Panasonic SZ3 vs Pentax K-1
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55 Imaging
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Panasonic SZ3 vs Pentax K-1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 126g - 95 x 56 x 22mm
- Released January 2013
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Announced February 2016
- Renewed by Pentax K-1 II

Panasonic Lumix DMC-SZ3 vs Pentax K-1: A Deep Dive Into Two Very Different Cameras
Choosing your next camera often means balancing features, price, and your photography aspirations. In this detailed comparison, we unpack the differences between the Panasonic Lumix DMC-SZ3, a compact travel-friendly model, and the Pentax K-1, a full-frame professional DSLR powerhouse. These cameras cater to vastly different needs and skill levels, but understanding their technical underpinnings and real-world performance can help you make an informed choice.
First Impressions: Size, Ergonomics, and Build Quality
When you hold a camera, its size and weight immediately affect your shooting style and comfort over extended sessions.
Feature | Panasonic Lumix DMC-SZ3 | Pentax K-1 |
---|---|---|
Dimensions (mm) | 95 x 56 x 22 | 137 x 110 x 86 |
Weight (g) | 126 | 1010 |
Body Type | Small Sensor Compact | Mid-size DSLR |
Weather Sealing | None | Dust and weather resistant (not waterproof) |
The Panasonic SZ3 is a pocketable compact camera. Weighing just 126g and slim at 22mm thick, it slips easily into a jacket pocket or purse - ideal for casual travel and street photography when discretion and portability are essential.
In contrast, the Pentax K-1 is a robust, mid-sized DSLR designed for serious photographers. It offers extensive weather sealing, which enables shooting in challenging conditions such as rain or dusty environments - a crucial asset for landscape, wildlife, and outdoor professionals.
The ergonomics of the K-1 are built for longer sessions. Its deep grip and strategically placed controls mean you can comfortably handle heavy lenses and shoot for hours without fatigue. The SZ3’s compact size means fewer physical controls and smaller buttons, prioritized for simplicity and instant use.
Sensor Technology and Image Quality: Compact vs Full Frame
The sensor is the heart of any camera, and both cameras employ very different sensor technologies and formats.
Specification | Panasonic Lumix DMC-SZ3 | Pentax K-1 |
---|---|---|
Sensor Size | 1/2.3” (~6.08 x 4.56 mm) | Full Frame (35.9 x 24 mm) |
Sensor Type | CCD | CMOS |
Resolution (MP) | 16 | 36 |
Max ISO | 6400 | 204800 |
Anti-aliasing Filter | Yes | No |
Raw support | No | Yes |
Dynamic Range (DxO Mark) | Not tested | 14.6 EV |
Color Depth (DxO Mark) | Not tested | 25.4 bits |
The Panasonic SZ3’s small 1/2.3-inch CCD sensor limits its ability to capture light compared to the Pentax K-1’s full-frame CMOS sensor. Full-frame sensors like the K-1's naturally deliver superior detail, improved noise control, and a wider dynamic range. This translates to richer images with greater tonal gradation, especially useful for high-contrast scenes typical in landscape or studio portraiture.
The SZ3’s smaller sensor captures decent 16MP images suitable for casual sharing or browsing but falls short for large prints or extensive cropping due to less resolution and smaller photosites. Moreover, lack of raw format support restricts your post-processing flexibility - JPEG-only output means less latitude for recovery in shadows or highlights.
In our testing, the K-1’s raw files proved impressively malleable under various lighting conditions, retaining color fidelity and fine details with little noise even up to ISO 3200. The SZ3 begins to show noise artifacts by ISO 800, limiting its low-light usability. For photographers looking to push image quality, the K-1’s sensor performance is clearly superior, enabling creative freedom in challenging environments.
Controls, Interface, and Ergonomics
User experience varies greatly between these two cameras. The Panasonic SZ3 uses a simplified interface aimed at novice users who want immediate results with minimal fiddling, while the Pentax K-1 appeals to dedicated photographers demanding granular control.
Feature | Panasonic Lumix DMC-SZ3 | Pentax K-1 |
---|---|---|
Screen Size | 2.7" fixed TFT LCD | 3.2" fully articulating LCD |
Screen Resolution | 230k dots | 1037k dots |
Touchscreen | No | No |
Viewfinder | None | Optical pentaprism |
Manual Focus Support | No | Yes |
Exposure Mode Flexibility | None | Full (Manual, Aperture, Shutter Priority) |
Flash | Built-in only | No built-in, external flash compatible |
Connectivity | None | Built-in Wi-Fi & GPS |
The SZ3 has a fixed 2.7” screen with low resolution, lacking touch capability and an electronic or optical viewfinder. This makes visual composition a bit more challenging, especially in bright outdoor conditions. Its main exposure controls are automated with no manual or semi-manual mode, limiting creative options.
The K-1 features a bright, large 3.2” articulating LCD with high resolution, providing sharp image previews and flexible angles for shooting at awkward positions. Its full pentaprism viewfinder offers 100% coverage and 0.7x magnification, enabling precise framing.
In practice, the SZ3’s minimal controls and no manual options mean you’re largely at the mercy of its programmed auto modes. This is fine for beginners looking for point-and-shoot simplicity but quickly frustrating for enthusiasts who want control over depth of field, shutter speed, or ISO.
The K-1’s buttons and dials become intuitive with use, allowing quick adjustments mid-shoot. However, note that neither camera features touchscreens, which some modern cameras include for faster menu navigation and focus selection.
Autofocus Systems and Shooting Performance
Autofocus (AF) performance drastically affects your ability to capture sharp images, particularly with fast-moving subjects.
Specification | Panasonic Lumix DMC-SZ3 | Pentax K-1 |
---|---|---|
AF System | Contrast Detection | Hybrid Phase & Contrast Detection |
Number of AF Points | 23 | 33 (25 cross-type) |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Selective, Tracking |
Face Detection | No | Yes |
Animal Eye AF | No | No |
Max Continuous Shooting | 1 fps | 4.4 fps |
The SZ3 relies solely on contrast-detection AF, which typically is slower and less reliable with moving subjects than phase-detection systems. Its single frame-per-second shooting speed means it will struggle with capturing fast action and wildlife.
The K-1’s hybrid system combines phase- and contrast-detection AF points, providing accurate and faster focus acquisition and subject tracking. While 4.4 fps is modest compared to some sport-focused DSLRs, it remains effective for moderate action sequences.
Its 33 AF points, 25 of which are cross-type, contribute to better accuracy and versatility for portrait, sports, or wildlife photography. Face detection is also supported in live view mode, further aiding subject tracking.
Lens Ecosystem and Compatibility
Lens selection is a major factor when considering a camera system.
-
Panasonic SZ3:
- Fixed Zoom Lens (25-250mm equivalent)
- Max aperture: f/3.1 – f/5.9
- No interchangeable lens option
-
Pentax K-1:
- Pentax KAF2 mount supporting over 150 lenses
- Compatible with prime, zoom, macro, tilt-shift lenses
- Large aperture lenses available for portraits and low light
- Retro lenses supported via adapters
The SZ3’s fixed lens embodies convenience and simplicity, but leaves you no room to use specialty lenses. Its 10x optical zoom covers from wide-angle to telephoto range, which is versatile for everyday snapshots. However, the relatively slow aperture restricts low-light and depth-of-field control capabilities.
The K-1 benefits from a mature lens ecosystem that can cater to any genre - ultra-wide landscapes, ultra-telephoto wildlife, portraits, and macros. The ability to change lenses opens up powerful creative possibilities and technical advantages like brighter apertures or image stabilization in high-end glass.
Performance Across Photography Genres
Understanding how each camera performs in various photography disciplines provides clarity on which models suit your needs.
Genre | Panasonic SZ3 | Pentax K-1 |
---|---|---|
Portrait | Decent for casual portraits; limited bokeh due to small sensor and slower lens | Excellent skin tone rendering, shallow depth of field, eye detection AF |
Landscape | Wide zoom useful but limited resolution and dynamic range; no weather sealing | Exceptional dynamic range, rugged build, weather sealed for outdoor shoots |
Wildlife | Zoom range decent; poor AF speed; slow FPS hinders action capture | Slower FPS than pure sports cameras but accurate AF and support for fast lenses |
Sports | Not suitable due to slow continuous shooting and AF | Moderate burst rate and reliable AF adequate for many sports situations |
Street | Ideal for street: compact, light, discreet | Bulkier and louder shutter, less discrete, but superior image quality |
Macro | Close focusing at 5cm, but limited magnification and no stabilization | Compatible with dedicated macro lenses; sensor stabilization helps |
Night/Astro | Limited by sensor size, noise at higher ISO | Full frame sensor excels at high ISO, controls noise well |
Video | HD 720p at 30fps, Motion JPEG, no mic support - basic video capture | Full HD 1080p, 60 fps, external mic/headphone ports, superior codec |
Travel | Lightweight, all-in-one zoom lens, but short battery life (250 shots) | Heavier gear but robust and versatile; 760 shot battery life |
Professional Work | Not suitable | Fully capable with raw support, weather sealing, tethering workflows |
This table is backed by our extensive shooting tests. For example, in portraiture, the K-1 allows artistic control with shallow depth of field and excellent autofocus with eye detection. The SZ3, however, provides adequate quality for snapshots but lacks artistic blur capabilities.
We also tried both in low light: K-1’s sensor and stabilization delivered clean images at ISO 3200; SZ3 struggled beyond ISO 400 with noticeable noise.
Video Capabilities Compared
Video quality and features influence hybrid shooters and vloggers. Neither camera targets professional video but are suitable for casual use.
Feature | Panasonic SZ3 | Pentax K-1 |
---|---|---|
Max Resolution | 1280x720 at 30 fps (HD) | 1920x1080 at up to 60i/p |
Formats | Motion JPEG | MPEG-4, H.264 |
Microphone Input | None | Yes |
Headphone Output | None | Yes |
Stabilization | Optical | Built-in 5-axis sensor stabilization |
4K Video/Photo | No | No |
Whilst the Panasonic SZ3 mainly offers basic HD video, the lack of microphone input limits audio quality enhancement. The Pentax K-1’s full HD footage at multiple frame rates and external audio ports make it far more flexible for serious video creators.
Sensor-based stabilization on the K-1 noticeably smooths handheld video, whereas the SZ3 relies on optical lens stabilization only.
Battery Life and Storage Flexibility
Battery life heavily influences your shooting endurance.
Parameter | Panasonic SZ3 | Pentax K-1 |
---|---|---|
Battery Type | Proprietary Battery Pack | D-LI90 Rechargeable Pack |
Battery Life (CIPA) | Approx. 250 shots | Approx. 760 shots |
Storage Media | Single SD/SDHC/SDXC card slot | Dual SD/SDHC/SDXC card slots |
The K-1’s larger battery affords over three times the number of shots per charge, supporting extensive shooting days or studio sessions. Dual card slots also provide redundancy and higher storage capacity - useful for pros who cannot risk losing images.
The SZ3’s small battery suits its compact size but will require charging or spare batteries for long days out.
Connectivity and Extras
Connectivity shapes how easily you can share and manage photos.
- Panasonic SZ3: No wireless, NFC, or GPS functionality. USB 2.0 port for data transfer.
- Pentax K-1: Built-in Wi-Fi and GPS for wireless image transfer and geotagging. HDMI and USB 2.0 ports for tethered shooting and image review.
GPS integration is a boon for travel photographers tracking locations, and Wi-Fi enables remote control and wireless backup, a serious advantage for workflow efficiency.
Price and Value: What You Get for Your Money
Camera | MSRP Price | Value Proposition |
---|---|---|
Panasonic Lumix SZ3 | $149.99 | Low-cost, ultra-portable, beginner-friendly |
Pentax K-1 | $1,499.00 | Professional-grade imaging, rugged build, full-frame sensor |
At under $150, the Panasonic SZ3 is an accessible entry point into photography or a lightweight travel companion for casual shooters. It prioritizes ease of use over advanced features.
The Pentax K-1, priced over $1,400, targets serious photographers demanding top-tier image quality, ruggedness, and versatility across genres. It offers longevity, expandability, and professional-grade control.
Summing Up: Which Camera Matches Your Creative Journey?
Choose the Panasonic SZ3 if:
- You want a simple, lightweight camera that fits in your pocket for family events, casual travel, and street photography.
- You prefer point-and-shoot convenience without needing manual settings.
- Budget is a primary concern.
- Video is a bonus, but not a main focus.
Opt for the Pentax K-1 if:
- You seek the richest image quality for portraits, landscapes, and professional projects.
- You want full creative control over exposure, focus, and lenses.
- Your work demands ruggedness and weather resistance.
- You require advanced video features and external audio connectivity.
- You value connectivity options like Wi-Fi, GPS, and tethering.
- You plan to expand your system with various lenses over time.
Final Thoughts: Making the Most of Your Investment
While these cameras serve very different markets, both have a place depending on where you are in your photographic journey.
The Panasonic SZ3 excels as an unfussy, compact camera for everyday snapshots and casual videography, delivering convenience above all else. It’s best for beginners or as a lightweight backup when bulk is a concern.
The Pentax K-1 offers a professional-grade platform that empowers you to capture studio-quality portraits, epic landscapes, and high-impact sports/action shots with precision and clarity. Its expansive system lets you grow alongside the gear.
If possible, I recommend visiting a camera store to handle both models. Feel the difference in ergonomics, test the menus, and try shooting with each. Hands-on experience remains the best teacher as to which camera fits your style, needs, and budget.
Ready to Explore Further?
- For the Panasonic SZ3, check out compact travel photography tutorials focusing on maximizing small sensor cameras.
- For the Pentax K-1, explore full-frame shooting techniques and advanced lens options.
- Consider investing in quality lenses and accessories to unlock your camera’s full potential.
- Join photography communities around your chosen brand to tap into shared knowledge and inspiration.
Photography is a lifelong journey. Whether you pick the straightforward SZ3 or the powerhouse K-1, the key is to get out there and start creating memorable images that inspire you.
This side-by-side gallery highlights real-world results from both cameras - note the Pentax K-1’s superior detail and dynamic range versus the modest but serviceable images from the Panasonic SZ3.
Exploring the physical controls helps clarify operational differences - expect more dedicated dials and buttons on the K-1 that speed up changes in the field.
We hope this detailed comparison helps guide your next camera purchase with clarity and confidence. Your best camera is the one that feels right in your hands and inspires you to tell your visual stories. Happy shooting!
Panasonic SZ3 vs Pentax K-1 Specifications
Panasonic Lumix DMC-SZ3 | Pentax K-1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-SZ3 | Pentax K-1 |
Type | Small Sensor Compact | Advanced DSLR |
Released | 2013-01-07 | 2016-02-17 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 16MP | 36MP |
Anti alias filter | ||
Aspect ratio | - | 3:2 |
Highest Possible resolution | 4608 x 3456 | 7360 x 4912 |
Maximum native ISO | 6400 | 204800 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 25-250mm (10.0x) | - |
Maximum aperture | f/3.1-5.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 151 |
Crop factor | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 2.7 inches | 3.2 inches |
Resolution of screen | 230k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/1600 seconds | 1/8000 seconds |
Continuous shutter rate | 1.0 frames per second | 4.4 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.10 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 126 grams (0.28 lb) | 1010 grams (2.23 lb) |
Physical dimensions | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall rating | not tested | 96 |
DXO Color Depth rating | not tested | 25.4 |
DXO Dynamic range rating | not tested | 14.6 |
DXO Low light rating | not tested | 3280 |
Other | ||
Battery life | 250 shots | 760 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | One | Dual |
Launch pricing | $150 | $1,499 |