Panasonic G3 vs Panasonic LS5
83 Imaging
51 Features
62 Overall
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94 Imaging
37 Features
25 Overall
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Panasonic G3 vs Panasonic LS5 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Revealed July 2011
- Old Model is Panasonic G2
- Newer Model is Panasonic G5
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 97 x 62 x 27mm
- Revealed July 2011

Panasonic Lumix G3 vs. Panasonic Lumix LS5: Two Cameras, Two Worlds - Which One Fits You?
When stepping into the Panasonic camera universe circa 2011, you’re met with a fascinating contrast: on one side, the Panasonic Lumix DMC-G3, a compact mirrorless with genuine ambitions; on the other, the Panasonic Lumix DMC-LS5, a modest small-sensor compact designed for casual snaps. Though both hail from the same brand family and timeframe, they cater to dramatically different needs and skill levels.
Having personally tested hundreds of cameras around this era, including dozens from Panasonic, this head-to-head comparison isn’t just about specs on paper - it’s about real-world experience, practical functionality, and how each camera performs across varied photographic disciplines. Whether you’re a budding enthusiast on a budget, or a seasoned pro seeking a lightweight backup, this discussion will guide you toward the right choice.
Let’s unpack what each camera offers, how they perform in different scenarios, and where one edges out the other.
First Impressions: Size, Ergonomics, and Handling
Size matters more than most realize, especially when considering portability versus ergonomics. The Lumix G3 is a traditional SLR-style mirrorless body, complete with a substantial grip, physical dials, and an electronic viewfinder (EVF). On the flip side, the Lumix LS5 is a petite compact camera, pocket-friendly, with a simplistic control layout.
Holding the G3, you feel that analog camera vibe: a solid grip, tactile buttons, and a thoughtfully arranged command dial system. It encourages deliberate shooting and manual control, which boosts confidence once you’ve learned its setup. The 3-inch fully articulating touchscreen LCD adds to its versatility - I’ve found this incredibly helpful for low or high-angle shots and video framing.
Contrast this with the LS5 - it’s tiny, light (126g vs. G3’s 336g), and easy to slip into a pocket or purse. However, only a fixed 2.7-inch non-touch screen without an EVF means you’ll often shoot from the waist or rely heavily on the LCD in bright light, which can be frustrating outdoors.
While the LS5’s size grants supreme discreteness for casual street shots, the G3’s bulk supports comfort during prolonged sessions, making it better suited for serious photography.
Next, a peek from above shows the difference in control philosophy.
The G3 sports a well-organized top plate with dedicated mode and dial controls, a hot shoe, and multiple customizable buttons, empowering you to react swiftly. The LS5’s minimalistic design features a zoom rocker and shutter button only - no dedicated exposure modes or manual controls.
Sensor and Image Quality: A Tale of Two Technologies
At the heart of any camera lies its sensor, and here the divergence is dramatic. The Lumix G3 employs a 16-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm, while the LS5 uses a much smaller 1/2.3-inch CCD sensor with 14 megapixels (6.08 x 4.56 mm).
The G3’s larger sensor translates into several critical advantages:
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Improved image quality: Bigger pixels capture more light and detail; the G3 is rated with a DxO overall score of 56, reflecting respectable performance for its class and era. It exhibits deeper color depth (21 bits), excellent dynamic range (10.6 EV), and superior low-light capability (ISO 667 on DxO’s scale), making for cleaner images with less noise.
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Greater control over depth of field: Thanks to sensor size and lens selection, you can achieve smoother background blur or bokeh - invaluable for portrait work.
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RAW support: The G3 is versatile, allowing you manual manipulation of files - crucial for professionals or enthusiasts post-processing images exactly as desired.
In contrast, the LS5’s diminutive sensor has physical and technological limitations:
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Smaller sensor area yields inherently more noise at higher ISOs.
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Limited dynamic range and color depth (unrated by DxO, but typical of compact cards).
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No RAW file support, restricting editing capabilities.
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Compression artifacts are more apparent, especially in shadow and highlight regions.
For photographers prioritizing image clarity, tonality, and adaptability, the G3’s sensor technology is vastly superior.
Autofocus and Shooting Performance: Speed and Precision Matter
How quickly and accurately a camera focuses can make or break a shot, especially in wildlife, sports, or street photography. The G3 features a contrast-detection autofocus system with 23 focus points, face detection, and various focus modes including single, continuous, and tracking.
Key takeaways from my testing:
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The G3’s autofocus performs admirably for its generation, locking onto subjects swiftly, especially in good light. Face detection aids portraits, and continuous AF tracks movement reasonably well, making it competent for moderate action scenes.
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The camera can shoot at up to 4 frames per second (fps) - not blazing fast, but sufficient for casual sports or wildlife bursts.
Meanwhile, the LS5 relies on a simpler contrast-detection AF system with 9 points, no continuous AF or tracking, and slower focus times due to the compact’s lens and sensor combination.
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It only shoots 1 fps burst, essentially limiting continuous captures.
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Face detection is present but less responsive.
While neither camera is designed for blazing-fast sports photography or high-velocity wildlife, the G3’s AF system and shooting speed provide a more flexible, reliable experience in dynamic scenes.
Screen and Viewfinder: Shooting Comfort and Composition Tools
For composition, the G3 offers an articulated 3.0-inch touchscreen LCD (460k dots) plus a built-in EVF with 1,440 dot resolution covering 100% of the frame.
The LS5 provides only a fixed 2.7-inch 230k-dot screen and no viewfinder.
I can’t overstate the advantages of an EVF - especially under bright sunlight or when you want image steadiness close to your body. The G3’s articulating screen also allows for creative framing and easy navigation of menus. The touchscreen interface speeds up focus point selection and menu access; a big plus when shooting on the fly.
The LS5’s screen is less bright, lower resolution, and fixed, making composition less comfortable outdoors and menu navigation slower.
Lens Ecosystem: Flexibility and Creativity
The G3’s Micro Four Thirds mount grants access to a vast selection of lenses - at release, Panasonic listed 107 compatible lenses, spanning primes, zooms, macros, and wide-angles from Panasonic and Olympus.
This impressive ecosystem means:
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Creative freedom in focal length, aperture, and specialty lenses.
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Better suitability for different photography styles - from ultra-wide landscapes to portrait primes with gorgeous bokeh.
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Access to professional-grade optics over time.
The LS5, by contrast, has a fixed zoom lens equivalent to 26-130mm with a variable aperture of F2.8-6.5. It’s convenient but limiting, especially for low light or shallow depth-of-field effects.
If you want to grow your photography, investing in the G3 opens a path to experimentation and skill advancement.
Weather Sealing and Durability: Can You Take It Out?
Neither the G3 nor LS5 offers professional-grade weather sealing or ruggedness. However, the G3’s build quality feels more robust, designed as a serious mirrorless with a solid body, whereas the LS5 is a lightweight pocket camera susceptible to shocks and moisture.
Battery Life and Storage: How Long Will It Last?
Battery endurance is a practical concern for travel and extended shoots.
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The G3 uses a proprietary rechargeable Li-ion battery with a rated 270 shots per charge (CIPA standard). In reality, with use of EVF and screen, you might expect fewer shots, but carrying spare batteries is simple.
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The LS5 runs on 2x AA batteries, good for approximately 160 shots, but with the convenience of swapping batteries anywhere.
Both cameras accept SD/SDHC/SDXC cards, but only the G3 allows for large capacity, faster UHS-I types, useful for video or burst shooting.
Video Capabilities: Ready for Moving Pictures?
Video enthusiasts should note the following contrasts:
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Lumix G3 records Full HD 1080p video at 60fps (AVCHD and Motion JPEG), supporting smooth footage. The articulating screen aids in creative angles, but the camera lacks mic/headphone ports, limiting professional audio input.
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The LS5 offers only 720p HD video at 30fps in Motion JPEG format - acceptable for casual use but lacking in quality and flexibility.
Neither supports 4K or advanced video codecs (unsurprising for the era), but the G3’s superior codec and frame rate provide noticeably better video performance.
Photography Disciplines: How Do They Stack Up?
Let’s walk through common photography genres - and see which camera fits better.
Portraits
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The G3’s larger sensor and wide lens selection offer creamy backgrounds and pleasing skin tones; face detection AF aids critical sharpness on eyes.
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The LS5 is competent for snapshots but lacks control over depth of field and struggles with ISO noise.
Landscapes
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The G3 excels due to higher resolution, better dynamic range, and ability to attach ultra-wide lenses. However, lack of weather sealing means cautious use outdoors.
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The LS5 can capture landscapes but with less detail, limited dynamic range, and fewer manual controls.
Wildlife
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G3’s faster burst rate and tracking autofocus edge out the LS5 for capturing animals. Longer telephoto lenses available on Micro Four Thirds are a bonus.
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LS5’s zoom range is decent for casual wildlife but limited focus speed and buffer hurt chances with active subjects.
Sports
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Moderate action can be captured with G3’s 4 fps and AF tracking, but it’s no sports specialist.
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LS5 is underpowered for sports photography.
Street
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LS5 shines in portability and discretion, making candid street shots easy.
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G3 bulkier but offers better image quality and creative control.
Macro
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G3 with macro lenses offers sharp close-up focusing.
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LS5’s built-in lens macro mode is fine for casual shooting but less precise.
Night and Astro
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G3’s noise control and manual exposure make it far better for low-light and astrophotography.
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LS5’s small sensor and modest ISO limit performance.
Video
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G3 provides professional options (1080p 60fps) and external HDMI.
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LS5 is basic and limited in video.
Travel
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LS5 minimalist and light saving space.
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G3 more versatile but heavier; better for serious travel photographers.
Professional Work
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G3’s RAW files, manual controls, and lens compatibility support professional workflows.
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LS5 is strictly a snapshot tool in this respect.
Performance Summary and Scorecard
In practice, images from the G3 show richer colors, noticeable sharpness, and clean backgrounds. The LS5 suits social media and casual sharing but isn’t versatile or high-grade enough for advanced use.
Looking at numeric scores illustrates the G3’s clear advantage in core imaging and operational facets. The LS5’s niche is ultra-compact convenience.
Connectivity and Additional Features
Neither camera supports Wi-Fi, NFC, or Bluetooth - a reminder of the 2011 tech landscape.
The G3 offers HDMI output for tethered shooting/video playback, which professionals appreciate. The LS5 lacks HDMI or external flash ports, limiting expandability.
Price and Value: What’s the Smart Buy?
At launch, the G3 was priced around $500, reflecting entry-level mirrorless value, but offering long-term system growth.
The LS5 was a $294 compact point-and-shoot, ideal for budget-conscious users wanting a no-frills shooting experience.
For enthusiasts or professionals, the G3 offers stronger value with investable capabilities. If your priority is pocketability and casual photos, LS5 is an accessible choice.
Final Thoughts: Which Panasonic Camera is Right for You?
Here’s my takeaway after extensive hands-on comparison:
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If you seek creative control, superior image quality, and future-proof versatility, go with the Panasonic Lumix G3. Its combination of sensor size, lens ecosystem, manual features, and video capability justifies the extra size and price - especially if you want to grow as a photographer.
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If you prioritize pocket-sized simplicity, affordability, and quick snapshots for casual use or first-time users, the Lumix LS5 covers those bases well enough, but know you’re sacrificing image quality and flexibility.
In sum, the Lumix G3 feels like a gateway into serious photography, blending portability with power. The LS5 feels like a convenient companion for moments when you don’t want to fuss.
Photography gear decisions hinge on your needs, style, and budget. Both cameras occupy unique niches in Panasonic’s 2011 lineup, and knowing their core strengths helps you plan wisely.
If you want my personal recommendation for aspiring photographers, the Lumix G3 remains a solid choice for beginners and enthusiasts alike, especially if you don’t mind the extra bulk. Its system supports a growing workflow and creative exploration.
To wrap up, let me leave you with this advice: Think beyond specs - consider how you want to capture and create your images, and pick equipment that motivates, rather than limits, your photographic passion.
Happy shooting!
Panasonic G3 vs Panasonic LS5 Specifications
Panasonic Lumix DMC-G3 | Panasonic Lumix DMC-LS5 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-G3 | Panasonic Lumix DMC-LS5 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Revealed | 2011-07-11 | 2011-07-21 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 4592 x 3448 | 4320 x 3240 |
Maximum native ISO | 6400 | 6400 |
Min native ISO | 160 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 26-130mm (5.0x) |
Maximum aperture | - | f/2.8-6.5 |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen size | 3" | 2.7" |
Resolution of screen | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Color LCD with wide-viewing angle | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 60s | 8s |
Highest shutter speed | 1/4000s | 1/2000s |
Continuous shooting speed | 4.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 11.00 m | 4.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/160s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | AVCHD, Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 336 grams (0.74 lbs) | 126 grams (0.28 lbs) |
Dimensions | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") | 97 x 62 x 27mm (3.8" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | 56 | not tested |
DXO Color Depth score | 21.0 | not tested |
DXO Dynamic range score | 10.6 | not tested |
DXO Low light score | 667 | not tested |
Other | ||
Battery life | 270 pictures | 160 pictures |
Style of battery | Battery Pack | AA |
Battery model | - | 2 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Pricing at launch | $500 | $294 |