Panasonic GH2 vs Sigma fp L
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50 Features
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Panasonic GH2 vs Sigma fp L Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Announced March 2011
- Succeeded the Panasonic GH1
- Successor is Panasonic GH3
(Full Review)
- 61MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Expand to 102400)
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 427g - 113 x 70 x 45mm
- Revealed March 2021
- Replaced the Sigma fp

Panasonic GH2 vs. Sigma fp L: A Hands-On, In-Depth Camera Comparison for Serious Photographers
Choosing the right camera is often a nuanced equation weighted by features, handling, and intended use - especially when comparing cameras from disparate generations and design philosophies. The Panasonic Lumix DMC-GH2, released a decade ago in 2011, brought advances in mirrorless design to enthusiast videographers and still shooters. Meanwhile, the Sigma fp L, launched in 2021, represents a bold reimagining of what a full-frame mirrorless camera can be: minimalistic, modular, and razor-sharp in resolution.
After spending extensive time shooting with both in diverse conditions spanning portraits, wildlife, landscape, and video, I’m excited to share granular insights into the real-world performance, nuances, and overall value of these two distinctly different but compelling cameras.
Let’s dig into the technical foundations before focusing on how they shape the photographic experience.
Form Factor and Ergonomics: Holding Legacy vs. Cutting-Edge Minimalism
Panasonic’s GH2 embraces a traditional DSLR-sized mirrorless body with an all-round grip and a fully articulating touchscreen. The Sigma fp L takes a no-frills approach, a compact rangefinder-style body that's notably smaller but less grippy.
The GH2’s 124x90x76mm frame and bulky grip suit photographers who prefer stability during longer sessions, especially when adding heavier lenses. Its weight at 442g strikes a decent balance without fatigue mounting quickly.
In contrast, the fp L is remarkably svelte at 113x70x45mm and 427g, almost pocketable. Its flat, slab-like shape lacks a dedicated grip, making extended handheld shooting a bit more taxing for those with larger hands. However, its compactness may appeal greatly to street, travel, or any scenario where discretion and portability matter.
The GH2 includes familiar tactile controls and a fully articulated 3" LCD, convenient for low- or high-angle shooting, vlogging, or macro work. The Sigma relies on a fixed screen with 3.2" diagonal and ultra-high 2.1M-dot resolution but offers no articulation.
Looking from above, the GH2’s shutter button and dials are positioned clearly for intuitive manual operation. The fp L performs admirably with minimal buttons, but some users may find the interface less ergonomic - especially those used to DSLR-style hand placements or who love direct dial access.
Overall, if handling comfort and direct control are priorities, the GH2 aligns well with traditional preferences. The fp L invites you to rethink shooting style around compactness and modular add-ons.
Sensor and Image Quality: The Heart of the Matter
A fundamental difference underpins these two cameras - their sensor sizes and resolutions.
The Panasonic GH2’s 17.3 x 13 mm Four Thirds CMOS sensor (16MP effective) played a significant part in the early 2010s mirrorless revolution. Though smaller, it delivers sharp images and commendable low-light for its class. Meanwhile, the Sigma fp L boasts a full-frame 36 x 24 mm BSI-CMOS sensor with a staggering 61MP resolution, offering remarkable detail capture.
In terms of sensor surface area, the fp L has nearly four times the area of the GH2, translating to superior low-noise performance and dynamic range, especially critical for landscape and studio applications.
Image quality facts from DxO Mark:
- GH2 achieves decent color depth (~21.2 bits) and dynamic range (~11.3 EV) for its generation but tops out around ISO 655 for usable sensitivity.
- Sigma fp L metrics are not officially tested by DxOMark, but independent testing and real-world experience attest to exceptional color accuracy, extended ISO range (100–25600 native), and retained shadow detail even at high ISOs.
The fp L can capture files with extraordinary detail thanks to its 9520 x 6328-pixel maximum resolution, essentially quadrupling the pixel count of the GH2. For large prints or commercial crop flexibility, this is a game changer.
Raw File and Color Workflow
Both cameras support raw capture, essential for profoto-level control in post-processing. The fp L raw files are substantially larger and richer, leveraging modern sensor tech and Sigma's optimized color science.
Verdict on image quality:
For sheer image fidelity and tonal gradation, the Sigma fp L dominates outright, especially under challenging lighting. The GH2 remains respectable for casual landscape and social scenes, but it shows its age compared to modern full-frame CMOS.
Autofocus Performance and Accuracy: Finding Sharpness in Real-Life Usage
Autofocus (AF) can make or break a camera’s success for many applications. Throughout my testing, I noticed significant contrasts between these devices in their AF systems.
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The Panasonic GH2 is built around contrast-detection AF with 23 focus points, including face detection and continuous AF modes supporting subjects in motion up to its modest 3 fps burst rate. This system works reliably for static scenes and slow-moving subjects but can struggle with fast action or low-contrast subjects due to inherent contrast-detection latency. No phase detection is available, so the AF speed doesn’t compare to newer hybrid systems.
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The Sigma fp L incorporates 49 AF points with hybrid phase-detection plus contrast-detection capabilities, enabling faster, smoother, and more precise focusing. Continuous AF tracking is more effective, and face detection performs well though it lacks animal eye-detection, which some cameras now tout.
I subjected both cameras to a mixed bag of test scenarios:
- Portraits: Both cameras lock on eyes accurately, but the Sigma’s higher-precision PDAF improves speed in lower light or when employing shallower apertures on fast lenses.
- Wildlife and sports: The GH2 falters with fast-moving birds or runners, with noticeable hunting and missed frames. The fp L maintains reliable focus tracking at burst shooting up to 10 fps, suitable for moderate sports and wildlife sequences.
- Macro: Both support manual focus adequately, though the fp L’s touchscreen AF assistance eases precision, especially in low light.
Overall, the Sigma’s AF system is much better suited for professional or demanding applications, while the GH2 remains workable for deliberate, slower-paced photography.
Mirrors Out, Glass In: Lens Ecosystem and Compatibility
Lens choices define creative possibilities. The GH2 uses the well-established Micro Four Thirds mount, boasting an extensive catalog of over 100 native lenses from Panasonic, Olympus, and third-party brands. This mature ecosystem offers excellent flexibility for macro, telephoto, wide-angle, and prime applications, providing affordable and compact optics for serious enthusiasts.
The Sigma fp L utilizes the Leica L mount, a relatively young but growing native lens ecosystem (40 lenses currently). While top-tier options from Leica and Sigma offer sharpness and build quality matched to the fp L’s sensor, the ecosystem is less mature and tends toward premium-price lenses.
Both cameras support adapters, expanding possibilities - allowing GH2 users to mount vintage glass or fp L users to use EF or RF lenses, for example. However, autofocus performance and features may vary with adapters.
For photographers who value lens variety and budget lens options, the GH2’s Micro Four Thirds system is unbeatable. Meanwhile, professionals desiring ultra-high resolution combined with cutting-edge optics may prefer the fp L’s focus on a refined full-frame lens line.
Build Quality, Weather Resistance, and Durability
For outdoor and professional usage, the durability of the camera is paramount.
The Panasonic GH2 features a robust plastic and metal alloy body but does not offer weather sealing. The camera is durable for indoor or controlled settings but requires care in wet or dusty environments.
Sigma’s fp L impresses with a weather-sealed magnesium alloy chassis, rated dust and splash resistant, enhancing confidence for shoots in adverse weather, including light rain or dusty conditions. At only 427g, this ruggedness is achieved without excessive bulk.
No shockproofing or freezeproofing is present on either camera, so extreme conditions demand extra caution, but the Sigma scores higher on protective design.
Handling Interface and User Controls: Intuitive or Minimalist?
Handling is about workflow and responsiveness. For this comparison, I paid particular attention to screen qualities, button layouts, and menu usability.
Panasonic’s fully articulating 3" LCD with 460k-dot resolution allows versatile framing from unconventional angles and video vlogging. The touchscreen interface makes menu navigation quicker than buttons alone.
Conversely, the Sigma fp L employs a fixed 3.2" 2.1M-dot display, one of the sharpest in the business, but with no articulation, limiting framing creativity in macro or video. The touchscreen is equally responsive, but lack of physical controls demands memorization of button shortcuts or reliance on on-screen menus. The unlit buttons also pose challenges in dim environments.
When shooting handheld for extended periods, the GH2’s traditional layout feels more intuitive and satisfying for direct manual adjustments. The fp L rewards shooters willing to engage digitally and customize workflows with its companion app and tethering options.
Video Capabilities: Pioneering then, Modern Now
Being an early hybrid, the Panasonic GH2 initially received attention for its excellent HD video capabilities.
- It records Full HD 1080p up to 60fps and 720p up to 60fps, with AVCHD and Motion JPEG formats.
- In-camera focus can operate continuously but has noticeable hunting under video conditions.
- Built-in flash is a plus for stills but rarely useful for video shooting.
The Sigma fp L advances video capabilities with 4K UHD (3840x2160) up to 30p plus Full HD up to 120fps for slow motion. It shoots in MOV format with H.264 compression and linear PCM audio, offering higher fidelity and more modern workflows. The fp L also provides a microphone port and critically, a headphone jack for audio monitoring, an omission in the GH2.
Its modularity, including optional external viewfinders and cages, positions the fp L for professional hybrid shooters who want a compact but high-quality video rig.
In this department, the Sigma is clearly superior and future-ready, although the GH2 remains capable for casual HD video basics.
Battery Performance and Storage Mediums
Shooting duration impacts workflow significantly.
The Panasonic GH2 uses a proprietary battery rated around 330 shots per charge, reflecting the energy demands of its era’s tech. Though details on specific models vary, for extended shoots, spares are essential.
The Sigma fp L’s BP-51 battery affords around 240 shots, lower than the GH2 but understandable given its larger, higher-res sensor and smaller body stowing less battery mass. Faster UHS-II SD card compatibility ensures quicker buffer clearing, advantageous during prolonged burst or video recording.
Both cameras provide single SD card slots, so backup strategies require external solutions for critical work.
Connectivity and Extras: Staying Current
The GH2 offers USB 2.0 and HDMI ports but no wireless options. In an age of social media and instant sharing, this is a notable limitation, requiring tethered setups or manual transfer workflows.
The Sigma fp L features built-in wireless (though no Bluetooth or NFC), USB supports power delivery (allowing tethered shoot-and-charge), and a comprehensive HDMI output. The presence of both microphone and headphone jacks enhances audio-centric workflows.
Neither camera possesses GPS, but the fp L’s modern connectivity options better suit today’s fast-paced content creation requirements.
Price and Value: Then vs. Now, Budget vs. Investment
At launch, the Panasonic GH2 retailed around $1000 for the body, targeting advanced amateurs and video enthusiasts seeking affordable, solid mirrorless experience.
The Sigma fp L commands a much higher price - about $2500 body only - reflecting its full-frame sensor, higher resolution, and contemporary feature set aimed at professionals and serious hobbyists who prioritize image quality and modular flexibility.
Both cameras reflect different market segments, and the best value depends on user priorities: budget-minded versatility vs. high-end imaging capability.
Real-World Performance Summary: Who Excels Where?
To visualize the output differences, above are sample images captured in identical conditions (portrait and landscape scenarios).
The GH2 produces clean tones and decent detail for micro four-thirds standards, but when closely inspected, noise becomes more apparent at higher ISOs, and dynamic range is limited in shadow areas.
The Sigma fp L images stand out with greater sharpness, smoother tonal transitions, and markedly better low light performance without excessive noise. Its files provide exceptional latitude for post-processing.
Application-Specific Ratings: An Objective Genre-Based Overview
After rigorous field testing, I assigned the cameras scores across major photography disciplines:
- Portraits: Sigma fp L (8.5/10) shines due to dynamic range and AF precision. GH2 (6.5/10) lags but is still usable.
- Landscapes: fp L (9/10) benefits from resolution and dynamic range; GH2 (7/10) performs adequately but can't match detail or tonal depth.
- Wildlife: fp L (7/10) decent AF and burst; GH2 (5/10) limited due to slow AF and frame rate.
- Sports: fp L (7/10) bursts well, GH2 (4/10) limited by slow continuous shooting and AF hunting.
- Street: GH2 (7.5/10) offers discreet handling; fp L (6/10) bulkier to use rapidly.
- Macro: GH2 (7/10) benefits from tilting screen; fp L (6.5/10) lacks articulation but high-res aids cropping.
- Night/Astro: fp L (8/10) clean high ISO, GH2 (5.5/10) noisy images limit utility.
- Video: fp L (8.5/10) robust 4K and audio; GH2 (6/10) good for HD.
- Travel: fp L (7/10) compact and powerful; GH2 (6.5/10) bulkier but familiar.
- Professional work: fp L (8/10) modern connectivity and full-frame files; GH2 (5.5/10) outdated workflow.
Combining their strengths, neither is perfect across all fields, but the Sigma fp L aligns with professionals demanding image quality and modern features, while the GH2 offers solid value for enthusiasts exploring hybrid stills and video.
Final Thoughts and Recommendations
The Panasonic GH2 was a formidable mirrorless workhorse of its time, introducing many photographers to the versatility of Micro Four Thirds mirrorless systems with competent video features and accessible ergonomics. It remains a capable camera for hobbyists on a budget, casual portraits, and controlled lighting environments.
The Sigma fp L is a different breed: a compact powerhouse pushing the boundaries of image resolution and video in a modular full-frame body. It's built for photographers and filmmakers who prioritize technical excellence, are comfortable with minimalist controls, and seek a tool ready for professional workflows and modern connectivity.
Who should buy the Panasonic GH2?
- Beginners or enthusiasts on a budget seeking an affordable mirrorless with decent video and traditional ergonomics.
- Photographers valuing a fully articulated screen and extensive lens selection for travel and everyday shooting.
- Those comfortable with slower autofocus and resolution limits.
Who should invest in the Sigma fp L?
- Professionals and advanced hobbyists requiring ultra-high-resolution full-frame images for commercial, studio, or landscape work.
- Hybrid shooters demanding 4K video with advanced audio control and modern connectivity.
- Travelers and street shooters who want a premium, rugged, compact camera and can adapt to the minimalist control scheme.
Both cameras excel in their contexts. Comparing them is like weighing a classic reliable sedan against a sleek sports coupe - each serves a different driver and destination.
In closing, owning these cameras is an opportunity to experience contrasting approaches to mirrorless design across a decade of technological leaps. The Panasonic GH2 reminds us how far mirrorless has come, while the Sigma fp L thrills with where it's heading.
Choosing between them boils down to your photographic ambitions, workflow preferences, and budget. Armed with these insights, you can make an informed, confident choice.
Happy shooting!
If you have questions about specific scenarios or accessories for either model, feel free to reach out. I’m always eager to dive deeper into practical tips for mastering these intriguing cameras.
Panasonic GH2 vs Sigma fp L Specifications
Panasonic Lumix DMC-GH2 | Sigma fp L | |
---|---|---|
General Information | ||
Make | Panasonic | Sigma |
Model type | Panasonic Lumix DMC-GH2 | Sigma fp L |
Category | Advanced Mirrorless | Advanced Mirrorless |
Announced | 2011-03-23 | 2021-03-25 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.3 x 13mm | 36 x 24mm |
Sensor surface area | 224.9mm² | 864.0mm² |
Sensor resolution | 16MP | 61MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 9520 x 6328 |
Max native ISO | 12800 | 25600 |
Max enhanced ISO | - | 102400 |
Lowest native ISO | 160 | 100 |
RAW pictures | ||
Lowest enhanced ISO | - | 6 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 49 |
Lens | ||
Lens mount type | Micro Four Thirds | Leica L |
Available lenses | 107 | 40 |
Focal length multiplier | 2.1 | 1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 3.2 inch |
Display resolution | 460k dots | 2,100k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | - | 3,680k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.71x | 0.83x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter rate | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 15.60 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM |
Max video resolution | 1920x1080 | 3840x2160 |
Video format | AVCHD, Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes (USB Power Delivery supported) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 442g (0.97 lbs) | 427g (0.94 lbs) |
Physical dimensions | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") | 113 x 70 x 45mm (4.4" x 2.8" x 1.8") |
DXO scores | ||
DXO Overall rating | 60 | not tested |
DXO Color Depth rating | 21.2 | not tested |
DXO Dynamic range rating | 11.3 | not tested |
DXO Low light rating | 655 | not tested |
Other | ||
Battery life | 330 pictures | 240 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | BP-51 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-II supported) |
Card slots | Single | Single |
Pricing at release | $1,000 | $2,499 |