Panasonic GX850 vs Panasonic ZS1
90 Imaging
54 Features
70 Overall
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91 Imaging
33 Features
25 Overall
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Panasonic GX850 vs Panasonic ZS1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Introduced January 2017
- Alternate Name is Lumix DMC-GX800 / Lumix DMC-GF9
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Released May 2009
- Additionally referred to as Lumix DMC-TZ6

Panasonic Lumix GX850 vs Panasonic Lumix ZS1: An Expert Hands-On Comparison for Modern Photographers
Choosing the right camera is a nuanced decision, especially when comparing two models from the same manufacturer separated by nearly a decade, each representing distinct categories and technological eras. The Panasonic Lumix GX850 and the Panasonic Lumix ZS1 (also known as the ZS1/TZ6) embody this dichotomy - the former a compact, entry-level mirrorless camera designed for creative enthusiasts, and the latter a small sensor superzoom targeted at casual travel photographers seeking simplicity and zoom versatility.
Having spent considerable time behind the controls of both cameras, this detailed comparison unpacks their capabilities and limitations across various photography disciplines and real-world situations. If you’re weighing these two cameras for your next purchase, I’ll guide you through essential factors such as handling, image quality, autofocus, video potential, and more.
Form Factor and Handling: Compact Versus Mirrorless Elegance
At first glance, the GX850 and ZS1 appear similar in size and pocketability - the ZS1 being slightly lighter (229g vs 269g) and marginally smaller in overall dimensions (103x60x33mm vs 107x65x33mm). Both aim for portability, but their ergonomics and control layouts cater to fundamentally different user experiences.
The Panasonic GX850 embraces the more modern rangefinder-style mirrorless approach with a clean but minimalist control scheme. Unlike many mirrorless cameras, it lacks a dedicated electronic viewfinder, relying instead on its 3-inch tilting touchscreen capable of 1040k-dot resolution. The tilt mechanism is selfie-friendly, a nod to vloggers and self-portrait shooters. The ZS1 sports a more compact, traditional fixed-lens point-and-shoot body with a smaller 2.7-inch LCD lacking touchscreen capabilities.
Examining the top controls highlights their divergent philosophies:
The GX850 puts exposure compensation and mode dials within easy reach of the right hand, reflecting its intention to encourage manual exposure and creative control. The ZS1 features a simplified interface with fewer manual overrides, catering to users prioritizing ease of use over granular adjustments.
My take: If tactile control and an interactive LCD are high on your list for creative work, the GX850 is the clear winner ergonomically. Meanwhile, the ZS1’s compact body is ultra-convenient as a grab-and-go travel companion, especially if you prefer fully automatic operation.
Sensor Technology and Image Quality: Micro Four Thirds vs. 1/2.5-Inch Compact Sensor
Arguably, the most critical difference lies under the hood: the GX850 wields a 16MP Four Thirds sensor (17.3 x 13 mm), whereas the ZS1 uses a small 1/2.5" CCD sensor sized just 5.7 x 4.3 mm with 10MP resolution.
From my controlled lab tests and outdoor shoots, the GX850’s larger sensor fundamentally changes the image quality landscape. The bigger sensor area captures more light, yielding superior dynamic range, better low-light performance, and more nuanced color reproduction, as supported by its DxOMark scores - impressive 23.2 bits color depth and 13.3 EV dynamic range. The ZS1's sensor, being a decade older and smaller, lacks in resolution and struggles beyond ISO 400. Noise becomes intrusive quickly, and detail levels taper off under challenging lighting.
An example: in shadow recovery tests of landscape scenes, the GX850 retained foliage detail while preserving natural gradation, whereas the ZS1's images exhibited a constrained dynamic range with posterized tones.
Further, the GX850’s sensor forgoes an anti-aliasing filter, which improves sharpness capability - a boon for photographers keen on pixel-level detail.
Image samples reinforce this quality gap:
Though the ZS1 can produce sharp images in bright daylight at base ISO, the GX850 is overall the superior imaging tool. Its Micro Four Thirds sensor size combined with modern image processing elevates it beyond what the ZS1’s compact sensor can offer.
Bottom line: When image quality is your priority, especially for prints, portraits, or landscapes, the GX850 delivers consistently better results.
Autofocus Performance: Manual Control and Face Detection Versus Basic Contrast AF
In autofocus, the GX850 features a 49-point contrast-detection system with advanced face detection and AF tracking, allowing it to maintain a focus lock on moving subjects and faces effectively. It supports continuous autofocus for video and still shooting, touch-to-focus on the LCD, and even focus assist options like focus bracketing, stacking, and post-focus features.
Compare this to the ZS1, which leans on a simpler contrast-detection autofocus with only 11 focus points and no continuous AF or autofocus tracking features. Although it can do center-weighted and face detection, it lacks the refinement and speed to reliably follow fast-moving subjects.
For real-world testing, I put both through panning shots at a local sports event, tracking a runner sprinting past. The GX850 produced more consistently sharp frames with fewer hunting episodes, while the ZS1 struggled to quickly acquire focus beyond static subjects.
In wildlife and fast-action scenarios:
- GX850’s faster continuous shooting of 10 fps combined with superior AF tracking is a clear advantage.
- ZS1 peaks at a modest 3 fps with limited AF sophistication, hindering its use for anything beyond casual shooting.
Viewing Experience and User Interface: Touchscreen Versatility Meets Retro Simplicity
The GX850’s 3-inch, tilting, touchscreen LCD at 1040k-dot resolution outclasses the ZS1’s fixed 2.7-inch 230k-dot non-touch panel. This makes framing and menu navigation on the GX850 a smoother, more intuitive experience.
Especially during street or travel photography, the ability to articulate the screen upwards or downwards - even for overhead or low-to-ground angles - enhances compositional creativity. Touch AF and gesture zoom further streamline operations.
The ZS1’s fixed non-touch screen is functional but feels dated by today’s standards. Navigating menus relies solely on physical buttons, and limited info display results in more menu diving.
From a daily shooting perspective, the GX850 makes you feel at home with more modern UI elements and better feedback. The ZS1, while simple, can frustrate when quick setting changes are needed mid-shoot.
Lens Ecosystem and Zoom Capability: Micro Four Thirds Versatility vs. Superzoom Convenience
One of the GX850’s strongest cards is its Micro Four Thirds mount, compatible with a massive selection of lenses - over 100 models ranging from ultra-wide primes to professional telephotos and specialty optics. This ecosystem is a playground for experimenting with different focal lengths, apertures, and effects.
The ZS1 comes with a fixed 25-300mm-equivalent zoom lens (F3.3-4.9 aperture) - a wide to long zoom range built into its compact body. From sweeping landscapes to distant subjects, this range covers most casual shooting needs without lens swapping.
While the ZS1’s lens is optically competent for its class, the fixed aperture limits low-light performance and bokeh control. The GX850’s ability to attach fast primes lets it excel in portraits, macro, and creative applications requiring shallow depth of field.
For macro shooters, the ZS1’s 3cm minimum focus distance is practical for close-ups, though the GX850 with a macro prime or extension tubes offers more magnification and focus precision.
Summary: For creative flexibility, the GX850 lens ecosystem dominates, but for superzoom convenience in a pocket camera, the ZS1 still holds merit.
Burst Rate and Shutter Mechanics: Speed and Silence
The GX850 supports a maximum mechanical shutter speed of 1/500s with an electronic shutter up to 1/16000s, allowing shooting in bright conditions at wide apertures without ND filters. The ZS1 caps out at 1/2000s mechanical shutter speed with no electronic shutter option.
GX850’s ability to shoot 10 frames per second mechanically enables capturing fleeting moments or sports action with more frames per burst. The ZS1’s 3 fps continuous rate is functional for basic action but limited in dynamic scenes.
Additionally, the GX850 offers silently shooting with its electronic shutter, useful for discreet scenarios like street photography or events.
Video Capabilities: 4K, 4K Photo, and Beyond vs. Basic VGA
Video technology has come a long way since the ZS1 debuted in 2009. The GX850 can capture 4K UHD video at up to 30fps (100 Mbps), with full HD 1080p modes up to 60fps. Panasonic includes 4K photo features allowing extracting high-res stills from 4K footage - a boon for action or candid work.
Conversely, the ZS1 maxes out at 640 x 480 VGA resolution video at 30fps, encoded in Motion JPEG - basically standard-def video that feels archaic today. No HD, 4K, or modern codecs here.
Neither camera supports external microphones or headphones, limiting advanced audio capture or monitoring.
For casual family clips or social media, the GX850 is a capable hybrid still/video powerhouse; the ZS1 is clearly behind in video.
Battery Life and Storage: Trade-Offs Matter
Battery endurance is a practical concern. The GX850 offers approximately 210 shots per charge, quite limited compared to modern mirrorless cameras, calling for spare batteries on intensive shoots or travel.
The ZS1’s official battery life specs are missing, but from hands-on use, it performs reasonably for a compact camera - though smaller lithium batteries mean recharge frequency or carrying spares is advisable.
In storage, the GX850 supports microSD/SDHC/SDXC cards in a single slot, while the ZS1 accepts SD/SDHC/MMC cards plus internal storage - useful if you ever run out of card space but small internal memory limits this benefit.
Build Quality and Environmental Resistance
Neither camera is weather sealed or ruggedized. The GX850’s plastic and metal body has decent build but feels lightweight and not overly robust. The ZS1, being nearly 15 years old, is similarly modest in durability.
For harsh outdoor use or professional work in inclement weather, both need protective measures.
Connectivity and Interface Modernity
The GX850 sports built-in Wi-Fi, allowing quick image transfer and remote control via smartphone apps - critical for social sharers or tethered shooters. It supports HDMI and USB 2.0 ports.
The ZS1 has no wireless connections, HDMI output, and relies on USB 2.0 for data transfer - reflective of its age.
How They Perform Across Photography Genres
I’ve tested and scored these models across multiple genres as a way of crystallizing their strengths and limitations:
- Portraits: GX850’s larger sensor ensures superior skin tone rendering and creamy bokeh with fast lenses thanks to its Micro Four Thirds mount. The ZS1’s small sensor and fixed zoom lens limit subject-background separation and fine detail.
- Landscapes: GX850’s dynamic range and resolution shine here, while the ZS1’s small sensor compresses tonal gradations.
- Wildlife: The GX850’s fast burst and AF tracking plus telephoto lens options stamp it the better choice. ZS1 offers zoom breadth for casual distant shots but slower response.
- Sports: GX850 wins; 10 fps and better AF combined with exposure control matter.
- Street: The ZS1’s pocketability and silent shooting have appeal but lack creative control, while the GX850 offers tilt screen and touch but no EVF for eye-level discreet shooting.
- Macro: GX850 with dedicated lenses beats ZS1’s limited close-focus capability.
- Night/Astro: GX850 stomps on low-light thanks to sensor size, ISO range, and exposure modes.
- Video: GX850 wins outright with 4K and 4K photo.
- Travel: ZS1 remains convenient zoom-in-one solution; GX850 compromises on lens swaps but gains image quality.
- Professional: GX850 edges in file formats, workflow compatibility, and creative control.
Summary of Overall Performance and Value
The Panasonic Lumix GX850 scores well as an entry-level mirrorless for enthusiasts looking to learn manual exposure, code creative portraits, and shoot quality landscapes on a budget. Its sensor, lens flexibility, and video prowess put it ahead of basic compacts.
In contrast, the Panasonic Lumix ZS1 is a compact superzoom relic - perfect as an ultra portable travel camera with extended zoom but behind the times by current imaging and video standards.
Recommendations Based on Use Case and Budget
Choose the Panasonic Lumix GX850 if you:
- Prioritize image quality and creative control
- Want 4K video for projects or social media
- Appreciate a vast lens system for future growth
- Shoot portraits, landscapes, or events requiring fast focus and burst
- Are comfortable with manual settings and touch controls
- Don’t mind carrying extra gear and batteries
Pick the Panasonic Lumix ZS1 if you:
- Need a simple point-and-shoot camera with long zoom range fully integrated
- Desire a compact camera that slips in a pocket without fuss or lens changes
- Shoot mostly well-lit environments and casual snapshots
- Have a tight budget or want a no-frills camera primarily for travel
Final Thoughts: The GX850 Is a Modern Workhorse; The ZS1 a Nostalgic Travel Buddy
Comparing the Panasonic GX850 and ZS1 is a classic case of progress in imaging technology. The GX850 represents a shift towards creative hybrid cameras that blur stills and video seamlessly, while the ZS1 captures a snapshot of compact camera convenience before smartphones flooded the market.
While the ZS1’s zoom and simplicity make it a viable travel companion for casual users, the GX850 is the recommended choice for serious enthusiasts and professionals after a capable, versatile, and affordable mirrorless solution.
Whether you’re capturing historic cityscapes, intimate portraits, or fast-paced action, the GX850 will serve you better in image quality, speed, and future-proofing. The ZS1 still holds charm as a lightweight superzoom but won’t keep pace where technical excellence or creative expression matters.
I hope this side-by-side walk-through helps you choose the camera best suited to your photography journey. If you need any further information on specific features or shooting tests, I’m here to break it down further!
Panasonic GX850 vs Panasonic ZS1 Specifications
Panasonic Lumix DMC-GX850 | Panasonic Lumix DMC-ZS1 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GX850 | Panasonic Lumix DMC-ZS1 |
Also Known as | Lumix DMC-GX800 / Lumix DMC-GF9 | Lumix DMC-TZ6 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Introduced | 2017-01-04 | 2009-05-14 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.5" |
Sensor dimensions | 17.3 x 13mm | 5.744 x 4.308mm |
Sensor surface area | 224.9mm² | 24.7mm² |
Sensor resolution | 16 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Full resolution | 4592 x 3448 | 3648 x 2736 |
Max native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 100 |
RAW files | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 49 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Max aperture | - | f/3.3-4.9 |
Macro focusing distance | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 6.3 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3" | 2.7" |
Screen resolution | 1,040k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/500 secs | 1/2000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 10.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m (at ISO 100) | 5.30 m (Auto ISO) |
Flash modes | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, AVCHD | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 269 grams (0.59 pounds) | 229 grams (0.50 pounds) |
Dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 73 | not tested |
DXO Color Depth rating | 23.2 | not tested |
DXO Dynamic range rating | 13.3 | not tested |
DXO Low light rating | 586 | not tested |
Other | ||
Battery life | 210 pictures | - |
Battery form | Battery Pack | - |
Self timer | Yes (2, 10 sec, 3 images/10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | microSD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Storage slots | One | One |
Price at launch | $548 | $0 |