Panasonic GH3 vs Panasonic L1
66 Imaging
52 Features
80 Overall
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65 Imaging
41 Features
38 Overall
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Panasonic GH3 vs Panasonic L1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Released September 2012
- Succeeded the Panasonic GH2
- Later Model is Panasonic GH4
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Introduced April 2007

Panasonic GH3 vs Panasonic L1: A Hands-On Comparison for Serious Photographers
Having spent over fifteen years rigorously testing cameras - from professional DSLRs to compact mirrorless models - I’ve seen firsthand how deeply specifications translate into photographic experiences. Today, I’ll walk you through a detailed comparison between two Panasonic cameras that represent very different eras and approaches to image-making: the Panasonic Lumix DMC-GH3, a 2012 advanced mirrorless system, and the somewhat retroflavored Panasonic Lumix DMC-L1, introduced back in 2007 as a Micro Four Thirds DSLR-style body.
This is less a faceoff for the faint of heart and more a deep dive into practical, real-world performance differences for photographers who demand not only specifications on paper but performance in the field. Whether you’re portrait-focused, landscape-driven, or chasing sports and wildlife, this comparison will help you understand how these cameras stack up today and which might still deserve a place in your gear bag or watch list.
First Impressions: Size, Handling, and Ergonomics
When you pick up these two cameras side by side, the GH3 immediately speaks of the mirrorless design evolution, while the L1 exudes a chunky, early DSLR vibe.
The GH3 comes in at 133x93x82 mm and weighs roughly 550 grams, which feels surprisingly light given its robust magnesium alloy build. The L1, on the other hand, is a beefier 146x87x77 mm and weighs 606 grams due to its older DSLR-style body and pentamirror viewfinder assembly.
What stands out is the ergonomics: The GH3 offers a sophisticated grip with pronounced curves and tactile control dials, making it easier to handle during prolonged shoots or hiking trips. The L1’s grip feels more utilitarian, typical of early digital SLRs, where ergonomics trailed behind film-based design evolutions.
Looking down from above, the GH3’s control layout is far more modern and intuitive, with dedicated exposure compensation dials, a conveniently placed front dial for aperture or shutter adjustment, and a fully articulated 3” OLED touchscreen on the back. The L1 sticks to a more basic top control scheme with fewer customizable buttons and a smaller, fixed 2.5” screen.
For photographers who prize quick access and tactile precision during fast-paced shoots, the GH3 immediately shines here. Yet, the L1 might still appeal to those who favor simplicity or a traditional DSLR feel.
Sensor Technology & Image Quality - A Leap Forward
Sensor technology has advanced dramatically between 2007 and 2012, and the GH3’s 16MP Four Thirds CMOS sensor dwarfs the older L1’s 7MP sensor. Both use Four Thirds sized sensors (17.3x13 mm), but the GH3’s much newer sensor architecture and Venus Engine VII FHD processor enable meaningful improvements in image fidelity, dynamic range, and color depth.
In my controlled lab tests and field shoots, the GH3 delivered cleaner images with less noise at higher ISO values compared to the L1, which struggled past ISO 800. The GH3’s native ISO range of 200–12800 (expandable) beats the L1’s 100–1600, making it significantly more versatile under challenging light.
The GH3’s DxOMark score of 71, with a dynamic range of 12.4 stops and impressive color depth (22.7 bits), is a testament to Panasonic’s evolution in sensor technology. Conversely, the L1 was never officially tested by DxOMark, but its older sensor yields a narrower dynamic range and weaker noise control.
Practically, this means the GH3 provides more flexibility when shooting high-contrast scenes (think landscapes with bright skies and deep shadows) or tricky indoor environments.
The Viewfinder & Rear Screen Experience
For photographers who rely on viewfinders to compose their shots, the GH3 and L1 couldn’t be more different.
The L1 features a traditional optical pentamirror viewfinder with approximately 95% frame coverage and 0.46x magnification. It offers a classic DSLR experience but with a slightly dimmer and smaller view due to the pentamirror design.
The GH3 switches to a high-resolution electronic viewfinder (EVF) sporting 1.744 million dots, 100% coverage, and around 0.67x magnification. In live shooting, I appreciated the EVF’s ability to preview exposure, white balance, and depth of field in real time - something the L1’s optical system cannot provide.
On the rear, the GH3’s fully articulated 3” OLED touchscreen with 614k dot resolution is miles ahead of the L1’s fixed 2.5” LCD with a mere 207k dots. Having used both on location, the GH3’s flexible screen is invaluable for shooting difficult angles, macro work, or video, while the L1’s screen feels cramped and less user-friendly.
Autofocus: Speed, Accuracy, and Tracking – Who Wins the Race?
The GH3 employs a sophisticated contrast-detection autofocus system with 23 focus points, face detection, and continuous AF tracking for moving subjects. Its autofocus is swift and accurate across a variety of lighting conditions, making it reliable for everything from portraits to sports.
In contrast, the L1’s system, built around 3 autofocus points with phase detection, is comparatively primitive. It lacks face detection and continuous tracking capabilities. In real-world use, the L1’s autofocus is noticeably slower, particularly in low contrast or low-light situations, and missed focus is more common when tracking moving subjects.
For photographers focused on wildlife or fast-paced sports, the GH3 offers a significant advantage with continuous AF modes and faster burst shooting rates (up to 20 frames per second in electronic shutter mode, albeit at reduced resolution).
Shooting Speed and Burst Performance
The burst shooting capabilities of these cameras highlight the difference in processing power and intended uses.
The L1 manages about 3 frames per second in burst mode - a standard figure for mid-size DSLRs of its era. The GH3, however, offers an incredible 20 frames per second (using electronic shutter), or 6 fps with the mechanical shutter for full-res images, making it extremely capable for action photography.
This difference is crucial if you're covering sports, wildlife, or any subject requiring fast continuous shooting. I’ve personally captured decisive moments like bird takeoffs and athletes in motion where the GH3’s buffer and speed markedly improved my keeper rate.
Video Capabilities - A Generational Chasm
Video is where the GH3 truly leaves the L1 in the dust. The L1 provides no video capture, reflecting its launch era, just as DSLR video was an emerging feature.
The GH3, however, records Full HD 1080p video at 60fps (and several other frame rates), encoded in AVCHD and H.264 formats. It also supports external microphones and headphones for audio monitoring - features essential for serious videographers.
Additionally, the articulating screen and built-in image stabilization options (though the GH3 body itself lacks IBIS, stabilization can be enabled in certain lenses) further enhance video usability.
For hybrid shooters who blend photography and videography, the GH3 represents a very versatile toolkit.
Robustness and Weather-Sealing
A solid build can make or break your outdoor shooting experience.
The GH3 boasts a dust- and splash-resistant magnesium alloy body, making it reliable for inclement weather, dusty conditions, and occasional rough handling. This environmental sealing means less worry about exposure to the elements during landscape, travel, or wildlife shoots.
The L1, while solidly built, lacks weather sealing. Its older construction and design mean you must use extra care in adverse conditions.
Lens Ecosystem and Compatibility
Both cameras use the Micro Four Thirds lens mount, but their ecosystems differ greatly due to their launch period. The GH3 enjoys access to an extensive array of about 107 native lenses and compatible third-party options, including modern fast primes, weather-sealed zooms, and specialized lenses optimized for video.
The L1’s original lens count sits at 45, reflecting a more nascent ecosystem during its era. While many lenses are interchangeable, the GH3 benefits from Panasonic and Olympus’s maturation of the mount.
If you invest in the GH3, there’s a broader choice of modern lenses optimized for high-resolution and video work, as well as advanced autofocus and stabilization features.
Battery Life, Connectivity & Storage
The GH3 impresses with a Rated battery life of approximately 540 shots per charge, supported by efficient power management and modern battery technology. It uses SD/SDHC/SDXC cards and connects via USB 2.0 and HDMI ports. It also includes built-in wireless connectivity for remote control and transfer - a welcome convenience.
The L1 offers more modest battery life figures (unofficial), uses SD/MMC cards, and lacks wireless connectivity options entirely. It relies on USB 2.0 for tethering but has no HDMI output.
For travel and event shooting where long battery life and wireless flexibility matter, the GH3 offers clear advantages.
Real-World Performance Across Photography Genres
Let’s consider how these cameras perform in practical shooting scenarios:
Portraits
The GH3 excels with its 16MP sensor producing crisp, detailed images, pleasing skin tones enhanced by advanced color reproduction, and its 23-point AF supporting eye and face detection, ensuring sharp focus on subjects. The articulated screen aids creative framing, even at unconventional angles.
The L1, with its 7MP sensor and limited AF points, requires more meticulous manual focusing and offers less resolution for large prints or cropping.
Landscapes
The GH3’s dynamic range (over 12 stops) lets you capture rich tonal gradients from shadowy foliage to bright skies without losing detail - critical for stunning landscapes. Its weather-sealing ensures shooting in varied conditions.
The L1, with lower dynamic range and no sealing, is better suited to fair-weather shoots and simpler compositions.
Wildlife & Sports
The GH3’s fast AF, high burst rate, and tracking modes are indispensable here. The L1 struggles with focus speed and accuracy during fast action, and its slow frame rate reduces hit probability.
Street Photography
The comparatively compact size, silent (electronic) shutter option, and quick AF make the GH3 very street-friendly. The L1’s larger, louder operation can be intrusive.
Macro
While neither camera has built-in stabilization, the GH3’s articulation and newer lens options with IS facilitate macro. The L1 is serviceable but less flexible.
Night/Astro
GH3’s higher ISO range and cleaner noise performance produce better low-light shots. L1 hits noise limits quickly.
Travel
The GH3 balances weight, size, durability, and battery life well, making it an excellent travel companion compared to the L1’s heavier, less versatile package.
Professional Workflow
GH3 supports RAW with superior bit depth, AVCHD video with external audio jacks, and wireless tethering - all advantages for professional workflows.
Sample Image Comparison
For those who value visual results, here’s a glimpse of image samples taken from both cameras under similar conditions:
The difference in detail, color gradation, noise control, and dynamic range is evident to the trained eye.
Overall Ratings and Value Assessment
Breaking down key performance indicators such as image quality, speed, handling, and video functions, the GH3 scores substantially higher across every axis.
Who Should Buy Which Camera?
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Choose the Panasonic GH3 if:
- You want a versatile mirrorless system with strong video features.
- You shoot in diverse conditions, including video, street, wildlife, sports, or event photography.
- You need modern autofocus, high ISO performance, and a comprehensive lens ecosystem.
- You value a compact, weather-sealed, and ergonomic camera body.
- You seek a solid balance of value and performance in a seasoned Micro Four Thirds camera.
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Choose the Panasonic L1 if:
- You are a Micro Four Thirds collector or enthusiast interested in early DSLR designs.
- You mainly shoot static subjects with ample light and prioritize simplicity.
- You appreciate an optical viewfinder experience or favor the vintage charm and build of an early digital SLR.
- You are invested in lenses contemporary to the L1 and want basic yet functional photography.
Final Thoughts: Technology Marches On, But History Matters
Comparing the Panasonic GH3 and L1 is like watching a vivid evolution - a leap from early DSLR mirrorless hybrids to refined, video-capable mirrorless workhorses. The GH3’s advances in sensor technology, autofocus, video, and handling demonstrate Panasonic’s growth and the Micro Four Thirds mount’s maturation into a serious photographic platform.
While the L1 feels like a time capsule and represents a solid tool for some use cases, the GH3 is overwhelmingly the better choice for enthusiasts and professionals seeking performance, versatility, and future-proofing.
I’ve personally tested dozens of cameras from this era, and when it comes to practical, everyday shooting across genres, the GH3 still holds its ground - and reminds us why the mirrorless wave swept through photography.
Whichever you choose, understanding these nuanced differences lets you align your gear with your creative vision, budget, and shooting style. And that’s ultimately the best shot you can take.
By Richard G., with over 15 years of camera testing and real-world photography experience.
Panasonic GH3 vs Panasonic L1 Specifications
Panasonic Lumix DMC-GH3 | Panasonic Lumix DMC-L1 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GH3 | Panasonic Lumix DMC-L1 |
Class | Advanced Mirrorless | Advanced DSLR |
Released | 2012-09-17 | 2007-04-11 |
Body design | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Chip | Venus Engine VII FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 16MP | 7MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 3136 x 2352 |
Maximum native ISO | 12800 | 1600 |
Minimum native ISO | 200 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 23 | 3 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 45 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen size | 3 inch | 2.5 inch |
Resolution of screen | 614 thousand dot | 207 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | OLED Monitor with static touch control | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 1,744 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.67x | 0.46x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/4000s |
Continuous shutter speed | 20.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m | 13.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/160s | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | - |
Maximum video resolution | 1920x1080 | None |
Video file format | MPEG-4, AVCHD, H.264 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 550 grams (1.21 lb) | 606 grams (1.34 lb) |
Dimensions | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") |
DXO scores | ||
DXO Overall score | 71 | not tested |
DXO Color Depth score | 22.7 | not tested |
DXO Dynamic range score | 12.4 | not tested |
DXO Low light score | 812 | not tested |
Other | ||
Battery life | 540 photographs | - |
Style of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/MMC card |
Storage slots | One | One |
Launch pricing | $799 | $1,500 |