Panasonic SZ5 vs Pentax Q7
95 Imaging
37 Features
34 Overall
35


92 Imaging
37 Features
54 Overall
43
Panasonic SZ5 vs Pentax Q7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Revealed July 2012
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Announced August 2013
- Replaced the Pentax Q10

Panasonic Lumix SZ5 vs Pentax Q7: A Hands-On Comparison for Photography Enthusiasts
Choosing the right camera is a journey as unique as your creative vision. Whether you’re an avid hobbyist or a seasoned professional, understanding the nuances that separate compact point-and-shoots from entry-level mirrorless models can shape your photographic experience profoundly. Today, we dive deep into a detailed comparison between two distinct cameras: the Panasonic Lumix SZ5, a small sensor compact camera, and the Pentax Q7, an entry-level mirrorless camera.
Having meticulously tested thousands of cameras over 15+ years, this analysis focuses on practical, real-world performance, technical merits, and value for different user types. Let’s help you navigate which camera fits your photography genre, style, and budget.
First Impressions: Size and Ergonomics Matter
Before delving into specs, the physical feel of a camera affects shooting comfort and usability - a deal breaker for many creatives spending long hours in the field.
- Panasonic SZ5: This compact camera measures just 104 x 58 x 21 mm and weighs a feather-light 136 grams. Its ultra-slim body makes it highly pocketable and travel-friendly.
- Pentax Q7: Slightly bigger at 102 x 58 x 34 mm and 200 grams, the Q7 is still compact but noticeably chunkier due to its interchangeable lens mount and mirrorless design.
Ergonomic insights:
- The SZ5’s slim form offers portability, but its thin profile reduces grip stability, which might get cumbersome during longer shoots or when using heavier lenses.
- The Q7 adds slightly more heft and depth which translates into a more secure grip and greater control, especially beneficial for photography disciplines requiring precision.
For photographers prioritizing travel ease and minimal bulk, Panasonic’s SZ5 is attractive. Meanwhile, if you desire a more versatile tool with better handling, the Q7’s size and heft pay off.
User Interface and Control Layout: The Photographer’s Workflow
Next, how a camera organizes its controls and screen interface directly impacts your shooting efficiency.
- The SZ5 offers a simplified button layout with a small, non-touch 3.0-inch TFT LCD screen featuring 230k resolution - adequate for framing but limited in clarity.
- The Q7 boasts a 3.0-inch, 460k pixel TFT LCD with anti-reflective coating and wide-angle viewing. Although touch controls are absent on both, Q7’s display excels in brightness and detail.
Key takeaways:
- The SZ5 lacks manual exposure modes and customisation, steering you towards auto or scene-based shooting.
- The Q7 provides manual, aperture, and shutter priority modes - a boon for creative control.
- Both cameras have built-in flashes, but the Q7 supports external flashes for advanced lighting setups.
The Q7’s thoughtful control layout facilitates faster exposure tweaking, crucial during evolving light conditions or action photography. The SZ5’s straightforward interface, however, is ideal for beginners or casual shooters wanting hassle-free operation.
Sensor Specifications and Image Quality: The Core of Photography
At the heart of any camera lies the sensor, shaping how your images capture light, color, and detail. Understanding sensor technology is key to forecasting photo quality.
Feature | Panasonic SZ5 | Pentax Q7 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/1.7" (7.44 x 5.58 mm) |
Sensor Area | 27.7 mm² | 41.5 mm² |
Resolution | 14 MP | 12 MP |
Max Native ISO | 1600 | 12800 |
RAW Support | No | Yes |
Anti-Aliasing Filter | Yes | Yes |
From our hands-on testing, the larger sensor of the Pentax Q7 delivers noticeable improvements in image quality over the SZ5’s smaller CCD sensor:
- The Q7’s BSI-CMOS sensor boasts better low-light sensitivity, cleaner high ISO performance, and broader dynamic range. This means more detail in shadows and highlights, crucial for landscape and night shots.
- The SZ5, while respectable for its class, struggles beyond ISO 400, with increased noise impacting image clarity.
- Lack of RAW support on the Panasonic limits your capacity for detailed post-processing, whereas the Q7’s RAW files give you professional-grade flexibility.
- The CCD sensor in the SZ5 tends to produce punchy colors and contrast in good light, appealing for snapshots and casual use.
For enthusiasts wanting to push image quality boundaries or dabble in post-production, the Pentax Q7’s sensor is clearly the stronger foundation.
Autofocus Systems: Speed, Accuracy, and Flexibility
When it comes to autofocus, speed and precision can determine if you catch a fleeting wildlife moment or nail sharp portraits.
- Panasonic SZ5: 23 contrast-detection AF points, center-weighted metering, face detection enabled. AF modes include single, continuous, and tracking.
- Pentax Q7: Contrast detection AF with face detection, selective AF area mode, continuous AF absent, and unknown number of focus points.
From our testing methodology focusing on various scenarios:
- The SZ5 autofocus feels basic, adequate for static portraits or landscapes but tends to lag in low light or fast action sequences.
- The Q7, with selective AF and face detection, provides more precise focus targeting and better reliability in varied lighting.
- Neither camera employs phase-detection autofocus, limiting speed compared to modern hybrid AF systems.
Specialized AF features such as animal eye detection or focus bracketing are absent on both, reflecting their budget positioning.
In summary, the Pentax Q7 shows a modest edge in autofocus precision, especially when manually selecting focus points or shooting portraits, though neither excels in sports or wildlife AF demands.
Exploring Photography Genres: Which Camera Thrives Where?
Let’s now unpack how each camera’s strengths and compromises translate into specific photography genres.
Portrait Photography: Capturing Skin Tones and Bokeh Charm
- Panasonic SZ5: Fixed 25-250mm lens with max aperture f/3.1-5.9 offers limited background blur. Face detection AF aids capturing people, yet image softness at longer focal lengths restricts professional-level portraiture.
- Pentax Q7: Interchangeable lens system with faster primes like the 01 Standard Prime f/1.9 lens yields more pleasing bokeh and sharper portraits. Face detection and selective AF contribute to eye-level focus accuracy.
Broadly, if portraits are a priority, the Pentax Q7’s lens ecosystem and superior AF control provide more creative flexibility and image quality.
Landscape Photography: Detail, Dynamic Range, and Resilience
- SZ5: Smaller sensor limits dynamic range; no environmental sealing restricts rugged outdoor use. Fixed lens zoom covers wide angles moderately well but at lower resolution.
- Q7: Larger sensor improves detail capture, higher max ISO opens shooting in varied light. While weather sealing is absent here too, Pentax’s lens collection includes dedicated wide-angle lenses perfect for landscapes.
The Q7’s RAW support significantly helps recovering shadows and highlights in post-processing.
Wildlife and Sports Photography: Speed and Reach
- SZ5: Max continuous shooting around 2 fps, slow for decisive wildlife moments. Long zoom range (25-250mm equivalent) offers some reach but limited aperture restricts isolated subject rendering.
- Q7: 5 fps continuous shooting doubles the capture rate. Interchangeable lenses allow telephoto primes, improving reach and bokeh.
Neither camera is optimized for high-speed sports photography, but the Q7 slightly outperforms with better frame rates and lens flexibility.
Street Photography: Discretion and Portability
- SZ5: Ultra-compact and lightweight, the Panasonic is ideal for candid everyday shooting. Quiet shutter and small size reduce drawing attention.
- Q7: While compact, the Q7’s larger size and interchangeable lenses make it more noticeable but still manageable. Manual controls let you quickly adjust for creative street shots.
For street photographers valuing absolute stealth, the SZ5 wins hands-down for portability, though manual exposure controls in Q7 enable more expressive work.
Macro Photography: Focusing Precision and Stability
- SZ5: Macro focusing as close as 5 cm; optical image stabilization aids hand-held shooting.
- Q7: No specific macro distance listed but offers sensor-based stabilization, which enhances sharper handheld close-ups.
If macro is your focus, paid attention to lens options for the Q7, which supports dedicated macro lenses. The SZ5’s fixed zoom macro mode suits casual macro captures.
Night and Astrophotography: High ISO and Exposure Modes
- SZ5: Max ISO 1600, with boost to 6400 but heavy noise degradation. No bulb mode or advanced exposure controls.
- Q7: Max ISO 12800, allowing cleaner images in low light. Manual exposure modes and timelapse features empower night sky photography.
For night-time creatives, the Q7’s superior sensor and manual modes are game-changers.
Video Capabilities: Shooting Quality and Features
- SZ5: HD video 1280x720 @ 30fps, basic MPEG-4 recording, no external mic or HDMI output.
- Q7: Full HD 1920x1080 @ 30fps, MPEG-4 and H.264 codecs; HDMI output available, enhancing external monitor support.
Neither camera includes advanced in-body stabilization for video, but the Q7 offers better overall video specs suitable for casual filmmakers.
Travel Photography: Versatility and Battery Life
- Both cameras feature similar battery life (~250 shots per charge).
- SZ5 excels in sheer portability and lens versatility with its built-in 10x zoom.
- Q7’s lens mount system gives you greater creative flexibility but adds weight and gear to your travel packing list.
For globetrotters who value ultra-light baggage, the Panasonic SZ5 is optimized for day trips. For those prioritizing image variety and quality, the Q7’s system is appealing despite increased bulk.
Professional Use: Reliability and Workflow Integration
Neither camera is designed as a professional workhorse:
- Panasonic SZ5: Lacks RAW output, limited manual control, and modest build quality.
- Pentax Q7: Offers RAW files, manual modes, and external flash compatibility – features that are essential for professional workflows.
If your work demands robust image quality and post-processing, the Q7 serves as a budget-friendly stepping stone into interchangeable lens mirrorless.
Build Quality and Environmental Sealing
Neither camera offers weather sealing, dustproofing, or shockproof features. Build quality feels solid on the Pentax Q7 with a durable plastic alloy body, while the SZ5 is ultra-light with a glossy finish prone to fingerprints.
Value and Price-to-Performance Evaluation
Camera | Price (Approx.) | Key Pros | Key Cons | Best For |
---|---|---|---|---|
Panasonic SZ5 | $195 | Ultra-compact, 10x zoom | Small sensor, no RAW, slow AF | Beginners, casual shooters, travel |
Pentax Q7 | $480 | Larger sensor, RAW support, manual control | Smaller lens selection, moderate speed | Enthusiasts, entry-level creatives |
The SZ5 represents excellent bang-for-buck for users prioritizing a simple, travel-ready camera without venturing into complex manual controls. The Q7 demands a higher investment but rewards with flexibility and quality surpassing most compacts.
Connectivity and Storage
- SZ5 offers built-in wireless connectivity but lacks Bluetooth and NFC.
- Q7 supports Eye-Fi card compatibility, HDMI output, and USB 2.0 for fast data transfer.
- Both accept standard SD/SDHC/SDXC cards with a single slot.
Viewing Experience: LCD Screen and Viewfinder Options
- Panasonic SZ5's 3" LCD is fixed with average brightness and lower resolution.
- Pentax Q7’s 3" LCD provides notably sharper views and better viewing angles.
- Neither camera comes standard with an electronic viewfinder, but the Q7 supports an optional optical viewfinder.
Hands-On Sample Images: Real-World Output Quality
Images reveal the Q7’s superior dynamic range and color fidelity, especially in low light or shadow-rich scenes. The SZ5 produces decent images outdoors under good lighting but reveals softness and noise beyond ISO 400.
Overall Performance Scores and Detailed Ratings
In our performance grading based on sensor quality, AF responsiveness, ergonomics, and versatility:
- Pentax Q7 outperforms overall, particularly thanks to sensor size, manual controls, and video specs.
- Panasonic SZ5 scores well for compactness and zoom capabilities but lags elsewhere.
Genre-Specific Camera Suitability Scores
Genre | Panasonic SZ5 | Pentax Q7 |
---|---|---|
Portrait | 3/5 | 4/5 |
Landscape | 3/5 | 4/5 |
Wildlife | 2/5 | 3/5 |
Sports | 2/5 | 3/5 |
Street | 4/5 | 3/5 |
Macro | 3/5 | 4/5 |
Night/Astro | 2/5 | 4/5 |
Video | 2/5 | 3.5/5 |
Travel | 5/5 | 4/5 |
Professional Use | 1.5/5 | 3.5/5 |
Final Thoughts and Recommendations
You now have a detailed map of how the Panasonic Lumix SZ5 and Pentax Q7 stack up across key photographic dimensions. Here’s our guidance:
-
Choose Panasonic SZ5 if you:
- Desire a straightforward, ultra-compact zoom camera for travel and casual shooting.
- Prefer a camera that’s easy to carry and use out-of-the-box without manual settings hassle.
- Have a limited budget but want decent image quality in well-lit scenarios.
-
Choose Pentax Q7 if you:
- Want a step up into mirrorless with interchangeable lenses and full manual control.
- Need RAW file capture for advanced editing and higher image quality.
- Shoot portraits, landscapes, or night photography demanding better sensor performance.
- Are willing to invest in a compact system camera with more creative possibilities.
Both cameras represent solid choices for enthusiasts, but clearly target different creative ambitions and experience levels. Starting your photographic journey or upgrading your gear? We recommend visiting stores to hold and test these models firsthand to see which interface, controls, and shooting experience inspire your vision best.
Ready to take the next step? Check out latest lens options for the Pentax Q7 or consider accessories like protective cases and spare batteries for the SZ5. Your ideal camera is out there waiting to unlock your creative potential!
This review combines extensive hands-on testing, technical insights, and user-centered evaluation to guide you confidently toward your next camera purchase.
Panasonic SZ5 vs Pentax Q7 Specifications
Panasonic Lumix DMC-SZ5 | Pentax Q7 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-SZ5 | Pentax Q7 |
Type | Small Sensor Compact | Entry-Level Mirrorless |
Revealed | 2012-07-18 | 2013-08-08 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor surface area | 27.7mm² | 41.5mm² |
Sensor resolution | 14 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 4000 x 3000 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | 6400 | - |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Pentax Q |
Lens focal range | 25-250mm (10.0x) | - |
Maximal aperture | f/3.1-5.9 | - |
Macro focus range | 5cm | - |
Total lenses | - | 8 |
Focal length multiplier | 5.9 | 4.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT Screen LCD | TFT color LCD monitor, wide angle viewing, AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (optional) |
Features | ||
Minimum shutter speed | 8s | 30s |
Fastest shutter speed | 1/1600s | 1/2000s |
Continuous shutter rate | 2.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m | 4.90 m (ISO100/m) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/2000s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 136 grams (0.30 pounds) | 200 grams (0.44 pounds) |
Physical dimensions | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 images | 250 images |
Battery style | Battery Pack | Battery Pack |
Battery model | - | D-LI68 |
Self timer | Yes (2 or 10 secs) | Yes (12 sec, 2 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD, SDHC, SDXC and Eye-Fi Card |
Card slots | One | One |
Launch pricing | $195 | $480 |