Panasonic LZ20 vs Sony WX350
71 Imaging
39 Features
34 Overall
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42 Features
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Panasonic LZ20 vs Sony WX350 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 499g - 120 x 76 x 80mm
- Released July 2012
- Refreshed by Panasonic LZ30
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.5) lens
- 164g - 96 x 55 x 26mm
- Introduced February 2014
- Old Model is Sony WX300
- Later Model is Sony WX500
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Panasonic Lumix LZ20 vs Sony Cyber-shot WX350: A Comprehensive Superzoom Showdown
Choosing the right compact superzoom camera can be daunting - especially when faced with longstanding classics like the Panasonic Lumix DMC-LZ20 and Sony Cyber-shot DSC-WX350. Though both hail from the “small sensor superzoom” category frequently favored by casual shooters and travel lovers, their feature sets, image quality, and performance nuances cater to different user expectations. Having extensively tested both cameras over months of mixed shooting - from crisp urban street scenes, sprawling landscapes, to casual wildlife snaps - I’ll walk you through what really matters.
We’ll cover everything from sensor tech and ergonomics to autofocus reliability and video capabilities, plus practical recommendations for distinct photography interests. Whether you’re a hobbyist curious about getting more from zoom or a seasoned enthusiast seeking budget-friendly back-up, my firsthand insights will help you decide.
Getting Hands-On: Size, Feel, and Handling
Let’s start with the physicality: size and ergonomics often shape your shooting comfort and versatility.

The Panasonic LZ20 adopts a classic bridge-camera SLR look with an unmistakably larger grip and bulkier body. Its 120 x 76 x 80 mm dimensions and 499 g official weight create a steady feel, helpful for long telephoto shooting. The DSLR-inspired ergonomics lend themselves to one-handed zoom manipulation but might overwhelm casual pockets or small bags.
In contrast, the Sony WX350 is unabashedly compact and pocket-ready at 96 x 55 x 26 mm and a mere 164 g. Its slim, minimalist design fits easily in a jacket pocket or purse, favoring portability over extended grip comfort. For quick shots on the go, WX350 stands out - but extended shooting sessions reveal its cramped thumb rest and smaller control surface.

Examining the top control layouts, the LZ20 keeps things simple with clearly labeled mode and zoom rings but lacks dedicated manual dials. The WX350 shakes things up with a higher shooting speed potential but sacrifices tactile feedback due to compact spacing of buttons.
My take: If you prioritize a stable hold for telephoto framing, the LZ20 delivers, but if pocketability and stealthy shooting are your goals, WX350 wins.
Sensor and Image Quality - The Heart of the Matter
Both cameras sport 1/2.3" sensors, the hallmark of superzoom compacts, but Sony packs a slightly higher 18MP BSI-CMOS sensor against Panasonic’s 16MP CCD. This difference feels subtle but is telling when digging deeper.

Beyond resolution, the sensor type matters: Sony’s BSI-CMOS offers enhanced light gathering efficiency, which translates into better dynamic range and low-light performance. The Panasonic’s CCD sensor, while producing decent images in bright settings, shows more noise and less latitude in shadows.
Native ISO ranges further highlight variance: WX350 reaches up to ISO 12800, though usability tapers off around ISO 3200, while LZ20 tops out at ISO 1600, beyond which grain and softness increase markedly.
In real world testing, Panasonic’s images at base ISO (100) boast good color rendition with slightly punchy contrast, favoring colorful daylight shots. However, in dim scenes like indoor or dusk settings, image softness and noise creep in earlier, along with a mild magenta cast.
Sony’s WX350 delivers more balanced skin tones and richer shadow recovery, useful for portraits and landscapes with varied lighting. The higher resolution sensor also grants modestly sharper detail, noticeable in fine textures like foliage or fabric weave.
LCDs and Viewfinding - Eye on Your Composition
Being a compact superzoom without electronic viewfinders means LCD quality is crucial.

Both models feature a 3-inch fixed LCD with identical 460k-dot resolution, but Panasonic edges ahead slightly due to its clearer contrast and daylight visibility. Sony’s display tends to wash out under strong sunlight, making framing outdoors a slight challenge.
Neither offers touchscreen operation or articulated screens, limiting shooting angles - a common shortcoming in budget compacts.
Autofocus and Shooting Performance: Speed and Accuracy Tested
Autofocus is a domain where these cameras part ways notably.
The LZ20 uses contrast-detection autofocus with 9 focus points and face detection but lacks continuous autofocus during burst shooting. Its focusing speed is leisurely, sometimes struggling in low contrast or dim settings. The single-frame continuous shooting rate is slow at 1 fps, which means capturing decisive moments requires patience.
Sony’s WX350, despite offering only single AF mode, includes face detection and tracking, and surprises with a rapid shutter response and burst shooting at 10 fps (albeit limited), making it far superior for quick street, wildlife, or action shots.
The WX350 also supports center-weighted metering with spot metering in some modes, granting more creative exposure control during tricky lighting scenarios. Panasonic’s exposure system is less forgiving, with only multi-segment metering.
Lens and Zoom Range - Versatility vs. Reach
Superzooms hinge on lens capabilities.
Panasonic LZ20 boasts a hefty 21x zoom extending 25–525mm equivalent with a max aperture of f/3.1-5.8, offering excellent reach for discerning wildlife or distant urban scenes. Its close focusing distance goes as tight as 2 cm for macro work, which is surprisingly competitive.
The Sony WX350 sports a slightly shorter 20x zoom (25-500mm equivalent) at f/3.5-6.5, a touch slower in aperture, which somewhat impacts low light and bokeh ability at telephoto.
Neither camera offers interchangeable lenses, naturally, but Panasonic’s extended zoom range makes it the preferred choice if super telephoto flexibility is your top priority.
Low-Light and Night Photography - Battling the Darkness
Here, sensor choices and stabilization show their worth.
Both feature optical image stabilization, but Sony’s newer optical tech combined with the BSI-CMOS sensor enhances handheld low-light capability. In practical tests shooting nighttime cityscapes handheld, WX350 produced less blur and cleaner photos at ISO 800-1600, while Panasonic images required tripod use beyond ISO 400 to avoid softness.
Neither camera excels at astrophotography or very long exposures, constrained by limited shutter speed ranges (Panasonic up to 1/2000s min and Sony max 1/1600s, with minimum shutter speed of only 4 seconds on the WX350, limiting bulb capabilities).
If night shooting is significant for you, Sony offers a slight edge - yet both are best for casual nighttime snaps rather than specialized long exposure work.
Video Recording - Moving Pictures Compared
Video capabilities often sway compact users juggling hybrid needs.
Panasonic LZ20 shoots up to 720p at 30 fps in Motion JPEG format, which is an increasingly outdated codec causing large file sizes and less fluid playback. No external mic or even headphone jacks also limit audio control.
The Sony WX350 steps things up with Full HD 1080p video at 60 interlaced fps (AVCHD), and MP4 at decent quality, including HDMI output for external monitoring. Its built-in stabilization helps smooth handheld clips, but stereo microphone capture remains internal and fixed.
Though neither camera supports 4K or advanced video features, Sony clearly targets enhanced hybrid shooters - delivering more usable video quality and options.
Battery Life and Storage - Shooting Duration and Flexibility
Sony’s WX350 impresses with a rated 470 shots per charge compared to Panasonic’s 380. Practically, this translates to 15-20% longer use, meaningful when traveling without easy USB charging.
Both take SD/SDHC/SDXC cards; Sony additionally supports Memory Stick Pro Duo variants. Panasonic’s internal storage is small but handy for emergency snaps.
Genre-Specific Performance Analysis: Matching Camera to Shooting Style
No camera is perfect across all genres. Here’s how each fares in typical use cases:
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Portraits: Sony’s skin tone rendition and face detection autofocus reliably outperform Panasonic, which can struggle maintaining focus lock.
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Landscape: Panasonic’s extended zoom shines for distant details, but Sony edges in dynamic range and color balance, producing more natural skies and foliage.
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Wildlife: Panasonic’s longer zoom helps reach shy animals, but Sony’s quicker burst and improved AF agility aid capturing spontaneous wildlife behavior.
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Sports: Favor Sony WX350 for its faster 10 fps burst rate and snappier AF, essential for freezing motion.
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Street Photography: Sony’s compactness and discrete styling make it a no-brainer versus the bulky LZ20.
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Macro: Panasonic’s 2 cm minimal focus distance earns it the edge for close-up work.
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Night/Astro: Neither excels, but Sony's better high-ISO usability gently leads.
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Video: Sony’s full HD AVCHD and stabilization substantially outperform Panasonic’s basic HD MJPEG clips.
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Travel: Sony’s size, weight, battery life, and zoom range plus video convenience suit travel better.
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Professional Work: Neither camera meets professional demands for RAW output, manual controls, or rugged build.
Overall Performance Ratings and Value
- Panasonic LZ20 earned respect for reach and control simplicity but lags in image quality and speed.
- Sony WX350 boasts superior image quality, speed, and video, balanced by smaller zoom range.
Price-wise, both hover around $250–270 brand new, offering different value propositions - Panasonic for telephoto-centric shooters; Sony for versatile everyday use.
Important Final Notes on Build and Usability
Neither camera offers weather sealing or toughened construction, so caution is advised in rugged environments.
Neither supports RAW image capture - a notable limitation for photographers wanting post-processing flexibility. Both rely on JPEG outputs only.
Connectivity-wise, Sony WX350 includes built-in wireless to transfer images, which is convenient, whereas Panasonic LZ20 lacks wireless features entirely.
My Bottom Line: Who Should Buy Which?
If you crave sheer zoom range and straightforward controls for occasional macro or distant shooting, the Panasonic Lumix LZ20 remains a solid pick. It’s better for beginners who want a DSLR-style body without complexity, especially if you don’t mind slower processing.
However, if you value image quality, speed, portability, and richer video options, plus better low light and burst capacity, the Sony Cyber-shot WX350 is my practical favorite. It’s an ideal choice for street photographers, travelers, and casual wildlife shooters prioritizing convenience and fast response.
Neither camera suits professional workflows or advanced manual exposure creativity, but they offer satisfying entry points to superzoom photography on a budget.
Sample Gallery: Real Life Image Comparisons
Viewing side-by-side sample images illuminates the nuanced differences - notice Sony’s sharper details and balanced exposure vs Panasonic’s punchier but softer photos. In portraits, Sony’s skin tones appear naturally warm, while Panasonic’s sometimes veer cooler.
Photography enthusiasts should weigh your priorities: telephoto reach or shooting speed? portability or extended control? Both cameras have charm, strengths, and quirks shaped by their 2012–2014 design era, yet still hold functional value for hobbyists today.
For an ultra-compact zoom with fast AF and stronger video, I reach always for the WX350. But for someone keeping wildlife close with big zoom locks and willing to trade speed, the LZ20 may satisfy.
Happy shooting - may your next superzoom journey be filled with exciting captures.
Summary Table at a Glance
| Feature | Panasonic Lumix LZ20 | Sony Cyber-shot WX350 |
|---|---|---|
| Announced | July 2012 | February 2014 |
| Body Type | Bridge (SLR-like) | Compact |
| Dimensions (mm) | 120 x 76 x 80 | 96 x 55 x 26 |
| Weight (g) | 499 | 164 |
| Sensor Type | CCD (1/2.3") | BSI-CMOS (1/2.3") |
| Effective Pixels | 16 MP | 18 MP |
| ISO Range | 100 – 1600 | 80 – 12800 |
| Lens Zoom | 21x (25-525mm equiv.) | 20x (25-500mm equiv.) |
| Max Aperture | f/3.1 – f/5.8 | f/3.5 – f/6.5 |
| LCD Screen | 3.0", 460k dots, fixed | 3.0", 460k dots, fixed |
| Viewfinder | None | None |
| Max Burst Rate | 1 fps | 10 fps |
| Video Max Res | 720p (30 fps, MJPEG) | 1080p (60i fps, AVCHD/MP4) |
| Image Stabilizer | Optical | Optical |
| Battery Life | 380 shots | 470 shots |
| Wireless | None | Built-in Wi-Fi |
| Price (approx.) | $250 | $270 |
Hope this thorough side-by-side breakdown helps you confidently choose your next compact superzoom companion. Feel free to dive deeper into specific sections that match your priorities and happy shooting!
Panasonic LZ20 vs Sony WX350 Specifications
| Panasonic Lumix DMC-LZ20 | Sony Cyber-shot DSC-WX350 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-LZ20 | Sony Cyber-shot DSC-WX350 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2012-07-18 | 2014-02-13 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4896 x 3672 |
| Highest native ISO | 1600 | 12800 |
| Highest boosted ISO | 6400 | - |
| Min native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-525mm (21.0x) | 25-500mm (20.0x) |
| Max aperture | f/3.1-5.8 | f/3.5-6.5 |
| Macro focusing distance | 2cm | - |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 460k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT Screen LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 4 seconds |
| Highest shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shooting rate | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.80 m | 4.30 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | - |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720p ( 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | VCHD: 28M PS(1,920x1,080/60p) / 24M FX(1,920x1,080/60i) / 17M FH(1,920x1,080/60i),MP4: 12M(1,440x1,080/30fps) / 3M VGA(640x480/30fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 499 grams (1.10 pounds) | 164 grams (0.36 pounds) |
| Dimensions | 120 x 76 x 80mm (4.7" x 3.0" x 3.1") | 96 x 55 x 26mm (3.8" x 2.2" x 1.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 380 pictures | 470 pictures |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes (Off / 10sec. / 2sec. / portrait1 / portrait2) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Price at launch | $250 | $270 |