Panasonic GX1 vs Panasonic TS1
87 Imaging
51 Features
54 Overall
52


93 Imaging
34 Features
24 Overall
30
Panasonic GX1 vs Panasonic TS1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 318g - 116 x 68 x 39mm
- Announced February 2012
- Later Model is Panasonic GX7
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 189g - 98 x 63 x 23mm
- Introduced January 2009
- Alternate Name is Lumix DMC-FT1
- Refreshed by Panasonic TS2

Panasonic Lumix GX1 vs TS1: A Hands-On Comparison for Practical Photography Use
When Panasonic’s lineup spans from rugged waterproof compacts to entry-level mirrorless cameras, choosing between them can be a puzzle. The Panasonic Lumix DMC-GX1 and the Panasonic Lumix DMC-TS1 (also known as the FT1) come from very different branches of this lineup - the GX1 is an entry-level mirrorless shooter from 2012, while the TS1 is an older, tough, waterproof compact from 2009. They clearly serve different needs, but for photographers interested in versatility, durability, or value, it’s worth diving deeper into what both offer in real-world use.
Drawing on my extensive hands-on testing with thousands of cameras over the years, I’ll break down the GX1 and TS1 by how they stack up in terms of core photographic disciplines, real-world performance, technical strengths, and who each one is really designed for.
Let’s start with a look at their physical designs and ergonomics.
Size, Handling, and Ergonomics: Travel Ready or Tough Companion?
The Panasonic GX1 is a rangefinder-style mirrorless camera with solid but compact dimensions - 116 x 68 x 39mm - and weighs 318 grams. Its grip and control layout are thoughtfully designed for stills shooters, offering tactile dials and buttons that feel natural after just a few minutes. Meanwhile, the TS1 is a rugged, waterproof compact measuring only 98 x 63 x 23mm and weighing 189 grams - lighter and noticeably smaller, fitting easily in pockets or gloved hands outdoors.
If you value ergonomic handling with manual control options, the GX1 clearly has the edge. The TS1, by contrast, prioritizes durability and portability - its compact size is no accident; it’s designed to be tossed in a backpack or even taken underwater without a worry.
Control Layout and User Interface: Intuitive or Minimalist?
On top, the GX1 sports a classic command dial, a dedicated mode dial (including manual, aperture priority, shutter priority), and plenty of customizable buttons. This reinforces its identity as a camera for those who want creative control and adaptability in diverse scenarios.
In contrast, the TS1’s top plate is simple, with fewer buttons and no dedicated mode dials. The user interface is minimalistic, given its fixed-lens design aimed at casual shooters or adventurers who don’t want to fuss with settings but rather point and shoot.
Sensor Technology and Image Quality: Micro Four Thirds Mirrorless Versus Tough Compact
Now to the heart of what drives image capture - the sensor. The GX1 uses a 16MP Four Thirds CMOS sensor (17.3x13mm sensor area, roughly 225 mm²), benefitting from Panasonic’s Venus Engine FHD processor. This offers better dynamic range (10.6 EV from DxOMark), a noteworthy color depth (20.8 bits), and a maximum native ISO of 12800, albeit with noise ramping up significantly at higher ISOs.
The TS1 has a much smaller 1/2.3” CCD sensor (6.08 x 4.56mm, about 27.7 mm²) at 12MP resolution. Its CCD tech, common in compacts, delivers lower dynamic range and color depth, and a max ISO of 6400. This sensor also struggles in low light compared to the GX1’s significantly larger sensor.
The difference in sensor size and technology has a classic impact on image quality: the GX1 produces cleaner, sharper images with better color fidelity and highlight recovery, while the TS1 excels only in bright daylight or underwater environments where durability trumps ultimate image quality.
Rear LCD and Interface: Clarity for Composition and Review
The GX1 has a 3-inch fixed TFT LCD with 460k dots and touchscreen capability, aiding live view autofocus and menu navigation with good brightness and viewing angles. The touchscreen overlay helps speed up AF area selection and focus adjustments in the field.
The TS1 features a smaller 2.7-inch LCD with only 230k dots, which is less sharp and makes fine composition or focus checking a bit trickier. No touchscreen here - which with the TS1’s design philosophy makes sense, since it’s aimed at rough and ready convenience.
Autofocus Systems: Speed, Precision, and Usability
The GX1 offers a contrast-detection AF system with 23 focus points and face detection, along with touch AF on the LCD. Though not the fastest AF system by modern standards, it performs admirably in well-lit scenarios and can track subjects reasonably well, especially when paired with Panasonic’s newer lenses.
The TS1’s autofocus is contrast-detection based, with only 11 basic focus points and no face detection. It’s slower to lock focus, and without continuous AF or tracking modes, it’s not designed for fast action or unpredictable scenes.
For sports, wildlife, or fast street photography, the GX1’s AF system has a clear advantage.
Lens Ecosystem and Flexibility: Interchangeable vs Fixed Telezoom
The GX1's Micro Four Thirds mount opens a vast universe of lenses - over 100 native lenses available, including prime, macro, ultra-wide, and telephoto options. This flexibility is a huge selling point for serious photographers who want the ability to tailor their tools precisely.
On the other hand, the TS1 sports a fixed 28-128mm equivalent f/3.3-5.9 zoom lens with optical image stabilization. This lens is decent for everyday shooting and macro close-focusing down to 5 cm, but you’re locked into its range and quality. You cannot swap out the lens, so you compromise if you require specialized optics.
Burst Shooting and Continuous Shooting Rates
With a 4 fps burst rate, the GX1 can keep up with moderately quick action shots, still suitable for casual wildlife or sports shooters but not professional speed demons.
The TS1 has a slower 2 fps burst rate - fine for static scenes or snapshots but won’t handle fast sequences well.
Video Capabilities: Prosumer HD vs Basic HD
The GX1 can shoot full HD 1080p video at 60 fps using the AVCHD codec, which provides good quality for enthusiast video makers with options for manual exposure and live AF. However, it lacks a microphone input limiting audio control.
The TS1 tops out at 720p at 30 fps with AVCHD Lite and lacks manual video controls or audio inputs. Its video capability is basic, mainly designed to grab decent clips underwater or on the go.
Build Quality and Environmental Resistance
This is where the TS1 truly shines. It is waterproof (up to 10m), shockproof (up to 2m drops), dustproof and freezeproof down to -10°C, designed to endure harsh outdoor use or underwater adventures without extra housings. That means swimmers, divers, climbers, and outdoor sports fans will appreciate the peace of mind the TS1 affords.
The GX1 has no environmental sealing. Its build is sturdy and well-made but not designed for rain, dust, or rugged use without protective housing.
Battery Life and Storage Options
The GX1 uses a proprietary battery pack rated for around 300 shots per charge, standard for mirrorless but somewhat modest by today’s standards. Storage is single slot SD/SDHC/SDXC.
The TS1 battery life isn’t specified officially but tends to be consistent with compact cameras, supported by SD/SDHC/SDXC cards plus internal memory option, an unusual bonus if memory cards run out.
Connectivity and Extras
Neither camera offers Wifi, Bluetooth, or GPS, reflecting their era. Both have HDMI and USB 2.0 ports, supporting image download but no wireless image transfer.
Image Quality Snapshot and Scoring Summary
On paper and verified in field tests, the GX1 outperforms the TS1 comfortably on DxOMark-like metrics and real-life image fidelity, particularly in detail, noise control, and dynamic range.
Photography Genre Performance: Strengths and Weaknesses
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Portrait: GX1 offers richer skin tone rendition, pleasing bokeh from Micro Four Thirds primes, and face/eye detection AF. TS1’s fixed zoom lens with a smaller sensor cannot replicate this finesse.
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Landscape: GX1’s higher resolution and dynamic range capture subtle tonal gradations, while TS1’s waterproof build makes it a trusty companion for rugged landscapes without needing extra protection.
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Wildlife: GX1’s faster AF, interchangeable telephoto lenses, and burst rate make it possible to capture quick wildlife moments better than the TS1’s more pedestrian setup.
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Sports: GX1’s 4 fps and AF modes lend to casual sports shooting, while TS1’s slow AF and burst rate is unsuitable for action.
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Street: TS1 wins for portability and dirt/dust resistance, but image quality and low-light performance remain limited compared to GX1.
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Macro: Both cameras offer macro capabilities - TS1’s lens lets you focus as close as 5cm, while the GX1 benefits from dedicated macro lenses offering better sharpness and manual focus precision.
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Night & Astro: GX1’s larger sensor and higher ISO range make it more capable in low light or astro shots, though its lack of longer exposures/audio input limits professional video astro work.
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Video: GX1 is the better video shooter with 1080p, more frame rates, and manual options, despite lacking audio input. TS1’s 720p is basic and designed for casual video.
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Travel: TS1 is travel-friendly due to size, weight, and waterproof ruggedness. GX1’s bigger but still compact body and lens options serve better for diverse photographic needs.
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Professional Work: GX1 supports RAW files and provides a more flexible workflow, necessary for post-processing and professional image editing. TS1 shoots only JPEG, limiting its professional appeal.
Recommendations Based on Use Cases
If you want a versatile creative tool for a wide range of photography:
The Panasonic Lumix GX1 is the clear choice. Its superior sensor, extensive lens ecosystem, manual controls, and better autofocus open up possibilities in portraits, landscapes, macro, and controlled video shooting. It’s a great starter mirrorless for enthusiasts who want room to grow.
If your priority is ruggedness, compactness, and shooting in extreme conditions:
The Panasonic Lumix TS1 is designed to survive drops, dust, water, and cold. While image quality and control are modest, it’s unbeatable for adventure photographers, hikers, or beach vacationers who want an all-in-one, waterproof camera with decent quality and minimal fuss.
Closing Thoughts: Different Cameras for Different Worlds
Choosing between these two is less about which is better overall and more about matching each one’s strengths to your needs.
The GX1 impresses through versatility, image quality, and creative potential. It’s an early 2010s mirrorless workhorse built around an excellent Micro Four Thirds sensor and lens system, ideal for photographers who appreciate manual control and the ability to swap lenses.
The TS1 excels as a tough, go-anywhere companion camera. It delivers sufficient quality for casual use and boasts ruggedness few compacts can match without extra gear. It’s perfect for environments where damage is a risk, and you want the camera ready to shoot anywhere.
Thank you for reading this in-depth comparison. Feel free to ask questions or share your experience if you’ve used either of these cameras!
Image References Recap:
Panasonic GX1 vs Panasonic TS1 Specifications
Panasonic Lumix DMC-GX1 | Panasonic Lumix DMC-TS1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GX1 | Panasonic Lumix DMC-TS1 |
Also called as | - | Lumix DMC-FT1 |
Category | Entry-Level Mirrorless | Waterproof |
Announced | 2012-02-14 | 2009-01-27 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4592 x 3448 | 4000 x 3000 |
Max native ISO | 12800 | 6400 |
Lowest native ISO | 160 | 80 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximal aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3" | 2.7" |
Resolution of display | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/1300s |
Continuous shutter speed | 4.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.60 m | - |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/160s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, AVCHD | AVCHD Lite |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 318 gr (0.70 lbs) | 189 gr (0.42 lbs) |
Physical dimensions | 116 x 68 x 39mm (4.6" x 2.7" x 1.5") | 98 x 63 x 23mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall rating | 55 | not tested |
DXO Color Depth rating | 20.8 | not tested |
DXO Dynamic range rating | 10.6 | not tested |
DXO Low light rating | 703 | not tested |
Other | ||
Battery life | 300 photos | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/MMC/SDHC, Internal |
Storage slots | One | One |
Retail price | $228 | $380 |