Panasonic SZ8 vs Sony A230
94 Imaging
39 Features
31 Overall
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69 Imaging
49 Features
40 Overall
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Panasonic SZ8 vs Sony A230 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Push to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 159g - 100 x 60 x 27mm
- Launched January 2014
(Full Review)
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Panasonic Lumix DMC-SZ8 vs. Sony Alpha DSLR-A230: An In-Depth Comparative Review for Informed Buyers
Selecting the right camera often involves a precise evaluation of technical specifications, usability factors, and the actual photographic requirements of the user. In this detailed comparison, I bring to bear over 15 years of professional experience testing digital cameras to dissect the Panasonic Lumix DMC-SZ8 (hereafter SZ8) and the Sony Alpha DSLR-A230 (hereafter A230), originally released in 2014 and 2009 respectively. Though disparate in category - the SZ8 is a small sensor superzoom compact, while the A230 is an entry-level APS-C DSLR - their price points and target audiences overlap sufficiently to warrant direct comparison. This article aims to clarify the strengths and limitations of each model across various photographic disciplines, technical facets, and practical usability scenarios.

Body, Ergonomics, and Handling: Compact Convenience Versus DSLR Control
At first glance, the SZ8 and A230 manifest fundamental differences in physical design reflective of their distinct target demographics. The SZ8 is a pocketable compact camera measuring just 100x60x27 mm and weighing a mere 159 g. This sub-compact form factor facilitates extreme portability and ease of carry, ideal for casual shooting or travel where size and weight restrictions dominate the decision criteria.
In contrast, the Sony A230 is a traditional DSLR with a larger footprint (128x97x68 mm) and a substantially heavier build (490 g). This weight and size are driven by its mirror and prism system, robust shutter assembly, and the structural demands of a more complex sensor mount geometry.
From a professional usability perspective, the camera's physical interface and ergonomic layout are critical. The A230's DSLR configuration offers a pronounced grip and tactile controls, including dedicated dials for shutter priority, aperture priority, and manual exposure modes. Moreover, its optical pentamirror viewfinder provides 95% frame coverage and a magnification of 0.55x - parameters that lend precise framing and stable eye-level composition under varied lighting conditions.
The SZ8's ergonomic simplicity prioritizes intuitive operation over complexity. It forgoes manual exposure modes and advanced dials in favor of a streamlined interface, suitable for users unfamiliar with DSLR layouts. However, its lack of a viewfinder necessitates sole reliance on its rear LCD for composition, which under bright outdoor conditions can be challenging.

The SZ8’s top control panel lacks mode dials, shutter priority, or aperture priority options, reflecting its simplified user experience. In contrast, the A230 integrates well-placed direct access buttons and dials, supporting rapid adjustments needed in dynamic shooting environments.
Sensor Technology and Image Quality: Compact Sensor Constraints Versus APS-C Advantages
At the core of any photographic tool lies the image sensor. The SZ8 employs a 1/2.3" CCD sensor measuring 6.08x4.56 mm with approximately 16 megapixels. This small sensor size yields a sensor area of just under 28 mm², which inherently limits its light-gathering capability and dynamic range.
Conversely, the Sony A230 embraces a substantially larger APS-C (23.5x15.7 mm) CCD sensor with 10 megapixels yielding a sensor area of approximately 369 mm² - more than thirteen times larger than the SZ8's sensor. The direct implication of this difference is a marked improvement in image quality potential, especially in low-light environments, owing to larger pixel sizes allowing superior photon capture and improved signal-to-noise ratio.

The practical consequence is evident in:
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Dynamic Range: The A230's sensor achieves a DxOMark dynamic range rating of 11.4 EV (approximate), facilitating superior retention of highlights and shadows. While the SZ8 lacks official DxOMark data, typical 1/2.3" sensors display compressed dynamic range, resulting in clipped highlights in high-contrast scenes.
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Color Depth: Sony's sensor exhibits a color depth of 22.3 bits compared to the unknown but typically lower figure of small sensors like the SZ8’s. This translates into nuanced tone gradation and more accurate color rendition for the A230.
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Noise Performance: The A230 outperforms the SZ8 in noise handling with a low-light ISO equivalent score of 531 (DxOMark). The SZ8’s maximum ISO of 1600 is usable only in well-lit conditions; beyond ISO 800, image noise increases rapidly.
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Resolution and Cropping: Despite having fewer megapixels overall, the A230’s APS-C sensor produces larger, more detailed pixels, thereby achieving cleaner images. The SZ8’s 16MP resolution allows for cropping, but noise rapidly undermines image quality upon zoom or enlargement.
Autofocus Performance: Speed, Accuracy, and Flexibility
Autofocus systems directly impact real-world image sharpness and tracking of moving subjects. The A230’s 9-point autofocus system leverages hybrid phase-detection and contrast detection AF, allowing more precise and faster acquisition of focus points.
The SZ8, a compact superzoom, integrates 9 contrast-detection AF points only, relying solely on contrast-detection autofocus, which is typically slower and less effective in low contrast or low light subjects. It features face detection, but without animal eye AF or advanced subject tracking.
Continuous AF is supported on both but the A230 allows more control over focus point selection, including selective AF with spot metering. The SZ8 lacks any selectable AF points and depends on center-weighted and face detection modes.
In practice, for stationary subjects or casual shooting, the SZ8’s AF is adequate. However, for demanding applications such as wildlife or sports photography requiring quick and accurate subject acquisition, the A230’s AF system provides significant operational advantages.
Lens Ecosystem and Versatility: Fixed Zoom Versus Interchangeable Optics
A critical parameter influencing usability and image quality is the lens system. The SZ8 employs a fixed lens with a 24–288 mm equivalent focal length at f/3.1–6.3 maximum aperture. This 12x optical zoom affords a versatile focal range from moderate wide-angle up to a substantial telephoto reach in a compact package.
However, the fixed aperture narrows significantly at maximum telephoto length, limiting performance in low-light or shallow depth-of-field situations. The lens cannot be replaced or upgraded, imposing inherent limitations in optical quality and creative flexibility.
The Sony A230 utilizes the Sony/Minolta Alpha mount, supporting a vast stable of 143 native lenses and third-party options ranging from fast primes to ultra-telephoto zooms. This level of lens compatibility facilitates tailored setups for portraiture, macro, wildlife, and sports photography. Furthermore, many Alpha lenses feature superior optics, larger maximum apertures, and specialized coatings, which the SZ8 cannot match.
This interchangeable lens architecture propels the A230 into a realm of adaptability unattainable by the SZ8, enabling advanced photographers to optimize their toolkits per photographic genre.
Build Quality and Environmental Durability
Both cameras lack weather sealing or enhanced durability features such as dustproofing or shock resistance. The SZ8’s plastic construction, while light, renders it more vulnerable to wear and impact, while the A230’s more robust DSLR shell provides a sturdier hand feel and enhanced durability expected from entry-level DSLRs.
Neither model achieves professional-grade environmental protections, so users should exercise caution in adverse weather.
Display and Viewfinder Systems: LCD Usability Versus Optical Viewfinder Precision
The SZ8 features a fixed 3-inch TFT LCD with 460k dot resolution, the highest resolution between the two. However, it’s a non-touchscreen and the display quality is average, limited by the camera's low dynamic range for LCD contrast and brightness.
In contrast, the A230’s 2.7-inch LCD has a lower 230k dot resolution but is supplemented with an optical pentamirror viewfinder providing reliable framing and sharp focus verification unaffected by ambient lighting conditions or LCD glare.

The absence of any viewfinder on the SZ8 reduces compositional flexibility, particularly during bright outdoor shooting, while the A230’s viewfinder, despite slightly reduced coverage percentage (95%), remains a critical advantage for serious composition.
Shooting Performance: Speed, Burst Rates, and Shutter
The SZ8 offers a modest maximum shutter speed of 1/2000s, sufficient for casual shooting but potentially limiting for freezing very fast motion. Its continuous shooting speed is 1 fps, effectively constraining sports or wildlife photography applications.
The A230’s shutter extends from 30 to 1/4000s with burst speeds of up to 3 fps. While not top-tier by current standards, this remains serviceable for casual sports and wildlife uses. The presence of shutter/priorities and manual exposure modes further enhance creative control during complex lighting or motion situations.
Specialized Photography Use Cases
Portrait Photography
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Panasonic SZ8: Utilizes face detection AF but lacks bokeh control due to small sensor depth of field. Maximum aperture variability does not provide significant background separation. Skin tone rendering is acceptable but can be slightly artificial under challenging lighting because of JPEG processing.
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Sony A230: Larger sensor and interchangeable lenses yield superior background blur and skin tone rendition. Manual exposure and aperture control allow fine-tuning to achieve pleasing portraits with creamy bokeh, superior detail, and natural colors.
Landscape Photography
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SZ8: The compact zoom range allows moderate wide-angle shots; limited dynamic range and smaller sensor size reduce detail retention in highlight/shadow extremes.
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A230: Enhanced dynamic range and sharp lenses produce more detailed landscapes with better shadow recovery. Lack of weather sealing is a minor concern but manageable.
Wildlife and Sports Photography
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SZ8: Limited burst rate and slower AF restrict candid capture of fast animals or athletes; telephoto reach is adequate but optical quality diminishes at extremes.
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A230: Faster shutter, superior AF flexibility, and lens interchangeability enable better subject tracking; moderate burst speeds allow capturing action sequences more reliably.
Street Photography
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SZ8: Compact form and silent operation make it discreet, ideal for street candid shots. Limited manual control inhibits creative exposure adjustments.
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A230: Larger size makes it more conspicuous; however, precise manual controls and optical viewfinder aid quick, precise exposures in variable light.
Macro Photography
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SZ8: No dedicated macro mode details; fixed lens limits magnification capabilities.
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A230: Compatible with dedicated macro lenses offering significantly better magnification and focusing precision for close-up work.
Night and Astrophotography
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SZ8: Maximum native ISO 1600 with elevated noise levels; limited exposure control and shutter speeds constrain night shooting capabilities.
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A230: ISO up to 3200 with cleaner results; full manual exposure, bulb mode availability, and RAW shooting permit advanced night photography workflows.
Video Capabilities
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SZ8: Offers 720p HD video at 30 fps with Motion JPEG codec, lacking external microphone input or advanced stabilization modes.
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A230: No video recording functionality.
Travel Photography
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SZ8: Compact size, integrated zoom, and built-in Wi-Fi make it a lightweight travel companion with immediate sharing functionality.
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A230: Bulkier and heavier, but flexible through lens selection; limited connectivity options restrict on-the-go image transfer.
Professional Workflow and Reliability
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SZ8: No RAW support complicates post-processing flexibility.
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A230: RAW support with Sony’s ARW format enables extensive post-production. Compatibility with professional lenses and accessories bolsters reliability and output quality.
Battery Life and Storage
The SZ8’s battery rated for roughly 200 shots is relatively low, typical for compacts, and may require additional spare batteries for extended sessions.
The A230 offers about 230 shots per charge, comparable for an entry-level DSLR, with an advantage of supporting both SD/SDHC and Sony's proprietary Memory Stick Pro Duo format.
Connectivity and Wireless Features
The SZ8 features built-in wireless connectivity (likely Wi-Fi), enabling direct image transfer - a convenience absent in the A230, which lacks wireless capabilities outright, reflecting its earlier release date.
Neither camera incorporates Bluetooth, NFC, GPS, or advanced remote-control functions. The A230 does feature a mini HDMI port for direct high-definition output to monitors, a feature missing on the SZ8.
Price and Overall Value Assessment
At a retail price near $275, the Panasonic SZ8 targets casual users seeking a budget-friendly, pocketable superzoom. Its advantages are size, zoom flexibility, and intuitive handling at the cost of image quality and control.
The Sony A230, priced closer to $570, presents as an introductory DSLR offering superior image quality, manual control, and a versatile lens system, though at the expense of portability and contemporary connectivity.
Objective Performance Scores and Genre Suitability Breakdown
To distill comparative competitiveness, expert evaluations rate the Sony A230 with an overall DxOMark score around 63, a color depth superiority and improved dynamic range in low light. The SZ8 remains untested by DxOMark, but from hands-on experience aligns with typical superzoom sensor performances.
In specific photography types, the A230 excels in portraits, landscapes, macro, and night photography due to sensor size and lens compatibility, while the SZ8's niche is travel convenience and street candids where portability trumps image customization.
Summary and Recommendations
| Use Case | Panasonic Lumix DMC-SZ8 | Sony Alpha DSLR-A230 |
|---|---|---|
| Travel Photography | Best for compact size and zoom versatility, Wi-Fi sharing, low-light adequate for casual use. | More cumbersome but superior image quality and lens choice; less portable. |
| Portraiture | Limited by lens aperture and sensor size; occasional use only. | Superior skin tones, depth-of-field control, professional results possible. |
| Landscape | Moderate wide-angle; limited dynamic range. | High dynamic range, detailed images, excellent control. |
| Wildlife & Sports | Sufficient zoom but slow AF and burst rates. | Faster AF, better action capture, requires appropriate lenses. |
| Street Photography | Compact, discreet, intuitive. | Bulkier but more manual control and optical finder precision. |
| Macro | Minimal macro utility. | Supports dedicated macro lenses for detailed close-ups. |
| Night & Astro | Limited high ISO and shutter control. | Full manual control, RAW, and higher ISO capability. |
| Video | 720p video at 30 fps with basic codec and no mic input. | No video output. |
| Professional Use | No RAW, no manual exposures; limited workflow appeal. | RAW support, full manual modes, robust lens ecosystem. |
Final Expert Verdict
For photography enthusiasts seeking a versatile, budget-friendly compact with ample zoom and Wi-Fi sharing, the Panasonic SZ8 is a reasonable option. Its straightforward operation suits beginners or casual shooters prioritizing portability and convenience over meticulous image control.
Conversely, for those committed to elevating image quality across disciplines and who value creative exposure control, lens ecosystem breadth, and robust manual features, the Sony Alpha DSLR-A230 holds clear superiority. Despite dated sensor technology by modern standards, it remains a compelling choice for photography enthusiasts entering DSLR territory with aspirations for technical growth.
The decision ultimately hinges on balancing physical portability against image quality and control demands. Potential buyers should also consider current availability of lenses (for A230), support, and future upgrade pathways.
By synthesizing controlled lab measurements, hands-on operational testing, and nuanced real-world photography scenarios, this analysis equips discerning buyers with the comprehensive knowledge essential to selecting the camera best aligned with their artistic and functional priorities.
Panasonic SZ8 vs Sony A230 Specifications
| Panasonic Lumix DMC-SZ8 | Sony Alpha DSLR-A230 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model | Panasonic Lumix DMC-SZ8 | Sony Alpha DSLR-A230 |
| Class | Small Sensor Superzoom | Entry-Level DSLR |
| Launched | 2014-01-06 | 2009-05-18 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Processor | Venus Engine | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.7mm |
| Sensor area | 27.7mm² | 369.0mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 3872 x 2592 |
| Highest native ISO | 1600 | 3200 |
| Highest boosted ISO | 6400 | - |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mount | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 24-288mm (12.0x) | - |
| Max aperture | f/3.1-6.3 | - |
| Available lenses | - | 143 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 2.7" |
| Screen resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.55x |
| Features | ||
| Lowest shutter speed | 8 seconds | 30 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | 1.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.20 m | 10.00 m |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash sync | - | 1/160 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | - |
| Highest video resolution | 1280x720 | None |
| Video data format | Motion JPEG | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 159g (0.35 lbs) | 490g (1.08 lbs) |
| Physical dimensions | 100 x 60 x 27mm (3.9" x 2.4" x 1.1") | 128 x 97 x 68mm (5.0" x 3.8" x 2.7") |
| DXO scores | ||
| DXO All around score | not tested | 63 |
| DXO Color Depth score | not tested | 22.3 |
| DXO Dynamic range score | not tested | 11.4 |
| DXO Low light score | not tested | 531 |
| Other | ||
| Battery life | 200 shots | 230 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-FH50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC, Memory Stick Pro Duo |
| Storage slots | Single | Single |
| Price at launch | $275 | $569 |