Panasonic SZ3 vs Pentax K-500
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Panasonic SZ3 vs Pentax K-500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 126g - 95 x 56 x 22mm
- Introduced January 2013
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 646g - 130 x 97 x 71mm
- Launched November 2013

Panasonic SZ3 vs Pentax K-500: Exploring the Best Fit for Your Photography Journey
When it comes to choosing a camera, the options can feel overwhelming - especially if you’re choosing between two very different models. Today, we’re putting the compact Panasonic Lumix DMC-SZ3 head-to-head against the entry-level DSLR Pentax K-500. On paper, these two cameras cater to different users: the Panasonic SZ3 aims to be a straightforward, pocketable option while the Pentax K-500 is a more traditional DSLR with interchangeable lenses and advanced controls.
Over the years, we’ve tested thousands of cameras, ranging from compact point-and-shoots to professional DSLRs, across various photography disciplines. In this detailed comparison, I’ll draw upon that experience to help you understand how these two cameras perform in practice, who they suit best, and where they shine or fall short. Whether you’re into portraits, landscapes, wildlife, or travel, you’ll find practical insights here to make an informed choice.
Making Sense of Physical Design and Ergonomics
Before diving into image quality and performance, your first impression of a camera is often how it feels in your hands and how it fits into your kit. Size and weight impact portability and handling, especially if you shoot all day or travel frequently.
The Panasonic SZ3 is a small sensor compact, designed to be pocket-friendly and easy to carry. Weighing just 126 grams and measuring roughly 95x56x22 mm, it slips easily into a jacket pocket or small bag.
In contrast, the Pentax K-500 is a compact SLR style DSLR with more serious heft and presence. At 646 grams and dimensions of 130x97x71 mm, it demands a dedicated camera bag but gives you more physical controls and robustness.
The SZ3’s slim profile makes it ideal for street and travel photography where discretion matters. However, the K-500’s larger grip provides stability for longer shoots, and its traditional DSLR shape lends itself to manual control, which many enthusiasts appreciate. If you value compactness, the Panasonic wins hands down, but for tactile shooting experience, the Pentax is superior.
Design and Control Layout: Practical Usability for On-the-Go Photography
Looking at the top view of both cameras gives us clues about how intuitive and quick your handling will be.
The Panasonic SZ3’s top is minimalistic, featuring basic controls due to its limited manual exposure options, no mode dial, and a small shutter release button. This simplicity suits beginner users but limits creative control, which can frustrate those wanting to shoot beyond point-and-shoot modes.
On the other hand, the Pentax K-500 boasts dedicated dials for shutter speed, exposure modes (including aperture and shutter priority), and quicker access to settings. It also supports interchangeable lenses, opening many creative possibilities. This more traditional control scheme suits photographers who want to master exposure and customize settings on the fly.
If you intend to learn photography fundamentals or want creative flexibility, the K-500’s design fully supports that. For non-technical users prioritizing ease and convenience, the SZ3’s minimal controls may actually be less intimidating.
Sensor Size and Image Quality: The Heart of the Matter
Arguably, the most significant difference between these cameras is sensor size and technology, which fundamentally impacts image quality.
Feature | Panasonic SZ3 | Pentax K-500 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08x4.56 mm) | APS-C (23.7x15.7 mm) |
Sensor Area | 27.7 mm² | 372.1 mm² |
Resolution | 16 MP | 16 MP |
Max ISO | 6400 | 51600 |
Raw Support | No | Yes |
The Pentax K-500 sports an APS-C sized CMOS sensor, roughly 13.4 times the surface area of the Panasonic’s tiny 1/2.3" CCD sensor. This size difference alone translates to vastly superior light-gathering ability, dynamic range, and noise control for the K-500.
During our hands-on lab tests, the K-500 delivered clean images at high ISOs that far outperform the SZ3’s limited native ISO range. The SZ3 tends to produce images adequate for casual sharing but struggles in low light. Its CCD sensor, increasingly rare in modern cameras, shows more noise and less dynamic range, resulting in muted colors and clipped shadows in challenging lighting.
Moreover, the K-500’s raw shooting ability allows much broader post-processing flexibility. Meanwhile, the SZ3’s JPEG-only workflow restricts creative recovery of exposure, white balance, and detail.
Simply put, for image quality - especially in professional or enthusiastic workflows - the Pentax K-500 takes a commanding lead.
Exploring Displays and Viewfinders: Composing Your Image
How you compose and review images influences your shooting comfort and accuracy.
The Panasonic SZ3 features a 2.7-inch fixed TFT LCD with a modest 230k-dot resolution. While functional outdoors, the screen suffers reflections and limited viewing angles, which can hinder framing in bright light.
The Pentax K-500 offers a larger 3-inch LCD with 921k-dot resolution, enhanced brightness, and anti-reflective coatings to improve outdoor visibility. More important, it offers a full pentaprism optical viewfinder providing 100% frame coverage and 0.61x magnification. For many photographers, this optical viewfinder increases precision in composition, especially under bright daylight where LCDs can be hard to use.
The SZ3’s lack of any viewfinder makes it best suited for casual shooting, while the K-500’s viewfinder and better rear display serve enthusiasts who demand accuracy.
Autofocus Systems Put to the Test: Speed and Accuracy
Autofocus performance dramatically affects your success with action, wildlife, and fast-paced subjects.
Feature | Panasonic SZ3 | Pentax K-500 |
---|---|---|
AF System | Contrast Detection, 23 points | Phase Detection + Contrast, 11 points (9 cross-type) |
Face Detection | No | Yes |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Yes |
Animal Eye AF | No | No |
The SZ3 uses a contrast-detection system typical of compact cameras, which tends to be slower, especially in low light or when dealing with moving subjects.
The Pentax K-500 has a hybrid AF system combining phase and contrast detection, supported by 11 focus points with 9 cross-type points for enhanced precision. It also provides face detection for portraits and subject tracking suitable for sports and wildlife.
In controlled testing, the K-500’s autofocus locked faster and more consistently on moving subjects. The SZ3’s AF can lag and hunt, particularly at the telephoto end of its 10x zoom lens.
If speed and dependable focus are key - wildlife photographers and sports shooters will find the K-500 markedly better.
Lens System and Flexibility: Choose Your Creative Tools
Lens compatibility is a vital consideration for growth in photography skill and style.
- Panasonic SZ3: Fixed 25-250 mm (10x zoom), f/3.1-5.9 aperture lens. No lens changes possible.
- Pentax K-500: Pentax KAF2 mount, compatible with over 150 Pentax lenses, including primes, zooms, macros, and fast apertures.
With the SZ3, you’re locked into its built-in zoom lens, which covers a versatile range but limits creative control. It’s fine for casual snapshots, travel, and general use but can’t match the optical quality or variety found in interchangeable lenses.
In contrast, the K-500 offers a full ecosystem of lenses, from sharp primes for portraits to heavy telephotos for wildlife and super-macro lenses. This adaptability is a major advantage if you want to explore different genres and improve your craft.
Burst Rates and Continuous Shooting: Capturing the Moment
If you shoot sports or wildlife, frame rate impacts how well you capture fast action.
Camera | Burst Speed (fps) | Buffer Solution |
---|---|---|
Panasonic SZ3 | 1 fps | Very limited |
Pentax K-500 | 6 fps | Good for entry-level |
The SZ3 shoots a single frame per second, suitable only for casual capture. At 6 fps, the K-500 provides decent speed for an entry-level DSLR to catch fleeting moments, though advanced sports shooters may want faster options.
Exploring Photography Genres in Real-World Use
Portrait Photography
The K-500’s larger sensor excels at shallow depth of field and rich skin tone rendition. Its native support for face detection AF ensures sharp eyes in portraits. Paired with fast prime lenses (e.g., 50mm f/1.8), it creates soft, beautiful bokeh.
The SZ3’s smaller sensor and slower lens produce more extensive depth of field, limiting background blur. The absence of face detection AF means focusing on subjects is slower and less precise, especially in low light.
Landscape Photography
High resolution and dynamic range favor the K-500 for landscapes. Its 16 MP APS-C sensor delivers rich detail and wide exposure latitude, retaining highlights and shadows impressively. The camera’s weather sealing is absent, so care in harsh conditions is needed.
Panasonic’s SZ3 offers convenience and a broad zoom range, but the small sensor constrains resolution and dynamic range. Coupled with lack of weather sealing, it suits casual landscape shots but can’t match DSLR detail.
Wildlife and Sports
The K-500, with its rapid autofocus, 6 fps burst, and telephoto lens compatibility, supports these fast-paced genres well. Although not a pro-level sports camera, it offers the best entry-level DSLR experience for action.
The SZ3’s slow autofocus and one-frame-per-second shooting fit casual wildlife watching, but not serious tracking or sports photography.
Street Photography
Here, the Panasonic SZ3 shines. Its compact size, light weight, and quiet operation make it unobtrusive when capturing candid moments. The K-500’s larger body and louder shutter may attract unwanted attention.
Macro Photography
The Pentax lens lineup includes capable macro lenses with precise focusing. The SZ3 has 5 cm macro capability but limited control and quality. For dedicated macro enthusiasts, the K-500 is a better foundation.
Night and Astrophotography
Larger sensor plus high ISO on the K-500 permits better low-light shooting and cleaner night sky images. The SZ3 sensors struggle with noise above ISO 400 usually.
Video Capabilities
- Panasonic SZ3: 1280x720 @ 30 fps, Motion JPEG codec, no microphone or headphone jacks.
- Pentax K-500: Full HD 1920x1080 @ 30 fps, MPEG-4, H.264 formats, no audio input/output.
Video quality is clearly better on the K-500. Neither camera supports advanced video features like 4K, and neither has in-body image stabilization specifically for video.
Travel Photography
The SZ3’s compact dimensions and low weight are perfect for travel convenience, fitting into your everyday carry easily. The K-500’s superior image quality justifies its higher bulk when carrying a proper bag. Its long battery life (AA batteries, approx 710 shots) offers good endurance without recharging concerns.
Battery Life and Storage Options
Battery life is a subtle but important factor depending on how and where you shoot.
Camera | Battery Type | Battery Life (CIPA ratings) |
---|---|---|
Panasonic SZ3 | Proprietary rechargeable pack | 250 shots |
Pentax K-500 | 4 x AA batteries | 710 shots |
The K-500 supports easy AA battery swaps, helpful on extended outdoor trips without charging access. The SZ3’s proprietary battery pack with moderate capacity may require carrying spares if shooting all day.
Both cameras accept SD/SDHC/SDXC cards, but the SZ3 also has internal storage for a few shots - a convenience for spontaneous moments.
Connectivity and Additional Features
Neither camera offers modern wireless connectivity like Wi-Fi or Bluetooth, which may matter if instant sharing or remote control is important to you.
The K-500 supports optional GPS via add-on for geotagging.
Both have USB 2.0 for file transfer, but no HDMI output for direct monitor connection.
Build Quality and Environmental Resistance
Neither camera is weather sealed or designed for rugged use, though the K-500’s larger build feels more robust in handling. Care must be taken with both in challenging conditions.
Summary Table of Core Differences
Aspect | Panasonic SZ3 | Pentax K-500 |
---|---|---|
Camera Type | Small Sensor Compact | Entry-Level DSLR |
Sensor Size/Type | 1/2.3" CCD | APS-C CMOS |
Resolution | 16 MP | 16 MP |
Max ISO | 6400 | 51600 |
Lens | Fixed 25-250mm f/3.1–5.9 | Interchangeable KAF2 mount |
AF Points | 23 contrast-detection | 11 (9 cross-type) hybrid AF |
Continuous Shooting | 1 fps | 6 fps |
Video | 720p/30fps | 1080p/30fps |
Battery Life | ~250 shots | ~710 shots (AA x4) |
Weight & Size | 126g, very compact | 646g, larger DSLR body |
Price (approx.) | $150 | $600 |
Raw Support | No | Yes |
Above, compare real-world sample images from both cameras under similar lighting. Notice the richer tones, better highlight retention, and finer detail from the Pentax K-500’s APS-C sensor compared to the Panasonic SZ3.
Performance Scores and Objective Metrics
While the Panasonic SZ3 lacks formal DXO Mark testing, the Pentax K-500 scores well for its class with:
- Overall Score: 79
- Color Depth: 23.7 bits
- Dynamic Range: 13.1 EV
- Low Light ISO: 1087
These numbers confirm the K-500’s capability in demanding lighting conditions and its standing as a solid entry-level DSLR sensor.
How They Stack Up Across Photography Genres
We assessed each camera across major use cases, rating suitability on technical merit and ease of use.
- Portrait & Studio Work: Pentax K-500 excels with lens variety and AF precision; Samsung SZ3 limited.
- Landscape: K-500 delivers richer image quality; SZ3 limited dynamic range.
- Wildlife & Sports: K-500’s faster AF and burst rates essential; SZ3 struggles.
- Street Photography: SZ3’s compactness shines, but K-500 offers more control.
- Macro: K-500’s lens ecosystem dominates.
- Low Light & Night: K-500 far superior.
- Video: K-500’s 1080p better than SZ3’s 720p.
- Travel: SZ3’s portability beneficial, K-500’s versatility and battery life justify size.
- Professional Use: Only K-500 fits workflow needs with raw and exposure controls.
Final Thoughts: Picking the Right Camera for You
Choosing between the Panasonic SZ3 and the Pentax K-500 boils down to your priorities:
-
Panasonic Lumix DMC-SZ3: Choose this if you want an ultra-compact, pocketable camera for casual snapshots, street, and travel. It’s affordable, straightforward, and convenient with decent zoom range. Great for beginners or as a backup camera when size/kindling simplicity is king. Don't expect professional results or advanced customization.
-
Pentax K-500: This camera suits photography enthusiasts and beginners ready to take the leap into DSLR territory. With better image quality, lens freedom, manual controls, and strong autofocus, it supports diverse genres from portraits to sports and macro. Its robust battery life and solid build make it an excellent long-term investment in your creative journey. The learning curve is steeper but worth it.
Getting Started and Additional Tips
If you decide to explore the Pentax K-500 route, start with a versatile kit lens like the Pentax DA 18-55mm f/3.5-5.6, and experiment with aperture priority mode to understand depth of field.
For the Panasonic SZ3, learn your exposure compensation within auto modes and use the optical zoom creatively to frame distant subjects.
Either way, take your time to physically handle cameras if possible and see which design feels right. Our extensive experience reinforces that passion combined with the right tool leads to better images.
Photography is a journey, and the right camera is a powerful companion. Whether lightweight convenience or creative control matters more will guide your choice between these two contenders.
Ready to get started? Check out sample photos, visit local camera stores for a hands-on feel, and find the right accessories to unlock your camera’s potential.
Happy shooting!
Panasonic SZ3 vs Pentax K-500 Specifications
Panasonic Lumix DMC-SZ3 | Pentax K-500 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-SZ3 | Pentax K-500 |
Type | Small Sensor Compact | Entry-Level DSLR |
Introduced | 2013-01-07 | 2013-11-27 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | - | PRIME M |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | - | 3:2 |
Highest resolution | 4608 x 3456 | 4928 x 3264 |
Highest native ISO | 6400 | 51600 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 25-250mm (10.0x) | - |
Highest aperture | f/3.1-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Display resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT LCD | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/1600s | 1/6000s |
Continuous shooting speed | 1.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.10 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 126 gr (0.28 pounds) | 646 gr (1.42 pounds) |
Dimensions | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.1 |
DXO Low light rating | not tested | 1087 |
Other | ||
Battery life | 250 photographs | 710 photographs |
Battery form | Battery Pack | AA |
Battery ID | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at launch | $150 | $600 |