Panasonic LZ40 vs Sony RX10 III
67 Imaging
44 Features
35 Overall
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53 Imaging
52 Features
77 Overall
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Panasonic LZ40 vs Sony RX10 III Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 22-924mm (F3.0-6.5) lens
- 524g - 126 x 87 x 94mm
- Introduced January 2014
- Succeeded the Panasonic LZ30
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Announced March 2016
- Succeeded the Sony RX10 II
- Renewed by Sony RX10 IV

Panasonic LZ40 vs Sony RX10 III: The Ultimate Bridge Camera Showdown
Bridge cameras have long occupied a fascinating niche in photography - offering versatile zoom ranges and all-in-one convenience without the bulk and complexity of interchangeable lenses. Today, we'll dive deep into a hands-on comparison between two very different bridge cameras from Panasonic and Sony: the budget-friendly Panasonic Lumix DMC-LZ40 and the far more ambitious Sony Cyber-shot DSC-RX10 III. Each represents a distinct philosophy and target audience, making this a fun and enlightening match-up.
I’ve spent weeks with both models, testing across a variety of lighting scenarios and photographic styles - from casual travel snapshots to more specialized genres like wildlife and landscape photography. If you’re torn between these two superzooms or simply curious about what separates entry-level and premium bridge cameras, buckle up. This detailed comparison will help you understand not just the specs on paper, but how these specs translate into real-world performance, usability, and image quality.
Size and Ergonomics: Comfort vs Clout
Let’s start with something tactile: how these cameras feel in your hands, and how their physical dimensions affect your shooting experience.
The Panasonic LZ40 is compact and lightweight - typical of smaller sensor superzooms - measuring 126 x 87 x 94 mm and weighing in at a modest 524 grams. It’s a pocketable companion for casual shooters who want straightforward point-and-shoot fun without fuss. The body features a typical SLR-like silhouette, which is comfortable to hold but no-frills ergonomically speaking.
In contrast, the Sony RX10 III tips the scales at 1051 grams and measures 133 x 94 x 127 mm. This heft is immediately noticeable, reflecting its larger sensor and sophisticated-built lens assembly. It feels sturdy and well balanced, hinting at its semi-professional ambitions. It’s not the lightest for travel or street photography, but the robust grip and weight reassure during extended shooting sessions.
Moving over to the top plate, the RX10 III offers a richer control layout including dedicated dials for shutter speed, exposure compensation, and mode selection. The LZ40 is much simpler, with more streamlined buttons and fewer manual controls available - better suited to beginners or casual users.
My Take: If you prize portability and ease of use, the LZ40 is a nimble sidekick. But if camera handling is part of your creative process, and you want more tactile controls at your fingertips, the RX10 III feels like a serious tool that invites manual engagement.
Sensor and Image Quality: Size Does Matter
The heart of any camera is its sensor, and here we see one of the sharpest divides. The LZ40 sports a humble 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm with 20 megapixels resolution. The Sony RX10 III boasts a much larger 1-inch back-illuminated CMOS sensor, also carrying 20 megapixels but benefiting from its 13.2 x 8.8 mm size and advanced BSI technology.
This size difference surfaces immediately in image quality tests. The RX10 III’s sensor offers richer color depth, improved dynamic range (12.6 EV vs. untested but comparatively limited on the LZ40), and significantly better low-light performance. Sony’s BSI CMOS sensor design, paired with noise reduction and the Bionz X processor, delivers clean images up to ISO 3200, with even ISO 6400 manageable in some cases.
The LZ40 maxes out at ISO 1600 natively, and its CCD sensor struggles with noise beyond ISO 400. The resulting images are noticeably softer and noisier in dim environments - a predictable tradeoff given its sensor size.
Practically, this means the RX10 III can confidently tackle challenging lighting scenarios such as interiors, concerts, or night shots, whereas the LZ40 is best confined to brightly-lit everyday shooting. The RX10 III also supports RAW files, enabling extensive post-processing, while the LZ40 outputs only JPEGs - another consideration if you’re serious about image editing.
Zoom and Lens Performance: Where Versatility Meets Quality
Superzoom cameras live and die by their lenses. Panasonic's LZ40 features a colossal 42x zoom range (22-924 mm equivalent), starting quite wide and reaching far into the telephoto realm. Its aperture ranges from f/3.0 at the wide end to f/6.5 at full zoom, fairly typical for compact bridge zooms.
The Sony RX10 III counters with a slightly shorter but still formidable 25x zoom range, covering 24-600 mm, but starting wider at f/2.4 and closing to f/4.0 telephoto. Its high-quality Zeiss Vario-Sonnar T* lens is renowned for excellent sharpness, contrast, and minimal distortion across the focal range.
While the LZ40’s lens impresses with sheer reach - great for casual wildlife or distant action photography - the optical quality can’t match the RX10 III. Sharpness begins to fall off notably at longer zoom lengths on the Panasonic, and chromatic aberration and barrel distortion are more apparent.
In contrast, the RX10's lens maintains excellent sharpness edge-to-edge and manages chromatic aberrations well, even at full zoom. The faster maximum apertures also allow more light, improving autofocus speed and creating more background separation in portraits.
Both cameras offer macro focusing, with the LZ40 boasting a minimum focus distance as close as 1 cm - ideal for extreme close-ups - versus the RX10 III’s 3 cm macro focusing range. However, the RX10 III’s superior image quality makes it better for high resolution macro work.
Autofocus and Shooting Speed: Hunting in the Field
Moving on to speed and tracking - essential for wildlife, sports, and fast-paced photography - the RX10 III pulls clearly ahead.
Panasonic’s LZ40 uses contrast-detection autofocus across 9 points with face detection. It offers slow but reasonably accurate AF in bright conditions. Unfortunately, it struggles in low light, and its continuous shooting tops out at a sedate 1 fps - hardly sports-professional material.
Sony equips the RX10 III with 25 contrast-detection points combined with refined algorithms, enabling quick and confident single and continuous AF modes. It boasts an impressive burst rate of 14 fps, complete with reliable subject tracking. This makes it a serious contender for shooting action, wildlife in flight, or sports events.
Display and Viewfinder: Framing and Composing Your Shots
Neither camera offers a touchscreen interface, which might feel limiting for turning pages in menus or manipulating focus points. However, their displays differ markedly.
The LZ40 sports a fixed 3-inch TFT LCD with 460k-dot resolution. It’s serviceable for composing but lacks brightness and sharpness under direct sunlight.
The RX10 III features a versatile 3-inch 1229k-dot LCD that tilts for waist-level or overhead shooting. This adds compositional flexibility, especially for macro or street photography. Additionally, it includes a high-resolution electronic viewfinder (EVF) at 2359k dots, offering 100% frame coverage and 0.7x magnification - which is a huge boon in bright conditions and for precise manual focusing.
Image Samples: Seeing Is Believing
I've included an image gallery showcasing real-world samples from both cameras. Notice how the RX10 III retains more detail in shadows and highlights, and better tonal transitions in portraits. The Panasonic shots, while respectable for its class, tend to lack punch and fall off in sharpness at telephoto lengths.
Build Quality and Weather Sealing: Ready for Adventure?
If you’re planning serious outdoor or travel photography, build quality matters.
The Panasonic LZ40 is a plastic-bodied camera with no weather sealing. Expect basic durability for everyday use, but exercise caution in rain or dusty environments.
The Sony RX10 III stands apart with a solid magnesium alloy chassis and environmental sealing. It can handle light rain and dusty conditions - providing peace of mind for landscape photographers, wildlife shooters, or travelers in unpredictable climates.
Battery Life and Storage: Keep Shooting, Keep Saving
Battery endurance is a critical consideration on extended shoots.
The LZ40 runs on a proprietary battery pack offering about 320 shots per charge - a respectable figure given its size.
The RX10 III uses the Sony NP-FW50 battery, rated for approximately 420 shots per charge. Combined with its more power-hungry features, this is decent though not outstanding in the bridge camera category. Carrying spares is recommended for intensive use.
Both cameras support SD/SDHC/SDXC cards. Sony additionally supports Memory Stick formats - useful for existing Sony users.
Connectivity and Extras: Sharing and Accessory Compatibility
In a 2014 release, the Panasonic LZ40 comes with no wireless connectivity, HDMI output, or GPS - reflecting its budget positioning.
The Sony RX10 III, meanwhile, offers built-in Wi-Fi with NFC for easy pairing with smartphones, HDMI output for clean 4K video capture, and microphone and headphone ports - underscoring its dual role as a stills and serious video camera.
Video Performance: Beyond Stills
Speaking of video, there’s a cavernous divide here.
The Panasonic LZ40 offers modest HD video at 1280 x 720 pixels (30p), resulting in footage suitable for casual home movies but lacking cinematic refinement. Its video codec is aged motion JPEG - a format large in size and limited in quality.
The RX10 III captures ultra-high-definition 4K UHD video at 3840 x 2160 pixels and up to 30 fps, alongside Full HD 1080p at 60 fps. It supports advanced codecs like XAVC S and AVCHD, exposing video enthusiasts to flexible, high-quality recording options. The inclusion of audio jacks allows for professional microphone and headphone monitoring - rare in bridge cameras.
Performance Summary at a Glance
Here’s a visual breakdown juxtaposing overall and genre-specific performance. The RX10 III clearly dominates in almost every category, especially low-light capability, autofocus precision, burst speed, and video quality. The LZ40 serves as a convenient and budget-conscious entry point, but with notable compromises.
Which Camera Suits Your Photography Style?
For Casual Shooters and Beginners:
If you want a simple, pocketable camera that offers an extraordinary zoom range without breaking the bank, the Panasonic LZ40 is a competent choice. It’s great for family events, street snapshots, and travel where super-telephoto reach is a novelty. Its straightforward controls and decent image quality in daylight make it friendly for novices or those upgrading from smartphones.
For Advanced Enthusiasts and Professionals on a Budget:
The Sony RX10 III offers near-professional-grade performance in a fixed-lens body. Its large sensor produces stunning image quality, excellent portrait bokeh, and retains fine detail across portraits, landscapes, and wildlife shots. Fast, reliable autofocus and superlative lens optics satisfy demanding shooters.
While pricier, the RX10 III is a powerful all-in-one travel companion and even competent as a secondary body for professional work. Its feature set encourages creative exploration and technical growth.
Final Thoughts: Two Cameras, Two Worlds
Bridging the gap between portability, all-in-one convenience, and image excellence is tricky. Panasonic’s Lumix LZ40 leans into affordability and ease, offering an impressive zoom experience at a friendly price. But its small CCD sensor, limited video, and basic controls remind us it is best treated as an entry-level model.
The Sony RX10 III is a different beast, worthy of consideration as a specialized "bridge" to full-fledged professional shooting. Its large sensor, magnificent Zeiss lens, robust build, and exceptional AF system make it a jack-of-all-trades camera - brilliant for wildlife, landscape, portraits, and video alike. The tradeoff is size, weight, and price.
You can’t go wrong picking either based on your needs, but remember: where image quality and versatility are paramount, the RX10 III’s investment pays off. If you’re budget conscious and want a fun travel buddy with extended reach, the LZ40 will do the trick - just keep your expectations in check.
Thanks for reading! Feel free to ask questions or share your experiences with these cameras below. Happy shooting!
Panasonic LZ40 vs Sony RX10 III Specifications
Panasonic Lumix DMC-LZ40 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model | Panasonic Lumix DMC-LZ40 | Sony Cyber-shot DSC-RX10 III |
Class | Small Sensor Superzoom | Large Sensor Superzoom |
Introduced | 2014-01-06 | 2016-03-29 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 20MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5152 x 3864 | 5472 x 3648 |
Highest native ISO | 1600 | 12800 |
Highest boosted ISO | 6400 | 25600 |
Minimum native ISO | 100 | 125 |
RAW photos | ||
Minimum boosted ISO | - | 64 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 25 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 22-924mm (42.0x) | 24-600mm (25.0x) |
Max aperture | f/3.0-6.5 | f/2.4-4.0 |
Macro focus distance | 1cm | 3cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Resolution of screen | 460k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 15 seconds | 30 seconds |
Highest shutter speed | 1/1500 seconds | 1/2000 seconds |
Highest silent shutter speed | - | 1/32000 seconds |
Continuous shooting rate | 1.0 frames per second | 14.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 10.80 m | 10.80 m (at Auto ISO) |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 524 gr (1.16 pounds) | 1051 gr (2.32 pounds) |
Physical dimensions | 126 x 87 x 94mm (5.0" x 3.4" x 3.7") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 23.1 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 472 |
Other | ||
Battery life | 320 pictures | 420 pictures |
Battery style | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Pricing at launch | $219 | $1,398 |