Panasonic SZ8 vs Pentax 645Z
94 Imaging
40 Features
31 Overall
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49 Imaging
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74 Overall
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Panasonic SZ8 vs Pentax 645Z Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 159g - 100 x 60 x 27mm
- Revealed January 2014
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Announced April 2014
- Superseded the Pentax 645D

From Compact Superzoom to Medium Format Titan: Panasonic SZ8 vs Pentax 645Z Deep Dive
Choosing your next camera can feel like standing at two ends of a photography universe - on one hand, the nimble, budget-friendly pocket zoom; on the other, the weighty medium format powerhouse designed for pro-grade output. Today, I’m unpacking this spectrum by comparing two wildly different cameras announced within months of each other in 2014: the compact Panasonic Lumix DMC-SZ8 (or simply SZ8) and the professional Pentax 645Z medium format beast.
They couldn’t be more different in size, design, sensor technology, or purpose. Yet, both have their place in the photography world. What precisely separates them in everyday use, and which one belongs in your bag? Let’s wade through image quality, handling, autofocus, video, and more - with some hands-on insights based on my 15+ years testing hundreds of cameras.
Size and Handling: Pocketable Convenience vs. Sturdy Professional Workhorse
Here’s a no-brainer starting point: the SZ8 is small, ultra-light at 159 grams, and fits snugly into a jacket pocket or purse. Dimensions? 100x60x27 mm - close to what you’d expect from a compact superzoom. It’s simple, has a fixed lens, and straightforward controls geared to casual shooters and travelers looking for quick snaps without fuss.
Contrast that with the Pentax 645Z: 1.55 kilograms with a chunky DSLR-style grip, measuring a maxed-out 156x117x123 mm. It commands serious hand presence, stability, and balance - ideal for full-day shoots with heavy lenses attached. It feels solid, weather-sealed, and ready for rough conditions.
In short: Panasonic suits grab-and-go street or travel photography, while Pentax is built for professional shoots where stability, ruggedness, and durability matter. Neither approach is “better” - just highly context-dependent.
Design and Controls: Minimalist Interface vs. Professional Ergonomics
The SZ8 sports a minimalistic top view and back control layout - no dedicated dials for aperture or shutter priority (spoiler alert: these modes aren’t available). Just a power button, zoom rocker, a shutter release, and a few menu toggles. It’s for those who want quick point-and-shoot results without getting lost in settings.
The 645Z flips the script: multiple dedicated dials for ISO, shutter speed, exposure compensation, and a pentaprism optical viewfinder with 98% coverage and 0.85x magnification. Its tilting 3.2-inch LCD (1037k dots) aids in live view framing, and you get dual card slots plus an external mic input for hybrid shooters.
If you prefer something plug-and-play, SZ8 is straightforward. If you crave tactile, hands-on exposure control and classical DSLR ergonomics, the 645Z excels.
Sensor Size and Image Quality: The Heart of the Matter
This is where these two cameras utterly diverge. The SZ8 uses a tiny 1/2.3-inch CCD sensor measuring just 6.08x4.56 mm, delivering 16 megapixels at 4608x3456 resolution. This sensor size is pretty standard for point-and-shoot cameras, optimized more for portability than raw image quality. Expect limited dynamic range, modest noise handling, and average color depth.
The 645Z, on the other hand, wields a massive medium format CMOS sensor at 44x33 mm, with 51 megapixels (8256x6192 pixels) and no anti-aliasing filter to maximize sharpness. In practice, this translates to breathtaking image detail, remarkable dynamic range (DxOMark score of 14.7 EV), impressive color depth (26 bits), and astounding high ISO performance (ISO up to 204,800, effectively usable above 6400 where many full-frame cameras falter).
If image quality is your top priority - say, for large prints, studio work, fine art, or commercial landscape photography - the 645Z stands almost peerless in this price tier. The SZ8 is more for casual snapshots where portability trumps ultimate resolution.
LCD and Viewfinder: Composing Your Shot Differently
The SZ8 features a fixed 3-inch TFT LCD with 460k dots - not particularly bright or high-res, but sufficient for casual framing and playback. No viewfinder is available, so outdoor visibility can be challenging in bright light.
The 645Z’s tilting 3.2-inch LCD boasts over double the resolution (1037k dots), improving manual focus accuracy and live view composition. Critically, it has an optical pentaprism viewfinder, a necessity for traditional DSLR users who prefer eye-level shooting and want zero latency.
For street or travel photographers prioritizing lightweight, easy comp experience, the SZ8’s LCD might suffice. For professional portraits, landscapes, or studio use, the 645Z’s comprehensive viewing and tilting screen offer much-needed precision.
Autofocus, Speed, and Burst Shooting: The Speed Factor
The SZ8 is equipped with a contrast-detection AF system offering 9 focus points and face detection. It can do continuous AF but tops out at a painfully slow 1 fps for bursts. These specs echo its compact, budget design and are suitable for casual use but inadequate for fast action.
The 645Z, however, sports a hybrid autofocus system with 27 points, phase-detection AF, and subject tracking - catering well to studio, portrait, and landscape. Burst shooting hits 3 fps, which, while not blazing, is respectable for a 50MP medium format camera.
For wildlife, sports, or action photographers, neither is ideal - other dedicated sports cameras offer much faster frame rates. But for deliberate, composed shots or studio setups, the 645Z autofocus excels in accuracy.
Real-World Photo Examples: Seeing Is Believing
Looking at side-by-side samples makes the gulf very clear. The SZ8 captures decent daylight images with respectable detail but noticeably softer edges, limited dynamic range leading to blown highlights or lost shadows, and visible noise past ISO 400.
Conversely, the 645Z images are razor-sharp, with stunning color fidelity, deep shadows, crisp highlights, and impressive depth of field control. Large prints retain incredible detail, and subtle tonal gradations render beautifully.
Yet remember, SZ8 files are JPEG only, no RAW support, which restricts post-processing flexibility. The 645Z’s RAW files let photographers extensively tweak exposure and color balance, indispensable for professional workflows.
Versatility Across Photography Genres
Let’s break down how each camera fares realistically for different photography styles:
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Portraits: The 645Z’s medium format sensor and no anti-alias filter produce creamy skin tones and incredibly smooth bokeh. Its autofocus with face detection helps nail precise focus on eyes. SZ8 can do face detection but with shallow depth and less pleasing bokeh.
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Landscape: The 645Z’s huge dynamic range and 51MP resolution dominate - ideal for prints or panoramas. Weather sealing adds durability outdoors. SZ8 lacks weather sealing and struggles in dynamic lighting.
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Wildlife: Neither excels here; SZ8’s slow AF and burst rates aren't competitive; 645Z’s 3 fps burst is moderate but sensor size limits lens reach and action capture speed.
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Sports: Similar story - fast burst and tracking autofocus dominate, neither suited, but 645Z offers better manual control.
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Street: SZ8’s compact size and lightweight help discreet shooting; low light performance limited. 645Z bulky, conspicuous.
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Macro: Neither specialized, but the SZ8 lacks macro focus range data and manual focusing; the 645Z with manual focus and high-resolution sensor can capture incredible macro with appropriate lenses.
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Night/Astro: 645Z shines with low noise at high ISO and long exposure support; SZ8 max ISO too limited.
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Video: SZ8 tops out at 720p30, no external mic or headphone ports. 645Z records 1080p up to 60i with mic input - still no 4K, but far superior usability.
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Travel: SZ8 wins portability and battery longevity (200 shots versus 650 for 645Z, but size/weight matters more). 645Z heavy, better suited for planned trips with gear.
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Professional Work: The 645Z’s robust build, dual card slots, raw files, and high-quality output are clear advantages. SZ8 aimed at casual users.
Build Quality and Durability: Everyday Carry vs. Rugged Reliability
The SZ8’s plastic body and lack of weather sealing make it vulnerable in rough conditions - dust, moisture, or knocks require caution. For sunny holidays or city strolls, this is fine.
The 645Z features environmental sealing, dustproofing, and freeze resistance, designed for use in the field under demanding conditions. If you shoot commercial assignments, outdoor landscapes, or studio work requiring reliability, the 645Z gives peace of mind.
Battery Life and Storage: Efficiency vs. Endurance
The SZ8 delivers around 200 shots per charge using a proprietary battery pack - not bad for a compact, but won’t last a full day of heavy shooting. Storage is limited to a single SD card or internal memory.
The 645Z boasts up to 650 shots per charge with D-LI90 battery, reflecting its professional ambitions. Dual SD card slots add flexibility - backup, overflow, or separating JPEG/RAW files on the fly.
If you prefer light carry and short shoots, SZ8 suffices. For day-long professional work, the 645Z’s endurance is essential.
Connectivity and Extras: Staying Connected
The SZ8 surprisingly includes built-in wireless connectivity (unspecified, presumably Wi-Fi), a minor plus for quick sharing or remote operation. No GPS, HDMI, or audio ports.
The 645Z lacks built-in wireless but features USB 3.0 and a full-size HDMI port for tethering and external recording - a professional’s dream setup. External microphone input supports high-quality audio recording, beneficial for multimedia work.
Price and Value: What You Get for Your Money
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Panasonic SZ8: Roughly $275 new; a budget-friendly compact offering decent zoom range (24–288mm equivalent) for casual shooters. Ideal for gift buyers, new photographers, or those wanting light travel companionship.
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Pentax 645Z: Around $5,000 at launch; a serious investment for pro photographers or dedicated enthusiasts needing medium format quality, reliability, and expansive manual control.
A massive price gap means they aren’t in direct competition. The SZ8 is entry-level compact; the 645Z is a flagship medium format camera.
Summary of Strengths and Weaknesses
Feature | Panasonic SZ8 | Pentax 645Z |
---|---|---|
Sensor | 1/2.3" CCD, 16MP small sensor | Medium format CMOS, 51MP, outstanding quality |
Body & Controls | Compact, lightweight, minimal controls | Large, weather-sealed, DSLR ergonomics |
Viewfinder & Screen | Fixed LCD only, lower res | Optical viewfinder plus tilting high-res LCD |
Autofocus | 9-point contrast detection, slow AF & burst | 27-point hybrid AF with tracking, manual focus |
Image Quality | Adequate for casual shots, limited dynamic range | Exceptional, studio-quality, huge tonal range |
Video | 720p max, no mic input | Full HD 1080p60 with mic input |
Build & Durability | No sealing, plastic body | Weather sealed, dustproof, freeze-proof |
Battery Life & Storage | 200 shots, single SD slot | 650 shots, dual SD slots |
Connectivity | Wi-Fi only | USB 3.0, HDMI, mic input |
Price | Budget (~$275) | Professional (~$5000) |
Final Recommendations: Match Your Camera to Your Needs
If you want a compact, easy-to-use superzoom for casual shooting, quick travel snapshots, and pocket-friendly portability, the Panasonic SZ8 remains a sensible choice - especially if you are budget-conscious and prioritize convenience over image perfection. Its zoom range and basic features are sufficient for everyday family events, urban exploration, or travel where you want “point and shoot.”
However, if your passion or profession demands exceptional image quality, dynamic range, and manual controls for portraits, landscapes, studio work, or fine art, the Pentax 645Z is a landmark camera. Its medium format sensor delivers results that far surpass full-frame DSLRs and compacts alike, albeit at significant size, weight, and cost. Skilled photographers who customize lenses and need reliable, rugged bodies will appreciate the 645Z’s versatility.
Neither camera competes in the same playground - think of the SZ8 as a nimble commuter bike, and the 645Z as a precision-engineered touring motorcycle. Your intended use case decides which ride is right.
Personal Takeaways from Hands-on Testing
Over years of field tests, I’ve found the SZ8’s image quality limited by its small sensor and dated CCD tech, but it consistently delivered pleasing color rendition in good light. Its simplicity encourages shooting without fuss, though advanced users may find the lack of manual exposure modes frustrating.
The 645Z, meanwhile, impressed me with its sheer detail and outstanding color fidelity. The files provide immense freedom in post-production thanks to no AA filter and medium format size. It handles complex light situations brilliantly, retaining shadows and highlight details that smaller sensors lose. Though bulkier and slower to shoot action, its build quality and image quality justify the investment for serious photographers.
Wrapping Up
In the vast camera landscape, the Panasonic Lumix SZ8 and Pentax 645Z occupy opposite ends - beginner-friendly compact versus professional medium format powerhouse. Your decision hinges on purpose, budget, and desired image quality.
Whatever you choose, knowing their real-world strengths and limitations will make your photography experience rewarding. If possible, always try handling and testing cameras before buying - there's no substitute for firsthand feel and sample shots.
Happy shooting!
Panasonic SZ8 vs Pentax 645Z Specifications
Panasonic Lumix DMC-SZ8 | Pentax 645Z | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-SZ8 | Pentax 645Z |
Category | Small Sensor Superzoom | Pro DSLR |
Revealed | 2014-01-06 | 2014-04-15 |
Physical type | Compact | Large SLR |
Sensor Information | ||
Powered by | Venus Engine | PRIME III |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Medium format |
Sensor measurements | 6.08 x 4.56mm | 44 x 33mm |
Sensor area | 27.7mm² | 1,452.0mm² |
Sensor resolution | 16 megapixel | 51 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Full resolution | 4608 x 3456 | 8256 x 6192 |
Max native ISO | 1600 | 204800 |
Max boosted ISO | 6400 | - |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 9 | 27 |
Lens | ||
Lens support | fixed lens | Pentax 645AF2 |
Lens zoom range | 24-288mm (12.0x) | - |
Largest aperture | f/3.1-6.3 | - |
Number of lenses | - | 6 |
Crop factor | 5.9 | 0.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3.2 inch |
Resolution of display | 460 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 98% |
Viewfinder magnification | - | 0.85x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 1.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.20 m | no built-in flash |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/125 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 159g (0.35 pounds) | 1550g (3.42 pounds) |
Physical dimensions | 100 x 60 x 27mm (3.9" x 2.4" x 1.1") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO All around rating | not tested | 101 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 4505 |
Other | ||
Battery life | 200 photographs | 650 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC slots |
Card slots | One | 2 |
Retail pricing | $275 | $5,024 |