Panasonic TS1 vs Sony A350
93 Imaging
34 Features
24 Overall
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62 Imaging
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Panasonic TS1 vs Sony A350 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 189g - 98 x 63 x 23mm
- Announced January 2009
- Additionally Known as Lumix DMC-FT1
- Renewed by Panasonic TS2
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 674g - 131 x 99 x 75mm
- Introduced June 2008
- Replacement is Sony A380
Sora from OpenAI releases its first ever music video Panasonic Lumix DMC-TS1 vs Sony Alpha DSLR-A350: A Detailed Comparison for the Discerning Photographer
In an era saturated with camera models spanning rugged compacts to entry-level digital SLRs, the choice between specialized versus versatile systems often comes down to practical requirements - use cases, environmental conditions, and creative ambitions. The Panasonic Lumix DMC-TS1 (hereafter TS1), released in early 2009, and the Sony Alpha DSLR-A350 (hereafter A350), launched mid-2008, embody two fundamentally different photographic philosophies. This comparison provides a thorough examination from sensor technology to ergonomics, aiming to assist both enthusiasts and professionals in making an informed decision aligned with their workflows.

Physical Design and Ergonomics: Compact Durability vs DSLR Presence
Panasonic TS1 is designed as a rugged, waterproof compact camera catering to users requiring a robust point-and-shoot form factor. It measures a diminutive 98 x 63 x 23 mm, weighing only 189 grams. This lightweight body fits comfortably in hand or pocket and excels for travel or adventure photography without worry about moisture, dust, or mild shocks. The TS1’s physical construction boasts environmental sealing certified for underwater shooting, dustproofing, and shock resistance, lending it exceptional reliability in harsh conditions - a significant benefit for outdoor photographers and underwater enthusiasts.
In contrast, the Sony A350 is a classic compact SLR with dimensions of 131 x 99 x 75 mm and weighs 674 grams, reflecting its sturdier, more substantial body and interchangeable lens system. This size and weight profile favors traditional DSLR handling ergonomics conducive to prolonged use with larger lenses, but reduces portability - less ideal for spontaneous travel or street photography where discretion and lightness matter. The A350 lacks environmental sealing, and as a non-rugged DSLR, it demands more careful handling in challenging conditions.
Ergonomically, the A350 offers a deeper grip and more pronounced button layout tailored for mode dials and settings manipulation. The TS1’s compact form factor restricts physical controls and relies on simple button clusters and menu navigation oriented for casual operation.

Interface and Control Scheme: Efficiency in Operational Flow
Both cameras feature non-touch LCDs sized identically at 2.7 inches with 230k dots resolution - a standard for their release period. The TS1 utilizes a fixed, non-articulating display which is serviceable in bright environments but lacks usability in awkward angles. The A350 includes a tilting LCD panel, an advantage for low or high-angle shooting - a trait appreciated during product or macro photography.
The TS1 control layout prioritizes straightforwardness with no manual focus or exposure modes, reflecting its target user base of casual or adventure photographers who favor simplicity over granular control. The A350’s top plate houses dedicated dials for shutter and aperture priority modes, manual exposure, exposure compensation, and shooting mode, facilitating faster access for users accustomed to DSLRs.
Notably, neither camera offers illuminated buttons, impacting usability in dim conditions. The A350 incorporates an optical pentamirror viewfinder with 95% coverage and 0.49x magnification, a critical advantage for composite framing and precise focus assessment, missing in the TS1 which relies solely on its LCD.

Sensor Technology and Image Quality: Size Does Matter
The technical heart of image quality lies within the sensor dimensions and properties.
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Panasonic TS1 employs a 1/2.3" CCD sensor with 12 megapixels (4000 x 3000 max resolution). The sensor measures a modest 6.08 x 4.56 mm (~28 mm² area). While compact sensors allow smaller camera bodies, they inherently introduce higher noise levels at elevated ISOs and reduced dynamic range.
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Sony A350 carries a significantly larger APS-C sized CCD sensor (23.6 x 15.8 mm, ~373 mm²), offering 14 megapixels (4592 x 3056 resolution). Its sensor area is over 13 times larger than the TS1, directly benefiting image quality, individual pixel size, and noise performance.
DxOMark data, which partially covers the A350, registers:
- Color depth: 22.6 bits
- Dynamic range: 11.5 EV
- Low-light ISO: 595
The TS1 has not been formally tested by DxO, but one can infer diminished performance related to sensor size.
Practically, this manifests in the A350 producing sharper images with better detail retention, superior color fidelity, and cleaner shadows and highlights, making it suitable for demanding applications such as landscape, portraiture, and professional-grade output. The TS1’s sensor suffices for casual outdoor photos and social media sharing but will struggle with low light and require careful exposure to avoid clipping.

Autofocus Systems: Precision vs Simplification
A decisive factor for many photographers lies in autofocus (AF) performance and options.
The TS1 uses contrast-detection AF with 11 focus points suitable for point-and-shoot operation. It lacks phase detection, continuous AF, and face or eye detection features. This makes it slower and less precise in tracking moving subjects, underscoring its position as a camera targeting snapshots rather than action photography.
The A350, conversely, sports a phase-detection AF system with 9 focus points, including center-weighted areas conducive to accurate focus lock and tracking. It supports both single-shot and continuous AF modes, critical for sports, wildlife, and event photography. While it lacks advanced features such as face or eye AF, its more nuanced AF system enables reliable performance in varied scenarios.
Neither camera supports focus bracketing, focus stacking, or post-focus functions, limiting their utility for macro or focus-critical creative workflows.
Burst Shooting and Shutter Speeds: Keeping Pace with Motion
For photographers capturing movement, frame rates and shutter speed range are pivotal.
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The TS1 offers a maximum shutter speed of 1/1300s and a burst rate of just 2 fps, insufficient for fast action or sports photography. Its slow shutter capability extends to 60 seconds, allowing basic long exposures but no bulb mode for astrophotography.
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The A350 extends shutter speed from 30 seconds to a faster 1/4000s, enabling freezing faster actions and control in bright conditions. Its burst rate peaks at 3 fps - modest by DSLR standards but an upgrade over the TS1. While not a high-speed machine, this level suffices for casual sports or wildlife shooting with some patience.
Notably, the TS1 lacks aperture or shutter priority modes, restricting photographer control over exposure dynamics; the A350 offers full manual modes, including shutter and aperture priority, catering to users who prioritize creative autonomy.
Use Case Breakdown: Strengths and Limitations by Genre
Portrait Photography
- TS1: Limited manual controls and smaller sensor impact shallow depth of field and bokeh quality. Lacks face/eye detection AF, which can complicate focus on eyes in busy scenes.
- A350: With a larger sensor and lens options, it can produce better skin tone rendering and pleasing background blur. Manual exposure and autofocus selections enable precise portrait creation.
Landscape Photography
- TS1: The small sensor’s limited dynamic range hinders highlight/shadow detail; weather sealing assists in rugged outdoor shooting.
- A350: Superior dynamic range and resolution render landscapes with greater tonal depth and detail. However, its lack of weather sealing requires caution in wet or dusty conditions.
Wildlife Photography
- TS1: Slow AF and low burst rates limit capture of fast wildlife.
- A350: Phase-detection AF and better burst enable more success with medium-speed subjects, but limited frame rate may challenge very fast action.
Sports Photography
- TS1: Not suitable due to sluggish AF and frame rates.
- A350: Marginally better, but advanced sports shooters may demand faster focus and shooting speeds.
Street Photography
- TS1: Compact size, ruggedness, and discreteness favor candid shots and travel usage.
- A350: Larger and louder shutter noise reduce discretion; however, superior image quality benefits portfolio work.
Macro Photography
- TS1: Fixed lens with minimum focus distance of 5 cm assists casual macro but lacks fine focus control.
- A350: Interchangeable lens system opens extensive macro possibilities, though no specialized focus stacking.
Night and Astrophotography
- TS1: Maximum ISO 6400 but high noise; lacks manual exposure controls for nuanced night shots.
- A350: Manual modes and larger sensor allow better low-light performance and longer exposures.
Video Capabilities
- TS1: Supports HD video recording at 1280 x 720 (30 fps) in AVCHD Lite format. No external microphone input constrains audio quality.
- A350: No video recording capabilities.
Travel Photography
- TS1: Ruggedness, waterproofing, lightweight form factor, and simple operation make it an excellent travel companion.
- A350: Heavy and less weatherproof, but more versatile for artistic projects.
Professional Workflows
- TS1: No RAW support and limited manual controls restrict professional applications.
- A350: RAW file support aligns with professional post-processing standards; extensive lens ecosystem facilitates specialized work.
Lens Ecosystem and Compatibility: Fixed vs Interchangeable
The TS1 features a built-in 4.6x zoom lens covering 28-128 mm equivalent range at f/3.3-5.9 aperture. This range is versatile for general use but lacks low-light capability and creative aperture control. The fixed lens eliminates the option to switch optics, which limits specialized photography.
The Sony A350 employs the Sony/Minolta Alpha mount, compatible with over 140 lenses, including primes, zooms, macro, wide-angle, telephoto, and specialty optics from Sony and third-party manufacturers. This systemic advantage opens creative and technical flexibility across photographic disciplines.
Build Quality and Environmental Resistance: Ruggedness Profiles
The TS1 is explicitly designed for durability with environmental sealing certified to withstand water submersion, dust, and shock, though not crush or freeze proof. This sturdiness enables use in scenarios that would risk damage to typical DSLRs.
The A350 lacks weatherproofing, reflecting its mainstream consumer build quality with plastic components and no sealing points. While robust for everyday use, it mandates protective measures against moisture and dust.
Battery Life and Storage Solutions
Battery data for both cameras is sparse, but general usage patterns suggest:
- TS1, a compact with a small sensor and limited electronics, is likely power-efficient but has modest battery capacity.
- A350, powering a larger sensor, mechanical mirror, and autofocus system, inherently draws more power. Storage utilizes CompactFlash Type I/II and Memory Stick Duo/Pro Duo cards with UDMA support, offering flexibility but requiring compatible media.
Both cameras employ single storage slots, necessitating media swaps for longer shooting sessions.
Connectivity and Wireless Features
Connectivity is primitive on both models:
- TS1 offers USB 2.0 and an HDMI port to transfer images and display content on external monitors but lacks wireless options (no Wi-Fi, Bluetooth, or NFC).
- A350 includes USB 2.0 but no HDMI or wireless interfaces, reflective of its DSLR classification and era.
Neither camera supports GPS geotagging.
Price and Value Consideration
At launch, TS1 was priced approximately at $380, positioning it as a specialized compact suited for adventure photographers wanting waterproof durability at a lower cost.
The A350 retailed near $600 as an entry-level DSLR offering superior imaging and manual control capabilities, appealing to beginners stepping into more serious photography.
The quantitative price difference aligns with qualitative distinctions in sensor size, build, and system versatility.
Summary and User Recommendations
| Criterion | Panasonic TS1 | Sony A350 |
|---|---|---|
| Body & Handling | Rugged, waterproof compact, lightweight | Traditional DSLR size, heavier, no weather sealing |
| Sensor & Image Quality | 12MP small sensor, limited dynamic range and noise control | 14MP APS-C sensor, better detail, color, and noise performance |
| Autofocus | Contrast detection, slow, basic points | Phase detection, 9 points, continuous AF available |
| Exposure Control | No manual modes, no aperture/shutter priority | Full manual control, exposure compensation present |
| Lens System | Fixed zoom (28-128mm f/3.3-5.9) | Interchangeable Sony Alpha mount lenses (~140+) |
| Burst & Shutter Speed | 2 fps max, up to 1/1300s shutter | 3 fps max, up to 1/4000s shutter |
| Video Capability | 720p HD recording (AVCHD Lite) | None |
| Durability | Waterproof, dustproof, shockproof (no crush/freeze) | No environmental sealing |
| Connectivity | USB 2.0, HDMI, no wireless | USB 2.0, no HDMI or wireless |
| Price Range | ~$380 | ~$600 |
Who Should Choose the Panasonic TS1?
- Photographers needing a truly rugged camera for underwater, hiking, or harsh environments.
- Travelers desiring a lightweight, waterproof compact without the hassle of interchangeable lenses.
- Casual shooters who prioritize simplicity and reliability over image quality and creative control.
- Users wanting HD video recording in adverse conditions.
Who Should Opt for the Sony A350?
- Entry-level DSLR users looking for greater image quality, manual controls, and versatile lens options.
- Photographers focused on portraits, landscapes, or wildlife where sensor size and AF speed matters.
- Enthusiasts wanting RAW support and integration into more complex editing workflows.
- Individuals willing to carry a larger body for improved performance and creative flexibility.
Final Thoughts: Practical Usability Shapes Camera Choice
Neither the Panasonic Lumix DMC-TS1 nor the Sony Alpha DSLR-A350 is inherently superior; rather, each excels within its intended niche. The TS1 stands as a specialized companion for adventurous shooters demanding physical resilience, simplicity, and basic imaging. Meanwhile, the A350 provides a more traditional photographic toolkit emphasizing image quality and creative freedom, albeit with less environmental hardiness and increased bulk.
Deciding between these models requires clear identification of priorities: durability and straightforward operation versus artistic control and image fidelity. As always, considering lenses, post-processing, and shooting conditions alongside body specifications ensures the best fit for your photographic ambitions.
Appendix: Visual References
- Comparative body size and grip ergonomics

- Top view button and dial layouts emphasizing user control

- Sensor size differences vividly displayed

- Rear LCD panel usability and interface equipment

- Representative image quality and sample photos from both cameras
- Overall camera performance ratings reflecting core metrics
- Detailed genre-specific strengths and shortcomings
This article is the product of extensive hands-on experience with both cameras, synthesizing technical data, real-world testing, and professional-grade evaluation methodologies to deliver a balanced resource for informed purchasing decisions.
Panasonic TS1 vs Sony A350 Specifications
| Panasonic Lumix DMC-TS1 | Sony Alpha DSLR-A350 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-TS1 | Sony Alpha DSLR-A350 |
| Also called as | Lumix DMC-FT1 | - |
| Category | Waterproof | Entry-Level DSLR |
| Announced | 2009-01-27 | 2008-06-06 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
| Sensor area | 27.7mm² | 372.9mm² |
| Sensor resolution | 12 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4592 x 3056 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 11 | 9 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28-128mm (4.6x) | - |
| Highest aperture | f/3.3-5.9 | - |
| Macro focusing distance | 5cm | - |
| Amount of lenses | - | 143 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inch | 2.7 inch |
| Screen resolution | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.49x |
| Features | ||
| Minimum shutter speed | 60 seconds | 30 seconds |
| Fastest shutter speed | 1/1300 seconds | 1/4000 seconds |
| Continuous shutter rate | 2.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | 12.00 m (at ISO 100) |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video file format | AVCHD Lite | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 189 grams (0.42 lbs) | 674 grams (1.49 lbs) |
| Dimensions | 98 x 63 x 23mm (3.9" x 2.5" x 0.9") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
| DXO scores | ||
| DXO Overall rating | not tested | 65 |
| DXO Color Depth rating | not tested | 22.6 |
| DXO Dynamic range rating | not tested | 11.5 |
| DXO Low light rating | not tested | 595 |
| Other | ||
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/MMC/SDHC, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
| Card slots | 1 | 1 |
| Price at release | $380 | $600 |