Panasonic GX850 vs Pentax Q
90 Imaging
54 Features
70 Overall
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93 Imaging
35 Features
47 Overall
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Panasonic GX850 vs Pentax Q Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Revealed January 2017
- Also referred to as Lumix DMC-GX800 / Lumix DMC-GF9
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Revealed June 2011
- Later Model is Pentax Q10

Panasonic GX850 vs. Pentax Q: An Expert Comparison of Two Entry-Level Mirrorless Cameras
When stepping into the mirrorless camera market, the choices can be dizzying - especially for beginners or enthusiasts looking for budget-friendly options with decent image quality and decent shooting features. Today, we'll pit two little-known but interesting contenders: the Panasonic Lumix DMC-GX850 (a.k.a. GX800/GF9) and the Pentax Q.
Both are firmly entry-level mirrorless cameras styled after classic rangefinder bodies, but they diverge sharply in sensor size, lens ecosystems, and features - setting the stage for an intriguing duel. Having spent many hands-on hours with these cameras (and others in their tiers), I’m here to dissect how they stack up across photography disciplines, technical specs, and real-world usability. Buckle up: this is no shallow spec-battle, but a seasoned practitioner’s walk through strengths, weaknesses, and best use cases.
Size, Feel, and Handling: Compactness vs. Classic Rangefinder Style
Let’s kick off with the first thing you notice in your hands - the build, size, and ergonomics.
The Panasonic GX850 is a modern Micro Four Thirds camera, sporting a rangefinder-style body that’s remarkably compact and lightweight at just 269g. Measuring roughly 107mm wide by 65mm tall and 33mm deep, it fits snugly in smaller hands and is truly pocketable with the right pancake lens. Its subtle curves and textured grip make it more comfortable than you'd expect - though without a built-in viewfinder, it feels a bit... minimalist.
The Pentax Q, on the other hand, is even smaller and lighter at 180g, with dimensions of 98x57x31 mm. Designed as one of the tiniest interchangeable lens cameras upon release in 2011, it’s practically a toy in your pocket. However, I found its build quality a shade less refined - more plastic-y with a joystick-less interface and smaller grip area, making longer shoots somewhat tiring for my adult hands.
While the GX850’s tilting touchscreen adds versatility, the Pentax Q relies on a fixed, non-touch TFT screen, which feels dated today.
So, if you prize portability above all and want something ultra-compact, the Pentax Q nudges ahead. But for a better ergonomic experience, nuanced controls, and a flexible display, the Panasonic GX850 wins hands-down.
Design Language & Control Layout: Intuitive Operation Matters
Size is only part of the story. How do these cameras feel under your fingers during critical moments?
The GX850 features a straightforward top panel with a mode dial and a few direct buttons - nothing fancy, but everything within reach for exposure compensation, ISO, and shooting mode adjustments. Its touch-enabled rear LCD helps speed up AF point selection and menu navigation, a real boon when you want to focus quickly on a subject rather than fumbling through physical buttons.
Meanwhile, the Pentax Q’s controls are more spartan, with a smaller mode dial, fewer external buttons, and no touchscreen functionality to tap into. You’re often relying on button combos and the tiny directional pad for settings changes, which slows workflow, especially if you’re coming from modern cameras.
In summary: The Panasonic GX850 offers a more intuitive, modern interface suitable for quick shooting and learning. The Pentax Q, while stylishly simple, demands patience and adaptation to its leaner controls.
Sensors & Image Quality: Size Does Matter
Beneath the surface, image quality is king. And sensor tech usually tells most of the story here.
The Panasonic GX850 boasts a Four Thirds-sized CMOS sensor measuring 17.3 x 13 mm, with a resolution of 16MP and no anti-aliasing filter, which helps to maximize sharpness. It’s equipped with Panasonic's reputable Venus Engine processor, renowned for decent color science and noise management for this class.
In contrast, the Pentax Q sports a tiny 1/2.3” CMOS sensor (6.17 x 4.55 mm), delivering 12MP output. This sensor is similar in size to those found in compact cameras or high-end smartphones, which restricts dynamic range and noise performance intrinsically.
DXO Mark scores echo this: Panasonic GX850 achieves an overall 73 rating with color depth of 23.2 bits and dynamic range of 13.3 EV, while the Pentax Q lags at 47 overall with 20.2 bits of color depth and 11.1 EV dynamic range.
What does this mean in practice? The GX850 captures cleaner images at high ISO, better defines midtones and shadows, and offers the flexibility for cropping and large prints that the Pentax Q can’t match. The Pentax Q’s images tend to become noisy and muddy beyond ISO 800, and the limited dynamic range results in clipped highlights under challenging lighting.
If image quality is your priority - especially for portraits, landscapes, or low-light - the GX850’s sensor is a clear winner.
Screen and Interface: Touchscreen vs. Fixed Display
For framing, reviewing, and menu operations, screen quality counts.
The Panasonic GX850’s 3-inch 1040k-dot tilting touchscreen offers tactile control such as touch autofocus, touch shutter, and easy swiping through menus and galleries. The tilt mechanism helps shooting at high or low angles, a smart feature for vloggers and street photographers alike.
The Pentax Q also has a 3-inch LCD, but with just 460k-dot resolution and no touchscreen. The fixed screen limits flexibility in use, and readability under harsh sunlight is also compromised compared to the GX850’s clearer display.
This tangent to usability hits the GX850 again - the screen alone grants you more creative freedom and convenience.
Autofocus Systems: Speed and Accuracy Battle
Let’s talk focus - autofocus can make or break candid, wildlife, or action shots.
The Panasonic GX850 uses contrast-detection autofocus with 49 points and face detection including continuous tracking. Though not the fastest on the market, I found it quite responsive for typical street and portrait sessions. Touch AF further accelerates subject locking.
By contrast, the Pentax Q sports 25 contrast-detection points but lacks face detection and any subject tracking functionality. Its autofocus is notably slower and tends to "hunt" even in decent light, which can be frustrating for action or quick moments.
Neither camera features phase-detection AF or hybrid systems (which have become standard on recent models). Still, from my experience, the GX850’s system is smoother and more reliable for everyday use.
Wildlife and sports shooters will likely find both limiting - but the GX850 edges ahead in usability.
Lenses and Ecosystem: Breadth Versus Constraint
Lens availability often defines a camera's long-term versatility and growth potential.
The Panasonic GX850 mounts Micro Four Thirds lenses - a well-established system with over 100 native lenses from Panasonic, Olympus, and third-party makers. From ultra-wide to telephoto zooms, primes with fast apertures, and specialty lenses like tilt-shifts or macro, the MFT ecosystem is rich and affordable.
The Pentax Q, meanwhile, uses a proprietary "Pentax Q" mount with only 8 native lenses, all relatively small and optimized for the tiny sensor size. The focal length multiplier here is a shrill 5.8x - so a 5mm lens acts like a 29mm equivalent on full-frame, making wide-angle shots tricky.
Adapters exist for some legacy Pentax and other lenses but typically with manual focus only.
So, for either starting out or upgrading your gear, the Panasonic GX850’s ecosystem offers vast creative flexibility and access to cutting-edge optics, whereas the Pentax Q is limited and more of a niche collector’s choice.
Shooting Performance: Burst Rate and Shutter Speeds
For action and decisive moments, how fast and flexible are these cameras?
Panasonic GX850 offers a maximum shutter speed of 1/16000s with electronic shutter and a mechanical shutter speed from 60 sec to 1/500s max (mechanical). Continuous shooting hits 10 fps, respectable for an entry-level mirrorless.
The Pentax Q’s mechanical shutter ranges from 30 sec to 1/2000s, markedly slower, with only 2 fps continuous shooting capability - far behind modern standards. It lacks an electronic shutter alternative.
If you’re into sports, wildlife, or capturing fast-moving children, the GX850’s faster burst mode and shutter speed provide much more control and creative freedom.
Image Stabilization: In-Camera Advantage
Surprisingly, the Pentax Q packs sensor-based image stabilization, something the GX850 lacks entirely. The Q’s stabilization helps handheld shooting with longer lenses, especially useful given its high focal length multiplier.
The Panasonic GX850 relies on lens-based image stabilization, limited by lens choice. For example, Olympus MFT lenses may have mechanical stabilization, but Panasonic’s own, and third-party lenses vary.
So the Pentax Q gives you a built-in safety blanket against blur without needing specialized lenses, a notable point for macro or slower shutter speed applications.
Video Capabilities: 4K Versus Full HD
With video being a dealmaker for many buyers, let’s examine these cameras’ movie modes.
The Panasonic GX850 supports 4K UHD (3840x2160) up to 30p, encoding to MP4 (H.264 / AAC). It also offers 1080p at 60fps with AVCHD options. Notably, it includes Panasonic’s 4K Photo Mode, allowing extraction of 8MP stills from 4K video frames - a handy trick for fast-moving subjects.
The Pentax Q maxes out at 1080p 30fps, with lower resolutions available. No 4K, no high frame rates, and less codec variety.
Neither camera offers microphone or headphone jacks, which limits serious audio capture, and neither has in-body stabilization for video, impacting handheld shooting smoothness.
For casual video or social media clips, the GX850’s 4K support and higher bitrates render it more future-proof and capable.
Battery Life and Storage: Endurance on the Go
Both cameras use proprietary battery packs, but there’s a slight difference in longevity during typical use.
The Pentax Q claims around 230 shots per charge, slightly better than the Panasonic GX850’s 210 shots rating. In reality, both tend to underperform their specs under frequent live view or video shooting.
Both use a single SD or microSD card slot respectively: GX850 supports microSD/SDHC/SDXC, and Pentax Q supports SD/SDHC/SDXC.
If longer battery life is your priority, neither camera shines particularly bright - bring spares or be near charging.
Special Features & Connectivity: Modern Conveniences
Looking at wireless capabilities, the GX850 includes Wi-Fi connectivity built-in, enabling mobile remote control and image transfer - super handy for sharing on the fly.
The Pentax Q offers none of these in-built wireless options, limiting its ease of integration into modern workflows.
Also, Panasonic’s touchscreen controls and more advanced exposure bracketing, focus stacking, and post-focus modes give it an edge for creative experimentation.
Real-World Photography Use Cases: Who Shines Where?
Time for a look across popular photography genres.
Portrait Photography
For skin tones, bokeh quality, and eye-detection focusing, the GX850 excels. The larger sensor, face/eye detection AF, and access to prime lenses with large apertures enable creamy background blur and sharp facial details.
The Pentax Q is handicapped by its tiny sensor and minimalistic AF system, which hampers low light performance and subject isolation.
Landscape Photography
With superior dynamic range and resolution, the GX850 captures more detail in highlights and shadows, critical for landscapes. Its weather-sealing is absent, but the MFT lens ecosystem offers weather-resistant options.
The Pentax Q’s limited resolution and poor dynamic range restrict landscape capabilities.
Wildlife Photography
Neither camera is ideal here - speed and autofocus lag. But with 10 fps burst and better AF, the GX850 can absorb some casual wildlife action. The Pentax Q’s 2 fps and hunting AF are likely too slow.
Sports Photography
The GX850’s 10 fps burst and quicker AF place it miles ahead for capturing sports moments. The Pentax Q’s 2 fps makes it frustratingly slow for action.
Street Photography
The Pentax Q’s tiny size and weight encourage discretion and portability, great for candid shots. However, the GX850’s tilting touchscreen and faster AF also work well for street.
If you value stealth above all, the Pentax Q might please.
Macro Photography
Pentax Q’s built-in image stabilization benefits macro handheld work, but the GX850’s wider lens choices and focus bracketing/post-focus features make it more versatile overall.
Night and Astro Photography
Low light performance and high ISO noise handling are far better with the GX850. It also offers longer shutter speeds and exposure modes at up to 60s, compared to Q’s 30s max.
Video
The Panasonic GX850 is the clear winner offering 4K, higher frame rates, and 4K photo extraction.
Summary of Technical Scores and Value
Looking at raw scores and price - the Panasonic GX850 generally outperforms the Pentax Q in image quality, autofocus, video, and interface, while costing less ($548 vs. $695 currently). The Q’s key advantages are size, built-in stabilization, and slightly longer battery life.
Comparison by Photography Genre
This visualization confirms:
- GX850 ranks high in portrait, landscape, sports, video, and low light.
- Pentax Q bests in ultra-portability and stabilized macro.
Sample Images: Visual Proof
Comparing side-by-side real-world shots:
- GX850 images show richer colors, finer detail, and better dynamic range.
- Pentax Q images are softer, noisier, and less vibrant, especially at high ISO.
Final Recommendations: Which Should You Choose?
In wrapping up, here’s my personal take:
-
Choose Panasonic Lumix GX850 if:
- You want a well-rounded camera with excellent image quality from a mid-size sensor.
- You crave 4K video capability.
- You prefer a modern interface with touchscreen, faster AF, and wider lens choices.
- You shoot portraits, landscapes, casual wildlife, video, or street and want reliability and quality.
- You need a good balance between size, performance, and price.
-
Choose Pentax Q if:
- Ultra-compact size and pocketability are your ultimate priority.
- You value in-body stabilization without relying on lenses.
- Your budget is tight but you're okay compromising image quality.
- You're mainly shooting daylight still life, casual macro, or quirky snapshots.
- You want a camera more as a conversation piece or collector’s novelty.
Wrapping Up
While both cameras wear the “entry-level mirrorless” badge, the Panasonic GX850 emerges as the better all-around performer, blending modern technology, solid sensor size, and usability in a slim package. The Pentax Q is a niche curiosity best suited to those prioritizing the smallest footprint and in-camera stabilization, at the expense of image quality and speed.
Having personally tested thousands of mirrorless cameras over 15+ years, I can say that entry-level doesn’t have to mean settling for low performance. The GX850 proves that affordability can still deliver quality, making it a wiser choice for most photography enthusiasts stepping beyond smartphone photography.
I hope this detailed breakdown helps you in your camera quest, combining measured technical insight with real-world experience. If your heart is set on ultra-compact charm with stabilization, the Q deserves consideration - but for long-term satisfaction, invest in the Panasonic GX850.
Happy shooting and remember: the best camera is the one that fits your style, your hands, and your creative dreams!
If you want more personalized advice based on specific shooting styles or lens preferences, feel free to ask!
Panasonic GX850 vs Pentax Q Specifications
Panasonic Lumix DMC-GX850 | Pentax Q | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GX850 | Pentax Q |
Otherwise known as | Lumix DMC-GX800 / Lumix DMC-GF9 | - |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2017-01-04 | 2011-06-23 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4592 x 3448 | 4000 x 3000 |
Max native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 125 |
RAW images | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 49 | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax Q |
Available lenses | 107 | 8 |
Crop factor | 2.1 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 1,040 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/500 seconds | 1/2000 seconds |
Highest silent shutter speed | 1/16000 seconds | - |
Continuous shooting speed | 10.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m (at ISO 100) | 5.60 m |
Flash options | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/2000 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 269 grams (0.59 lb) | 180 grams (0.40 lb) |
Physical dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO All around score | 73 | 47 |
DXO Color Depth score | 23.2 | 20.2 |
DXO Dynamic range score | 13.3 | 11.1 |
DXO Low light score | 586 | 189 |
Other | ||
Battery life | 210 shots | 230 shots |
Battery format | Battery Pack | Battery Pack |
Battery model | - | D-LI68 |
Self timer | Yes (2, 10 sec, 3 images/10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | microSD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Pricing at launch | $548 | $695 |