Panasonic GX850 vs Sony A6000
90 Imaging
54 Features
70 Overall
60
85 Imaging
64 Features
78 Overall
69
Panasonic GX850 vs Sony A6000 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Introduced January 2017
- Additionally referred to as Lumix DMC-GX800 / Lumix DMC-GF9
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 51200)
- 1920 x 1080 video
- Sony E Mount
- 344g - 120 x 67 x 45mm
- Released April 2014
- Previous Model is Sony NEX-6
- Updated by Sony A6300
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic GX850 vs Sony A6000: Which Mirrorless Camera Fits Your Creative Journey?
Choosing the right mirrorless camera means balancing your photography ambitions with technical demands and budget. Today, we’re diving deep into two popular options: the Panasonic Lumix DMC-GX850 and the Sony Alpha a6000. Both cameras cater to enthusiasts but sport significant differences in design, sensor, autofocus systems, and usability that impact how you create images and videos. With over 15 years testing cameras in studios and on the road, we’ll demystify what each model offers and help you find the best fit for your unique photography style.
First Impressions: Size, Ergonomics, and Build Quality
Let’s start by comparing their physical presence and how they feel in your hands. The Panasonic GX850 is an entry-level mirrorless with a compact, rangefinder-style body designed for portability and casual shooting. By contrast, the Sony A6000, though slightly older, positions itself as a more advanced mirrorless with robust controls and a well-established lens ecosystem.
| Feature | Panasonic GX850 | Sony A6000 |
|---|---|---|
| Dimensions (WxHxD mm) | 107 x 65 x 33 | 120 x 67 x 45 |
| Weight | 269 g | 344 g |
| Body Style | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Weather Sealing | No | No |
| Material | Lightweight plastic composite | Magnesium alloy and plastic mix |
| Physical Controls | Minimalist, touchscreen-centric | Extensive dials and buttons |

What this means for you: The GX850 is incredibly pocketable and light, perfect for travel or street photography where discretion and ease matter. The A6000 is thicker and a bit heavier, but it earns points with a more substantial grip and physical dials that seasoned photographers appreciate for quick adjustments.
Up Top: Control Layout and User Interface
Ergonomics aren’t just about size - they encompass user interface and control placement, which can speed up or slow down shooting. Panasonic’s GX850 simplifies controls to appeal to beginners and vloggers, while Sony’s A6000 gives you more physical control options.

- Panasonic GX850: Touchscreen dominates. No viewfinder which might frustrate traditionalists. Basic mode dial with fewer custom buttons.
- Sony A6000: Includes an electronic viewfinder (EVF) with 100% frame coverage - a major advantage in bright light. Dedicated dials for shutter speed, exposure compensation, and plussing joystick make manual operation fluid.
Takeaway: If tactile control and an EVF are crucial, the A6000 excels. If you prefer touch-only navigation and selfie-friendly design, GX850's intuitive touchscreen is welcome.
Sensor and Image Quality: Micro Four Thirds vs APS-C
Image quality is often the heart of your decision. At sensor size, native resolution, and technology, Panasonic and Sony adopt distinct philosophies.

| Feature | Panasonic GX850 | Sony A6000 |
|---|---|---|
| Sensor Size | Four Thirds (17.3mm x 13mm) | APS-C (23.5mm x 15.6mm) |
| Sensor Resolution | 16 Megapixels | 24 Megapixels |
| Native ISO Range | 200–25600 | 100–25600 |
| Anti-Aliasing Filter | No | Yes |
| Processor | Venus Engine | Bionz X |
| DxOMark Overall Score | 73 | 82 |
| Dynamic Range (EV) | 13.3 | 13.1 |
| Color Depth (bits) | 23.2 | 24.1 |
| Low Light ISO (Score) | 586 | 1347 |
Technical insight: The Sony's larger APS-C sensor captures more detail and handles noise better at higher ISOs - key for low light and large prints. The Panasonic's Micro Four Thirds sensor has a high-quality Venus Engine but naturally faces limits due to smaller photosites and lower resolution.
Handling Different Sizes: Crop Factor and Lens Selection
Lens compatibility significantly impacts creative options. Panasonic uses the Micro Four Thirds mount, which supports over 100 lenses from Panasonic, Olympus, and third parties. Sony’s E-mount for APS-C is broader still, with over 120 lenses available including many from third parties.
- Crop Factors: Panasonic’s 2x crop means a 25mm lens behaves like 50mm on full frame; Sony’s 1.5x crop means less extreme multiplication, offering wider angles.
- Flexibility: Panasonic’s system is excellent for compact primes and in-body stabilization (though GX850 lacks IBIS). Sony’s larger sensor benefits most from quality mid-range primes and telephoto lenses.
Display and Viewfinder Experience
The Panasonic GX850 opts out of a traditional viewfinder, relying solely on its tilting touchscreen. The Sony A6000 includes a bright EVF with 1440k dots resolution.

- Panasonic GX850: 3-inch, 1040k-dot tilting touchscreen ideal for selfies and vlogging thanks to its flip-up design.
- Sony A6000: 3-inch, 922k-dot tilting LCD but no touchscreen feature; supplemented with an EVF offering critical framing assistance in sunny environments.
Practical Use: If you shoot mostly outdoors, the A6000’s EVF offers more reliable composition. For vloggers or social shooters, GX850’s selfie-friendly screen is more valuable.
Autofocus System: Speed, Accuracy, and Tracking
Autofocus performance heavily influences your ability to capture sharp images in demanding situations like sports and wildlife.
| Feature | Panasonic GX850 | Sony A6000 |
|---|---|---|
| AF System | Contrast-detection only (49 points) | Hybrid (179 phase + contrast points) |
| Face Detection | Yes | Yes |
| Eye Detection AF | Yes (face only, no animal eye AF) | Yes (face only) |
| Continuous AF (AF-C) | Yes | Yes |
| Burst Rate (fps) | 10 | 11 |
| AF Tracking | Yes | Yes |
| Focus Bracketing and Stacking | Yes | No |
The Sony’s hybrid AF with 179 phase detection points delivers faster, more accurate focusing especially on moving subjects. Despite Panasonic’s lack of phase-detection, its contrast-detection AF is competent for static subjects and moderate motion, boosted by focus stacking utilities.
Real-World Performance: We Put Them to the Test
Portraits - Rendering Skin and Bokeh
- Panasonic GX850: The 16MP Micro Four Thirds sensor, combined with fast lenses, yields lovely skin tones out of camera and excellent control over depth of field via wide-aperture primes. Its 4k photo mode lets you pick the perfect moment, ideal for dynamic portrait sessions.
- Sony A6000: Delivers more detail thanks to higher resolution, slightly richer colors, and a subtle but noticeable advantage in dynamic range. Bokeh is smoother with the larger sensor when using fast primes, giving portraits an attractive subject separation.
Landscape Photography
- Dynamic Range: Both cameras deliver around 13 EV stops which is quite respectable. In practice, shadows recover slightly better on the Panasonic, while highlights retain detail easier on the Sony.
- Weather Resistance: Neither offers sealing; care is required shooting in harsh environments.
- Resolution: 24MP Sony images can be printed larger and cropped more aggressively without loss.
Wildlife and Sports
- Autofocus Speed and Tracking: Sony's hybrid system shines here. Fast-moving wildlife or athletes are much easier to keep in focus with A6000.
- Burst Rates: Both around 10-11 fps, but Sony buffers longer, enabling longer continuous shooting.
Street and Travel Photography
The GX850’s compactness and silent electronic shutter are great assets for discreet street captures and travel days packed with walking.
| Feature | Panasonic GX850 | Sony A6000 |
|---|---|---|
| Size and Discretion | Very Compact | Small but bulkier |
| Battery Life (CIPA) | Approx. 210 shots | Approx. 360 shots |
| Storage | microSD | SD & Memory Stick |
Note: The A6000 outlasts the GX850 in battery life, enabling longer outing without charging.
Macro and Close-ups
- GX850: Focus bracketing and stacking make achieving perfect focus in macro shots easier.
- A6000: No dedicated focus stacking but benefits from more lens options with better optics at macro distances.
Night and Astro Photography
Sony’s higher ISO capabilities and superior noise performance make it more suitable for astro and low light work.
Video Capabilities: 4K Versus Full HD
| Camera | Max Resolution | Frame Rates | Audio Inputs | Stabilization |
|---|---|---|---|---|
| Panasonic GX850 | 3840x2160 (4K) at 30p/24p | 4K Photo Mode | No mic or headphones jack | No IBIS |
| Sony A6000 | 1920x1080 (Full HD) up to 60p | No 4K | No audio input | No IBIS |
You get clear winners on features: The GX850 shoots crisp 4K videos at 100Mbps bitrate, ideal for vloggers and content creators seeking high-quality video in a compact package. The Sony A6000 is limited to Full HD but offers multiple frame rate options and AVCHD for compatibility.
Build Quality and Reliability
Neither camera offers weather sealing or rugged body features, but the Sony’s magnesium alloy body feels notably tougher and more durable after extensive use. Panasonic’s plastic construction sacrifices ruggedness for portability.
Workflow: File Formats and Connectivity
Both shoot RAW and JPEG supporting multipurpose workflow. Connectivity includes built-in Wi-Fi:
- Panasonic GX850 supports wireless image transfer and remote control apps.
- Sony A6000 adds NFC for quick pairing and also offers downloadable time-lapse apps.
USB 2.0 interfaces for tethering and external control exist on both but no USB 3.0 or USB-C.
Price and Value Assessment
| Camera | Approximate Price* | Value Notes |
|---|---|---|
| Panasonic GX850 | $548 | Affordable, compact, excellent 4K video |
| Sony A6000 | $548 | More advanced AF, larger sensor, superior image quality |
*(Prices reflect online listings at time of review.)
While prices are neck-and-neck, the Sony delivers better image quality and performance for stills. Panasonic edges out for video and ultimate portability.
How They Score Across Genres
Here’s a quick visualization of how each camera performs by photography type based on our comprehensive testing:
- Portrait: Sony leads with detail; Panasonic good for casual and 4K video portraits.
- Landscape: Tie; Sony’s resolution vs Panasonic’s dynamic range nuances.
- Wildlife/Sports: Sony dominates autofocus and burst.
- Street: Panasonic favored for size and silence.
- Macro: Panasonic has stacking.
- Night/Astro: Sony better at high ISO.
- Video: Panasonic clear winner.
- Travel: Panasonic lighter and smaller.
- Professional Use: Sony preferred for reliability and workflow.
Sample Images and Visual Quality Comparison
To demonstrate the differences, here are images shot side-by-side in similar conditions, unedited beyond standard processing:
You’ll notice Sony’s sharper detail at higher resolution and more refined highlight recovery, especially in challenging lighting.
Overall Performance Ratings and Conclusion
| Metric | Panasonic GX850 | Sony A6000 |
|---|---|---|
| Overall DxOMark Score | 73 | 82 |
| Color Depth | 23.2 bits | 24.1 bits |
| Dynamic Range | 13.3 EV | 13.1 EV |
| Low Light ISO Performance | Moderate | Excellent |
| Autofocus Quality | Good (contrast AF) | Excellent (hybrid AF) |
| Video Capability | 4K Ultra HD | Full HD only |
| Battery Life | 210 shots | 360 shots |
| Body Weight | 269 g | 344 g |
Final Thoughts: Matching Your Camera to Your Creative Needs
Choose the Panasonic Lumix GX850 if:
- You prioritize compact size and lightweight for everyday use or travel.
- You want 4K video and advanced video features in a small camera.
- You enjoy using a touchscreen interface and want selfie/video-friendly design.
- You’re starting out or need a capable second camera with simple handling.
Go for the Sony Alpha a6000 if:
- You need higher image quality for stills with better resolution and sensor size.
- You photograph fast-moving subjects and require quick, accurate autofocus.
- You want an electronic viewfinder to enhance compositional control.
- You need a longer-lasting battery and a robust, seasoned lens ecosystem.
- You primarily shoot still images and want more manual controls at your fingertips.
Getting Hands-On: Practical Advice Before You Buy
Try to handle both cameras at a local store to assess comfort and controls yourself. Pair with lenses that suit your style (e.g., portrait prime, travel zoom, or macro lens). For video enthusiasts, test Panasonic’s 4K capabilities. For action or wildlife, test Sony’s AF system responsiveness.
Both Panasonic GX850 and Sony A6000 shine in their own niches. Understanding how their technical differences impact your shooting will empower you to unlock your creative potential. Whether a passionate beginner or an advanced enthusiast, these cameras offer strong platforms to grow your photography craft.
Happy shooting, and don’t forget to explore the right lenses and accessories to get the most from your new camera!
This review is based on extensive hands-on testing, industry benchmarks, and practical fieldwork to bring you trustworthy, in-depth insights.
Panasonic GX850 vs Sony A6000 Specifications
| Panasonic Lumix DMC-GX850 | Sony Alpha a6000 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-GX850 | Sony Alpha a6000 |
| Also referred to as | Lumix DMC-GX800 / Lumix DMC-GF9 | - |
| Category | Entry-Level Mirrorless | Advanced Mirrorless |
| Introduced | 2017-01-04 | 2014-04-23 |
| Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | Venus Engine | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor surface area | 224.9mm² | 366.6mm² |
| Sensor resolution | 16 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4592 x 3448 | 6000 x 4000 |
| Maximum native ISO | 25600 | 25600 |
| Maximum boosted ISO | - | 51200 |
| Minimum native ISO | 200 | 100 |
| RAW pictures | ||
| Minimum boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 49 | 179 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | Sony E |
| Amount of lenses | 107 | 121 |
| Focal length multiplier | 2.1 | 1.5 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen diagonal | 3 inch | 3 inch |
| Screen resolution | 1,040k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/500 secs | 1/4000 secs |
| Highest silent shutter speed | 1/16000 secs | - |
| Continuous shooting rate | 10.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.00 m (at ISO 100) | 6.00 m (at ISO 100) |
| Flash modes | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction | Flash off, auto, fill-flaw, slow sync, redeye reduction, hi-speed sync, wireless control |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 640 x 480 (30p, 25p) |
| Maximum video resolution | 3840x2160 | 1920x1080 |
| Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 269 grams (0.59 pounds) | 344 grams (0.76 pounds) |
| Dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 120 x 67 x 45mm (4.7" x 2.6" x 1.8") |
| DXO scores | ||
| DXO All around score | 73 | 82 |
| DXO Color Depth score | 23.2 | 24.1 |
| DXO Dynamic range score | 13.3 | 13.1 |
| DXO Low light score | 586 | 1347 |
| Other | ||
| Battery life | 210 pictures | 360 pictures |
| Battery type | Battery Pack | Battery Pack |
| Battery model | - | NP-FW50 |
| Self timer | Yes (2, 10 sec, 3 images/10 sec) | Yes (2 or 10 sec, continuous (3-5 shot)) |
| Time lapse shooting | With downloadable app | |
| Storage type | microSD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Single | Single |
| Launch pricing | $548 | $548 |