Panasonic SZ7 vs Pentax S1
95 Imaging
37 Features
41 Overall
38


93 Imaging
37 Features
31 Overall
34
Panasonic SZ7 vs Pentax S1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.1-5.9) lens
- 133g - 99 x 59 x 21mm
- Launched January 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Released March 2011

Panasonic Lumix SZ7 vs. Pentax Optio S1: A Hands-On Comparison for Compact Camera Enthusiasts
In my extensive years behind the viewfinder, I’ve always found small sensor compacts to be a fascinating study in trade-offs. These cameras promise portability and easy handling, but often leave serious shooters yearning for more control and image quality. Today, I’m diving deep into two such contenders - the Panasonic Lumix DMC-SZ7 (SZ7) and the Pentax Optio S1 (S1). Both heralded as user-friendly, affordable travel companions back in the early 2010s, they still hold lessons about compact camera design and usability that resonate today.
I’ve spent countless hours testing them side-by-side across different settings, lighting conditions, and photographic disciplines. This piece will unpack their core strengths and weaknesses, and illuminate which type of photographer might best benefit from each camera’s quirks and capabilities. I’ll also weave in technical assessments with practical real-world usability notes - from sensor performance nuances to ergonomics, focusing, and video handling.
Let’s jump in and size them up - literally.
Compactness and Ergonomics: How They Feel in Your Hands
When evaluating cameras, ergonomics often dictate whether you enjoy shooting or endure it. My first impression while holding the Panasonic SZ7 and Pentax S1 was markedly different.
Size & Weight: The Panasonic SZ7 is noticeably compact - measuring just 99 x 59 x 21 mm and weighing a scant 133 grams with battery. The Pentax S1, while still small, is chunkier at 114 x 58 x 28 mm and heavier at 157 grams. The SZ7’s slim body easily slips into a jacket pocket, which is a boon for traveler’s spontaneity.
Button Layout: Neither camera offers extensive manual controls, but the SZ7 feels more streamlined. Its buttons are flush and minimalistic, making unintentional presses less likely. The Pentax S1, by contrast, has slightly bulkier buttons that give some tactile feedback but can be fiddly for users with larger fingers.
Grip & Handling: With no pronounced grip on either, the SZ7 relies on snugness in your hand, while the S1’s wider thickness can yield a more secure hold albeit less sleekness.
The takeaway: If pocketability and slip-in convenience top your list, the SZ7 leads. If you prefer a slightly heftier feel that’s less likely to slip, the Pentax’s extra girth earns some points.
Control Design and User Interface: A Tale of Two Consoles
Taking a peek from the top reveals how each interface aligns with their intended user experience.
The SZ7’s top deck is minimalist - just the shutter, a power button, and zoom toggle. There’s a modest mode dial, but only a handful of presets since no manual exposure options exist. The Pentax S1 similarly avoids complexity, but with a slightly larger mode dial allowing for a few more scene modes, including spot metering (discussed later).
Both cameras lack custom dials or dedicated buttons for ISO or aperture - the tradeoff of compactness and budget design. However, during testing, the SZ7’s simple controls encouraged faster point-and-shoot decisions - ideal for casual users. The Pentax, while straightforward, felt a touch more dated and slower to navigate menus.
Sensor Technology and Image Quality: The Heart of the Matter
Though both cameras classify as small sensor compacts, the sensor technology diverges significantly and impacts image quality and low light capability.
Sensor Size & Type: Both pack a 1/2.3" sensor, the ubiquitous size in consumer compacts, but the Panasonic SZ7 sports a CMOS sensor while the Pentax S1 uses CCD technology. CMOS sensors generally handle noise better and offer faster readout speeds, hinting at better performance in dim conditions and video capture.
Resolution: Both cameras deliver 14 megapixels, with the Panasonic maxing out at 4320 x 3240 pixels and the Pentax at 4288 x 3216 - roughly equivalent. At base ISO (100 for Panasonic, 80 for Pentax), both produce detailed images that hold up reasonably well in moderate prints.
Image Processing and Color Rendering: I noticed the Panasonic edges out with more vivid and natural-looking colors, especially skin tones - important for portrait work. The Pentax’s CCD sensor imparts slightly warmer tones, which some might prefer artistically but it tends to clip highlights more aggressively.
ISO and Noise Handling: The SZ7’s CMOS sensor shines here; images remain usable up to ISO 800, with noise becoming disruptive deeper into ISO 1600 and 3200. Conversely, the Pentax S1’s CCD struggles beyond ISO 400, producing grainier results and color smearing. This makes the SZ7 a stronger low-light tool.
Dynamic Range: Both cameras are limited by their sensor sizes and image processing - expect tight dynamic range with shadow clipping in harsh conditions. I prefer shooting in good light or shade to mitigate this.
Bottom line: The Panasonic SZ7 has a contemporary sensor setup that yields superior color fidelity and better high ISO performance. The Pentax remains capable for daylight conditions but lags behind in versatility.
LCD Screen and Viewfinder: Composing Your Vision
Neither camera offers an electronic or optical viewfinder, critical for bright outdoor shooting, so the LCD quality is vital.
Screen Size and Resolution: The SZ7 sports a 3-inch, 460k-dot TFT LCD. The Pentax S1’s screen is slightly smaller at 2.7 inches and half the resolution at 230k dots. The larger, sharper screen on the Panasonic I found easier for framing and reviewing images, especially under indoor lighting.
Screen Coating: Pentax S1 adds an anti-reflective coating, which helps outdoors but is not a cure-all in direct sunlight. The SZ7’s brighter screen made a notable difference when using the camera at midday.
Touch and Interface: Neither model supports touchscreen input, so navigating menus and selecting AF points requires traditional button navigation. This is sluggish on both but more so on the Pentax due to its slower processor and older interface logic.
If LCD experience affects your workflow, Panasonic’s bigger, crisper display wins here.
Autofocus Performance: Speed and Accuracy in the Moment
Focusing speed and reliability can make or break candid shots, particularly in dynamic situations like street or wildlife photography.
The Panasonic SZ7 uses 23 contrast-detection AF points, including face detection, continuous autofocus, and basic AF tracking capabilities. The Pentax S1 relies on 9 contrast-detection points without face detection, but offers spot metering which can improve exposure accuracy in tricky lighting.
In real-world testing:
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The SZ7 showed quicker autofocus lock times, particularly in well-lit scenes and with face detection active. Its continuous AF mode tracked moving subjects moderately well for a compact.
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The S1’s autofocus was generally slower and struggled to maintain accuracy on fast-moving subjects, showing hunting behavior especially indoors or at lower light.
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Neither camera supports manual exposure or full manual focus, but the Pentax S1 permits manual focus via menu control, which I found useful in macro scenarios where precise focus was crucial. The Panasonic SZ7 lacks manual focus entirely.
For action or wildlife photographers dabbling in compacts, the Panasonic’s faster AF offers an edge. For macro enthusiasts willing to invest time, the Pentax’s manual focus can be a surprise strength.
Lens and Zoom Versatility: Reach and Flexibility
Both cameras feature fixed lenses with significant zoom ranges but differ in optical performance.
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Panasonic SZ7’s 25-250mm equivalent (10x zoom) spans wide to super-telephoto reach, albeit with a slower max aperture ranging from f/3.1 at wide to f/5.9 at telephoto.
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Pentax S1’s 28-140mm equivalent (5x zoom) covers less telephoto but is marginally faster at f/3.5–5.5.
In daylight, the SZ7’s longer zoom allowed for tighter framing of distant wildlife and sports shots, though image sharpness softens noticeably past 200mm equivalent. Optical image stabilization in both models helps, but the sensor-shift stabilization in the Pentax was impressively steady during close-up shooting.
While the Panasonic is my pick for versatility, the Pentax lens shines for close range and macro, especially when paired with its 1 cm macro focusing ability (vs. the SZ7’s 4 cm minimum focus).
Shooting Modes and Exposure Control: How Much Creative Freedom?
Neither camera caters to manual exposure control aficionados. Both restrict users mostly to preset scene modes with automatic exposure.
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The Panasonic SZ7 lacks aperture or shutter priority modes and has no exposure compensation. This left me reliant on the camera’s auto-exposure to interpret tricky lighting, sometimes resulting in overexposed highlights.
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The Pentax S1 also offers no manual exposure, but its spot metering mode allowed me to influence exposure more accurately in high contrast scenes, a boon for portraits or street shots in uneven light.
Both cameras provide custom white balance settings, which I strongly recommend using in mixed lighting to avoid color casts.
Burst Shooting and Buffer: Capturing Fast Action
The SZ7 claims a continuous shooting speed of 10 frames per second (fps), while the Pentax manages a much slower 1 fps burst rate.
In practice:
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Panasonic’s high fps is impressive for a compact, but buffer size is very limited, allowing just a handful of JPEGs before slowing sharply.
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The Pentax is not designed for burst photography, making it impractical for capturing fast sports or wildlife action.
If rapid sequences are your priority, the SZ7 is clearly superior here.
Video Capability: Moving Images Examined
Both cameras put video recording on the table, but with distinct limitations.
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Panasonic SZ7 shoots Full HD 1080p at 60 or 30 fps with AVCHD and MPEG-4 codecs. It supports optical image stabilization during recording, producing relatively smooth handheld footage.
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Pentax S1 tops out at 720p HD video at 30 fps, recorded only in Motion JPEG format, which results in large files and less efficient compression.
Neither camera provides microphone input nor headphone monitoring, limiting audio control for serious videographers.
For casual video capturing during travel or family events, the SZ7’s higher resolution and smoother stabilization make it the more versatile choice.
Battery Life and Storage: Prepared for the Long Haul?
Both cameras rely on proprietary rechargeable battery packs, with the Pentax S1 rated at approximately 260 shots per charge, slightly surpassing the Panasonic’s 220.
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In my usage, I observed similar endurance, with both requiring spare batteries for extended shoots.
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Both accept SD/SDHC/SDXC cards, with one card slot only.
For travelers prioritizing light packs, the Panasonic’s smaller battery size supports the compact body, but the Pentax’s longer endurance might be a small advantage during long days out.
Build Quality and Weather Sealing: Durability in the Field
Neither camera boasts weather sealing, dustproofing, or rugged shock resistance. Construction is typical plastic-bodied compact, designed for casual usage, not professional fieldwork.
If you routinely shoot outdoors in challenging conditions, you’ll want to protect either with a dedicated case or choose more rugged models.
Practical Photography Tests Across Genres
I put both cameras through their paces in key photography genres, sharing insights below.
Portraits: Skin Tones and Bokeh
The Panasonic SZ7’s CMOS sensor and face detection made capturing natural-looking skin tones easier. Its background blur at 250mm F5.9 was modest but helped isolate subjects with subtle bokeh.
The Pentax S1’s warmer CCD tones felt nostalgic but less refined, and its bokeh was flatter due to the shorter zoom and slower apertures.
For casual portrait shooters prioritizing ease and pleasing skin rendition, the SZ7 comes out ahead.
Landscape: Resolution and Dynamic Range
Both offer 14MP resolution, adequate for moderate print sizes. However, limited dynamic range and JPEG processing mean blown highlights and muddy shadows in high contrast scenes.
None have weather sealing, so shoot landscapes in fair weather. The Pentax’s spot metering sometimes aided in complex light but overall neither is suited for serious landscape work beyond snapshots.
Wildlife and Sports: Autofocus and Burst Speed
The SZ7’s speedy 10 fps burst and face detection made wildlife and sports shots possible, though autofocus can lag on very fast subjects.
The Pentax’s 1 fps burst and slower autofocus removed it from consideration for these genres.
Street Photography: Discreteness and Portability
Both are pocketable, but the SZ7’s slimmer profile and silent shooting modes better support street candidness.
Macro Photography: Close-Up Precision
The Pentax’s 1cm macro focusing distance and sensor-shift stabilization offered more flexibility in close-ups, while the Panasonic had a minimum of 4cm and optical stabilization that was effective but less precise.
Night and Astro Photography
Limited high ISO performance and no manual modes meant these cameras struggled in very low light. The Panasonic performed marginally better at ISO 800 but neither provides truly usable astro capabilities.
Travel Photography: Versatility and Convenience
I found the SZ7’s lightweight build, longer zoom, better video, and superior AF system make it the winner for travel photography despite its no-frills design.
Image Samples and Quality Showcase
To visualize these points, here are side-by-side image samples from both cameras in daylight and indoor scenarios. Look for differences in color accuracy, sharpness, and noise.
Summary of Overall Performance
These cameras occupy similar niches yet deliver very different user experiences.
The Panasonic SZ7 is the more modern camera with truer color rendition, faster autofocus, improved video, and higher burst rates.
The Pentax S1 offers some unique macro capabilities and spot metering but ultimately feels more dated and limited.
Strengths Across Photography Genres
Here’s where each camera shines based on specific shooting needs.
Final Thoughts: Which Camera Fits You?
Choose Panasonic Lumix SZ7 if:
- You want a slim, travel-friendly compact with a long zoom
- You value better autofocus speed and continuous shooting
- You plan to record HD video regularly
- Skin tone accuracy and color fidelity matter for portraits
- You shoot in varied lighting and want decent low-light performance
Consider Pentax Optio S1 if:
- You prefer manual focus options for macro or precise close-ups
- You enjoy a bit thicker, more tactile grip and button feel
- You want spot metering for specific exposure control in tricky scenes
- You’re on a strict budget and primarily shoot in daylight
How I Tested: Methodology Insights
My hands-on comparison involved shooting in identical conditions with both cameras, including:
- Portrait sessions with friends indoors and natural light outdoors
- Landscape walks during sunrise and midday sun
- Busy street scenes requiring quick autofocus and silent shooting
- Macro close-ups of flora with manual focus checks on the Pentax
- Wildlife simulation with zoomed-in birds and local pets
- Sports-like action using a fast-moving skateboarder dawn scenario
- Low-light tests up to ISO 1600 with careful note of noise and usability
- Video clips capturing stable handheld pans and audio quality
I used recommended firmware updates on both and fresh batteries to ensure fairness.
Closing Note
While these cameras come from an era when smartphones were rapidly advancing, they remind us that compact cameras still offered niche advantages - especially zoom reach and dedicated ergonomics. The Panasonic SZ7 strikes a better balance between versatility, image quality, and user-friendliness, making it my pick for most casual photographers seeking a small zoom compact. The Pentax S1, though less versatile, may still appeal to budget-conscious shooters with macro interests.
Let me know in the comments if you’ve shot with either and what your experiences were like - I’m always eager to hear fellow photographers’ stories and preferences.
Happy shooting!
camera_comparison #compactcameras #panasoniclumixsz7 #pentaxoptios1 #photographyreview
Panasonic SZ7 vs Pentax S1 Specifications
Panasonic Lumix DMC-SZ7 | Pentax Optio S1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-SZ7 | Pentax Optio S1 |
Type | Small Sensor Compact | Small Sensor Compact |
Launched | 2012-01-09 | 2011-03-02 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Highest resolution | 4320 x 3240 | 4288 x 3216 |
Highest native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 23 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-250mm (10.0x) | 28-140mm (5.0x) |
Max aperture | f/3.1-5.9 | f/3.5-5.5 |
Macro focusing range | 4cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3" | 2.7" |
Resolution of screen | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT Color LCD | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 4 seconds |
Maximum shutter speed | 1/1600 seconds | 1/1500 seconds |
Continuous shooting speed | 10.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.60 m | 3.90 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30fps), 640 x 480 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, AVCHD | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 133 gr (0.29 pounds) | 157 gr (0.35 pounds) |
Dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 220 photos | 260 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Launch cost | $199 | $174 |