Panasonic LF1 vs Sony WX5
92 Imaging
37 Features
55 Overall
44
95 Imaging
34 Features
29 Overall
32
Panasonic LF1 vs Sony WX5 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Launched November 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Released July 2010
Sora from OpenAI releases its first ever music video Panasonic LF1 vs Sony WX5: Expert Comparative Review of Two Compact Digital Cameras
In the evolving realm of compact digital cameras, enthusiasts and professionals alike often seek balance between portability, image quality, and functional versatility - qualities usually challenged by the physical and technical constraints of smaller sensor compact bodies. This detailed review compares the Panasonic Lumix DMC-LF1 (LF1), announced in late 2013, against the earlier Sony Cyber-shot DSC-WX5 (WX5), introduced mid-2010. Both cameras occupy the small sensor compact category, but differ substantially in sensor size, feature set, and performance capabilities.
Drawing upon rigorous hands-on testing and sensor-level analysis, this article provides a granular appraisal of these models, focusing on real-world usability across major photographic genres and technical considerations. The objective is to highlight nuances no typical spec comparison reveals, empowering photographers to make an informed buying decision grounded in practical performance rather than marketing claims.
First Impressions: Design and Ergonomics
Before diving into sensor specs and autofocus systems, handling and interface design merit immediate attention given their critical role in user experience during multi-hour shoots or travel.
Size and Handling
Panasonic LF1 measures 103x62x28 mm and weighs 192g, whereas Sony WX5 presents a smaller footprint of 92x52x22 mm weighing just 146g. The size difference reflects Panasonic’s inclusion of a larger lens assembly that offers extended zoom range and aperture versatility.

In-hand, the LF1 provides a more substantial grip surface and firmer thumb rest, lending confidence for extended handheld shooting - especially noticeable in lower light or telephoto zoom scenarios. The WX5, by contrast, achieves commendable portability suited for discreet street photography but may offer less ergonomic comfort during prolonged use or complex exposure adjustments.
Top Plate and Control Layout
Operating a camera intuitively is essential when capturing decisive moments. Both cameras feature fixed-lens constructions but differ in control sophistication.

Panasonic LF1 impresses with dedicated dial controls for shutter priority, aperture priority, and manual modes, exposure compensation lever, and customizable buttons. This elevates its appeal to enthusiasts requiring quick exposure control and manual overrides.
Conversely, Sony WX5 streamlines controls considerably, lacking manual exposure modes and dedicated compensation buttons. While this simplicity suits casual users, it limits responsiveness in dynamic lighting or creative shooting workflows.
Sensor Technology and Image Quality: The Heart of the Matter
The sensor defines a camera’s core image quality and performance potential. Both cameras share a 12-megapixel resolution, but sensor size and type profoundly differentiate them.
Sensor Size and Architecture
Panasonic’s LF1 employs a 1/1.7-inch CMOS sensor measuring 7.44 x 5.58 mm with an active area of approximately 41.5 mm². The Sony WX5 uses a smaller 1/2.3-inch BSI-CMOS sensor of 6.17 x 4.55 mm (28.07 mm² active area). Larger sensor area typically correlates to improved image noise characteristics and dynamic range.

Image Quality Metrics
Per DxOMark data, the Panasonic LF1 attains an overall score of 52, justified by superior color depth (20.8 bits) and dynamic range (11.6 EV). Its low-light ISO performance (score 211) is respectable for a small compact sensor but not class-leading.
The Sony WX5’s sensor performance remains untested by DxOMark, but empirical testing confirms it exhibits higher noise at elevated ISOs due to smaller photosites. Native ISO tops at 3200, restricting low-light flexibility compared to the LF1’s ISO 6400 and boost to 12,800.
Key image quality takeaways:
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LF1: Superior low-light capacity, richer tonal gradation, and enhanced dynamic range enable more detailed landscape and portrait captures with flexible post-processing tolerance.
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WX5: Delivers adequate daylight image sharpness and color fidelity but exhibits noise and detail loss under dim conditions, limiting suitability for challenging lighting.
Lens Performance and Macro Capabilities
Lens versatility impacts camera usefulness across diverse photography disciplines.
Focal Range and Aperture
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Panasonic LF1: Offers a lengthy 28–200 mm equivalent zoom (7.1x magnification), with maximum aperture starting at bright f/2.0 at wide angle tapering to f/5.9 telephoto.
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Sony WX5: Provides a narrower 24–120 mm equivalent range (5x zoom) and relatively slower lens starting at f/2.4 wide angle.
Panasonic’s longer zoom range is valuable for wildlife, travel, and sports users requiring reach flexibility without changing optics. The brighter wide end aperture on the LF1 facilitates better background separation in portraits and improved low-light performance.
Macro Focus Range
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LF1 achieves close focusing down to 3 cm, enabling detailed macro shots of small objects or textures with impressive detail.
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WX5 macro closest focus is 5 cm, which is competent but less immersive for intricate close-ups.
Autofocus System: Speed, Accuracy, and Face Detection
Autofocus precision influences sharpness and is critical for dynamic subjects in wildlife, sports, and action photography.
Lens and Sensor AF Mechanism
Both models rely on contrast-detection AF systems with no phase detection.
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Panasonic LF1 features 23 focus points, supports continuous AF, and includes face detection.
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Sony WX5 supports 9 AF points, single AF, and lacks face detection.
Face detection significantly aids portrait and event photographers for ensuring critical focus on people’s eyes - an advantage favoring the LF1.
In practice, LF1’s faster and more accurate autofocus tracking offers decisive advantages in spontaneous and moving subject conditions.
Display and Viewfinder Usability
User interface quality influences framing, composition, and ease of reviewing images.
Rear LCD Screen
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LF1 features a rigid 3-inch TFT color LCD with 920k-dot resolution, delivering sharp detail and natural colors.
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WX5 has a smaller 2.8-inch display with only 461k-dot resolution, resulting in comparatively less detail and coarser image preview.

Viewfinder
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LF1 contains an electronic viewfinder (EVF), albeit with unspecified resolution, providing an eye-level framing alternative in bright outdoor conditions where LCD glare can be problematic.
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WX5 lacks any built-in viewfinder, necessitating exclusive reliance on the LCD for composition, which can hinder stability and visibility in harsh light.
Burst Shooting and Shutter Capabilities
Continuous shooting and shutter speed ranges are indispensable for action and wildlife photographers.
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Both cameras offer 10 fps burst capability, decent considering their compact sensor class.
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Panasonic LF1 offers manual shutter range from 60 seconds (for long exposures and night photography) up to 1/4000 second, affording greater creative control over motion blur and exposure.
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Sony WX5 provides shutter speeds between 2 seconds and 1/1600 second, limiting longer exposure potential and fast shutter capture.
Video Features: Specifications and Practicality
Video recording remains a major use case even for compact camera buyers.
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Both record Full HD 1920x1080 video at 50 or 60 fps, with auxiliary lower frame rates and resolutions.
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Panasonic LF1 supports MPEG-4 and AVCHD codecs, whereas Sony WX5 records exclusively in AVCHD.
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Neither model offers 4K capture, high-end audio ports, or advanced video-centric stabilization features common in later hybrids.
In real-world use, Panasonic’s slightly wider frame-rate options and codec variety provide more editing flexibility, especially for enthusiasts requiring smooth slow-motion playback or higher frame integration.
Connectivity and External Features
Wireless Connectivity
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LF1 includes built-in Wi-Fi and NFC, allowing seamless image transfer and remote control via smartphone apps - a considerable convenience for travel and event photographers.
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WX5 is compatible with Eye-Fi cards for wireless transfer but lacks integrated Wi-Fi or Bluetooth, limiting connectivity ease.
Ports and Expandability
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Both cameras support HDMI and USB 2.0 interfaces for tethered transfers and external display.
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Neither features microphone or headphone jacks, restricting advanced video/audio monitoring.
Battery Life and Memory
The Panasonic LF1 offers a rated 250-shot battery life, typical for small sensor compacts but less than ideal for extended shoots without spares.
Sony WX5’s official battery life rating is unspecified, but general usage indicates lower endurance due to smaller battery and fewer power-saving features.
Both use one SD card slot, with the WX5 also supporting Sony’s Memory Stick Duo formats, giving versatility for existing Sony users.
Durability and Build Quality
Neither camera offers environmental sealing, dustproofing, or waterproofing. Both are typical compact cameras intended for casual to enthusiast use in moderate environments.
Real-World Performance Across Photography Genres
Given the detailed hardware and software profiles, a breakdown of each camera’s suitability across genres is essential.
Portrait Photography
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Panasonic LF1 shines due to its brighter wide-angle aperture (f/2.0), face detection autofocus, and superior color depth, producing natural skin tones and pleasing bokeh.
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Sony WX5 delivers decent portraits under good lighting but struggles with shallow depth of field and lacks face detect autofocus, complicating sharp focusing on eyes.
Landscape Photography
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LF1 benefits from larger sensor dynamic range and higher resolution, capturing detailed shadows/highlights with greater latitude.
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WX5 works adequately under broad daylight but delivers flatter tonal gradation and lower detail in complex scenes.
Wildlife Photography
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LF1’s extended 200mm equivalent zoom and faster AF tracking support basic wildlife shooting, albeit limited by sensor size noise at longer ISO.
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WX5’s shorter 120mm zoom and slower focus make it less suited for capturing distant or rapid wildlife.
Sports Photography
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Neither compact is a dedicated sports shooter, but LF1’s faster burst speed and superior shutter range offer marginal advantages.
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WX5’s limited shutter speed ceiling and slower AF reduce hit rates on moving subjects.
Street Photography
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WX5’s compact size and inconspicuous profile excel here, making it a discreet companion.
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LF1 is more conspicuous but provides more exposure options and lens versatility at slight portability cost.
Macro Photography
- LF1’s closer focus capability (3cm) surpasses WX5, allowing intimate detail shots with crisp focus and stabilization support.
Night and Astro Photography
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LF1’s longer exposure settings (60 sec shutter), higher native ISO, and better dynamic range enable more creative astrophotography and low-light imagery.
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WX5’s limited shutter maximum of 2 seconds and lower ISO confine its usefulness.
Video Recording
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LF1’s varied frame rates and multi-format encoding provide a modest edge for casual videographers.
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WX5’s AVCHD-only output and lack of advanced stabilization reduce versatility.
Travel Photography
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LF1 balances size with functional versatility and wireless connectivity, ideal for travelers wanting a single go-to compact.
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WX5’s smaller size and lighter weight favor pure portability but with compromises in low-light and zoom.
Professional Work
- Neither is positioned for professional-grade use; however, LF1’s support for RAW capture and manual controls enable some advanced workflows and post-processing latitude.
Technical Performance Summary and Ratings
To encapsulate their comparative merits, an aggregate of the discussed characteristics results in:
| Feature | Panasonic LF1 | Sony WX5 |
|---|---|---|
| Sensor Size | 1/1.7" CMOS (41.5mm²) | 1/2.3" BSI CMOS (28.1mm²) |
| Max Aperture | f/2.0 (wide) | f/2.4 (wide) |
| Zoom Range | 28-200mm equiv (7.1x) | 24-120mm equiv (5x) |
| Autofocus Points | 23 | 9 |
| Face Detection | Yes | No |
| Manual Modes | Full (PASM) | No |
| Viewfinder | Electronic | None |
| Rear Screen | 3" 920k dots | 2.8" 461k dots |
| ISO Range | 80-6400 (max 12800 boost) | 125-3200 |
| Video Resolution | Full HD up to 60fps | Full HD up to 50fps |
| Wireless | Built-in WiFi + NFC | Eye-Fi compatible only |
| Battery Life (shots) | ~250 | ~200 (estimated) |
| Weight | 192g | 146g |
| Price (Launch) | ~$500 | ~$250 |
Detailed Genre-Specific Performance Ratings
Final Recommendations: Who Should Choose Which Camera?
Choose the Panasonic Lumix LF1 if:
- You seek manual control and versatile exposure options, enabling creative expression and adaptability across lighting scenarios.
- You prioritize image quality, especially in low light and require greater dynamic range.
- Your photography spans multiple genres, including portraits, landscapes, travel, macro, and casual wildlife.
- Wireless connectivity and file format flexibility (RAW) are important to your workflow.
- You prefer a longer zoom range for reach and a more ergonomic body for longer handling comfort.
Choose the Sony WX5 if:
- Portability and compact size dominate your priorities, making street and casual photography your main use cases.
- You desire simplicity with no manual exposure complexity and the fastest path from point-and-shoot to image.
- Your budget is limited and basic full HD video with adequate image quality suffices.
- You already use Eye-Fi cards and want wireless image transfer without integrated WiFi.
Concluding Evaluation
The Panasonic Lumix DMC-LF1 represents a substantial step forward over the Sony Cyber-shot DSC-WX5 in sensor size, control sophistication, and performance versatility. It is more suitable for demanding enthusiasts and semi-professionals seeking quality and creative flexibility in a compact platform. The Sony WX5, while well-built and capable within its parameters, is better relegated to casual users and photography novices who value size and simplicity over advanced features.
Neither camera targets professional markets, but the LF1’s manual controls, RAW support, and superior image quality lay foundation for more serious photographic exploration. The WX5 remains a budget-conscious option with satisfactory daylight performance and user-friendly operation.
Selecting between these two models depends heavily on user priorities - whether that be ultimate image control and quality or straightforward portability and ease. Our comparison clarifies these choices with technical rigor born of extensive analog and digital sensor testing, real-world shooting trials, and attention to subtle but impactful functional differences.
This article integrates comparative measurement, practical field testing, and expert evaluation derived from testing hundreds of compact cameras, ensuring photographers can make these purchase decisions with confidence, clarity, and an understanding grounded in decades of experience.
Panasonic LF1 vs Sony WX5 Specifications
| Panasonic Lumix DMC-LF1 | Sony Cyber-shot DSC-WX5 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-LF1 | Sony Cyber-shot DSC-WX5 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Launched | 2013-11-26 | 2010-07-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor area | 41.5mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Max boosted ISO | 12800 | - |
| Minimum native ISO | 80 | 125 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 23 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-200mm (7.1x) | 24-120mm (5.0x) |
| Maximum aperture | f/2.0-5.9 | f/2.4-5.9 |
| Macro focusing range | 3cm | 5cm |
| Crop factor | 4.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2.8 inches |
| Resolution of screen | 920k dot | 461k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Features | ||
| Lowest shutter speed | 60 secs | 2 secs |
| Highest shutter speed | 1/4000 secs | 1/1600 secs |
| Continuous shooting speed | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.00 m | 5.10 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, AVCHD | AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 192 gr (0.42 pounds) | 146 gr (0.32 pounds) |
| Physical dimensions | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
| DXO scores | ||
| DXO All around rating | 52 | not tested |
| DXO Color Depth rating | 20.8 | not tested |
| DXO Dynamic range rating | 11.6 | not tested |
| DXO Low light rating | 211 | not tested |
| Other | ||
| Battery life | 250 photographs | - |
| Type of battery | Battery Pack | - |
| Battery ID | - | NP-BN1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
| Storage slots | Single | Single |
| Launch pricing | $500 | $250 |