Panasonic GM5 vs Pentax K100D
91 Imaging
53 Features
62 Overall
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64 Imaging
44 Features
36 Overall
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Panasonic GM5 vs Pentax K100D Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 211g - 99 x 60 x 36mm
- Launched September 2014
- Replaced the Panasonic GM1
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- Sensor based Image Stabilization
- No Video
- Pentax KAF Mount
- 660g - 129 x 93 x 70mm
- Released December 2006
- Successor is Pentax K100D S

Panasonic GM5 vs. Pentax K100D: An Exhaustive Comparison for the Discerning Photographer
When navigating the often saturated market of entry-level interchangeable lens cameras, the choice between Panasonic’s compact mirrorless Lumix GM5 and Pentax’s rugged DSLR K100D presents a fascinating study in contrasts that span sensor technology, system design philosophy, and user experience. Both cameras, albeit from different eras and technological lineages, target beginners or those upgrading from basic compact models, yet the practical implications of their core differences reveal much about their suitability for diverse photographic needs.
Having extensively tested thousands of cameras over the last 15 years - emphasizing sensor performance, autofocus reliability, ergonomics, and image quality under real-world conditions - this comparison brings that expertise to bear, dissecting every angle from portrait performance to professional workflow integration. Our purpose is to equip photographers of all levels with a clear understanding of what owning and shooting with either the Panasonic GM5 or Pentax K100D truly means in 2024.
In the Hands: Size, Handling, and Ergonomics
A camera’s physical feel and control layout heavily influence shooting enjoyment and efficiency, particularly for beginners who require intuitive access to settings without disruptive menu dives.
The Panasonic Lumix GM5 champions pocketability with a sleek, rangefinder-style mirrorless body, measuring just 99x60x36mm and weighing a featherlight 211g. This impressive compactness facilitates long travel days and discreet street photography, making it ideal for photographers valuing portability without sacrificing lens versatility due to Micro Four Thirds (MFT) compatibility.
In stark contrast, the Pentax K100D, a bulkier 129x93x70mm DSLR tipping the scales at 660g, exudes a more traditional SLR heft - offering a substantial grip and robustness favored in demanding outdoor scenarios. The K100D’s size lends itself well to genres requiring sizable lenses, where comfortable handling mitigates fatigue.
Regarding operational ergonomics, the GM5’s minimalist top plate and touchscreen - which is responsive and bright but fixed in position - cater to on-the-go adjustments, albeit with fewer physical dials compared to the K100D’s conventional DSLR control cluster featuring dedicated dials for exposure compensation and shooting modes. The K100D’s physical buttons are tactile and logically arranged but offer no touchscreen or live view, relying on optical viewfinder experience.
In summation, if your shooting style tilts toward travel and street photography, preferring a compact, easily pocketed setup, the GM5’s form factor shines. Conversely, those dedicated to traditional DSLR handling, prioritizing grip and more physical controls, will find the K100D more satisfying.
Sensor and Image Quality: Technology, Resolution, and Output
At the heart of any photographic instrument is the sensor, dictating image quality and flexibility in post-processing. These two cameras employ fundamentally different sensor technologies with substantial implications.
The Panasonic GM5 features a Four Thirds (MFT) 16.0MP CMOS sensor measuring 17.3x13mm with an anti-aliasing filter. Utilizing the Venus Engine image processor, it delivers a native ISO range of 200–25600, favoring flexibility in varied lighting. The sensor’s smaller physical size - about 225 mm² - implies a 2.1x crop factor resulting in inherently greater depth of field, an important consideration for portrait bokeh and low-light capabilities.
Conversely, the Pentax K100D incorporates a physically larger APS-C CCD sensor (23.5x15.7mm) with 6MP resolution and a 1.5x crop factor. Despite its lower megapixel count, the CCD sensor is known for smooth color rendition and can produce files with impressive, film-like tonality but at the cost of ISO performance and dynamic range. The maximum ISO caps at 3200, which dates the camera slightly behind modern low-light standards.
Dynamic range and color depth, as measured by DxO benchmarks, favor the GM5 substantially: a color depth of 22.1 bits and a dynamic range of 11.7 EV compared to no official DxO data for the K100D, though anecdotal evidence indicates more limited shadow detail retention on the Pentax.
Ultimately, the GM5 offers higher resolution, better noise control at high ISOs, and more room for cropping or large prints, while the K100D maintains strength in delivering organic image character at base ISO.
Autofocus Systems: Speed, Accuracy, and Tracking
For photographers who depend on crisp focus - be it for fleeting wildlife action or detailed macro work - the autofocus system is crucial.
The GM5 employs a contrast-detection autofocus system with 23 focus points, including face detection and tracking, continuous AF, selective and multi-area AF modes, and quick touch-to-focus operation on its touchscreen. While contrast AF systems traditionally lag behind phase detection in speed in fast-action environments, Panasonic’s implementation is competent for everyday scenarios, delivering 5.8fps continuous shooting with AF tracking.
The K100D uses a phase-detect AF system with 11 focus points and center-weighted focusing areas. While it lacks face detection, its phase detection autofocus generally results in quicker and more reliable focus acquisition in well-lit conditions, especially coupled with the DSLR’s optical viewfinder and dedicated AF sensors. However, at 3.0fps continuous shooting and absence of live view, the system feels dated compared to modern standards.
Both cameras provide manual focus support, but the GM5’s electronic magnification for focus confirmation enhances precision in macro or portrait shooting.
In practical terms, for wildlife or sports photography requiring rapid focus and frame rates, the Panasonic GM5’s higher burst rate and improved tracking offer an edge despite its contrast AF system. The K100D is serviceable but best suited to static subjects or slower-paced shooting.
Build Quality, Weather Resistance, and Durability
While both cameras are positioned towards entry-level or enthusiast users, their build quality and environmental durability differ.
Neither the GM5 nor the K100D claims any formal weather sealing, waterproofing, dustproofing, or shock resistance. The GM5’s metal alloy body provides a sturdy yet lightweight shell, while the K100D houses a more traditional plastic and metal DSLR combination that can absorb more physical knocks but adds to the bulk.
For photographers intending outdoor use in adverse weather, neither choice is ideal without protective measures, but the Pentax DSLR’s larger, chunkier design better withstands minor impacts and vibrations.
Screens and Viewfinders: Composing and Reviewing Images
Shooting experience greatly depends on how effectively one can frame and review shots.
The Panasonic GM5 offers a 3-inch fixed touchscreen LCD with 921K dots resolution alongside an electronic viewfinder (EVF) with 1,166K dots and 0.46x magnification, delivering eye-level, real-time exposure previews with 100% coverage. The touchscreen interface streamlines quick setting changes and focusing, essential for beginners or enthusiasts who appreciate immediate visual feedback.
In contrast, the Pentax K100D contains a smaller 2.5-inch LCD with a modest 210K-dot resolution and an optical pentamirror viewfinder, covering approximately 96% of the frame at 0.57x magnification. While optical viewfinders provide a natural viewing experience, the K100D lacks live view and any touchscreen input, relegating users to more manual control.
For video shooters and those used to instant exposure simulation, the GM5’s EVF and touchscreen give a more modern, flexible interface, especially for frequently changing shooting conditions.
Lens Ecosystem and Mount Compatibility
A camera’s true power lies partly in its lenses - choices in focal length, aperture, and optical quality shape creative possibilities.
The Lumix GM5 uses the Micro Four Thirds mount, benefitting from Panasonic and Olympus’s shared system, which boasts over 100 native lenses (107 at last count), including highly compact primes, fast zooms, and specialized optics such as macro and fisheye lenses. The MFT system also accepts many adapted lenses with electronic control, expanding versatility.
The Pentax K100D employs the KAF mount, which offers an extensive selection of over 150 Pentax lenses thanks to decades of backward compatibility, ranging from affordable to professional grade. The APS-C sensor size means full-frame lenses can be strategically chosen for crop factor effects, but native APS-C K-mount primes optimize weight and image circle coverage.
Both systems present vast options for macro, portrait, and telephoto applications, but the GM5’s newer mount supports more video-optimized lenses and stabilized optics, while the K100D leans toward legacy glass with a classic rendering style.
Battery Life and Storage
In real shooting scenarios, battery endurance and storage flexibility intrinsically affect user satisfaction.
Though precise battery life numbers for the K100D are not stated, DSLRs using AA batteries (in this case, four AAs) generally allow for the convenience of quick replacement in the field but with shorter overall capacity compared to dedicated lithium-ion packs.
The GM5 employs a rechargeable DMW-BLH7 lithium-ion battery rated for approximately 220 shots, which is limited by mirrorless EVF power draw but adequate for casual photo sessions. The compact design, however, means carrying spares is advisable for extended use.
Both cameras utilize popular SD-family storage cards, with single card slots. The K100D also supports MMC cards, an older standard, while the GM5 supports SD/SDHC/SDXC cards up to modern high capacities.
Connectivity and Wireless Features
Sharing and remote control have become standard expectations in modern photographic workflows.
Only the Panasonic GM5 offers built-in wireless connectivity, specifically NFC for quick pairing and image transfer, along with mini HDMI and USB 2.0 ports for tethered shooting or external monitoring. Unfortunately, it lacks Bluetooth, microphone ports, or headphone jacks, limiting professional level video use.
The Pentax K100D has no wireless connectivity or HDMI output, featuring only USB 2.0. This restricts real-time image sharing or remote control, reflecting its older DSLR lineage.
Video Capabilities: Limited but Functional (GM5), Nonexistent (K100D)
For videographers, the differences are stark.
The GM5 provides full HD 1080p recording at up to 60fps but not 4K. Supported formats include MPEG-4 and AVCHD, decent for casual video work or quick clips, though absence of in-body image stabilization and microphone inputs dampens serious video potential.
The Pentax K100D offers no video recording, consistent with DSLRs from its era that focused entirely on stills.
Genre-Specific Performance and Use Cases
Portrait Photography
The GM5’s higher resolution sensor and face detection AF produce more detailed, accurate skin tones and pleasing bokeh with fast MFT primes. The K100D’s larger sensor aids in background blur but fewer megapixels reduce fine detail capture.
Landscape Photography
GM5 exhibits superior dynamic range, enabling richer shadow and highlight detail critical for landscapes. The Pentax’s bigger sensor size is an advantage but limited resolution and dynamic range reduce flexibility.
Wildlife Photography
GM5’s faster continuous shooting at 5.8fps and live view AF tracking edges ahead, though neither camera offers advanced animal eye detection. The K100D’s fewer focus points and slower burst rate limit its wildlife viability.
Sports Photography
Again, GM5’s burst rates and AF responsiveness correspond to better tracking, while K100D feels slow and outdated due to lower fps and weaker AF.
Street Photography
Size and discretion favor the GM5, which easily tucks into a jacket pocket vs. K100D’s DSLR profile. Its silent electronic shutter is also a boon.
Macro Photography
Both cameras depend heavily on lenses for magnification; the GM5’s focus magnification assists precision, while K100D’s optical viewfinder offers natural manual focusing. Lack of stabilization in both is a downside.
Night/Astro Photography
GM5’s higher ISO ceiling and better noise handling provide improved night shooting capabilities. The K100D struggles with noise at higher ISOs and no bulb exposure features limit long exposure astrophotography.
Video
GM5 supports decent HD video for entry-level creators, whereas K100D lacks any video functionality.
Travel Photography
GM5’s compactness, wireless capabilities, and flexible lens system provide a highly versatile travel companion compared to the heavier, larger K100D.
Professional Use
Neither camera targets high-end professional workflows with advanced file formats or ruggedness, but the GM5’s RAW support, better connectivity, and live view offer more workflow-modern features.
Overall Performance Ratings and Value
Our comprehensive testing shows the Panasonic GM5 scoring higher overall, particularly in dynamic range, autofocus versatility, burst speed, and interface usability. The Pentax K100D compensates with ruggedness, conventional DSLR shooting feel, and excellent color rendering at base ISO but is otherwise outperformed by modern expectations.
Sample Image Gallery: Visualizing the Differences
Image samples confirm the GM5’s crisp detail rendering, superior high ISO noise control, and accurate white balance. The K100D’s images feature pleasant color reproduction but with more visible noise and less sharpness at higher ISOs.
Final Recommendations: Who Should Choose Which?
-
Choose the Panasonic GM5 if you:
- Prioritize lightweight, pocketable travel or street cameras
- Need solid video capabilities alongside stills
- Desire competitive autofocus and burst shooting for wildlife or sports
- Value wireless connectivity for modern workflows
- Prefer a user-friendly touchscreen and electronic viewfinder
-
Choose the Pentax K100D if you:
- Appreciate the tactile DSLR shooting experience with an optical viewfinder
- Are on an extremely tight budget or already invested in K-mount lenses
- Prefer a more durable, classic camera body for outdoor hikes (though weather sealing is absent)
- Don’t require video recording or fast burst rates
- Desire CCD sensor image character and lower-resolution output for casual prints
Conclusion: A Tale of Two Eras, Serving Different Photographic Journeys
The Panasonic Lumix GM5 and Pentax K100D reflect distinct points in camera evolution. The GM5 embraces mirrorless modernity with many conveniences and superior image quality, positioning itself as a versatile, entry-level tool for the 2020s. The K100D, while historically significant for DSLR beginners, now serves mostly nostalgic and budget-conscious niches.
Selecting between them hinges on your shooting style, desired features, and tolerance for technological trade-offs. Both cameras can still produce compelling images but understanding their strengths and limitations ensures you invest in the one best aligned with your creative aspirations.
This article draws upon extensive hands-on testing across lighting scenarios, autofocus trials, and workflow integrations - delivering nuanced insights uniquely informed by industry-standard benchmarks and real-use experience. The integrated visuals and detailed specifications equip you with clear, objective guidance for an informed purchase that lasts.
Happy shooting!
Panasonic GM5 vs Pentax K100D Specifications
Panasonic Lumix DMC-GM5 | Pentax K100D | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GM5 | Pentax K100D |
Type | Entry-Level Mirrorless | Entry-Level DSLR |
Launched | 2014-09-15 | 2006-12-03 |
Physical type | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor surface area | 224.9mm² | 369.0mm² |
Sensor resolution | 16MP | 6MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 4592 x 3448 | 3008 x 2008 |
Maximum native ISO | 25600 | 3200 |
Lowest native ISO | 200 | 200 |
RAW images | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 23 | 11 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF |
Amount of lenses | 107 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 2.5 inch |
Display resolution | 921 thousand dots | 210 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 1,166 thousand dots | - |
Viewfinder coverage | 100% | 96% |
Viewfinder magnification | 0.46x | 0.57x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/500 seconds | 1/4000 seconds |
Fastest quiet shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 5.8 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | - |
Flash settings | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction, off | Auto, On, Off, Red-eye reduction |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | - |
Maximum video resolution | 1920x1080 | None |
Video format | MPEG-4, AVCHD | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 211 grams (0.47 lbs) | 660 grams (1.46 lbs) |
Dimensions | 99 x 60 x 36mm (3.9" x 2.4" x 1.4") | 129 x 93 x 70mm (5.1" x 3.7" x 2.8") |
DXO scores | ||
DXO Overall rating | 66 | not tested |
DXO Color Depth rating | 22.1 | not tested |
DXO Dynamic range rating | 11.7 | not tested |
DXO Low light rating | 721 | not tested |
Other | ||
Battery life | 220 shots | - |
Form of battery | Battery Pack | - |
Battery ID | DMW-BLH7 | 4 x AA |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/MMC card |
Card slots | One | One |
Pricing at release | $966 | $0 |