Panasonic GH5 vs Pentax WG-2
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Panasonic GH5 vs Pentax WG-2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 725g - 139 x 98 x 87mm
- Launched January 2017
- Older Model is Panasonic GH4
- New Model is Panasonic GH5 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 122 x 61 x 30mm
- Released February 2012

Panasonic GH5 vs. Pentax WG-2: A Deep Dive Into Two Very Different Cameras
Choosing the right camera can sometimes feel like navigating two entirely different worlds - such as the high-performance, pro-level mirrorless beasts versus the rugged, go-anywhere waterproof compacts. Today I’m zeroing in on exactly that contrast: the Panasonic Lumix GH5 and the Pentax Optio WG-2. Both cameras come from trustworthy brands with solid pedigrees, yet they cater to very different photography needs and user profiles.
Having put both through their paces extensively, I’m here to share the nitty-gritty on how each fares across a wide array of photographic styles and disciplines, with an eye firmly on what matters in real-world shooting. So whether you’re a professional craving versatility or a weekend adventurer looking for a durable companion, I’ll help you pinpoint which is the smarter buy.
Putting Size and Ergonomics Under the Lens
First impressions matter, so let’s start with how these cameras feel in your hands.
The GH5 screams “professional tool” with its chunky, SLR-style build measuring 139x98x87 mm and tipping the scales at 725 grams. It’s designed for photographers who want solid grip, intuitive control layouts, and a sturdy presence that inspires confidence when you’re knee-deep in shoots lasting all day.
By contrast, the Pentax WG-2 is a tiny, ruggedized compact, barely 122x61x30 mm and a mere 192 grams. This little pocket rocket’s main selling point is its remarkable portability combined with an environmental sealing that lets you chuck it into sand, mud, or shallow water without freaking out.
Ergonomically, the GH5 has plenty of clubs for thumbs - buttons and dials are well spaced and logically placed for fast access. The WG-2, due to size constraints, is simplified with fewer controls, which might frustrate anyone used to granular manual adjustments.
Topside Controls: How They Manage Your Workflow
Control layout and usability impact how swiftly you compose and capture images.
Here, the GH5 boasts a treasure trove of custom buttons, mode dials, and exposure control wheels. I appreciate how Panasonic keeps the most used settings like ISO, shutter speed, and aperture within easy thumb reach. This allows for quick adjustments essential when shooting fast-moving subjects or changing environments.
The WG-2’s top deck is minimalist - power button, shutter release, and a mode dial suitable for switching between scene presets and video modes. This simplicity is great for casual users or adventurers who just want to shoot without fuss, but falls short for enthusiasts who like to fine-tune exposure manually.
Sensor Sizes: Why It Matters
Sensor size is fundamental to image quality, dynamic range, low-light capability, and depth of field control.
The Panasonic GH5 is built around a 17.3x13 mm Four Thirds sensor with 20 megapixels. It strikes a balance between manageable depth of field and sharp detail. Being 4/3-type, it’s physically larger than the 1/2.3” sensor in the Pentax WG-2, which measures just 6.17x4.55 mm and houses 16 megapixels.
What does this mean in practice? The GH5’s sensor gathers significantly more light, yielding cleaner images in low-light and a broader dynamic range (~13 stops on DxOmark). The WG-2’s sensor, typical of waterproof compacts, is prone to noise at higher ISO settings, and its dynamic range is more limited. Detailed shadow recovery after the fact is simply not a strong suit.
So for landscape photographers chasing rich tonal gradations and night shooters who crave low noise, the GH5 rules. If all you want is snapshots during outdoor escapades or underwater, the WG-2’s sensor is solid enough.
The Rear Interface: Live View and Touch
How you interact with your images and settings determines your shooting efficiency.
The GH5 features a 3.2-inch fully articulating touchscreen with 1.62 million dots - crisp, bright, and versatile for awkward angles or vlogging. The touchscreen responds smoothly, and menus are deep but well organized, suited to pros and serious hobbyists.
Conversely, the WG-2 opts for a fixed 3-inch fixed (non-touch) LCD with only 460k dots. It’s serviceable but nowhere near the GH5’s level of detail or flexibility. Its anti-reflective coating helps outdoors, but when you’re composing shots underwater or in direct sun, the GH5’s articulated screen wins handily.
Autofocus Systems Compared: Speed, Accuracy, and Smarts
Autofocus can make or break shots in certain genres like wildlife and sports.
The GH5 employs a contrast-detect AF system with 225 focus points and face detection, affording very precise focusing even in tricky lighting. Continuous AF tracking is robust, and despite the lack of phase detection, its AF performance is impressive for the time. While it lacks animal eye AF - which has become standard in newer cameras - it has solid face and subject tracking modes.
The WG-2 is much simpler - 9 focus points with contrast detection, single AF mode only. It can acquire focus reasonably fast in bright light but is more prone to hunting in low-light scenarios. There’s face detection, but continuous tracking is limited, making it less suited for action or wildlife shooting.
Burst Rates and Shutter Specs: Shooting Moving Subjects
For capturing rapid sequences, frame rates matter a lot.
The GH5 fires off 12 fps with the mechanical shutter, suitable for sports or wildlife bursts. Maximum shutter speeds range up to 1/8000s mechanically and 1/16000s with electronic shutter, giving you flexibility in bright conditions or when you want ultra-fast freezes.
The WG-2 shoots at a stately 1 fps, with max shutter speed at 1/4000s - no competition here for high-speed capture. This camera is really about steady, point-and-shoot convenience rather than rapid-fire shooting.
Lens Ecosystem and Compatibility
Lens choices massively influence the capabilities of any camera system.
The GH5 uses a Micro Four Thirds mount with access to over 100 lenses from Panasonic, Olympus, Sigma, and others. This ecosystem offers everything from wide-angle landscapes and macro to super-telephoto lenses for wildlife. It’s a dream for those wanting optical quality, versatility, and specialized glass.
In stark contrast, the WG-2 has a fixed 28-140 mm (35mm equivalent) zoom lens. That’s nice optically, especially with its close 1 cm macro mode, but it’s a “one lens fits all” scenario. No upgrades, no swaps. This is a make-or-break factor depending on your aspirations.
Image Stabilization Systems
Steady shots still matter, especially with telephoto reach or in low light.
The GH5 has a robust 5-axis in-body image stabilization (IBIS) system. I often found it allowed me to shoot handheld at shutter speeds several stops slower than normally possible without blur, which is huge for travel and low-light shooting.
The WG-2 lacks any image stabilization, so you’re stuck relying on shutter speed, good technique, or external tripods for stability. For a casual rugged compact, this is not unusual, but enthusiasts will notice.
Environmental Sealing and Durability
Both claim weather sealing, but the WG-2 pushes way further on physical durability.
The GH5’s body is dust and splash resistant but not waterproof. It’s built to handle inclement weather and moderate abuse on professional shoots but still requires care.
The WG-2 is waterproof to depths (about 40 ft/12 m), shockproof (fall resistance up to ~1.5 m), dustproof, crushproof (up to 100 kgf), and freezeproof down to -10°C. This is your camera for harsh adventures where gear tends to take a pounding. It’s like the Swiss Army knife of tough compacts.
Battery Life and Storage
If you travel or shoot long sessions, battery endurance is essential.
The GH5 offers roughly 410 shots on a full charge, a solid figure given the pro-level features and power-hungry screen/EVF combo. Dual UHS-II SD card slots mean you can offload or create backups in-camera.
The WG-2 promises around 260 shots per battery. It uses a single SD card slot and even offers internal storage as a safety net. For the casual shooter venturing into rugged territory, this will typically be enough.
Video Capabilities and Sound Support
If you want video, the GH5 is legendary; the WG-2 is fairly basic.
The GH5 shoots in ultra-high-res 4K (4096x2160 up to 60p) and Full HD at various framerates, using professional codecs like H.264 and AVCHD. Plus, it has microphone and headphone jacks for real audio monitoring and capture. It supports 4K Photo and 6K Photo modes - still photographers can pull high-res frames from video footage, a killer feature for action shooters.
The WG-2 tops out at 1080p 30fps video without external mic input or advanced audio options. It’s perfectly fine for casual recordings but won’t satisfy serious videographers or content creators.
Real-World Performance Across Photography Genres
To wrap the technical talk, here’s how both cameras fare where it really counts - the actual shooting disciplines.
Portrait Photography
With its large sensor, razor-sharp lenses, and face detection AF, the GH5 produces pleasing skin tones and smooth bokeh thanks to its ability to use lenses with wide apertures. Eye autofocus may be missing, but the manual focus aids and focus peaking come through well.
The WG-2’s small sensor limits background blur and dynamic range, resulting in flatter, less nuanced portraits. Still, its macro mode helps for close-up detail shots and is friendly for beginners.
Landscape Photography
The GH5 shines with rich 20 MP resolution, excellent dynamic range for capturing shadow and highlight details, and weather sealing ideal for outdoor conditions. It pairs well with ultra-wide and standard zoom lenses from the Micro Four Thirds lineup.
While the WG-2 can capture landscapes and boasts waterproof protection making it appealing for adventure landscapes, its smaller sensor compromises detail and tonal depth. Still, you can rough it in places no DSLR would dare.
Wildlife Photography
Fast autofocus, burst modes, and telephoto lens options give the GH5 a big edge hunting wildlife. The 2.1x crop factor means longer reach, plus IBIS helps keep telephoto shots sharp handheld.
The WG-2 is underpowered here; limited focus points, slow continuous shooting, and low zoom range make it only suitable for casual animal snaps.
Sports Photography
The GH5 again scores with 12 fps burst, reliable AF tracking, and ability to handle varying light. This makes it suitable for amateur sports photographers, albeit slower than high-end dedicated sports cameras.
The WG-2’s slow 1 fps burst and single AF mode render it unusable for anything action-related.
Street Photography
Surprisingly, the WG-2’s size and ruggedness make it good street stealth gear, especially in rainy or dusty cities, despite image compromises.
The GH5 is bulkier though offers quick operation and fully articulated screen ideal for low-angle shots.
Macro Photography
The WG-2’s close 1 cm macro focusing is great for hobbyists. The GH5 benefits from dedicated macro lenses with excellent resolution and IBIS for razor-sharp photos.
Night and Astro Photography
The GH5’s sensor excels in low light, with clean ISO tolerance to 25600, long exposures, and customizable modes for star trails and nightscape shooting.
The WG-2 struggles with noise, poor dynamic range, and limited shutter speed range, making astrophotography a no-go.
Video Work
No contest - the GH5 is vastly superior with professional codecs, 4K options, mic/headphone jacks, and frame grab features. The WG-2 is an entry-level video companion at best.
Travel Photography
If you prioritize light weight and durability without fuss, the WG-2 is attractive for travel adventurers on a budget or extreme sports enthusiasts.
The GH5 suits travelers wanting flexible, high-quality photos and videos with professional-level controls and lenses, despite larger size.
Professional Use
The GH5 is designed for professional workflows with RAW and high bit-rate video, dual card slots, reliable build quality, and extensive customization.
The WG-2 is not suitable for professional work due to limited manual controls and file formats.
Putting the Scores in Perspective
Let’s visualize the overall and genre-specific performance - panels I assembled based on my testing and established benchmarks
The GH5 scores solidly at the top across almost every category except for portability and ruggedness, where the WG-2 shines.
What I’ve Learned From Shooting These Cameras
Over the last few months, I took the GH5 on professional shoots and landscape excursions while tossing the WG-2 into my backpack for hiking, river runs, and beach trips. Each camera feels tailored to very different user mindsets, and it's helped me appreciate that “best” camera always depends on your needs.
Pros and Cons Overview
Camera | Pros | Cons |
---|---|---|
Panasonic GH5 | - Excellent image/video quality - Robust 5-axis IBIS - Rich lens ecosystem - Professional video/audio features - Weather resistant build |
- Larger, heavier - More expensive - No animal eye AF - Complex menus for beginners |
Pentax WG-2 | - Ultra rugged: waterproof, shockproof, freezeproof - Very compact and travel-friendly - Decent zoom and macro for compact - Friendly interface for casual shooters - Affordable price |
- Small sensor limits image quality - Minimal manual controls - Slow autofocus and burst - Basic video quality - Single storage slot |
Who Should Buy Which?
-
Choose the Panasonic GH5 if:
- You are a serious enthusiast or professional seeking exceptional image and video quality.
- You want a flexible camera for a wide range of photography genres.
- You value a huge lens ecosystem and customizable controls.
- You intend to shoot in challenging light and want advanced IBIS.
- Your budget can stretch beyond the mid-thousand dollar range.
-
Choose the Pentax WG-2 if:
- You need a tough, worry-free camera for rugged outdoor adventures.
- Portability and durability outweigh ultimate image quality.
- You want a simple point-and-shoot experience without fuss.
- Budget is a key constraint - sub-$400 price point.
- Photography is a casual hobby or supplementary to adventure sports.
Final Verdict: Different Tools for Different Jobs
These cameras operate on different planes but each excels in its territory. The GH5 remains a powerhouse mirrorless camera, versatile enough for professional assignments and creative exploration. Its larger sensor and advanced video features make it a go-to for serious shooters.
The WG-2 proves that waterproof, shockproof cameras need not be boring or obsolete - they offer peace of mind for rugged use and casual photography when lugging heavy gear is impractical.
Choosing between them boils down to priorities: uncompromising image quality and flexibility with the GH5, or rugged, ready-anywhere simplicity with the WG-2.
Sample Images - Seeing Is Believing
Have a look at this gallery of images from actual shoots with both cameras:
Notice the superior detail, color fidelity, and bokeh from the GH5 shots compared to the WG-2’s functional, snapshot-level output.
It’s been a pleasure sharing these insights with you. Whether you’re buying your first camera or looking to expand your kit, knowing the strengths and limits of gear keeps your photography journey rewarding. Happy shooting!
Panasonic GH5 vs Pentax WG-2 Specifications
Panasonic Lumix DMC-GH5 | Pentax Optio WG-2 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GH5 | Pentax Optio WG-2 |
Type | Pro Mirrorless | Waterproof |
Launched | 2017-01-04 | 2012-02-07 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Highest resolution | 5184 x 3888 | 4288 x 3216 |
Highest native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 125 |
RAW format | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 225 | 9 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Max aperture | - | f/3.5-5.5 |
Macro focusing range | - | 1cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen size | 3.2 inches | 3 inches |
Resolution of screen | 1,620 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | Widescreen TFT color LCD with anti-reflective coating |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.76x | - |
Features | ||
Lowest shutter speed | 60s | 4s |
Highest shutter speed | 1/8000s | 1/4000s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting speed | 12.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 5.40 m |
Flash options | Auto, Auto/Redeye Reduction, Forced On, Forced On w/Redeye Reduction, Slow Sync, Slow Sync w/Redeye Reduction, Forced Off | Auto, On, Off, Red-eye, Soft |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 (24p), 3840 x 2160 (60p, 50p, 30p, 25p, 24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1(5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 725 gr (1.60 lbs) | 192 gr (0.42 lbs) |
Physical dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 122 x 61 x 30mm (4.8" x 2.4" x 1.2") |
DXO scores | ||
DXO All around rating | 77 | not tested |
DXO Color Depth rating | 23.9 | not tested |
DXO Dynamic range rating | 13.0 | not tested |
DXO Low light rating | 807 | not tested |
Other | ||
Battery life | 410 pictures | 260 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 secs; 10 secs w/3 shots) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC (UHS-II compatible) | SD/SDHC/SDXC card, Internal |
Storage slots | Dual | 1 |
Launch price | $1,298 | $350 |