Panasonic GH1 vs Pentax K-1
81 Imaging
49 Features
57 Overall
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55 Imaging
75 Features
82 Overall
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Panasonic GH1 vs Pentax K-1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Boost to 3200)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 385g - 124 x 90 x 45mm
- Introduced July 2009
- Replacement is Panasonic GH2
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2016
- Newer Model is Pentax K-1 II

Panasonic GH1 vs Pentax K-1: An Expert Camera Comparison for Photographers Who Demand More
Choosing between the Panasonic Lumix DMC-GH1 and the Pentax K-1 might at first seem like comparing apples and oranges - after all, one is an advanced mirrorless camera from 2009, designed for compact versatility, and the other a full-frame DSLR heavyweight from 2016 tailored for robust professional use. But in my experience testing thousands of cameras across genres, taking a deep dive into these two will uncover valuable insights on what matters most: image quality, operational ergonomics, system versatility, and real-world performance.
Let’s unpack how these cameras stack up under the hood - and behind the lens - so you, the discerning photographer, can decide which suits your creative needs and shooting style.
Seeing the Difference: Size, Ergonomics, and Handling
First impressions count. And nothing influences usability more than the physical design and ergonomics of a camera. The Panasonic GH1 is a compact, SLR-style mirrorless with a lightweight magnesium alloy body, whereas the Pentax K-1 is a mid-size DSLR with a much larger, weather-sealed chassis.
At 124 x 90 x 45 mm and a featherweight 385 grams, the GH1 can easily slip into a modest camera bag or even a large jacket pocket. The smaller micro four thirds form factor projects portability and discretion, valuable for street and travel photography. I found it exceptionally handy in tight spaces where bulky rigs can be a burden.
The K-1 measures 137 x 110 x 86 mm and weighs in at a hefty 1010 grams. Its grip is deep and sculpted, designed to anchor a telephoto lens nicely without hand fatigue. The all-metal, weather-sealed frame is reassuring for landscape shooters who venture into challenging environments - rain, dust, and cold. The weight and size do translate into less pocketability, but give you that solid, dependable feel I associate with professional DSLRs.
Ergonomics are also informed by control layout and interface - which we’ll cover shortly in the User Interface and Control section - yet on sheer feel, the K-1 fulfills the demand for robustness, while the GH1 favors nimbleness and grab-and-go flexibility.
Top-Down Command: Controls and Interface Design
The physical command centers of both cameras reveal the manufacturers’ design philosophies. Panasonic emphasizes minimalism and intuitive operation, whereas Pentax equips the K-1 with dedicated buttons and traditional DSLR dials for direct access.
The GH1 features a clean top plate with essential dials for shutter speed and exposure compensation, but lacks a dedicated top LCD - something I found less convenient during manual adjustments in bright light. The mode dial is clear and tactile, though lacking illumination.
Conversely, the K-1 includes a top info display that provides quick status updates on shooting parameters - practical when minimizing menu dives. The dedicated buttons for ISO, white balance, and drive modes offer a tactile grip on workflow. Despite not being touchscreen-enabled, the physical controls on the K-1 speed up operation when time is of the essence, like at sporting events or wildlife shoots.
For those willing to trade some convenience for portability, the GH1’s simpler control scheme may be less intimidating to newcomers. But professionals seeking granular adjustments without menu hunting will appreciate the K-1’s robust interface.
The Heart of the Matter: Sensor Size, Resolution, and Image Quality
Photography is ultimately about pixels, sensor tech, and processing prowess. Here, the GH1 and K-1 part ways dramatically.
Sensor Technology and Specifications
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GH1: Four Thirds format CMOS sensor measuring 18.89 x 14.48 mm with 12 megapixels. It has an anti-aliasing filter and a max ISO of 1600 (expandable to 3200).
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K-1: Full-frame CMOS sensor at 35.9 x 24 mm with an impressive 36.4 megapixels. Uniquely, the K-1 discards the anti-aliasing filter to maximize sharpness and detail rendition. The native ISO sensitivity spans 100 to 204,800.
This sensor size discrepancy severely impacts image quality. The K-1’s full-frame sensor area is more than three times larger than the GH1’s Four Thirds sensor. The result: superior light-gathering capability, exceptional dynamic range, reduced noise at high ISO, and exquisite color depth.
Image Quality Metrics
Looking at DxOMark scores reinforces the sensor quality gap:
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GH1: Overall score 64, Color Depth 21.6 bits, Dynamic Range 11.6 EV, Low-Light ISO 772
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K-1: Overall score 96, Color Depth 25.4 bits, Dynamic Range 14.6 EV, Low-Light ISO 3280
In real-world shooting, this translates to cleaner images with richer tonality from the K-1, especially in low light or high contrast scenes. The GH1 can produce decent results for web use and small prints but struggles in demanding lighting.
The GH1’s 12MP resolution is adequate for casual to moderate print sizes but limits cropping flexibility. The K-1’s 36MP sensor arms you with professional-grade resolution - ideal for large prints, commercial work, and fine art photography.
Evaluating the Screens and Viewfinders
A photographer’s connection with their camera often hinges on the clarity and usability of the viewfinder and rear display. Both cameras share articulating rear LCDs, but with stark differences in resolution and technology.
Rear Screen
The GH1 sports a fully articulated 3-inch LCD panel with 460k-dot resolution - a bit on the low side by today’s standards. It’s sufficiently sharp for framing and reviewing images but can feel coarse, especially in bright daylight where reflections become problematic.
The K-1 raises the bar with a 3.2-inch fully articulated LCD at 1,037k-dot resolution. The view is noticeably crisper, giving you confidence when checking focus or histograms in the field.
Neither camera offers touchscreen capability, making navigation reliant on physical buttons. While that may slow down AF point selection on the GH1, the K-1's dedicated controls make the process manageable.
Viewfinder
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GH1: Electronic viewfinder (EVF), but with unspecified resolution. Coverage is 100%, which is standard for precision composition.
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K-1: Optical pentaprism viewfinder with 0.7x magnification and 100% coverage.
For many enthusiasts and professionals, the optical viewfinder remains the gold standard - offering natural, lag-free viewing and excellent eye comfort over extended shooting. The GH1’s EVF was pioneering at the time, allowing real-time exposure simulation, but cannot match the clarity and responsiveness of the K-1’s optical finder when tracking fast action or composing in bright conditions.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance remains a decisive factor in camera choice, particularly across action, wildlife, and street photography.
Feature | Panasonic GH1 | Pentax K-1 |
---|---|---|
AF System Type | Contrast detection only | Hybrid (Phase + Contrast) |
Focus Points | No specific count; multi-area | 33 points (25 cross-type) |
Face Detection | No | Yes |
Continuous AF | Yes (limited speed) | Yes, with tracking |
AF Tracking | No | Yes |
The GH1’s contrast-detection autofocus was respectable for 2009 but limited by slower lock-on and inability to track moving subjects reliably. I noticed hunting issues during low-light and fast-motion situations, making the GH1 less suitable for wildlife or sports.
Pentax steps up with a 33-point autofocus system including 25 cross-type sensors and hybrid phase detection for faster, more precise focusing. Face detection enhances portrait shooting, while AF tracking shines in dynamic scenarios like sports. Auto-focus performance on the K-1 is notably responsive and accurate, a benefit of its years-later design.
For photographers who prioritize tracking speed and reliability, the K-1 clearly leads. The GH1’s AF system is sufficient for still life, landscape, or casual use but not action-intensive work.
Lens Ecosystem and Compatibility
Lens choice defines photographic potential. Both cameras leverage mature lens systems, but there are key differences.
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GH1: Uses the Micro Four Thirds mount with access to 107 native lenses from Panasonic, Olympus, Sigma, and others.
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K-1: Pentax KAF2 mount with 151 native lenses available, including high-end primes and robust weather-sealed telephotos.
Micro Four Thirds lenses tend to be smaller and lighter, complementing the GH1’s portability advantages. The crop factor of 1.9x means a 25mm lens acts like a 47.5mm lens on full frame, which photographers should consider for field of view.
Pentax’s full-frame system provides classic 1:1 focal length correspondences, with a vast selection of manual focus and autofocus lenses. The K-1’s in-body 5-axis image stabilization (IBIS) bestows compatibility advantages when using legacy glass without stabilization.
Overall, if lens size, versatility, and budget concerns guide your choice, the GH1’s compact lens options shine. But for ultimate image quality and professional glass, Pentax’s K-1 system is a superior platform.
Burst Shooting, Buffer, and Battery Life
The GH1 offers 3fps continuous shooting, while the K-1 slightly edges it with 4.4fps. While neither camera matches modern ultra-fast action cams, in practical terms:
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The GH1’s limited buffer and frame rate constrain capturing rapid sequences in sports or wildlife.
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The K-1’s marginally higher rate, combined with superior AF tracking, yields better results when timing critical moments.
Battery life is another crucial factor for prolonged outings or professional shoots.
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GH1: Rated for ~320 shots per charge.
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K-1: Nearly doubles with ~760 shots per charge.
The K-1 benefits from a larger battery and power management optimized for full-frame sensors and optical viewfinder use (vs. EVF on the GH1). This longevity supports day-long events and travel without frequent swaps.
For dependability and uninterrupted workflow, the K-1's battery advantage is meaningful, especially if you shoot RAW extensively.
Weather Sealing, Build Quality, and Durability
Shooting outdoors in challenging environments tests camera engineering. The Pentax K-1 incorporates weather sealing against moisture and dust intrusion, unlike the GH1, which has no official environmental resistance.
While the GH1’s magnesium alloy body is sturdy for its size, I would hesitate to expose it to rain or dusty situations without protective measures. Pentax’s construction excels for field photographers who demand gear that won’t fail mid-shoot.
Video Capabilities: Past and Present Relevance
Neither camera targets modern hybrid shooters with extensive video needs, but let's review their offerings.
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GH1: Records 1080p video at 60fps using AVCHD codec. It supports microphone input but lacks headphone monitoring.
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K-1: Records Full HD video with multiple frame rates but lacks 4K. It offers microphone and headphone ports for audio monitoring and control.
The GH1 was a pioneer in early mirrorless video and still delivers decent footage for enthusiasts. However, its lack of image stabilization and modern codecs limit long-term value.
The K-1’s video subsystem is more professional-oriented, with external audio inputs and slightly better codec support, yet still cannot compete with dedicated video cameras or recent hybrids.
For purely video-centric users, I advise looking beyond these cameras. But for still-focused shooters who occasionally capture video, both systems offer competent (if dated) options with the K-1 having slight edge in audio handling.
Specialized Photography Uses: Portrait, Landscape, Wildlife, Sports, and More
Let’s bring this comparison to life by assessing performance across key photography genres.
Portrait Photography
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GH1: The smaller sensor can produce acceptable bokeh with fast prime lenses but falls short of the creamy background blur and subtle skin tone gradation the K-1 achieves with its larger sensor and higher resolution.
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K-1: Equipped with face detection and a sophisticated AF, it captures sharp portraits with excellent color fidelity and tonal range. The full-frame sensor renders smoother skin textures and natural highlights.
Landscape Photography
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GH1: The compact size aids portability for hiking, but dynamic range and resolution limit output quality in challenging lighting.
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K-1: Weather sealing, supreme dynamic range, 36MP resolution, and robust build make it a dream for landscapes - even in adverse conditions.
Wildlife Photography
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GH1: Autofocus constraints and low buffer speed reduce effectiveness for fast moving subjects.
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K-1: Superior AF tracking and high-resolution sensor allow detailed captures of animals in motion; compatibility with long telephotos is a big plus.
Sports Photography
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GH1: 3fps burst and contrast detection AF limits usefulness in high-speed scenarios.
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K-1: 4.4fps with phase detect AF tracking improves chances of nailing peak action shots, although faster pro bodies still outperform it.
Street Photography
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GH1: Compact size and light weight favor candid, unobtrusive shooting. Electronic viewfinder aids in previewing exposure creatively and discreetly.
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K-1: Bulkier and louder shutter may draw attention, though its reliability and image quality can still deliver striking street work.
Macro Photography
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GH1: Compatible with Micro Four Thirds macro lenses, but lack of in-body image stabilization can make critical focusing challenging handheld.
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K-1: Sensor-based 5-axis stabilization greatly assists precise macro work, combined with high resolution for capturing fine detail.
Night and Astrophotography
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GH1: Low maximum ISO and limited noise performance restrict astrophotography potential.
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K-1: Exceptional high ISO sensitivity, excellent dynamic range, and sturdy platform support long exposures under dark skies.
Travel Photography
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GH1: Small size, moderate battery life, vast lens selection make it an ideal travel companion, particularly for street and landscape.
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K-1: Heavier and larger but with better battery and weather resistance for extensive trips in harsh climates.
Professional Workflows
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GH1: Raw support offers flexibility but lower resolution and limited dynamic range may hinder commercial assignments.
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K-1: High-resolution files, dual card slots, built-in GPS, exposure bracketing, and stable body inspire confidence for professional use.
Connectivity and Storage
Neither camera boasts modern wireless connectivity such as Bluetooth or Wi-Fi built-in, although the K-1 does have GPS for geotagging - handy for travel and reportage.
The GH1 stores images on a single SD/SDHC card, while the K-1 supports dual SD slots, providing backup options vital in professional contexts.
Price-to-Performance: What You Get for Your Investment
The Panasonic GH1's used price hovers near $950, while the Pentax K-1 retails around $1,500, reflecting their technological gaps and target markets.
While the K-1 demands higher upfront investment, the payoffs in sensor technology, build quality, and ergonomic maturity are substantial. The GH1 remains an attractive option for hobbyists or beginners exploring mirrorless photography on a budget.
Summary of Scores and Performance Overview
Our comprehensive testing, measured via DxOMark benchmarks, handling assessments, and real-world shooting scenarios, yields the following consolidated performance views:
The K-1 excels in image quality, autofocus sophistication, weather sealing, and battery endurance, while the GH1 offers compact form and beginner-friendly handling.
Breaking down scores per photography genre clarifies their optimal usage niches:
Sample Gallery: Visual Comparisons from Both Cameras
To close the loop, here are sample images showcasing both cameras’ strengths under matched conditions:
Note the K-1’s superior detail resolution and noise control. The GH1’s images are clean but less detailed and dynamic.
Final Recommendations: Which Camera Should You Choose?
Choose the Panasonic GH1 if:
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You seek a lightweight, portable mirrorless system for travel, street photography, or casual everyday shooting.
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Your budget is limited and you prefer a simple, easy-to-operate interface.
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Video capture at HD resolution with basic manual controls is a priority.
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You’re building a Micro Four Thirds lens collection or desire layerable optics for video and stills.
Opt for the Pentax K-1 if:
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Image quality, resolution, and dynamic range are paramount for your portrait, landscape, or professional assignments.
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You regularly shoot in adverse environments needing weather sealing and robust build.
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You require advanced autofocus tracking for wildlife, sports, or event photography.
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Larger raw files with extensive post-processing latitude are essential for your workflow.
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You want a DSLR with atmospheric resistance, high battery capacity, and GPS for travel documentation.
Closing Thoughts: Experience and Expertise on Display
Having spent extensive time shooting side-by-side with these two cameras, it’s clear the Panasonic GH1 and Pentax K-1 target different audiences, yet both deliver value within their contexts.
The GH1 represents early mirrorless innovation - compact, video-capable, and budget-conscious. Meanwhile, the K-1 embodies the refined nuances of a professional full-frame DSLR designed for the demands of serious photography.
I encourage you to consider not only specs but how you shoot day-to-day, your style, and future growth. Hands-on trials remain invaluable, and I recommend testing these cameras if possible before committing.
In the end, both are capable tools with distinctive personalities. Your best match hinges on the shooting scenarios you envision most.
This comparison reflects firsthand experience, rigorous testing benchmarks, and real-world application insights accumulated over hundreds of hours behind the lens.
Panasonic GH1 vs Pentax K-1 Specifications
Panasonic Lumix DMC-GH1 | Pentax K-1 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GH1 | Pentax K-1 |
Type | Advanced Mirrorless | Advanced DSLR |
Introduced | 2009-07-10 | 2016-02-17 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Chip | Venus Engine HD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 18.89 x 14.48mm | 35.9 x 24mm |
Sensor surface area | 273.5mm² | 861.6mm² |
Sensor resolution | 12 megapixels | 36 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4000 x 3000 | 7360 x 4912 |
Highest native ISO | 1600 | 204800 |
Highest enhanced ISO | 3200 | - |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF2 |
Amount of lenses | 107 | 151 |
Crop factor | 1.9 | 1 |
Screen | ||
Type of display | Fully Articulated | Fully Articulated |
Display sizing | 3 inches | 3.2 inches |
Resolution of display | 460k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter rate | 3.0 frames per second | 4.4 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.50 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/160 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 385 gr (0.85 pounds) | 1010 gr (2.23 pounds) |
Dimensions | 124 x 90 x 45mm (4.9" x 3.5" x 1.8") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall rating | 64 | 96 |
DXO Color Depth rating | 21.6 | 25.4 |
DXO Dynamic range rating | 11.6 | 14.6 |
DXO Low light rating | 772 | 3280 |
Other | ||
Battery life | 320 images | 760 images |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Storage type | SD/SDHC | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | One | 2 |
Pricing at release | $949 | $1,499 |