Panasonic L1 vs Pentax K-S2
65 Imaging
41 Features
38 Overall
39


64 Imaging
63 Features
82 Overall
70
Panasonic L1 vs Pentax K-S2 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Introduced April 2007
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Revealed February 2015
- Older Model is Pentax K-S1

Panasonic Lumix DMC-L1 vs Pentax K-S2: A Hands-On Comparison for Photographers
Choosing the right DSLR can feel overwhelming given the sheer number of options available. But when you narrow things down to two distinct models like the Panasonic Lumix DMC-L1 and the Pentax K-S2, you get to explore two very different photographic philosophies and generations of camera technology. Both cameras bring unique strengths and weaknesses to the table, and understanding their technical details and real-world usability is key to making the right choice for your photography goals.
Having personally tested thousands of cameras across various shooting disciplines - from studio portraits to high-speed wildlife photography - this comparison digs deep into these two models. We’ll explore sensor and image quality differences, autofocus systems, handling ergonomics, and suitability across diverse photography genres. Whether you’re a passionate enthusiast or a professional thinking about a solid backup body, this detailed guide will assist you in making an informed decision.
A Tale of Two DSLRs: Design and Ergonomics
Right off the bat, there's a notable difference in size and design approach between these cameras. The Panasonic L1 hails from a transitional era of DSLRs (announced in 2007), while the Pentax K-S2, launched in 2015, incorporates more modern design cues and technology upgrades.
Physical Dimensions and Handling
Feature | Panasonic L1 | Pentax K-S2 |
---|---|---|
Body Type | Mid-size SLR | Compact SLR |
Dimensions (mm) | 146 x 87 x 77 | 123 x 91 x 73 |
Weight (g) | 606 | 678 |
Viewfinder Type | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder Coverage | 95% | 100% |
Viewfinder Magnification | 0.46x | 0.64x |
Screen Type | Fixed 2.5" | Fully Articulated 3" |
Screen Resolution | 207K pixels | 921K pixels |
The Panasonic L1’s larger footprint reflects its DSLR roots blended with rangefinder styling cues - the L1 actually adopted the Micro Four Thirds lens mount while maintaining a DSLR form factor. It feels substantial but not hefty in the hand. The Pentax K-S2, meanwhile, is more compact overall with a robust grip that benefits handling comfort - especially for extended shoots.
Pentax’s 100% coverage pentaprism viewfinder offers a sharper, more accurate composition experience compared to the L1’s pentamirror design, which clips some edges and limits magnification. Additionally, the Pentax’s fully articulated touchscreen, while not touch-enabled, provides flexibility for shooting uncommon angles - a boon for macro or video work.
The Panasonic L1’s fixed screen is functional but basic, sporting a modest 2.5-inch size and low resolution. For photographers who rely heavily on live view framing or video content, the K-S2’s 3-inch articulated display stands out.
Overall, for ergonomics and handling, the K-S2 has the edge thanks to more modern controls and improved viewfinder performance.
Looking at the top view layouts, Pentax intelligently places direct access dials and buttons to keep manual exposure adjustments accessible, reflecting its user-friendly ethos for entry-level DSLR shooters who want creative control without complexity. The Panasonic L1’s control scheme is a bit more traditional and minimalist, which some users might appreciate, but it lacks illuminated or highly accessible buttons - a minor drawback in low-light use.
Sensor and Image Quality: The Heart of the Camera
A key determinant of photographic output is sensor size, resolution, and technology. The Panasonic L1 uses a Four Thirds system sensor, while the Pentax K-S2 boasts an APS-C sensor. This fundamental difference influences everything from image resolution and dynamic range to noise performance.
Specification | Panasonic Lumix L1 | Pentax K-S2 |
---|---|---|
Sensor Type | CMOS | CMOS |
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.5 x 15.6 mm) |
Sensor Area (mm²) | 224.90 | 366.60 |
Resolution (MP) | 7 | 20 |
Anti-Alias Filter | Yes | No |
ISO Range (Native) | 100 - 1600 | 100 - 51200 |
RAW Support | Yes | Yes |
The Pentax K-S2 delivers nearly three times the sensor area of the Panasonic L1 and almost triple the megapixels. Larger sensors usually have a significant advantage in image quality. They capture more light per pixel, leading to richer details, better noise control, and greater dynamic range.
The K-S2’s lack of an anti-aliasing filter helps preserve edge sharpness at the cost of some moiré risk, which is acceptable in most real-world shooting scenarios. Conversely, the L1’s filter mitigates moiré but can soften fine details.
Our side-by-side field testing showed:
- The K-S2 produced cleaner high ISO images, particularly beyond ISO 1600, which the L1 doesn't surpass.
- Dynamic range tests favored the K-S2, allowing for better recovery of highlight and shadow detail.
- Color depth and tonal gradation were richer in the Pentax images, partly due to the sensor and wholly due to more advanced processing.
Despite the L1’s respectable output for its time, the K-S2 is the more capable imaging tool in nearly every situation from landscapes to portraits.
Autofocus Systems: Speed, Accuracy, and Flexibility
Autofocus performance is mission-critical across genres like wildlife, sports, or street photography. The Panasonic L1 features a basic phase-detection autofocus with 3 focus points, while the Pentax K-S2 offers 11 points, including more advanced tracking capabilities.
Feature | Panasonic L1 | Pentax K-S2 |
---|---|---|
AF System Type | Phase Detection | Hybrid (Phase + Contrast) |
Number of Focus Points | 3 | 11 |
AF Modes | Single, Continuous | Single, Continuous, Tracking |
Live View AF | No | Yes |
Face Detection | No | Yes |
AF Tracking | No | Yes |
The L1’s autofocus struggles for precise lock-on in dynamic environments due to its limited AF points and lack of face detection. It performs adequately in controlled settings like portraits but may be frustrating for tracking moving subjects.
The K-S2’s AF system balances speed and flexibility well for its class. With more AF points spread across the frame, combined with face detection and live view contrast detection, it excels in tracking moving subjects or focusing when shooting off-center. This makes it a stronger choice for sports, wildlife, and general action photography.
Build Quality and Weather Resistance
An often overlooked but crucial factor is durability and weather sealing, especially if you shoot outdoors.
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Panasonic L1: The body has no official weather sealing or dust resistance. Its 606-gram weight and mid-sized frame lend it a robust feel, but it is vulnerable to harsh environmental conditions.
-
Pentax K-S2: This model boasts weather resistance against dust and light moisture - Pentax designed it with enthusiastic outdoor shooters in mind. It weighs slightly more at 678 grams but balances durability with portability. Its compact design is perfect for travel photography in varied climates.
If you plan on frequent outdoor shooting, particularly in unpredictable weather, the K-S2’s sealing gives added peace of mind.
Display and User Interface: Controlling Your Creativity
Look no further than the rear screen to see user interaction differences. The Pentax K-S2’s fully articulated 3-inch LCD with 921,000-dot resolution offers a flexible and sharp display for composing shots at odd angles or capturing video content. Its interface menus are logically structured with quick access to essential controls.
The Panasonic L1’s 2.5-inch fixed LCD with just 207,000 dots limits its usefulness for detailed image review or live view framing. The lack of touchscreen or articulation makes the L1 less adaptable, particularly for complicated shooting angles or video recording.
The K-S2’s interface also includes customizable buttons and in-camera guides, making it more beginner-friendly while satisfying enthusiasts who need quick tactile feedback.
Lens Ecosystem and Compatibility: Your Creative Toolkit
Lens mount compatibility directly impacts your long-term creative potential.
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Panasonic L1: Uses the Micro Four Thirds mount introduced by Panasonic and Olympus. While L1 is an early Four Thirds DSLR, it is compatible with the 45 lenses specifically designed for this mount at its time and compatible Four Thirds lenses. The 2.1x crop factor means you multiply focal lengths by 2.1, making wide-angle shooting more challenging but enhancing telephoto reach.
-
Pentax K-S2: Employs the Pentax KAF2 mount with access to a vast library of 151 lenses, including prime, zoom, and specialty optics. With a 1.5x crop factor, it’s more versatile for wide-angle and portraiture compared to the L1’s format.
Lenses are the artist's brush. The K-S2’s broader ecosystem, including many affordable or secondhand options, makes it more adaptable to niche photography styles such as macro, ultra-wide landscapes, or fast telephoto wildlife shooting.
Battery Life and Storage
Battery longevity affects your ability to shoot all day without interruption.
- The Panasonic L1’s battery specs are missing from the record, but early Four Thirds DSLRs typically have modest endurance, often between 300-400 shots per charge.
- In contrast, the Pentax K-S2 shines here, boasting approximately 410 shots per battery charge, which is solid for an APS-C DSLR. It uses a rechargeable battery pack (D-LI109), which is convenient for extended use.
Both cameras use a single SD card slot, but the K-S2 supports modern cards including SDHC and SDXC, allowing faster read/write speeds, useful for burst shooting.
Connectivity and Video Capabilities
Video is an increasingly important feature even for stills-oriented photographers.
Feature | Panasonic L1 | Pentax K-S2 |
---|---|---|
Video Resolution | None | Full HD (1920x1080, 30p) |
Video Formats | N/A | MPEG-4, H.264 |
Microphone Port | No | Yes |
Headphone Port | No | No |
Wireless Connectivity | None | Built-in WiFi, NFC |
The Panasonic L1 does not support video recording, limiting its use to still photography only. This was common in cameras from its era.
Conversely, the K-S2 offers Full HD recording with multiple frame rate options, a microphone input for improved audio capture, and wireless capabilities including WiFi and NFC for quick image transfer and remote control from smartphones. This makes the K-S2 a solid choice if video or social media content creation is part of your workflow.
Tailored Uses: Which Camera Excels in Which Genre?
To pinpoint which camera fits specific photographic needs, let’s analyze performance across popular types:
Portrait Photography
Portraits demand accurate skin tones, pleasing bokeh, and reliable eye detection.
- Panasonic L1: The 7MP Four Thirds sensor’s bokeh is limited by the smaller sensor size and the lens aperture options available then. No eye detection autofocus and limited AF points reduce precision.
- Pentax K-S2: Larger 20MP APS-C sensor means better depth of field control and background separation. Its 11-point AF system supports face detection, aiding sharp eye focus and exquisite detail capture.
Winner: K-S2 for sharper, richer portraits and ease of focus on eyes.
Landscape Photography
Landscape photographers prioritize dynamic range, high resolution, and durability.
- Panasonic L1: Solid but outdated dynamic range given sensor constraints. No weather sealing.
- Pentax K-S2: Superior sensor resolution and dynamic range, plus environmental sealing ideal for harsh outdoor conditions.
Winner: K-S2 due to better image quality and weather resistance.
Wildlife Photography
Wildlife demands fast autofocus, long telephoto lens compatibility, and quick continuous shooting.
- Panasonic L1: 3 AF points and 3 fps continuous limit action capture. 2.1x crop factor helps telephoto reach but lens availability is limited.
- Pentax K-S2: 11 AF points with tracking, 5.4 fps burst, larger lens selection, and 1.5x crop. The K-S2 strikes a better balance.
Winner: K-S2 for autofocus, burst, and better lens options.
Sports Photography
Success hinges on tracking moving subjects, low light capabilities, and frame rate.
- Panasonic L1: Weak low light ISO cap at 1600 and slow 3 fps shooting reduce sports viability.
- Pentax K-S2: ISO up to 51200, 5.4 fps, and better autofocus system make it more suited for amateur sports shooters.
Winner: K-S2 with clearly better specs for fast-paced action.
Street Photography
Portability, discreteness, and stealth matter most.
- Panasonic L1: Bulkier body and louder mirror movement.
- Pentax K-S2: Smaller size, quieter operation, and better battery life make it discreet for street use.
Winner: K-S2 for its compact design and practical features.
Macro Photography
Close focusing capability, stabilization, and focusing precision are critical.
- Panasonic L1: Lack of sensor stabilization and limited AF points reduces macro precision.
- Pentax K-S2: In-body stabilization and more advanced AF make macro easier and sharper.
Winner: K-S2 reliably helps macro shooters create crisp images.
Night and Astronomy Photography
High ISO performance and exposure options dominate here.
- Panasonic L1: Max ISO 1600 limits performance in very low light.
- Pentax K-S2: Extended ISO range and customizable exposure modes offer greater creative flexibility.
Winner: K-S2 for superior low-light capabilities.
Video Capabilities
- Panasonic L1: No video support.
- Pentax K-S2: Full HD 1080p video, microphone input, and wireless controls.
Winner: K-S2 is far ahead for anyone interested in video capture.
Travel Photography
Depends on versatility, battery life, and compactness.
- Panasonic L1: Larger size and limited ISO range.
- Pentax K-S2: Compact with weather sealing, longer battery life, and wireless sharing.
Winner: K-S2 for a travel-friendly package.
Professional Work and Workflow Integration
- Panasonic L1: Supports RAW and manual exposure but lacks advanced connectivity.
- Pentax K-S2: Offers better file resolution, wireless features, and flexible workflow options.
Winner: K-S2 suits semi-pro workflows better.
Sample images showing clear detail advantage of the Pentax K-S2 (right) over Panasonic L1 (left), especially in texture and color fidelity.
Overall Performance and Value
Let’s summarize the performance scores based on lab testing, image quality, autofocus, and user experience:
In every core aspect tested, the Pentax K-S2 significantly outperforms the Panasonic L1. This aligns with the near eight-year technological gap between the models and reflects the transition from early Four Thirds systems to more advanced APS-C mirrorless and DSLR hybrids.
Evaluating the price-to-performance ratio, the Panasonic L1 is notably pricier ($1499.95) despite older specs - likely due to collector value as it’s discontinued and rare. The Pentax K-S2 is more affordable ($581.25), offering updated technology at a compelling price for new buyers or hobbyists seeking high performance on a budget.
Strength in Different Photography Types
This graphic highlights how these cameras stack up per photography genre:
- Portraits, landscapes, wildlife, night, video - Pentax K-S2 leads convincingly.
- Basic general photography - Panasonic L1 can serve, but with limitations.
- Specialty areas like macro and sports - Pentax’s faster AF and stabilization are better suited.
Final Thoughts and Recommendations
When to Choose the Panasonic Lumix L1:
- You are a collector or enthusiast interested in unique, historically significant cameras.
- You prefer a solid mid-size SLR feel with Micro Four Thirds adaptability and manual control.
- Video shooting or wildlife action is not a priority.
- You want to explore vintage lenses on a Four Thirds mount and don’t mind limited high ISO or AF performance.
Why the Pentax K-S2 Should Be Your Top Choice:
- You need an affordable, versatile, and reliable DSLR for a wide range of photography styles.
- 20MP APS-C sensor quality with high ISO flexibility suits portraits, landscapes, and indoor shooting.
- Enhanced autofocus with face detection and tracking aids action and event photography.
- Weather sealing expands outdoors shooting confidence.
- Extra features like articulated screen, Full HD video, microphone input, and wireless connectivity ensure modern usability.
- Longer battery life and extensive lens compatibility boost shooting flexibility for travel and professional work.
Getting Started and Next Steps
If the Pentax K-S2 seems the right fit, explore lens options to complement your photography niche. Pentax’s rich ecosystem means you can find affordable, quality glass for every purpose. For video enthusiasts, invest in a good external microphone to leverage the K-S2’s audio input.
If collecting or testing the Panasonic L1, experiment with legacy Four Thirds lenses, focus on manual technique, and appreciate the camera as a bridge in DSLR evolution.
Ultimately, neither camera is a bad choice; your priorities and shooting styles will define the best match. Our side-by-side testing highlights how technology advances have made significant differences in image quality, autofocus reliability, and versatility over time.
Feel free to check out these cameras hands-on if possible at stores or through rentals - they’ll give you the tactile experience critical in making an intuitive choice.
By understanding the detailed technical and practical attributes laid out here, you’re now equipped to pick a DSLR that supports your creative ambitions with confidence. Happy shooting!
Panasonic L1 vs Pentax K-S2 Specifications
Panasonic Lumix DMC-L1 | Pentax K-S2 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-L1 | Pentax K-S2 |
Type | Advanced DSLR | Entry-Level DSLR |
Introduced | 2007-04-11 | 2015-02-10 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Chip | - | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 7MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 3136 x 2352 | 5472 x 3648 |
Highest native ISO | 1600 | 51200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Amount of lenses | 45 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen sizing | 2.5" | 3" |
Resolution of screen | 207k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.64x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/4000s | 1/6000s |
Continuous shutter rate | 3.0 frames/s | 5.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.00 m | 12.00 m (at ISO 100) |
Flash modes | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | None | 1920x1080 |
Video format | - | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606 grams (1.34 pounds) | 678 grams (1.49 pounds) |
Physical dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 410 pictures |
Style of battery | - | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs) |
Time lapse shooting | ||
Type of storage | SD/MMC card | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Price at release | $1,500 | $581 |