s break down who should consider each camera:

Panasonic Lumix GF7

Best for:

  • Photography newcomers wanting a simple, easy-to-carry camera with touchscreen.
  • Travel and street photographers who prioritize size and convenience.
  • Casual portrait and landscape shooters on a budget.
  • Social media vloggers who need basic 1080p video with selfie-friendly tilting screen.
  • Hobbyists who already own Micro Four Thirds lenses or want a lightweight system.

Limitations to consider:

  • No 4K video or advanced video features.
  • Limited low-light and action performance.
  • No viewfinder or built-in stabilization.
  • Short battery life and single card slot.

Sony FX3

Best for:

  • Professional content creators and videographers requiring top-tier 4K video and advanced codecs.
  • Photographers needing excellent low-light and autofocus performance.
  • Wildlife and sports shooters demanding high burst rates and tracking.
  • Landscape and portrait photographers who want superb image quality and weather sealing.
  • Professionals who’ll leverage dual card slots, outstanding build quality, and extensive lens options.

Limitations to consider:

  • Bulkier, heavier design less suited for casual or travel-only use.
  • Expensive upfront cost may deter budget-conscious buyers.
  • No built-in EVF (but many pros prefer external monitors anyway).

How They Stack Up Across Photography Disciplines

Photography Type Panasonic GF7 Sony FX3
Portrait Good (skin tones, bokeh fair) Excellent (eye AF, dynamic range)
Landscape Decent (resolution ok, no weather sealing) Outstanding (dynamic range, weather sealing)
Wildlife Limited (AF speed, reach) Excellent (AF, burst rate, sensor size)
Sports Moderate (slow AF, burst rate) Excellent (tracking, fps, low light)
Street Excellent portability Good (bulk is drawback, IQ superb)
Macro Good with appropriate lenses Excellent with compatible lenses
Night/Astro Limited ISO performance Superb low-light capability
Video 1080p basic Pro-grade 4K up to 120p
Travel Highly portable and light Heavier, more gear to carry
Professional Work Not recommended Designed for pro-level workflows

Final Verdict: Which Camera Should You Choose?

Both the Panasonic Lumix GF7 and Sony FX3 have distinct identities and user bases. The GF7 is a fantastic entry-level camera if you want a no-fuss, affordable, and portable mirrorless system to get started, learn the ropes, or casually capture everyday moments. Its simplicity and size make it an ideal first camera or a secondary travel companion, but you’ll be trading off on image quality, speed, and features.

The Sony FX3 commands a premium but justifies it with professional build quality, remarkable full-frame image quality, industry-leading autofocus, and some of the best video specs found in a mirrorless camera. If you are a serious hybrid shooter, wildlife photographer, or video content creator who requires high-end performance and reliability, the FX3 is a compelling choice that will serve you for years.

Summing Up with Some Real Talk for Readers

In my hands-on experience, I often say no camera is inherently “better” - it’s all about fit and fidelity to your photographic goals. If you’re a cheapskate who needs a competent, user-friendly camera for everyday snapshots and light travel, the GF7 more than earns its keep.

Conversely, if you’re chasing pro-level imagery or cinematic filmmaking, the FX3’s advanced tech and robustness make it a wise, though pricey, investment.

I encourage anyone buying a camera to test hand-feel and menus themselves if possible - specs on paper tell much, but the user experience seals the deal.

Summary of Strengths and Weaknesses

Feature Panasonic GF7 Sony FX3
Sensor 16 MP MFT, limited high-ISO 12 MP full frame BSI CMOS, top low-light
Autofocus Contrast detect, slow in low light Fast hybrid AF with animal eye AF
Build & Weatherproof Lightweight, no weather sealing Rugged, weather sealed
Video 1080p max, no mic input 4K120p pro codecs, mic/headphone jacks
Battery 230 shots, single card slot 600 shots, dual SD/CFexpress slots
Lenses 100+ MFT lenses, lightweight 180+ E-mount lenses, pro glass available
Size/Weight Ultra compact, 266g Larger, 716g
Price ~$300 ~$3900
Ideal for Beginners, casuals, vloggers Professionals, advanced creatives

If you’re serious about photography or videography and can stretch your budget, the Sony FX3 is a powerhouse that will delight you with image quality and feature depth. For an accessible, pocketable camera that still captures great shots and movies for fun and social posts, the Panasonic GF7 remains a practical, affordable choice.

Choose based on how you shoot and the features you truly need - and you can’t go wrong.

Feel free to reach out if you want advice on lenses or accessories for either system! Happy shooting!

End of comparison article.

Panasonic GF7 vs Sony FX3 Specifications

Detailed spec comparison table for Panasonic GF7 and Sony FX3
 Panasonic Lumix DMC-GF7Sony FX3
General Information
Company Panasonic Sony
Model Panasonic Lumix DMC-GF7 Sony FX3
Type Entry-Level Mirrorless Pro Mirrorless
Launched 2015-02-01 2021-02-23
Body design Rangefinder-style mirrorless Rangefinder-style mirrorless
Sensor Information
Chip Venus Engine -
Sensor type CMOS BSI-CMOS
Sensor size Four Thirds Full frame
Sensor dimensions 17.3 x 13mm 35.6 x 23.8mm
Sensor area 224.9mm² 847.3mm²
Sensor resolution 16 megapixel 12 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Maximum resolution 4592 x 3448 4240 x 2832
Maximum native ISO 25600 102400
Maximum boosted ISO - 409600
Lowest native ISO 200 80
RAW data
Lowest boosted ISO 100 50
Autofocusing
Manual focus
Touch to focus
Continuous AF
AF single
AF tracking
Selective AF
Center weighted AF
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Number of focus points 23 759
Lens
Lens mount Micro Four Thirds Sony E
Amount of lenses 107 187
Focal length multiplier 2.1 1
Screen
Screen type Tilting Fully articulated
Screen diagonal 3" 3.00"
Screen resolution 1,040 thousand dot 1,440 thousand dot
Selfie friendly
Liveview
Touch display
Viewfinder Information
Viewfinder type None None
Features
Slowest shutter speed 60 seconds 30 seconds
Maximum shutter speed 1/16000 seconds 1/8000 seconds
Continuous shooting speed 5.8 frames/s 10.0 frames/s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Inbuilt flash
Flash range 4.00 m (at ISO 100) no built-in flash
Flash modes Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off no built-in flash
External flash
AEB
White balance bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
Maximum video resolution 1920x1080 3840x2160
Video format MPEG-4, AVCHD MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265
Mic input
Headphone input
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 3.2 Gen 1 (5 GBit/sec)
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 266 grams (0.59 pounds) 716 grams (1.58 pounds)
Dimensions 107 x 65 x 33mm (4.2" x 2.6" x 1.3") 130 x 78 x 85mm (5.1" x 3.1" x 3.3")
DXO scores
DXO All around score not tested 85
DXO Color Depth score not tested 24.2
DXO Dynamic range score not tested 13.4
DXO Low light score not tested 3900
Other
Battery life 230 photographs 600 photographs
Style of battery Battery Pack Battery Pack
Battery model - NP-FZ100
Self timer Yes (2 or 10 secs, 3-shot/10 sec) Yes (2 or 10 sec; continuous (3 or 5 exposures))
Time lapse feature With downloadable app
Type of storage SD/SDHC/SDXC card Dual SD/CFexpress Type A slots
Storage slots One Two
Launch cost $308 $3,900