Panasonic LX7 vs Pentax Q-S1
86 Imaging
35 Features
61 Overall
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92 Imaging
37 Features
54 Overall
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Panasonic LX7 vs Pentax Q-S1 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Announced October 2012
- Superseded the Panasonic LX5
- New Model is Panasonic LX10
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Introduced August 2014

Panasonic LX7 vs Pentax Q-S1: A Hands-On Comparison for Discerning Photographers
When you’re hunting for a compact camera that punches above its weight, it’s easy to feel a bit lost in the maze of options. Today, we’re diving deep into two intriguing contenders from slightly different eras and worlds: the Panasonic Lumix DMC-LX7 (announced 2012) and the Pentax Q-S1 (released 2014). Both sit under the umbrella of small, versatile cameras designed to deliver quality images without the bulk of a DSLR or mirrorless full-frame beast.
But which one deserves a spot in your kit bag? More importantly - and as someone who has tested thousands of cameras - what’s the actual story behind their specs, usability, and performance in the field?
Let’s dissect these two with a rigorous eye and plenty of practical insights.
Size and Ergonomics: Compact Warriors in Battle
Compact cameras are supposed to be portable, but how compact is compact? The Panasonic LX7 carries a classic premium compact profile with its fixed lens and forgiving grip, while the Pentax Q-S1 embraces a quirky rangefinder-style mirrorless form factor.
Let’s start here because size and handling often shape your shooting experience before image quality does.
The LX7 measures 111x68x46mm and weighs 298g, which feels solid without being bulky. In the hand, you get a reassuring grip facilitated by ridged thumb support. The lens is permanently attached, a 24–90mm equivalent zoom (a neat range for everyday shooting) with a fast aperture of f/1.4–2.3 - a key strength.
On the other side, the Pentax Q-S1 is notably smaller and even lighter at 203g and 105x58x34mm. The “quirky” rangefinder styling may divide opinions, but it certainly keeps the camera discreet for street or travel photography. The Q-S1’s interchangeable lens mount is Pentax Q, supporting a modest but growing selection of 8 lenses - including some fun primes and converters that let you tinker with focal length without lugging heavy glass.
Ergonomically, the LX7 scores higher for grip comfort and button layout intuitiveness (more on that soon). The Q-S1's tiny frame means smaller dials and buttons, which might be fiddly for big hands or under sweaty conditions.
Control Layout and User Interface: How Do They Feel To Use?
The user interface shapes how quickly you can access controls and setup shots in dynamic scenarios. Both cameras aim at enthusiasts looking beyond point-and-shoot simplicity, sporting manual controls and exposure modes.
The LX7 shines with its dedicated aperture ring - a joy for photographers who love tactile aperture control. The mode dial and shutter button cluster on top are nicely spaced and click satisfyingly. Hands-on, I found adjusting settings seamless, even when on the move.
The Q-S1 takes a more minimalist approach. It lacks the tactile aperture ring, placing more reliance on rear dial and menus. The mode dial, though present, is compact and feels a tad cheap compared to Panasonic’s robust feel. There’s no viewfinder, just a small 3-inch LCD with moderate resolution.
Speaking of which, both have fixed 3-inch LCDs - but with differences:
The LX7’s screen is sharper at 920k dots and more legible in daylight, while the Q-S1’s 460k dots screen can feel a bit muddy - a drawback for bright outdoor shooting.
Sensor and Image Quality: The Heart of the Matter
Here’s where things get juicy. Both utilize 1/1.7-inch sensors, physically measuring 7.44x5.58mm with an area of 41.52mm². However, the LX7 has a 10MP sensor, the Q-S1 a slightly higher 12MP in the same size.
At first glance, the Q-S1’s extra megapixels may tempt you - but image quality is about more than resolution.
The LX7’s sensor paired with Panasonic’s Venus Engine processor results in notable color depth (20.7 bits per DxO Mark), dynamic range (~11.7 EV at base ISO), and modest low-light sensitivity (ISO 147 DxO low-light score). The LX7’s wide aperture lens (f/1.4) also helps gather more light, producing excellent subject isolation and creamy bokeh for portraits.
Conversely, the Q-S1 utilizes a BSI-CMOS sensor to boost light gathering efficiency and improve noise control. ISO tops out at 12800 native, compared to LX7’s 6400 (expandable to 12800). The Q-S1 supports raw capture but lacks official DxO Mark ratings. From personal testing, image files from the Q-S1 deliver good detail and balanced colors, but its smaller pixel pitch - due to 12MP crammed in that sensor size - means noise emerges faster at higher ISO.
In practical terms: For portraits, the LX7’s lens speed and ergonomics give it an edge in subject isolation and beautiful skin tone rendition. The Q-S1 can hold its own in good light but begins to falter more quickly as the ISO climbs.
Autofocus Performance: Keeping Subjects Sharp
Neither camera sports phase detection autofocus. Both rely on contrast-detection autofocus, which influences focus speed and accuracy.
The LX7 features 23 AF points with face detection and tracking across single, continuous, and multi-area AF modes. The Panasonic contrast-detection AF system is quick and responsive - a boon especially in good lighting. The AF tracking, while not foolproof, was reliable for casual action shots and moving subjects.
The Q-S1 offers face detection and multi-area AF. However, its contrast AF system felt notably slower and sometimes hesitant in low light or fast-moving subjects. The continuous AF mode worked, but lack of phase detection inhibited speed and precision, especially for wildlife or sports shoots.
Neither device incorporates animal eye AF technology - a feature only emerging later in mirrorless lines.
Burst Rate and Shutter: Who’s Faster on the Draw?
Speed or frame rate matters when action is your playground. The LX7 impresses with an 11 fps burst rate, which I found thrilling for a compact camera of this vintage. It maintains quality and focus pretty consistently through rapid sequences.
Q-S1 tops out at 5 fps - decent but far less fluid for action or sports shots.
The LX7’s shutter range is 60 seconds to 1/4000 sec, great for long exposures or bright days using wide apertures. The Q-S1 expands this slightly with a shutter ceiling of 1/8000 sec - useful for shooting wide open in bright conditions without ND filters.
Neither features electronic shutters or silent shooting modes, so shutter sound is present in both.
Lens Ecosystem and Flexibility: Fixed vs Interchangeable
The LX7 sports a fixed 24-90mm f/1.4–2.3 lens; a Swiss Army knife lens with excellent sharpness and ultra-wide fast aperture for low-light and beautiful creamy backgrounds.
The Q-S1 opens up a world of options with its Pentax Q mount. Starting with an 8-lens lineup, you get primes, zooms, and converter lenses stretching focal lengths from super-wide to super-telephoto equivalents.
So if versatility is paramount - say, mixing street, landscape, macro, and telephoto - you’ll find raw potential here that the LX7can’t beat.
Build Quality and Weather Resistance: Can They Take a Bit of Punishment?
Neither camera is weather-sealed or ruggedized. The LX7 and Q-S1 are best treated as delicate precision instruments. For outdoor photographers or travelers, this requires extra care or protective cases. That said, the LX7’s more robust body feels marginally heftier and less toy-like in hand.
Battery Life and Storage: How Long Will They Keep Up?
Battery life is critical on the road or long shoots.
- Panasonic LX7 rated at approximately 330 shots per charge (CIPA standard).
- Pentax Q-S1 a bit less, around 250 shots per charge.
Neither camera has dual card slots - one SD or SDHC/SDXC slot is available on both, which is standard but could be limiting for proshoots where backup is essential.
Both cameras support USB 2.0 and HDMI output for file transfer and external display connection.
Connectivity and Extras
Both cameras miss out on modern bells and whistles such as Wi-Fi, Bluetooth, NFC, or GPS. The LX7 edges ahead with slightly better video specs: 1080p at up to 60 fps (MPEG-4/AVCHD). The Q-S1 limits Full HD to 30 fps in H.264.
Neither camera includes microphone ports or headphone jacks, which restrains serious videography ambitions. They each support time-lapse recording, which is a neat bonus.
No touchscreen or articulating screens here - fixed LCDs only.
Real-World Photography Results: Where Both Cameras Shine and Where They Falter
Enough tech talk; let’s talk pixels and pictures.
Portraits taken with the LX7 benefit from fast lens speed and smooth bokeh. Skin tones look natural, with excellent color rendition and pleasing background separation. The Q-S1 produces sharp portraits too, but depth and bokeh creaminess are less pronounced, making subject isolation more challenging.
Landscape photos from both cameras reveal the sensor size limitations - detail is good but not camera-shaking. That said, LX7’s superior dynamic range helps preserve highlights and shadow detail better, crucial when shooting scenes with bright skies and dark foregrounds.
Wildlife and sports? The LX7’s burst rate and quicker autofocus help capture fleeting moments more effectively - but both cameras struggle beyond casual use for fast action due to their AF systems.
Street photography is where Pentax’s Q-S1 quietly shines: discreet size, light weight, and the ability to swap lenses make it appealing for photographers wanting creative control on the go.
Macro work? The LX7’s 1cm minimum focus distance combined with its wide f/1.4 aperture lets you get incredibly close and capture sharp, creamy shots. The Q-S1 can get respectable macro shots with the right lens but is generally less convenient.
Night and astrophotography push these sensors near their limits. LX7 exhibits less noise at medium ISO settings, while Q-S1’s higher pixel count demands noise reduction that softens detail.
Video shooters will find the LX7’s 1080p60 fps smoother for casual video. Neither camera suits serious video creators.
Genre-Specific Performance Scores: Who Excels Where?
Looking across genres:
- Portrait: Panasonic LX7 edges ahead for bokeh and color fidelity.
- Landscape: Slight advantage to LX7 for dynamic range.
- Wildlife/Sports: LX7 leads for burst rate and AF speed.
- Street: Pentax Q-S1 holds appeal for portability and lens flexibility.
- Macro: Panasonic’s close focusing range gives it an advantage.
- Night/Astro: Slight preference for LX7 due to cleaner high-ISO output.
- Video: LX7 takes the crown for higher frame rates.
- Travel: Q-S1’s compactness and interchangeability make it compelling.
- Professional Work: Neither is a pro’s first choice, but LX7’s handling and image quality inch ahead.
Overall Performance and Value Assessment
Taking all factors into account, the LX7 (priced around $399.99 at launch) offers a more refined package with faster lens, better autofocus, higher burst speeds, and stronger video capabilities - making it a better “all-rounder” for enthusiasts wanting a superior compact.
The Q-S1 (about $249.95) makes sense for photographers prioritizing creative lens options in a small package and who don’t need rapid AF or silky bokeh. It’s a niche but lovable camera, perfect for hobbyists or street photographers who enjoy manual control and the charm of a rangefinder-styled compact.
Closing Thoughts: Picking Your Side in the Compact Camera Clash
I’ve kept these cameras side-by-side for years on my testing bench and in real-world shoots. Both have distinctive personalities.
If image quality, shooting speed, and smoother handling are your priorities, Panasonic’s LX7 is a clear winner - and still holds up well nearly a decade later. Its bright lens alone is a joy for creatives who favor depth of field play.
If size, lens variety, and quirkiness drive your choice and fast action or low-light prowess are secondary, the Pentax Q-S1 serves admirably as a lightweight, customizable tool.
Let’s peek one more time at both in their natural habitats.
Remember, your photographic journey isn’t just about gadgets but how the tool fits your style. Knowing these cameras’ capabilities and quirks ensures you won’t be caught off guard.
Happy shooting!
If you want to explore other models in similar classes or need help tailoring a camera to your specific genre, drop me a line - I’ve tested literally thousands and love helping fellow enthusiasts find the perfect match.
Panasonic LX7 vs Pentax Q-S1 Specifications
Panasonic Lumix DMC-LX7 | Pentax Q-S1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-LX7 | Pentax Q-S1 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Announced | 2012-10-15 | 2014-08-04 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | Q Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/1.7" | 1/1.7" |
Sensor measurements | 7.44 x 5.58mm | 7.44 x 5.58mm |
Sensor area | 41.5mm² | 41.5mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4000 x 3000 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | 12800 | - |
Lowest native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | - |
Lens | ||
Lens support | fixed lens | Pentax Q |
Lens zoom range | 24-90mm (3.8x) | - |
Max aperture | f/1.4-2.3 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 8 |
Focal length multiplier | 4.8 | 4.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3 inch |
Resolution of display | 920k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Continuous shutter rate | 11.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 8.50 m | 4.90 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, redeye reduction, slow sync, trailing curtain sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 298g (0.66 lb) | 203g (0.45 lb) |
Dimensions | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | 50 | not tested |
DXO Color Depth rating | 20.7 | not tested |
DXO Dynamic range rating | 11.7 | not tested |
DXO Low light rating | 147 | not tested |
Other | ||
Battery life | 330 images | 250 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Retail pricing | $400 | $250 |