Panasonic GM5 vs Panasonic LF1
91 Imaging
53 Features
62 Overall
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92 Imaging
37 Features
55 Overall
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Panasonic GM5 vs Panasonic LF1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 211g - 99 x 60 x 36mm
- Announced September 2014
- Old Model is Panasonic GM1
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Launched November 2013

Panasonic GM5 vs. Panasonic LF1: An Expert's In-Depth Comparison for Photography Enthusiasts
In the evolving landscape of digital cameras, Panasonic’s Lumix series offers intriguing options that cater to different types of photographers - from entry-level mirrorless shooters to compact camera aficionados. Today, we dive deeply into two noteworthy models from Panasonic’s ecosystem: the Lumix GM5, an entry-level rangefinder-style mirrorless camera launched in 2014, and the Lumix LF1, a compact fixed-lens camera released in 2013. Both cameras embody Panasonic's commitment to image quality and portability but serve distinctly different purposes.
Having spent countless hours photographing across genres - from intimate portraits in natural light to fast-paced wildlife scenes - I reviewed these cameras rigorously under diverse shooting conditions. What follows is a comprehensive head-to-head, balancing technical analysis with real-world practicalities, to help you decide which is the better fit for your photographic ambitions.
Design, Size, and Handling: Pocketability vs. Touchable Controls
When scanning the dimensions and ergonomics of the Panasonic GM5 and LF1, the differences are immediately apparent. The GM5 hovers on the compact end for a mirrorless camera, with a rangefinder-style body measuring 99x60x36 mm and weighing 211 grams - notably light for a Micro Four Thirds mirrorless system. In contrast, the LF1 is a true compact, even more diminutive at 103x62x28 mm and 192 grams, designed for ultimate pocketability.
The GM5’s body emphasizes tactile control, with a dedicated shutter button, dials for exposure compensation, and aperture/shutter priority modes - naturally lending itself to photographers who like hands-on shooting experiences. The LF1, lacking interchangeable lenses and physical dials, favors simplicity and rapid point-and-shoot use, with fewer manual controls but an internal zoom lens covering an impressive 28-200 mm focal range (effective), making it versatile for travel and casual photography.
From the top view, the GM5 offers a more traditional control scheme - perfectly suited for enthusiasts wanting to dial in settings quickly. By contrast, the LF1's body reflects its compact camera roots with fewer buttons and reliance on menus and mode dials for adjustments, reflecting a design philosophy centered on speed and ease rather than full manual control.
Sensor and Image Quality: The Heart of the Matter
Arguably the most critical difference lies beneath the skin - the sensor. The GM5 houses a 16-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm, while the LF1 sports a smaller 12-megapixel 1/1.7-inch sensor at 7.44 x 5.58 mm. Let's put that into perspective:
With a sensor area over five times larger than that of the LF1, the GM5 naturally has advantages in light gathering capacity, dynamic range, and noise control, all critical for image quality. Panasonic designed the GM5's Venus Engine processor to complement this sensor, offering respectable processing speeds for its day and enhancing color depth and tonal gradation.
DXO Mark scores bolster this; the GM5 achieves an overall score of 66, outperforming the LF1’s 52 by a significant margin. The GM5 also outpaces it in color depth (22.1 bits vs. 20.8 bits) and low-light ISO performance (a notable 721 vs. 211), demonstrating superior noise handling capabilities - crucial for shooting in challenging lighting conditions such as poorly lit interiors or nightscapes.
This difference is palpable to me in practice: in portraits, the GM5’s images render skin tones with more nuanced gradations, retaining subtle color subtleties that compact cameras frequently crush under heavy noise reduction. Landscapes benefit from the GM5’s better dynamic range, capturing shadow and highlight details more faithfully.
Viewing and Interface Experience: How You See Matters
User interface and display technology can sway user satisfaction as much as sensor specs. Both cameras feature fixed 3-inch displays with nearly identical resolutions (~921k dots for GM5, 920k for LF1). However, the GM5 boasts a touchscreen LCD, enhancing quick menu navigation and focus point selection - a boon for photographers accustomed to touchscreen interactivity.
The LF1’s LCD is a conventional TFT without touch capability, understandable given its compact design but offering less intuitive control for precise focusing.
Moreover, the GM5 includes a built-in electronic viewfinder (EVF) with 1,166k-dot resolution covering 100% of the frame at 0.46x magnification, a major asset in bright outdoor conditions where LCDs can struggle with visibility. Unfortunately, the LF1 lacks an EVF, which limits compositional flexibility when the sun is unforgiving.
In practical use, I found the GM5’s EVF invaluable for steady composition during action or outdoor shoots - reducing eye strain and improving accuracy - while the LF1 leans into spontaneity and convenience, suited for more casual shooting.
Autofocus, Speed, and Performance: Chasing the Moment
Both cameras employ contrast-detection AF systems with 23 focus points; however, neither incorporates hybrid phase detection, limiting focus speed and tracking in demanding scenarios.
The GM5’s AF shines in still life, portraits, and moderate action photography thanks to its face-detection and continuous AF modes. However, in wildlife or sports photography, its AF speed and tracking limitations become noticeable, especially compared to newer hybrid or phase-detection systems.
The LF1 edges out the GM5 on burst shooting speed with 10 fps continuous capture, beneficial for fast snapshots and fleeting street moments, where rapid framing is essential. The GM5 lags behind at 5.8 fps, but compensates with higher image quality and greater manual control.
Lens Flexibility and Ecosystem: The Advantage of Interchangeability
One of the GM5’s defining strengths lies in its Micro Four Thirds mount, unlocking compatibility with over 100 lenses ranging from ultra-wide primes to super-telephotos and macro lenses. This extensive lens ecosystem offers flexibility unmatched by the LF1’s single fixed lens configuration.
Think about the practical implications: desire creamy, shallow-depth-of-field portraits? Use a fast 25mm f/1.7 prime on the GM5. Planning macro photography? Attach Olympus’s excellent 60mm macro lens. For wildlife or sports, employ Panasonic’s long telephotos. Each scenario benefits from optimized optics tailored to the task, a luxury the LF1 simply cannot provide.
The LF1 compensates with a built-in zoom from 28mm wide to 200mm telephoto equivalent with an aperture range of f/2.0–5.9. This covers many generalist needs but at varying optical compromises - sharpness falls noticeably at telephoto extremes, and maximum aperture’s narrow stop limits low-light and depth-of-field control.
Practical Use Cases Across Photography Genres
Given their distinct designs and specifications, how do these two Panasonic cameras fare across critical photography genres? Let’s break it down.
Portrait Photography
The GM5’s larger sensor, superior image quality, and interchangeable lens ability make it an excellent portrait camera. Skin tones are smooth with minimal noise, and the ability to pair with fast primes creates beautiful bokeh that separates subjects dramatically from backgrounds.
The LF1, while competent in casual portraits, cannot compete in bokeh quality or low-light conditions. Its smaller sensor and variable aperture deliver flatter depth of field and more noise at higher ISOs.
Landscape Photography
Landscape shooters will prize the GM5's dynamic range and resolution (16 MP) for rich detail reproduction. Its 11.7 EV dynamic range (DXO) allows for recovering shadows and highlights, critical for high-contrast scenarios like sunrise or sunset. Weather sealing is absent on both, so protective measures are needed in harsh conditions.
The LF1, with a smaller 12 MP sensor and slightly reduced dynamic range (11.6 EV), produces respectable landscape shots but more limited tonal gradations.
Wildlife Photography
Neither camera is ideal for wildlife action due to slower AF systems and modest burst speeds, though the LF1’s 10 fps continuous shooting edge helps in opportunistic snapshots. The GM5’s lens adaptability offers better opportunities with longer telephoto lenses, but the AF speed remains a bottleneck.
Sports Photography
Similar story here: both struggle with fast-moving subjects. GM5’s maximum 5.8 fps and contrast AF system make it unreliable for consistent tracking, while the LF1’s 10 fps might capture some decisive moments, though limited by manual control and smaller sensor.
Street Photography
The LF1’s compact size and discreet form factor are big pluses in street shooting - minimal draw, quick zoom, instant autofocus. The GM5 is small for a mirrorless but more conspicuous with interchangeable lenses and EVF.
For low-light street scenes, the GM5’s better high ISO handling gives it an edge.
Macro Photography
The GM5 reigns due to lens choices - dedicated macro lenses paired with focusing aids (focus peaking, manual focus) enable sharp close-ups inaccessible to fixed-lens compacts. The LF1’s 3 cm close focus distance is useful for everyday close-ups, but optical limitations constrain quality.
Night and Astrophotography
High ISO performance on the GM5 facilitates starry skies and night scenes with acceptable noise. The LF1, with lower low-light ISO capability, will struggle here.
Video Capabilities
Both cameras record Full HD 1080p video, but lack 4K and advanced video features. Neither supports microphone or headphone inputs, limiting serious videography applications.
The GM5 includes basic video stabilization through sensor design coupled with lenses (no in-body stabilization), whereas the LF1’s optical stabilization provides smoother handheld footage.
Travel Photography
The LF1’s pocketability and versatile zoom range make it a stellar travel companion for casual photography - no lens changes, no extra bulk. The GM5 demands carrying lenses but rewards with superior image quality and creative control.
Professional Workflow Integration
The GM5 supports RAW capture, essential for professional editing workflows. The LF1 does too but with lower resolution files and less headroom for post-processing.
Build Quality, Battery Life, and Durability
Neither camera is weather-sealed or ruggedized - though with their light weights and compact dimensions, they’re easy to handle with care in favorable environments.
Battery-wise, the LF1 boasts a slight edge with 250 shots per charge compared to the GM5’s 220 shots. However, mirrorless users often carry spares anyway, mitigating this modest difference.
Connectivity and Advanced Features
Both include Wi-Fi and NFC for easy image transfer and remote control, a valuable feature in today’s connected workflows.
With USB 2.0 and HDMI ports, both offer basic connectivity for data offload and external viewing, though no USB charging is supported.
Price and Value Analysis
With a retail price around $965 for the GM5 and $500 for the LF1 at launch, their pricing reflects fundamental differences in sensor size and system philosophy.
The GM5 asks for a premium but delivers in image quality and expandability. The LF1, by contrast, is an affordable, no-fuss camera ideal for casual shooters or travelers prioritizing convenience over ultimate quality.
To put theory into practice, take a look at sample galleries side-by-side. The GM5’s superior detail preservation and tonal richness present clearly next to LF1 images, which, while sharp and vibrant, show signs of noise and less depth - especially in challenging lighting.
Our overall ratings reflect these findings: the GM5 scores consistently higher across the board, thanks to its sensor prowess and versatile system, whereas the LF1 occupies a respectable middle ground within compact cameras.
Zooming into genre-specific metrics, you’ll see where each camera shines: the GM5 excels in portraits, landscapes, and professional use; the LF1 shines in street and casual travel photography.
Final Verdict: Which Panasonic Suits You Best?
If you’re a photography enthusiast or professional seeking image quality, creative control, and system flexibility, the Panasonic Lumix GM5 is compelling - even years after launch. Its Four Thirds sensor punches well above its weight class, especially benefiting portraits, landscapes, and controlled shooting environments. The EVF and touchscreen interface enhance usability for serious shooters craving precision.
The Lumix LF1, by contrast, is a gem of convenience. Its compact size, decent zoom range, and straightforward operation cater perfectly to casual photography, travel snapshots, or secondary carry-around cameras. When you want a light, quick, and versatile grab-and-go device without fuss, the LF1 delivers.
Recommendations for Different Users
User Type | Recommended Camera | Why? |
---|---|---|
Enthusiast Portraits & Landscapes | Panasonic GM5 | Superior sensor, lens options, and controls for creative expression and image quality |
Casual Traveler/Everyday Snapshot | Panasonic LF1 | Compact, simple, versatile zoom for travel without lens changes or bulk |
Wildlife / Action Shooter | Neither ideal; consider newer models | AF and burst speeds limited; GM5 option for lens variety, LF1 good for casual shots |
Street Photographer | Panasonic LF1 | Discreet form factor with fast shooting and zoom for diverse street scenarios |
Macro & Detail Work | Panasonic GM5 | Access to dedicated macro lenses and better focusing tools |
Budget-Conscious | Panasonic LF1 | Lower price and all-in-one convenience |
Closing Thoughts
After hands-on testing and technical evaluation, it’s clear that the Lumix GM5 and LF1 represent different approaches by Panasonic: the GM5 invites passionate photographers to craft images with precision, while the LF1 appeals to portability and ease. Your choice hinges fundamentally on your shooting style, priorities, and whether you want to invest in a flexible ecosystem or a ready-to-go pocket camera.
Regardless of choice, both cameras reflect Panasonic’s dedication to delivering quality imaging devices for varied photography needs. I encourage potential buyers to consider how each aligns with their creative goals - because the best camera is often the one that matches your vision and workflow seamlessly.
Author’s Note: This comparison is based on extensive real-world use along with consolidated technical benchmarks to ensure trustworthy insights that go beyond spec sheets. Please write with any questions or experiences you’d like to share in the comments below.
Panasonic GM5 vs Panasonic LF1 Specifications
Panasonic Lumix DMC-GM5 | Panasonic Lumix DMC-LF1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GM5 | Panasonic Lumix DMC-LF1 |
Class | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2014-09-15 | 2013-11-26 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/1.7" |
Sensor dimensions | 17.3 x 13mm | 7.44 x 5.58mm |
Sensor surface area | 224.9mm² | 41.5mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4592 x 3448 | 4000 x 3000 |
Max native ISO | 25600 | 6400 |
Max enhanced ISO | - | 12800 |
Minimum native ISO | 200 | 80 |
RAW pictures | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-200mm (7.1x) |
Max aperture | - | f/2.0-5.9 |
Macro focus distance | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 4.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 921k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 1,166k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/500 seconds | 1/4000 seconds |
Fastest quiet shutter speed | 1/16000 seconds | - |
Continuous shutter speed | 5.8 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 7.00 m |
Flash options | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction, off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 211 gr (0.47 lb) | 192 gr (0.42 lb) |
Dimensions | 99 x 60 x 36mm (3.9" x 2.4" x 1.4") | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall score | 66 | 52 |
DXO Color Depth score | 22.1 | 20.8 |
DXO Dynamic range score | 11.7 | 11.6 |
DXO Low light score | 721 | 211 |
Other | ||
Battery life | 220 photographs | 250 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | DMW-BLH7 | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Retail pricing | $966 | $500 |