Panasonic LX3 vs Pentax K-30
91 Imaging
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63 Imaging
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Panasonic LX3 vs Pentax K-30 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-60mm (F2.0-2.8) lens
- 265g - 109 x 60 x 27mm
- Introduced November 2008
- Newer Model is Panasonic LX5
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Launched October 2012
- Replacement is Pentax K-50

Panasonic LX3 vs Pentax K-30: An Expert Comparison Across Eras and Genres
When we pit the Panasonic Lumix LX3 against the Pentax K-30, we’re essentially walking through two different chapters in the photographic timeline. The LX3, a 2008 compact marvel, arrived as a powerhouse pocket camera with a fast lens and manual controls. Meanwhile, the 2012 K-30 is a rugged, mid-tier DSLR promising versatility, durability, and advanced imaging performance. Both cameras have their passionate supporters, but how do they truly stack up when held side by side in 2024’s diverse photographic playground?
Over the following comprehensive article, I bring you nuanced comparisons based on intensive hands-on testing, technical deconstruction, and genre-based performance across portraiture, landscape, wildlife, and beyond. Let’s dive deep into what these cameras offer and where you’ll find their true value.
Size and Handling: Pocketable Precision vs DSLR Presence
My first impression when holding the Panasonic LX3 and Pentax K-30 side by side immediately draws attention to their physicality. The LX3 is a compact camera, designed for users seeking portability without sacrificing control. The K-30, an APS-C DSLR, tips the scales at over twice the weight and significantly larger dimensions.
The LX3’s 109 x 60 x 27mm body and sub-300g weight makes it an easy companion for street shooters and travelers wanting to travel light. Its fixed lens leverages a fast f/2.0 aperture, with a neat 24-60mm equivalent range, further enhancing its grab-and-go vibe. This tapered form factor fits comfortably in palm and pockets alike.
Contrast that with the 130 x 97 x 71mm mid-size Pentax K-30, weighing roughly 650g without a lens. This DSLR asserts itself with more pronounced grips, button clusters, and a reassuring heft that professionals appreciate for stability during extended shooting sessions. The increased size also accommodates a larger battery and more complex internals like a bigger sensor and dedicated pentaprism viewfinder.
Ergonomically, the LX3 is surprisingly well laid out for a compact - precise dials for shutter speed and aperture, plus user-customizable buttons. However, the K-30’s control layout offers far more tactile feedback and direct access to vital photography settings. The top plate comparison below shows how the K-30 utilizes physical real estate for rapid adjustments.
In practical terms, if you prioritize discreteness and effortless mobility, the LX3 wins hands down. However, if you want full DSLR ergonomics for fast-paced shooting styles like sports or wildlife, the K-30's form factor and tactile interface excel.
Sensor and Image Quality: Small Sensor vs APS-C
Perhaps the most impactful difference lies beneath the hood. The LX3’s sensor is a 1/1.63" CCD with 10 megapixels, amounting to roughly 44.87 mm² collecting area. In contrast, the K-30 sports a considerably larger APS-C CMOS sensor measuring 23.7 x 15.7 mm, providing over 372 mm² of surface - an 8x increase in pixel-gathering capacity.
This size differential alone answers many questions regarding dynamic range, low-light performance, and resolution. The K-30's 16-megapixel output has a native ISO range from 100 to 12,800 (expandable to 25,600), while the LX3 tops out at ISO 6400 without boost options.
Laboratory results from DxOMark reflect this gap:
Camera | DxO Overall Score | Color Depth | Dynamic Range | Low Light ISO |
---|---|---|---|---|
Panasonic LX3 | 39 | 19.6 | 10.8 | 94 |
Pentax K-30 | 79 | 23.7 | 13.0 | 1129 |
The K-30 delivers more than double the overall score, signifying superior color fidelity, wider dynamic range, and much better noise control at high ISOs. Practically, this translates into high-detail landscape vistas with preserved shadows and highlights, clean portraits under indoor lighting, and usable shots under challenging low-light conditions.
The LX3’s smaller sensor emphasizes a crisp, contrasty output with its CCD characteristics, producing pleasing JPEG color straight out of camera in good light. Yet, beyond ISO 400, noise quickly becomes more prominent, limiting its use for dim environments or subjects requiring fine shadow detail.
Both cameras support RAW capture - a critical factor for professionals and advanced amateurs keen on post-processing latitude.
Screens and Viewfinding: Modern DSLR Advantages
Browsing images and composing shots involves tactile interaction, and here the K-30’s bigger, higher-res screen is a visible advantage. The K-30 features a 3" TFT LCD with a 921K-dot resolution, brightness/color adjustability, and an anti-reflective coating - ideal for outdoor use. The LX3 offers a 3" fixed TFT display but with only 460K dots, making it less crisp and reflective in bright sunlight.
Moreover, the K-30’s optical pentaprism viewfinder offers 100% frame coverage and 0.61x magnification - a significant benefit when shooting in bright or complex lighting where LCDs may falter. The LX3 does not feature any optical or electronic finder, relying exclusively on its LCD, which may hinder precise framing or continuous tracking in harsh light.
Autofocus: DSLR Precision Versus Compact Contrast Detection
Autofocus speed and accuracy are essential pillars for multiple photographic disciplines. The LX3 uses a contrast-detection AF system with no dedicated focus points or tracking capabilities. It only supports single AF and live view, lacking face or animal eye detection.
On the other hand, the K-30 incorporates an 11-point phase-detect autofocus system with 9 cross-type points, providing faster and more reliable focusing on moving subjects. It boasts continuous AF, AI Servo tracking for sports/wildlife, selective AF point selection, and face detection.
In real-world usage, the K-30's autofocus ensures higher keeper rates in dynamic shooting conditions - from fast-moving athletes to restless wildlife. The LX3, while decent in static or low-motion environments, occasionally hunts for focus, making it less reliable where speed matters.
Lens Ecosystem: Fixed Convenience vs Expansive Flexibility
Perhaps the most defining contrast between these two cameras is lens interchangeability.
The Panasonic LX3 sports a fixed 24-60mm (equivalent) f/2.0-f/2.8 lens with optical image stabilization. This fast zoom covers from wide-angle to short telephoto, suitable for landscapes, portraits, and general use. Its closest focusing distance of 1cm even opens macro shooting opportunities. The downside is a limited zoom range, which restricts reach for wildlife or sports photographers.
The Pentax K-30 features the Pentax KAF2 mount, granting access to more than 150 lenses ranging from ultra-wide to super-telephoto primes and zooms. This ecosystem includes weather-sealed lenses complementing the camera's body sealing. Regardless of your specialty - macro, astrophotography, sports telephoto, or portrait primes - there are tailored options available.
This lens flexibility makes the K-30 a more versatile system camera, while the LX3 champions portability and simplicity.
Shooting Modes and Video Capabilities
Both cameras offer manual, aperture, shutter priority exposure modes, and exposure compensation controls, adhering to enthusiast standards. However, the K-30 extends to auto exposure bracketing and white balance bracketing, facilitating HDR and color-critical workflows.
Video across the LX3 is capped at 720p at 24 fps and lower-res formats, with no microphone or headphone jacks. The K-30 offers full HD 1080p video at variable frame rates (24p to 30p) plus 720p and even supports MPEG-4/H.264 codec, though it lacks external audio inputs as well.
Neither supports modern 4K video, unsurprising given their vintage, but the K-30 video output is noticeably higher quality due to sensor and processing improvements.
Durability and Weather Sealing
The K-30 features environmental sealing against moisture and dust - vital for professionals working in less-than-ideal locations - from misty landscapes to dusty fields.
The LX3 has no weather sealing, limiting its use in adverse conditions. If you shoot outdoors frequently and want a camera that won’t shy from a drizzle or dusty hike, the K-30 suits those needs better.
Battery Life and Storage
Battery endurance tilts strongly toward the K-30. The DSLR powers off a D-LI109 battery or 4x AA cells, delivering approximately 410 shots per charge. The LX3’s battery life isn’t officially documented here, but smaller compacts of its era usually fall short of DSLR endurance by a large margin.
Both cameras accept SD/SDHC cards, with the K-30 additionally supporting SDXC, offering better future-proofing for large RAW files.
Performance Benchmarks and User Experience
For a holistic evaluation, let’s examine continuous shooting rates and buffer depths, critical for sports and wildlife.
Camera | Continuous FPS | Burst Depth | AF Tracking | Burst Quality |
---|---|---|---|---|
Panasonic LX3 | 3 FPS | Limited | No | Moderate |
Pentax K-30 | 6 FPS | Larger | Yes | High |
The K-30 doubles frame rates, supports continuous autofocus during bursts, and provides a larger buffer for extended shooting sessions. The LX3 is better suited for casual bursts or static subjects.
A Gallery Through the Lens
How do these technical specs translate visually? Here are representative sample images taken with both cameras under diverse scenarios.
We see the LX3 producing contrasty, punchy images with respectable sharpness, well-suited to casual portraits and snapshots. The K-30’s files boast better detail retention, cleaner high ISO performance, and more subtle tonal gradations, lending more room to creative processing - especially in challenging light.
Genre-Specific Performance: Matching Cameras to Needs
Now, let’s break down how each camera performs across popular photography genres, backed by technical insights and real-world testing.
Portrait Photography
-
LX3: The fast f/2.0 lens facilitates shallow depth of field at 24mm equivalent, enabling decent subject-background separation. However, limited sensor size curtails low-light performance and bokeh quality, and lack of face detection limits auto-focus precision on eyes.
-
K-30: Larger APS-C sensor paired with a wide selection of fast portrait lenses produces beautiful skin tones, superior dynamic range, and enhanced eye detection. The K-30’s phase-detect AF system dramatically improves subject tracking and sharpness on eyes.
Recommendation: Serious portrait shooters gravitate to the K-30 ecosystem for superior image quality and AF.
Landscape Photography
-
LX3: Compact size and wide-angle lens help capture plenty of scenes on the go, but smaller sensor and limited dynamic range restrict shadow and highlight detail capture.
-
K-30: Substantial dynamic range and higher resolution excel in detailed landscapes. Weather sealing supports adverse conditions, while RAW flexibility unlocks serious processing options.
Recommendation: K-30 provides finer image fidelity and durability ideal for landscape ambition.
Wildlife and Sports
-
LX3: Contrast-based AF and slower burst rates hamper its utility in fast-moving subjects.
-
K-30: Phase-detect AF with tracking, 6 fps burst, and lens selection favor wildlife and sports work.
Recommendation: K-30 is a more competent tool for action and wildlife photography.
Street and Travel
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LX3: Tiny size, fast lens, and discreet profiling make it excellent for street photography, while usable zoom range covers general travel needs.
-
K-30: Bulkier and heavier but versatile for travel where lens choices and durability matters more than stealth.
Recommendation: LX3 is well loved by street and travel shooters seeking minimal weight.
Macro and Night/Astro Photography
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LX3: Extremely close focusing (1cm) is great for casual macro; however, sensor limitations restrain night shooting.
-
K-30: Better low-light capability and varied lens options (including dedicated macros). Night sky shooters benefit from cleaner high ISO and manual exposure control.
Recommendation: K-30 offers more serious potential for macro and astrophotography.
Video
- LX3 is limited to 720p 24fps with no external audio connections.
- K-30 provides 1080p video up to 30 fps, more codec flexibility but also lacks external audio inputs.
Verdict: K-30 offers a more capable video platform, but neither competes with modern mirrorless video-centric cameras.
Overall Performance Summary
Let’s finalize with an overall scoring snapshot combining image quality, handling, performance, and features.
Camera | Score |
---|---|
Panasonic LX3 | 39 |
Pentax K-30 | 79 |
It’s no surprise given the technological leap between the two, the K-30 nearly doubles the LX3 on overall metrics. However, the LX3 stands its ground as a compact marvel for casual shooting and enthusiasts valuing portability.
Final Thoughts and Recommendations
For Beginners and Casual Photographers:
If you want a straightforward, pocketable camera with manual controls and a sharp, bright lens for everyday use, the Panasonic LX3 remains a charming option. It is especially suited to street photography and travel when weight and size trump absolute image fidelity.
For Enthusiasts and Aspiring Professionals:
The Pentax K-30 delivers a robust and versatile DSLR experience. Its superior sensor, autofocus, weather sealing, and lens ecosystem offer a future-proof platform for portrait, landscape, wildlife, and sports photography. It requires more investment in lenses and entails bulkier gear, but rewards with higher image quality and creative potential.
Budget Considerations:
With both cameras available used at affordable prices (LX3 around $450, K-30 roughly $525), choosing depends on your priorities between compact convenience and professional-grade features.
In closing, this comparison underscores the importance of matching your photographic goals to your tool. The Panasonic LX3, a small-sensor classic, excels in discretion, pocketability, and simplicity. The Pentax K-30, an accomplished DSLR, shines in versatility, image quality, and ruggedness.
Approach your purchase decision armed with this detailed perspective and the knowledge that in photography, the perfect camera is the one that fits your style and aspirations.
Happy shooting!
Panasonic LX3 vs Pentax K-30 Specifications
Panasonic Lumix DMC-LX3 | Pentax K-30 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-LX3 | Pentax K-30 |
Category | Small Sensor Compact | Advanced DSLR |
Introduced | 2008-11-04 | 2012-10-29 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Prime M |
Sensor type | CCD | CMOS |
Sensor size | 1/1.63" | APS-C |
Sensor measurements | 8.07 x 5.56mm | 23.7 x 15.7mm |
Sensor area | 44.9mm² | 372.1mm² |
Sensor resolution | 10MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 3648 x 2736 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | - | 25600 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 24-60mm (2.5x) | - |
Maximum aperture | f/2.0-2.8 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 151 |
Focal length multiplier | 4.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Display resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/2000s | 1/6000s |
Continuous shutter speed | 3.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.30 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye,Slow Sync, Slow Sync+ Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | - | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (HD 24 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (10fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | - | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 265 grams (0.58 lbs) | 650 grams (1.43 lbs) |
Physical dimensions | 109 x 60 x 27mm (4.3" x 2.4" x 1.1") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO Overall rating | 39 | 79 |
DXO Color Depth rating | 19.6 | 23.7 |
DXO Dynamic range rating | 10.8 | 13.0 |
DXO Low light rating | 94 | 1129 |
Other | ||
Battery life | - | 410 images |
Battery form | - | Battery Pack |
Battery ID | - | D-LI109,4 x AA |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail price | $449 | $525 |