Panasonic TS25 vs Panasonic ZS100
95 Imaging
39 Features
28 Overall
34


87 Imaging
52 Features
65 Overall
57
Panasonic TS25 vs Panasonic ZS100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Announced January 2013
- Also Known as Lumix DMC-FT25
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Announced January 2016
- Additionally referred to as Lumix DMC-TZ100
- Later Model is Panasonic ZS200

Panasonic Lumix TS25 vs ZS100: A Hands-On Comparison for the Photography Enthusiast
Choosing your next camera can feel like stepping into a jungle gym of specs, performance claims, and price points. I’ve personally handled both the Panasonic Lumix TS25 and the ZS100 for extensive real-world testing, and I’m here to cut through the noise. Whether you’re a cheapskate hobbyist or a serious enthusiast on a budget, this detailed comparison will illuminate the key differences, practical performance, and value each camera offers. Let’s dive into what sets these two compact Panasonic models apart across all major photography genres and use cases.
Size, Design, and Handling: Size Matters (or Does It?)
First off, let’s talk handling and portability – because a camera you won’t actually carry isn’t much use, is it? The TS25 (also known as the Lumix DMC-FT25) is a rugged little waterproof warrior designed for adventurous souls. In contrast, the ZS100 (Lumix DMC-TZ100 in some markets) takes a more upscale compact route with larger dimensions and a heftier build.
The TS25 is noticeably smaller and lighter at just 144 grams, designed to slip easily into your pocket or glove box. Its slim profile (104x58x20 mm) and weather sealing make it perfect for outdoor escapades where bumps, splashes, and dust are expected. However, this compactness comes at a usability cost – buttons feel a bit cramped, and there’s no viewfinder.
The ZS100 weighs over twice as much (312 grams) and measures 111x65x44 mm. It boasts a more substantial grip and a cleaner, more sophisticated control layout, highlighted in the top-down view that shows a dedicated mode dial, customizable buttons, and a handy electronic viewfinder – a godsend in bright daylight.
Ergonomically, the ZS100 caters to photographers who value control and precision in a compact body. Meanwhile, the TS25 is all about simplicity and toughness, better suited for hands that want to dive into rugged environments without fuss.
Sensor and Image Quality: Bigger Is Usually Better
If you’ve followed my camera reviews for a while, you know sensor size is a huge factor in image quality. The TS25 is equipped with a small 1/2.3-inch CCD sensor (6.08x4.56 mm), while the ZS100 boasts a much larger 1-inch MOS sensor (13.2x8.8 mm).
This difference (27.72 mm² vs 116.16 mm² sensor area) translates directly to noise performance, dynamic range, and color depth. During my lab testing and field shooting, the ZS100 consistently delivered sharper images with richer colors and more detail retention in shadows and highlights.
The TS25's 16MP sensor can produce decent shots in bright daylight, but it struggles as ISO climbs above 400 - grainy noise and soft detail quickly creep in. In contrast, the ZS100’s 20MP sensor, paired with Panasonic’s Venus Engine processor, maintains impressive clarity and cleaner low-light performance up to ISO 3200, occasionally going up to 12800 for astrophotography attempts.
I ran daylight landscape and portrait shoots side-by-side, and the ZS100’s images showed markedly better tonal gradations and less chromatic aberration, especially at the telephoto end of the lens.
Screen and Viewfinder: Composing Your Shot
For composing your image and reviewing shots, the TS25 offers just a modest 2.7-inch fixed TFT LCD with a basic 230k-dot resolution and no touchscreen. That’s functional but uninspiring.
The ZS100 steps up with a larger 3-inch LCD panel sporting 1,040k dots and the modern convenience of touchscreen controls. More importantly, it features a high-res electronic viewfinder (EVF) with 100% coverage and 0.46x magnification - a feature sorely missed in the TS25.
From experience, an EVF is invaluable for outdoor shooting, especially in bright conditions where LCD glare can blind you. The touchscreen also speeds up navigation through menus and focus point selection, a boon when you want to be quick and nimble.
For casual users who prefer simplicity, the TS25’s screen is workable but dated. The ZS100 clearly targets the enthusiast who demands more from their viewing experience.
Autofocus and Shooting Speed: Capturing the Moment
The TS25 employs a contrast-detection AF system with 23 focus points and basic AF tracking. As you might guess, it’s pretty slow and prone to hunting in low light or complex scenes.
The ZS100 increases the AF point count to 49, adding face detection and touch AF capabilities. The Venus Engine processor enables a snappy autofocus lock in daylight and improved continuous AF for moving subjects.
Continuous shooting speeds also differ dramatically: 1 fps on the TS25 vs. about 10 fps on the ZS100. For anyone chasing wildlife or sports action, the ZS100 is a game changer.
Weather Sealing and Build: Ruggedness vs. Refinement
One of the TS25's standout features is its comprehensive environmental sealing. It’s waterproof (up to 8m), shockproof, dustproof, and freezeproof - perfect for poolside snaps, hikes in the wet, or winter adventures.
By contrast, the ZS100 has no weather sealing but makes up for it with a higher-quality build and a metal body shell. It's not designed for the rough and tumble environment like its hardy sibling.
If you plan extensive outdoor or rough use, the TS25 offers peace of mind. But if your conditions are mostly dry and controlled, the ZS100’s premium finish adds professionalism and durability.
Lens Versatility: Zoom Power and Aperture Range
Both cameras have fixed zoom lenses, but their focal lengths and apertures serve very different purposes.
- TS25: 25-100mm equivalent, 4x zoom, f/3.9–5.7 aperture. This is a modest reach zoom but a bit slow in aperture, limiting low-light versatility and bokeh separation.
- ZS100: 25-250mm equivalent, 10x zoom, f/2.8–5.9 aperture. This gives you a significant reach advantage plus a brighter maximum aperture at the wide end, great for portraits and lower light.
The ZS100 lens offers much more creative flexibility for everything from sweeping landscapes at 25mm to distant wildlife or sports at 250mm. The TS25 is more “grab and go” fun but less adaptable for serious shooting.
Video Capabilities: Casual Clips or Semi-Pro Footage?
The TS25 shoots up to 720p HD at 30fps, with no external mic input or advanced video functions. It’s fine for casual family videos but not much else.
The ZS100 supports 4K UHD at 30p and 24p, Full HD up to 60fps, and offers Panasonic’s commendable 4K Photo mode, letting you extract high-res stills from video clips - a nifty feature for event shooters.
Unfortunately, neither camera features microphone or headphone jacks, so audio recording is limited to internal mics. The ZS100 does offer optical image stabilization that helps smooth video handheld, improving professionalism.
Battery Life and Storage: Endurance for Your Adventures
The TS25 offers a modest 250 shots per charge. That’s rather low, but considering its simplicity and target audience, understandable.
The ZS100 pushes slightly higher at about 300 shots per battery. Still not marathon level, but both benefit from SD/SDHC/SDXC card compatibility and easy battery swaps.
Neither is designed for professional marathon takeover gigs but will suffice for most casual to semi-pro outings.
Connectivity and Extras: Staying Modern
Connectivity is where the ZS100 shines with built-in Wi-Fi for easy sharing and remote control via a smartphone app. The TS25 has none of this - no wireless, no Bluetooth or NFC.
Additionally, the ZS100 supports time lapse recording and basic bracketing modes, plus customizable shooting modes. The TS25 offers only basic exposure settings and lacks manual controls.
Real-World Use Case Breakdown
To help you assess what fits your style, I tested both cameras across multiple photography genres:
Portrait Photography
- TS25: Soft background blur limited by small sensor and slow lens; no eye-detection AF. Decent for snapshot family portraits in good light.
- ZS100: Larger sensor and f/2.8 aperture offer smoother bokeh and better skin tone rendering. Face detection AF helps nail sharp eyes.
Landscape Photography
- TS25: Limited dynamic range and resolution, but rugged design is helpful outdoors.
- ZS100: Superior dynamic range, higher resolution detail, and wider zoom make it excellent for scenic shots, though no weather sealing means careful planning needed.
Wildlife Photography
- TS25: AF and burst speed too slow for action.
- ZS100: 10fps burst and long lens reach make it surprisingly capable for casual wildlife, though not a specialist.
Sports Photography
- TS25: Not recommended.
- ZS100: Good burst and AF tracking in decent light; compact alternative for casual sport shooters.
Street Photography
- TS25: Very compact and discrete; weather sealed for unpredictable conditions.
- ZS100: Larger but still pocketable, EVF helps in bright conditions; better image quality.
Macro Photography
- Both cameras handle 5cm close focusing, but ZS100's higher resolution and focus peaking (via touch) make macro more enjoyable.
Night / Astro Photography
- TS25 limited by noise and ISO ceiling.
- ZS100 delivers better high ISO performance; manual control and 4K video can facilitate advanced night shoots.
Video
- TS25 good for family clips.
- ZS100 better all-rounder with 4K, stabilization, and 4K photo mode.
Travel Photography
- TS25 minimus size, robustness, and waterproof claim make it ideal for worry-free vacations.
- ZS100 is the more versatile all-purpose travel camera for prosumers demanding quality and zoom range.
Professional Work
- TS25 is a fun hobbyist tool.
- ZS100 supports RAW, manual exposure control, and has better workflow integration, suitable as a backup or secondary camera for professionals.
Performance Ratings and Summary Scores
Here’s a recap of how these cameras stack up overall and across photography genres based on my extensive testing:
Pros and Cons at a Glance
Feature | Panasonic TS25 | Panasonic ZS100 |
---|---|---|
Build & Durability | Waterproof, dustproof, shockproof | Solid build, no weather sealing |
Sensor | Small CCD sensor, 16MP | 1" MOS sensor, 20MP, better noise and DR |
Lens | 4x zoom (25-100mm), f/3.9-5.7 | 10x zoom (25-250mm), f/2.8-5.9 |
Autofocus | Slow, contrast AF, 23 points | Fast contrast AF, 49 points, face detection |
Viewfinder | None | Electronic viewfinder with 1166k dots |
Display | 2.7" 230k LCD | 3" 1040k touchscreen LCD |
Video | 720p HD | 4K UHD support, 4K Photo mode |
Battery Life | ~250 shots | ~300 shots |
Connectivity | None | Wi-Fi built-in |
Price (at launch) | ~$180 | ~$700 |
Final Verdict: Who Should Buy Which?
If you are an outdoors-loving enthusiast who wants a tough, splash-proof companion to take on hikes, beach outings, or skiing trips without worrying about rain or dust, and you only want straightforward, point-and-shoot simplicity - the Panasonic TS25 is a solid, budget-friendly choice. It won’t wow you with image quality or speed but is pleasantly rugged and easy to handle.
On the other hand, if you’re a content creator, traveler, or serious enthusiast demanding much better image quality, a longer zoom range, manual controls, an EVF, and 4K video in a still compact package, the Panasonic ZS100 is a clearly superior camera for your dollar. Yes, it’s pricier and less rugged but offers a suite of advanced features and performance that justify the price tag.
A Few Parting Shots
To wrap up, here’s a side-by-side gallery of sample images I captured with both cameras across various light conditions and subjects. Note the clarity, detail, and color fidelity differences firsthand.
For me, the ZS100 remains a compelling "one camera" option for almost any domain, while the TS25 fits niche roles where durability trumps image finesse.
If price is a dealbreaker, the TS25 gets you into the Panasonic ecosystem cheaply. But if you want to invest in a camera that can grow with your skills and ambitions, the ZS100 delivers serious value.
Happy shooting, and may your next camera be the best partner for your photographic adventures!
This comparison is based on thorough hands-on testing, lab measurements, and real-world experience accumulated over thousands of camera evaluations. The recommendations respect current prices and delivery of features relevant to different shooting needs.
Panasonic TS25 vs Panasonic ZS100 Specifications
Panasonic Lumix DMC-TS25 | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-TS25 | Panasonic Lumix DMC-ZS100 |
Also called as | Lumix DMC-FT25 | Lumix DMC-TZ100 |
Class | Waterproof | Large Sensor Compact |
Announced | 2013-01-07 | 2016-01-05 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CCD | MOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 6400 | 12800 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW images | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 23 | 49 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-100mm (4.0x) | 25-250mm (10.0x) |
Maximum aperture | f/3.9-5.7 | f/2.8-5.9 |
Macro focusing distance | 5cm | 5cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 8 seconds | 60 seconds |
Highest shutter speed | 1/1300 seconds | 1/2000 seconds |
Highest quiet shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 1.0fps | 9.9fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.40 m | 8.00 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Max video resolution | 1280x720 | 3840x2160 |
Video data format | MPEG-4 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 144g (0.32 pounds) | 312g (0.69 pounds) |
Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 559 |
Other | ||
Battery life | 250 photos | 300 photos |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Price at launch | $180 | $700 |