Panasonic LX7 vs Samsung ST150F
86 Imaging
34 Features
61 Overall
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96 Imaging
39 Features
30 Overall
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Panasonic LX7 vs Samsung ST150F Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Bump to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Launched October 2012
- Superseded the Panasonic LX5
- Renewed by Panasonic LX10
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 114g - 94 x 58 x 18mm
- Revealed January 2013
Snapchat Adds Watermarks to AI-Created Images Panasonic LX7 vs Samsung ST150F: A Compact Camera Face-Off for the Discerning Enthusiast
When compact cameras were still in their heyday - before smartphones devoured the casual snap market - two relatively unassuming contenders emerged targeting enthusiasts seeking versatility, decent image quality, and portability. Enter the Panasonic Lumix DMC-LX7 and the Samsung ST150F. Both announced within a few months of each other (2012-2013), they represent two distinct philosophies in small sensor compact cameras. Having spent weeks in the field with each - testing them side-by-side across myriad scenarios - I’m here to share how they compare in the trenches, beyond dry spec sheets.
Grab a coffee (or your preferred caffeinated muse), and let’s unpack what sets these two apart - and who might want to bring either along on their photographic exploits.
Size, Handling, and Ergonomics: Which Fits Your Palm Better?

First impressions do count, and size is often the make or break factor for compacts. The Panasonic LX7 is a chunkier beast at 111x68x46 mm and weighs in at 298 grams. Meanwhile, the Samsung ST150F slides effortlessly into the pocket, measuring a lean 94x58x18 mm and tipping the scales at a mere 114 grams.
The LX7's heft is immediately noticeable - it feels solid and purpose-built, with a tactile grip that exudes confidence. For photographers like me who appreciate manual controls, this translates to a better "feel" and more precise handling. The Samsung, on the other hand, is about convenience and invisibility. It slips into a jacket pocket without a whisper. But that featherweight means it also feels a bit plasticky and less sturdy, which can impact shooting comfort during longer outings.
In real-world use, if you’re the type who craves control and bulk for a grip, the LX7 wins hands-down. For casual point-and-shooters prioritizing stealth and ultra-portability - the ST150F is a compelling contender.
Design and Control Layout: Manual Mastery or Simplicity?

The LX7 is unapologetically a photographer’s compact. Dedicated dials for shutter speed, aperture, and exposure compensation pepper the top and back, inviting a tactile dance with settings. The lens ring allows quick aperture changes - a feature that reminds me of classic manual lenses. You’re never more than a fingertip away from taking full control.
The Samsung ST150F, however, opts for a minimalist approach: no manual focus, no aperture or shutter priority modes, and a jumbled menu system navigated via a dim 3-inch 230k pixel screen (more on that later). It supports autofocus and face detection but little room for creative fiddling.
For someone like me who enjoys adjusting depth of field on the fly or nudging shutter speeds to freeze fast action, the LX7’s controls are a joy. The Samsung’s bare-bones user interface feels limiting and sometimes frustrating if you want to push beyond Auto mode.
Sensor Size and Image Quality: More than Megapixels

Now let’s talk sensor tech - often the heart of image quality. The Panasonic LX7 sports a 1/1.7" CMOS sensor measuring 7.44 x 5.58 mm with an area of about 41.5 mm² and 10 megapixels. The Samsung ST150F features a smaller 1/2.3" CCD sensor, 6.17 x 4.55 mm (28 mm²) with 16 megapixels.
At first glance, the Samsung’s 16MP output seems advantageous. But as many photographers know, sensor size and pixel pitch matter more than megapixels alone. The LX7’s larger sensor means bigger pixels, equating to better light-gathering ability, less noise, and higher dynamic range - especially relevant in tricky lighting.
In practice, the LX7’s images render with notably richer color depth (DXO color depth 20.7 vs. Samsung’s not tested but expected to be lower due to sensor tech) and superior dynamic range (DXO 11.7 stops). Low-light sensitivity also favors the LX7, usable up to ISO 6400 native, whereas the Samsung caps at ISO 3200 and is noisier.
Shooting landscapes or portraits with the LX7 yields cleaner skies and more subtle tonal gradations. Its anti-alias filter keeps images crisp without excessive moiré. The Samsung offers higher resolution for cropping but at the expense of detail and noise, particularly in shadows.
If image quality is a priority beyond casual snapshots, the LX7 clearly has the edge - its sensor is the backbone of this advantage.
LCD Screen and Live View: Clarity Matters

A camera’s LCD is your window to framing and reviewing shots, so its quality matters immensely. The Panasonic LX7 is equipped with a 3-inch, 920k dot TFT LCD that offers bright, sharp previews with accurate color rendering. This clarity aids manual focusing and exposure review, especially under daylight.
The Samsung ST150F’s 3-inch LCD is markedly inferior at 230k dots and a QVGA resolution. Images and menus appear soft and blocky, which can hinder precise composition or checking critical focus. It’s not a deal breaker, but expect more guesswork outdoors, especially in sunlight due to low brightness and anti-reflective shortcomings.
Neither camera has a built-in viewfinder, although an optional electronic viewfinder is available for the LX7 (I recommend investing in it if you struggle in bright conditions).
Overall, the LX7’s screen is a joy to use and supports its more advanced features. The Samsung’s display feels dated and “forgive me this lapse” underwhelming even for its class.
Autofocus Capabilities: Speed vs Accuracy
For dynamic shooting, autofocus matters - especially in wildlife, sports, or street photography.
The Panasonic LX7 offers a contrast-detection autofocus system with 23 focus points, including face detection and multi-area AF. It continuously tracks subjects reasonably well and focuses confidently down to 1 cm in macro. Although not lightning fast compared to today’s mirrorless giants, it performs admirably for a 2012 compact, yielding sharp, reliable results in most conditions.
In contrast, the Samsung ST150F employs a contrast-detection AF with fewer points (unknown count) and only single AF capability - no continuous AF for moving subjects but does include face detection. It often hunts slightly more, occasionally failing in low contrast or dim light, making it less reliable for action sequences.
As someone who tested both on quick street scenes and indoor party shots, the LX7’s AF proved more dependable and versatile. The Samsung may suffice for casual hand-held shooting but don’t expect precision focus chasing.
Lens and Zoom Range: Speed vs Reach
Panasonic LX7 features a fast Leica DC Vario-Summilux f/1.4–2.3 zoom lens with a 24-90mm equivalent focal range (3.8x zoom). This lens is a real feather in its cap, especially the bright wide aperture allowing shallow depth of field and excellent low-light performance.
The Samsung ST150F offers a broader 25-125mm equivalent zoom (5x) but slower at f/2.5-6.3. While extra reach is tempting - especially for tele-shot portraits or distant street candid snaps - the slower aperture limits low-light capability and depth control.
Having shot both side-by-side in various scenarios, I can attest that the Panasonic's bright lens delivers more pleasing bokeh and lets you get creative with selective focus. Samsung’s zoom offers versatility but feels “stretched thin” at the telephoto end, with softness creeping in.
For portrait and shallow depth of field aficionados, the LX7 lens is a delight; for general travel and casual zoom reach, the Samsung keeps pace.
Burst Rate and Shutter Speed: Getting That Decisive Shot
The LX7 offers fast burst shooting up to 11 frames per second at full resolution, a feature many will appreciate for fleeting moments - from kids’ antics to bursts of wildlife activity. The shutter speed range spans 1/60 sec up to 1/4000 sec, which provides flexibility from long exposures to freezing fast motion.
The Samsung ST150F lacks continuous shooting and caps shutter speed at 1/2000 sec, which is limiting if you chase fast sports or bright outdoor action.
Burst shooting is a nuanced feature some overlook in compacts, but it can be a lifesaver for nailing unpredictable shots. The LX7’s advantage here further emphasizes its enthusiast aim.
Build Quality and Weather Sealing: Ready for Rough Stuff?
Neither camera is weather sealed, waterproof, or shockproof. This is standard fare for their class and price points - you’re not buying these to photograph waterfalls in pouring rain. However, the Panasonic LX7’s more robust build means it feels durable and less susceptible to damage from everyday knocks compared to the lightweight plastic Samsung.
If ruggedness is non-negotiable, consider more specialized rugged compacts or mirrorless alternatives.
Battery Life and Storage: Longevity on the Go
The Panasonic LX7 claims approximately 330 shots per charge with its proprietary battery pack. My real-world testing aligns with this; it comfortably handles a day of moderate shooting before needing a recharge - an important factor when traveling.
The Samsung ST150F’s battery specs are less transparent, but given its smaller size and fewer power-hungry features (no image stabilization, slower sensor), you can expect decent longevity for casual use. It uses microSD cards, while the LX7 accepts the standard SD/SDHC/SDXC.
If you’re out shooting all day, the LX7’s battery life and storage flexibility edge out the Samsung.
Connectivity and Extras: Modern Conveniences?
Here the Samsung ST150F surprisingly has an ace - it features built-in wireless connectivity, which allows remote camera control and image transfer via a smartphone app. In 2013, that was a standout feature and still handy today for quick social sharing.
The Panasonic LX7 lacks any wireless or Bluetooth connectivity, which feels archaic given current standards but was typical of its release era. It does offer HDMI output and USB 2.0 for transfers.
Neither has microphone or headphone ports for serious video work.
Video Capability: Basic or Bonus Feature?
The Panasonic LX7 supports Full HD video at 1920x1080 up to 60 fps using MPEG-4 or AVCHD formats. This allows decent-quality video capture with good smoothness, making it a respectable hybrid shooter for casual videography.
The Samsung ST150F maxes out at 1280x720 at 30fps, encoded in MPEG-4 H.264. It’s serviceable for home videos but can’t compete with the LX7’s resolution or frame rate options.
Neither camera features advanced video features like 4K, external mics, or stabilized video modes.
Real-World Performance Across Photography Genres
To get a real feel for the cameras, I subjected both to tests covering major photography types:
Portraits: Skin Tones and Bokeh
The Panasonic’s fast lens and competent face detection shine here. Skin tones are rendered naturally with pleasing warmth, and the shallow depth of field softens backgrounds beautifully. Eye detection and tracking aid sharpness.
The Samsung struggles with shallow focus and produces flatter images with less "pop". Its limited aperture and noisier sensor don’t flatter in low light.
Landscapes: Dynamic Range and Resolution
While the Samsung boasts more megapixels, the LX7’s superior dynamic range captures finer highlight and shadow detail in scenic vistas. Its 10MP files retain fine textures and color fidelity better under HDR or raw development.
Samsung images are sharp under good light but lose detail in shadow areas.
Wildlife: Autofocus Speed and Telephoto Reach
Samsung’s longer zoom reaches 125mm but the slow aperture and sluggish AF limit sharpness and subject isolation.
LX7’s quicker AF and better optics yield more keepers at 90mm equivalent.
Sports: Tracking and Frame Rates
LX7’s 11fps burst and continuous AF make it a passable choice for casual sports. The Samsung, without burst mode, flounders badly.
Street: Discreetness and Portability
Samsung’s pocketable silhouette wins here for stealthy street snaps, but LX7’s silent modes and better low-light AF make images look more professional.
Macro: Focusing and Magnification
LX7 reaches as close as 1cm with optical image stabilization, revealing micro details sharply.
Samsung does not specify macro prowess, feels average at best.
Night/Astro: High ISO and Exposure Control
LX7’s ISO 6400 with lower noise and manual exposure modes allows modest night shooting.
Samsung’s higher noise floor and Auto-centric controls hamper effective night photography.
Travel: Versatility and Battery Life
LX7 is bulkier but flexible with manual modes, longer battery, and image quality.
Samsung is travel light champ but sacrifices control and quality.
Professional Use: Reliability and Workflow
LX7 offers raw files and manual control, integrating well into professional workflows.
Samsung lacks raw support and manual modes, limiting professional appeal.
Summary of Strengths and Weaknesses
| Feature | Panasonic LX7 | Samsung ST150F |
|---|---|---|
| Sensor | Larger, 1/1.7" CMOS, 10MP, better image quality | Smaller, 1/2.3" CCD, 16MP, noisier |
| Lens | Fast f/1.4-2.3, 24-90mm | Slower f/2.5-6.3, 25-125mm |
| Controls | Full manual, dials, aperture ring | No manual modes, minimal controls |
| Autofocus | 23-point contrast AF, face detection | Basic AF, single point, face detection |
| Burst Shooting | 11 fps | None |
| Video | Full HD 1080p @60fps | 720p @30fps |
| Screen | 3" 920k dots LCD | 3" 230k dots LCD |
| Build & Ergonomics | Solid, larger, better grip | Ultra compact, lighter, more plastic feel |
| Connectivity | None | Built-in WiFi |
| Battery | ~330 shots | Unspecified, likely lower |
| Price (at launch) | ~$400 | ~$300 |
Overall Performance Scores
(Noting that industry standard DXOmark scores exist only for the Panasonic LX7, which scores well for a compact of its era, while the Samsung ST150F lacks comprehensive benchmarking.)
Genre-Specific Performance Rankings
Who Should Buy Which Camera?
-
Choose the Panasonic Lumix LX7 if:
- You’re a serious enthusiast wanting a compact with manual controls and great image quality.
- Portraits, landscape, and low-light performance are priorities.
- You want flexibility for RAW, video, and creative shooting.
- You don’t mind carrying a slightly bulkier but robust camera.
- You want burst shooting and faster AF for more active photography.
-
Choose the Samsung ST150F if:
- Your priority is ultra-portable, pocketable convenience.
- You want built-in WiFi to quickly share images.
- You mostly shoot casual snapshots in good light.
- Manual modes and image quality aren’t critical factors.
- You’re on a tighter budget (new or used market).
Final Thoughts from Someone Who’s Used Them
Having personally leaned on both cameras through multiple weeks of shooting, I respect the Samsung ST150F’s portability and beginner-friendly simplicity - but I can’t overlook its glaring compromises. Its smaller sensor and weak optics mean you pay a quality penalty for convenience.
The Panasonic LX7, meanwhile, is a classic enthusiast compact from the twilight of the pre-smartphone era - a camera that challenges you to grow and learn. It’s more demanding but infinitely more rewarding when you’re willing to push it.
In the end, neither camera stands up to modern mirrorless or high-end smartphones, but within their compact sensor compact class, the LX7 still earns its place as a capable, versatile, and engaging photographic tool. The Samsung offers a lighter alternative for those just after simplicity and sharing ability.
Whichever you choose, always remember: the best camera is the one you enjoy using - and that opens your eyes to the world in new ways.
Happy shooting!
Panasonic LX7 vs Samsung ST150F Specifications
| Panasonic Lumix DMC-LX7 | Samsung ST150F | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-LX7 | Samsung ST150F |
| Category | Small Sensor Compact | Small Sensor Compact |
| Launched | 2012-10-15 | 2013-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine | - |
| Sensor type | CMOS | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor area | 41.5mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest resolution | 3648 x 2736 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Highest boosted ISO | 12800 | - |
| Min native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 23 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-90mm (3.8x) | 25-125mm (5.0x) |
| Largest aperture | f/1.4-2.3 | f/2.5-6.3 |
| Macro focus distance | 1cm | - |
| Focal length multiplier | 4.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Resolution of display | 920 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | TFT Color LCD | QVGA TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | None |
| Features | ||
| Slowest shutter speed | 60s | 1s |
| Maximum shutter speed | 1/4000s | 1/2000s |
| Continuous shooting rate | 11.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 8.50 m | - |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | - |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 298 gr (0.66 pounds) | 114 gr (0.25 pounds) |
| Physical dimensions | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") | 94 x 58 x 18mm (3.7" x 2.3" x 0.7") |
| DXO scores | ||
| DXO All around score | 50 | not tested |
| DXO Color Depth score | 20.7 | not tested |
| DXO Dynamic range score | 11.7 | not tested |
| DXO Low light score | 147 | not tested |
| Other | ||
| Battery life | 330 pictures | - |
| Battery style | Battery Pack | - |
| Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC, Internal | microSD/microSDHC/microSDXC |
| Card slots | One | One |
| Retail price | $400 | $300 |