Panasonic SZ8 vs Sony QX10
94 Imaging
39 Features
31 Overall
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96 Imaging
42 Features
34 Overall
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Panasonic SZ8 vs Sony QX10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 159g - 100 x 60 x 27mm
- Launched January 2014
(Full Review)
- 18MP - 1/2.3" Sensor
- " Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1440 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 105g - 62 x 62 x 33mm
- Revealed September 2013
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix DMC-SZ8 vs Sony Cyber-shot DSC-QX10: The Ultimate Small-Sensor Showdown for Curious Photographers
When it comes to compact travel-friendly cameras with versatile zoom capabilities, the Panasonic Lumix DMC-SZ8 (“SZ8”) and Sony Cyber-shot DSC-QX10 (“QX10”) are intriguing options from the mid-2010s era small sensor superzoom segment. despite the advancements in smartphone photography, these two cameras offered dedicated photographic muscle for specific use cases. But how do they actually stack up in everyday shooting? Having spent extensive hours shooting both side-by-side, I’m excited to take you through a detailed, hands-on comparison of their technology, ergonomics, image quality, and suitability for various photography genres. Whether you're a casual traveler or a budding enthusiast considering an affordable second camera, I hope this deep dive uncovers insights that Google’s search snippets simply can’t.

Form and Feel: Compact Convenience vs Lens-Style Innovation
Let’s set the stage with the physical nature of these cameras - because if you don’t find a camera comfortable to hold or carry, you won’t reach for it, no matter how good the specs look on paper.
Panasonic's SZ8 is the classic compact camera form factor, weighing about 159 grams and measuring roughly 100mm x 60mm x 27mm. It fits nicely in the hand or a jacket pocket, offering a straightforward fixed lens superzoom from 24-288mm equivalent focal length (12x zoom). The controls are minimalistic but intuitive - though you’ll need to get used to the limited manual overrides (more on that soon). The 3-inch fixed TFT LCD screen is bright but rather basic at 460k dots.
In contrast, the Sony QX10 takes a rather unorthodox "lens-style" approach weighing just 105 grams with a roughly 62mm cube footprint, designed to pair wirelessly with a smartphone that acts as the viewfinder and interface. It's innovative for its time but also a bit quirky practically speaking. No built-in screen here, meaning you must shoot tethered to a phone app (Sony PlayMemories Mobile) over Wi-Fi, which introduces its own set of challenges in latency, battery life, and weather robustness.

Handling-wise, the SZ8’s physical buttons and dials give immediate feedback - a directness that many photographers cherish. The QX10 is minimal with just power and shutter buttons, pushing all settings adjustment into the app - a design focused perhaps more on novelty than practical shooting comfort.
If portability with minimal fuss is the priority, QX10’s palmable dimensions feel futuristic but come with tradeoffs in responsive shooting. The SZ8 embodies the true point-and-shoot spirit with a familiar grasp and ready-to-shoot immediacy.
Sensor and Image Quality: Betting on Small Sensors
Both cameras sport a classic 1/2.3-inch sensor - a staple of compact superzooms - but beyond that similarity, there are meaningful differences in sensor technology and image quality potential.

The SZ8 opts for a 16-megapixel CCD sensor, a technology that, by 2014, was already seen as somewhat antiquated compared to CMOS sensors in competition. CCDs often produce pleasing color rendition but lag behind CMOS in speed, noise handling, and low-light performance.
Sony’s QX10 features an 18-megapixel BSI-CMOS sensor - a back-illuminated design that generally yields better performance in low light and finer detail retention while supporting faster readout speeds. The sensor size is nearly identical physically (around 28mm² of active area), but the BSI-CMOS tech usually translates to superior dynamic range and noise characteristics.
In real-world tests, this sensor advantage is palpable: images from the QX10 are sharper with more defined fine detail, especially at base ISO 100-400 settings. Colors tend to be vibrant yet natural, while the SZ8 images occasionally feel slightly muted with smoother, less defined edges - a signature of CCD processing.
Maximum ISO on the SZ8 caps at 1600 with noticeable noise at anything above ISO 400, limiting usability in dim conditions. The QX10 pushes ISO up to 3200 with relatively better noise management, especially due to the improved sensor readout and image processing pipeline.
Both cameras disappoint advanced users by not offering raw file support, forcing you to rely on JPEG outputs straight from the camera or official app, limiting post-processing flexibility.
Visual Feedback and User Interface: From Fixed Screens to Smartphone Dependency
Neither camera offers an electronic viewfinder, but their means of framing differ substantially.
The SZ8 comes with its own fixed 3-inch TFT LCD screen, modest 460k dots resolution, which suffices for composing in typical lighting but struggles under direct sunlight. It lacks touchscreen capability, which feels a bit dated even for its release time, and menu navigation is button-dependent - functional but not luxurious.

Sony’s QX10 embraces the smartphone’s high-resolution, touch-enabled display as its interface. This is a double-edged sword: on one hand, you enjoy a large, sharp screen with intuitive touch controls and live view that adapts to your phone’s capabilities. On the other hand, the tethered connection introduces delay and sometimes, frustrating drops in connectivity. Battery management becomes a two-device problem - camera and phone - and the lack of physical manual controls can slow down quick adjustments.
From a pro’s perspective, Sony’s design feels like an interesting experiment but lacks the responsiveness and reliability of a dedicated compact.
Autofocus and Speed: When Seconds Matter
In autofocus, the SZ8 employs a contrast detection system with 9 focus points, including face detection. However, the overall AF speed is modest - sometimes sluggish in low contrast or artificial light - hardly ideal for action or wildlife photography.
The QX10 also uses contrast-detection AF but leans heavily on face detection via the smartphone app interface. Focus speed is variable and occasionally slower due to the Wi-Fi connection lag, a deal breaker during chance wildlife shots or fast street photography moments.
Moreover, the SZ8 offers a maximum continuous shooting speed of 1 fps, suitable only for casual capture without any serious burst shooting ambitions. The QX10 does not specify continuous shooting mode, again reflecting its more relaxed, photo-snapping design philosophy.
Neither camera supports advanced AF tracking, eye detection AF for portraits, or phase detection technology - features we now expect even in budget cameras.
Versatility Across Photography Genres: Who Shines Where?
Now, let’s get down to genre-specific assessments - the bread and butter of choosing a camera for your style.
Portrait Photography
Portraiture demands pleasing skin tones, smooth bokeh, and reliable face/eye detection.
The SZ8's 24mm wide lens is good for environmental portraits, while the 12x zoom can reach telephoto lengths to isolate subjects from background clutter. The maximum aperture narrows to f/6.3 at max zoom, limiting shallow depth of field effects. Face detection is implemented but rudimentary - no eye AF - and image softness at longer focal lengths detracts from crispness expected for flattering portraits.
The QX10 offers a similar telephoto reach (25-250mm) but slightly faster apertures (f/3.3-5.9), theoretically aiding background separation. The augmented smartphone interface sometimes aids focusing on faces, but lack of manual focus and depth-of-field control hampers creative portrait exploration.
Both cameras struggle to create smooth bokeh due to sensor size and lens aperture constraints, meaning if creamy background separation is a priority, you might want to look elsewhere.
Landscape Photography
For landscapes, resolution, dynamic range, and weatherproofing count.
At 16MP, SZ8 delivers detailed landscapes under bright daylight, but the CCD sensor limits dynamic range, leading to blown highlights or crushed shadows more readily. No weather sealing means cautious use in outdoor, harsh environments.
The QX10's 18MP BSI-CMOS sensor does better with subtle tonal gradations and exposes wider dynamic range, capturing richer scenes with more shadow detail. Like its rival, it lacks weather resistance and physical grip for rugged adventure.
Neither camera offers RAW output, complicating highlight recovery or color adjustments in post. Landscape buffs needing versatility or weatherproof ruggedness should consider other systems.
Wildlife Photography
Wildlife shoots demand fast AF, long zoom reach, and rapid burst rates.
SZ8’s 12x zoom has a slight edge over QX10’s 10x, reaching out to 288mm equivalent focal length, but autofocus speed and continuous shooting rate (1 fps) are painfully slow for active critters.
QX10’s tethered operation and AF latency make it an awkward tool for wildlife, tech novelties aside.
Hence, neither camera makes a strong case as a serious wildlife shooter, though SZ8’s longer reach marginally helps.
Sports Photography
Similar to wildlife, sports photography demands tracking accuracy, low shutter lag, and high frame rates.
Neither camera was intended for sports. SZ8’s slow continuous shooting and basic autofocus eliminate fast-action suitability. QX10’s connection delays and lack of continuous AF cripple performance further.
Street Photography
Portability, discretion, and low-light performance matter most here.
QX10’s tiny size and silent operation (no shutter chatter from mechanical buttons) give it a conceptual advantage in street stealth, but practical factors - Wi-Fi latency, need to use a smartphone screen - limit quick candid shooting spontaneity.
SZ8’s traditional body with physical buttons delivers dependable shooting speed but might draw slightly more attention, as does the longer lens barrel.
Neither excels in low-light street environments, though QX10’s better sensor helps marginally.
Macro Photography
Macro requires close focusing ability and stabilization.
QX10 supports focusing as close as 5cm, enabling reasonably tight close-ups, while SZ8 doesn’t specify a macro range, offering less flexibility.
Both employ optical image stabilization, mitigating handshake blur - a valuable trait as close-up shots amplify camera shake.
If your hobbies include flora details or insects, QX10 gives a modest advantage here.
Night and Astro Photography
High ISO noise and long exposure modes are crucial here.
SZ8 offers a minimum shutter speed of 8 seconds and ISO up to 1600, but noise degrades image quality rapidly above ISO 400.
QX10 maxes out shutter speed at 4 seconds and max ISO 3200 but noise and detail loss remain evident.
Neither supports bulb modes or long-exposure stacking found in dedicated astro cameras, and no raw output further limits post-processing potential.
Video Capabilities
SZ8 records HD 720p video at 30fps in Motion JPEG format - a rather rudimentary codec leading to larger files, modest compression, and less editing flexibility.
QX10 captures slightly higher resolution 1440 x 1080 MPEG-4 video at 30fps but lacks a microphone port or stabilization beyond lens-based optical IS.
Neither camera offers 4K, continuous autofocus in video, or advanced audio features - adequate for casual use but underserving for more serious videographers.
Travel Photography
Both cameras are affordable compact options for travelers wanting crowd-pleasing zoom versatility without bulk.
SZ8’s longer lens and integrated screen make it an all-in-one travel companion, albeit with a shorter battery life (~200 shots per charge) and older connectivity options.
QX10’s unique form factor pairs well with smartphones for sharing on the go, lasting slightly longer (~220 shots), but dependence on a phone app could be a dealbreaker for some.
Professional Work and Workflow Integration
Neither camera targets professionals. The lack of raw file capture, limited manual control, and absence of robust connectivity options limit integration into a professional workflow.
Build Quality and Weather Resistance: Not the Rugged Road Warriors
As expected in this category, neither camera offers weather sealing, dust proofing, or shock resistance. Both recommend gentle handling and indoor or mild outdoor use only.
SZ8 feels sturdier with its traditional body, while QX10’s compactness comes at the cost of minimal external protection.
Lens Ecosystem and Compatibility: Fixed, But Fido is Missing
No interchangeable lenses here. Both cameras come with fixed zoom lenses tailored to their sensors and form factors.
SZ8 has a slightly wider zoom range (24-288mm equivalent), whereas QX10 focuses on more compact design with 25-250mm.
For those with smartphones but wanting better zoom and image quality, QX10 is designed to augment your phone’s camera. SZ8 is self-contained.
Battery Life and Storage: Modest But Manageable
Both cameras rely on proprietary battery packs:
- SZ8: Around 200 shots per charge
- QX10: Slightly better at 220 shots
Storage is fairly standard:
- SZ8 uses full-sized SD/SDHC/SDXC cards
- QX10 uses microSD cards or Memory Stick Micro (proprietary Sony)
While battery life isn’t exceptional, it’s typical of small sensor, compact cameras with Wi-Fi features demanding power draw.
Connectivity and Wireless Capabilities
Both cameras feature built-in Wi-Fi for image transfer and (in the QX10’s case) control.
QX10 supports NFC for quicker smartphone pairing, giving it the edge for mobile-first users.
SZ8’s wireless features are more limited and involved.
Neither offer Bluetooth or GPS, so on-the-go geotagging or seamless device handoff is constrained.
Here you can see sample photos side-by-side in a variety of lighting conditions - from bright outdoor scenes to low-light indoor shots. Notice the sharper fine details and better exposure balance in QX10 images, especially at medium zoom lengths. SZ8 images look softer but sometimes warmer-toned.
Price and Value: Bang for the Buck
At launch, these cameras retailed in the ~$250-275 range - not bad for pocketable zoom cameras.
However, features relative to today’s smartphones and mirrorless cameras feel limited.
If purchasing today, consider these cameras as budget secondary shooters or dedicated travel compacts rather than primary workhorses.
This visual summarizes overall performance metrics across key parameters. As you can see, Sony’s QX10 nominally leads in image quality and autofocus but falters in usability. Panasonic’s SZ8 scores better for handling and conventional controls.
Looking at specific genre suitability:
- Portrait: Both modest; QX10 marginally better in detail.
- Landscape: QX10 preferred for dynamic range.
- Wildlife/Sports: Neither recommended.
- Street: QX10 better for discreet shooting but with caveats.
- Macro: QX10 holds advantage.
- Night/Astro: Both limited.
- Video: Minimal capability, slight QX10 edge.
- Travel: Both good, SZ8 more standalone.
- Professional use: Neither suitable.
My Verdict: Who Should Buy Which Camera?
Buy the Panasonic SZ8 if you want...
- A traditional, standalone compact camera with physical controls and an integrated screen.
- A camera that feels familiar and straightforward to operate at casual travel or family events.
- A modest zoom range extending to 288mm without reliance on a smartphone.
- No-fuss battery and storage management with standard SD cards.
Buy the Sony QX10 if you want...
- A tech experiment or second camera that pairs with your smartphone for creative social sharing.
- A compact, lens-style camera that fits in a pocket and weighs very little.
- Slightly better image quality and more detailed photos, especially in good light.
- A closer macro focusing distance and NFC for simplified phone connectivity.
Neither camera is ideal if you require...
- Fast autofocus or continuous shooting for sports or wildlife.
- Pro-level manual controls or RAW file capture.
- Robust weather sealing or advanced video features.
- Long battery life or standalone usability (QX10 particularly).
Final Thoughts: Nostalgic Tech with Niche Appeal
Having tested both extensively, I can confidently say these cameras represent interesting steps in the evolution of compact photography, but by today’s standards they feel somewhat constrained.
The Panasonic SZ8 embraces the classic point-and-shoot spirit with sensible ergonomics but struggles with slower autofocus and aged sensor tech. The Sony QX10’s smartphone-integrated concept was bold and futuristic in 2013 but presents practical challenges that hinder swift, stress-free photography.
If you’re a photography enthusiast hunting for a budget-friendly travel or casual camera with minimal learning curve, the SZ8 offers reliability and familiarity. If you crave innovation or already rely on your smartphone for imaging and want a modest optical zoom upgrade, the QX10 might appeal.
For serious photographers, both models simply fall short. Your money is better spent on entry-level mirrorless or advanced compact systems that deliver fast autofocus, RAW capture, larger sensors, and comprehensive manual control - key ingredients to elevate your craft beyond casual snapshots.
In the end, this comparison showcases how vital it is to align cameras to your shooting style, preferences, and practical needs - not just marketing hype or headline specs. Hopefully, this balanced assessment steers you closer to the right photographic partner for your next visual adventure.
Happy shooting!
Panasonic SZ8 vs Sony QX10 Specifications
| Panasonic Lumix DMC-SZ8 | Sony Cyber-shot DSC-QX10 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-SZ8 | Sony Cyber-shot DSC-QX10 |
| Type | Small Sensor Superzoom | Lens-style |
| Launched | 2014-01-06 | 2013-09-04 |
| Body design | Compact | Lens-style |
| Sensor Information | ||
| Powered by | Venus Engine | - |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 18 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4608 x 3456 | 4896 x 3672 |
| Max native ISO | 1600 | 3200 |
| Max enhanced ISO | 6400 | - |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-288mm (12.0x) | 25-250mm (10.0x) |
| Maximal aperture | f/3.1-6.3 | f/3.3-5.9 |
| Macro focus distance | - | 5cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inch | - |
| Resolution of screen | 460k dot | 0k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT LCD | Depends on connected smartphone |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 8 seconds | 4 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shutter speed | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.20 m | no built-in flash |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | None |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 1440 x 1080 (30 fps) |
| Max video resolution | 1280x720 | 1440x1080 |
| Video data format | Motion JPEG | MPEG-4 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 159 grams (0.35 pounds) | 105 grams (0.23 pounds) |
| Dimensions | 100 x 60 x 27mm (3.9" x 2.4" x 1.1") | 62 x 62 x 33mm (2.4" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 images | 220 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BN, |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | microSD, microSDHC, microSDXC, Memory Stick Micro |
| Storage slots | 1 | 1 |
| Cost at release | $275 | $250 |