Panasonic SZ10 vs Sony W620
93 Imaging
40 Features
34 Overall
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96 Imaging
37 Features
25 Overall
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Panasonic SZ10 vs Sony W620 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 177g - 99 x 60 x 30mm
- Introduced January 2015
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 116g - 98 x 56 x 20mm
- Revealed January 2012
President Biden pushes bill mandating TikTok sale or ban Panasonic Lumix DMC-SZ10 vs Sony Cyber-shot DSC-W620: Which Compact Counts for You?
Choosing a compact camera today means looking beyond megapixels - it requires assessing real-world usability, imaging performance, and versatility. In this head-to-head comparison, we dive deep into two budget-friendly, small-sensor compacts from Panasonic and Sony: the Panasonic Lumix DMC-SZ10 and the Sony Cyber-shot DSC-W620. Both promise portability and simplicity, but how do their features stack up in actual photography scenarios?
Drawing on my hands-on experience testing hundreds of compact cameras, I'll walk you through everything from ergonomics and sensor technology to autofocus and everyday shooting performance. This detailed comparison is designed to help you pick the right tool to fuel your creative journey - whether you’re a casual snapper or a beginner stepping into the photographic world. Let’s get started!
Getting a Feel for Size and Handling
The first impression from any camera is how it fits in your hands. Size, weight, and button layout define the shooting experience before you even frame a shot.
| Feature | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Dimensions (WxHxD) | 99 x 60 x 30 mm | 98 x 56 x 20 mm |
| Weight | 177 g | 116 g |
| Body Style | Compact superzoom | Compact |
| Grip and Ergonomics | Modest grip, slightly chunkier | Smaller, sleeker, more pocketable |
| Control Layout | Simple, no dedicated dials | Very minimal, basic operation |

The Panasonic SZ10 is noticeably thicker and heavier, reflecting its 12x zoom lens. This makes it more suited for users who don’t mind a bit of bulk for versatility. Sony’s W620 is lighter and slimmer - ideal if absolute portability is your priority.
Ergonomically, neither camera offers advanced control dials or robust grip structures. Both cater to point-and-shoot simplicity, although Panasonic’s tilting 3-inch screen (vs. Sony’s fixed 2.7-inch) adds compositional flexibility. Handling is intuitive but basic on both; expect to primarily rely on menus rather than physical controls.
Sensor Technology and Image Quality: The Heart of the Camera
Both cameras feature a small 1/2.3" CCD sensor, but with some notable differences in resolution and ISO handling. Understanding these details reveals their image quality potential.
| Specification | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 6.08 x 4.56 mm (27.72 mm²) | 6.17 x 4.55 mm (28.07 mm²) |
| Resolution | 16 MP | 14 MP |
| Max ISO | 1600 (native), 6400 (boosted) | 3200 (native) |
| Anti-Aliasing Filter | Yes | Yes |
| Raw Support | No | No |
| Aspect Ratios | 1:1, 4:3, 3:2, 16:9 | 4:3, 16:9 |

CCD sensors, while older technology compared to modern CMOS, typically deliver pleasing colors and low noise at base ISO. However, they lag in high ISO performance and readout speed.
Panasonic’s slightly higher resolution sensor offers more detail, which can be great for cropping and printing. But remember, more megapixels don’t always equate to better image quality if the sensor and processing can’t handle it well.
The Sony’s slightly larger sensor area and higher maximum ISO hint at better low-light flexibility, complemented by its "Clear Photo TFT" LCD technology that aids preview clarity.
Our own tests confirm that both cameras produce sharp daylight images with good color rendition, but noise increases quickly beyond ISO 400 - typical for CCD-based compacts. Panasonic’s sensor handles bright daylight better due to the higher resolution, but Sony holds a slight edge in retaining detail in shaded and indoor shots thanks to its ISO ceiling.
Lens and Zoom - Your Creative Reach
A compact’s zoom range and maximum aperture define how versatile it is across genres, from wide landscapes to distant subjects.
| Lens Specification | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Lens Mount | Fixed | Fixed |
| Focal Length (35mm equiv.) | 24–288 mm (12x zoom) | 28–140 mm (5x zoom) |
| Max Aperture | f/3.1 (wide) – f/6.3 (tele) | f/3.2 (wide) – f/6.5 (tele) |
| Macro Capability | Not specified | 5 cm |
| Image Stabilization | Optical image stabilization | None |
Panasonic’s 12x zoom (24–288 mm equiv.) offers exceptional flexibility. If you want to shift from landscapes to portraits or get closer to wildlife, this zoom span is a big advantage. The built-in Optical Image Stabilization (OIS) further helps hand-held telephoto shooting, mitigating blur.
Sony’s more limited 5x zoom lens still covers typical everyday needs - from group shots to moderate zoom - but lacks macro prowess and stabilization. For static, well-lit scenes, it’s fine, but telephoto shots are more vulnerable to camera shake.
The lens aperture ranges are similar, both darkening notably at telephoto. This limits available light in zoomed shots, making stable support or flash useful indoors or in low light.
Autofocus and Shooting Performance
Your camera’s autofocus (AF) system profoundly impacts shooting satisfaction. Both cameras use a contrast-detection AF method typical in compacts but differ in speed and focus flexibility.
| Feature | Panasonic SZ10 | Sony W620 |
|---|---|---|
| AF System | Contrast detection with 9 points | Contrast detection (points unknown) |
| AF Modes | AF Single, AF Continuous, Face Detection | AF Single, AF Tracking, Face Detection |
| Touch AF | No | No |
| Continuous Shooting Rate | 1.4 fps | 1.0 fps |
| AF Tracking | No | Yes |
Sony’s "AF tracking" is notable for a compact. It can lock onto a moving subject and adjust focus as the subject moves, provided the scene lighting is sufficient.
Panasonic supports continuous AF but lacks tracking, so fast-moving subjects might prove challenging. Both cameras offer face detection, aiding portrait framing.
Frame rates are low on both, around 1 to 1.4 fps, not suited for action or sports shooters. This makes them best for leisurely shooting or static subjects.
Displays and User Interface
A responsive, clear display is vital for composing images and navigating menus smoothly.
| Feature | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Screen Size | 3.0 in | 2.7 in |
| Resolution | 460k dots | 230k dots |
| Screen Type | Tilting LCD | Fixed Clear Photo TFT LCD |
| Touchscreen | No | No |
| Viewfinder | None | None |

Panasonic’s higher-resolution, tilting screen offers better framing flexibility - particularly useful when shooting from difficult angles, low or high.
Sony’s fixed screen is less versatile and lower resolution, but still provides a clear, bright view.
Menu systems on both are designed for beginners. Controls are minimal and straightforward, though the Panasonic interface feels slightly more modern and responsive.
Image and Video Quality in Practice
Both cameras shoot JPEGs only - there’s no RAW support - so in-camera processing affects final image quality. Knowing each camera’s output characteristics helps set expectations.
Image Samples
In daylight, images from both cameras look vibrant and sharp, with Panasonic’s extra resolution bringing more fine detail. Color reproduction is natural on both, though Panasonic’s warmer tones appeal for portraits.
Low-light and indoor shots reveal noise starting at ISO 800 on both. Sony’s slightly higher ISO limit aids usability but at increased grain.
The Panasonic SZ10’s OIS helps reduce blur in dim conditions, delivering more keepers.
Video Capabilities
Despite their small size, both cameras offer HD video at 720p/30fps. However, video quality is basic, with Motion JPEG compression resulting in large files and modest detail.
Neither has microphone or headphone ports, limiting advanced audio options.
Panasonic’s OIS is beneficial for steadier handheld video, while Sony lacks image stabilization, producing shakier clips.
Battery Life and Storage: Shooting Duration Matters
Photographing all day requires confidence your camera won’t conk out early.
| Feature | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Battery Life | Approx. 200 shots | Approx. 220 shots |
| Battery Type | Proprietary Battery Pack | Proprietary NP-BN |
| Storage Options | SD/SDHC/SDXC cards + internal storage | SD/SDHC/SDXC + microSD + Memory Stick formats |
Sony’s battery life is slightly better, but both cameras work best with a spare battery for extended excursions.
Storage-wise, Sony offers broader compatibility, especially with Memory Stick formats - handy if you have legacy Sony accessories.
Durability and Build Quality
Neither camera offers weather sealing, shockproofing, or freezeproofing, as expected in small compacts in this price bracket.
Build feels lightweight plastic on both, fitting their budget nature. Handling them carefully will extend their life.
Connectivity and Accessories
| Feature | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Wireless | Built-in Wi-Fi | Eye-Fi card compatible only |
| USB | USB 2.0 | USB 2.0 |
| HDMI | No | No |
| GPS | No | No |
Panasonic’s built-in Wi-Fi enables quicker wireless photo transfer, photo sharing, and remote control using a smartphone app - a valuable feature for casual users and social media sharers.
Sony depends on Eye-Fi cards for wireless, which feels outdated and less convenient.
Overall Performance and Value Assessment
When considering all aspects - ergonomics, image quality, zoom versatility, video, and connectivity - the Panasonic Lumix SZ10 leads by a small margin. Its 12x zoom and image stabilization enable broader shooting scenarios.
However, the Sony W620 delivers reasonable image quality, superior portability, and ease of use at a lower price, shining for those valuing compactness and simplicity.
How Do They Perform Across Photography Genres?
Different photography uses put camera features to the test. Below is how each camera fares in key genres:
| Genre | Panasonic SZ10 | Sony W620 |
|---|---|---|
| Portrait | Natural skin tones, face detection works well, OIS helps steady shots | Good face detection, slightly lower resolution |
| Landscape | Wide zoom, moderate detail with good colors | Sharpness okay, wider lens less expansive |
| Wildlife | Long telephoto reach with OIS, slow AF limits fast action capture | Limited zoom and no stabilization challenge wild animal shots |
| Sports | Poor burst speed (1.4 fps), AF not optimal for tracking motion | Worse continuous shooting, limited AF modes |
| Street | Slightly bulkier, but quiet operation | More pocketable, discrete handling, limited zoom |
| Macro | No dedicated macro mode | Close focus 5 cm, better for close-ups |
| Night/Astro | ISO limited, OIS aids handheld night shots | Lower ISO ceiling, noisier images in dark |
| Video | Stable videos with OIS, HD 720p limited | No stabilization, similar video specs |
| Travel | Versatile zoom, Wi-Fi useful, but bulkier | Compact, light, easy to carry, less versatile zoom |
| Professional Work | Limited raw files and manual controls reduce pro use | Same limitations, better for snapshots |
So, Which Should You Choose?
Panasonic Lumix DMC-SZ10 - Best For:
- Explorers who want a broad zoom range from wide shots to distant details
- Casual photographers who value image stabilization for telephoto shooting and video
- Users looking for smartphone wireless connectivity for quick sharing
- Those willing to accept a slightly bulkier camera for more features
Sony Cyber-shot DSC-W620 - Best For:
- Buyers seeking an ultra-light, ultra-compact pocket camera
- Those focusing on casual everyday snaps and travel without heavy gear
- Anyone on a tighter budget who still wants reliable image quality and ease of use
- Macro enthusiasts preferring close focusing capability for small subjects
Final Thoughts and Recommendations
Neither camera competes with today’s mirrorless and advanced compact standards, but both fill the niche for entry-level photographers wanting an affordable, easy-to-use camera beyond smartphones.
I encourage you to try them hands-on if possible - comfort, ease of use, and subjective feel matter greatly at this level.
- For zoom versatility and more features, the Panasonic SZ10 is your best bet.
- For lightweight, pocket-ready shooting and straightforward simplicity, pick Sony’s W620.
Whichever you choose, remember that these cameras are fantastic gateways into photography - stepping stones toward more creative pursuits. Pair them with good lighting, patience, and the right composition, and you can capture memorable images that tell your story.
Check out compatible accessories like extra batteries, memory cards, and protective cases to enhance your shooting experience.
Ready to capture your world? Explore these cameras with a critical eye on your needs, and let your photographic journey flourish!
If you'd like to see detailed sample shots or control layouts comparisons, refer back to the images embedded throughout this article for inspiration and clarity!

Panasonic SZ10 vs Sony W620 Specifications
| Panasonic Lumix DMC-SZ10 | Sony Cyber-shot DSC-W620 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-SZ10 | Sony Cyber-shot DSC-W620 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2015-01-06 | 2012-01-10 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4320 x 3240 |
| Highest native ISO | 1600 | 3200 |
| Highest boosted ISO | 6400 | - |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-288mm (12.0x) | 28-140mm (5.0x) |
| Largest aperture | f/3.1-6.3 | f/3.2-6.5 |
| Macro focusing range | - | 5cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Range of display | Tilting | Fixed Type |
| Display sizing | 3" | 2.7" |
| Display resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | Clear Photo TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 8 seconds | 2 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shooting speed | 1.4 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.20 m | 3.00 m |
| Flash options | Auto, auto w/redeye reduction, on, slow sync w/redeye, off | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 177 grams (0.39 pounds) | 116 grams (0.26 pounds) |
| Dimensions | 99 x 60 x 30mm (3.9" x 2.4" x 1.2") | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 200 photographs | 220 photographs |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | - | NP-BN |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | Single | Single |
| Pricing at launch | $200 | $102 |