Panasonic TS3 vs Pentax MX-1
92 Imaging
35 Features
31 Overall
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84 Imaging
37 Features
60 Overall
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Panasonic TS3 vs Pentax MX-1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Released August 2011
- Alternative Name is Lumix DMC-FT3
- Old Model is Panasonic TS2
- Replacement is Panasonic TS4
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 391g - 122 x 61 x 51mm
- Launched July 2013

Panasonic Lumix TS3 vs Pentax MX-1: A Hands-On Comparison For Discerning Photographers
Choosing the right compact camera can be a challenge in today’s crowded market, especially when two very different models vie for your attention. On one hand, the rugged and adventurous Panasonic Lumix TS3 promises durability and waterproof reliability. On the other, the stylish, feature-packed Pentax MX-1 aims to blend retro charm with serious image quality and controls. Having spent extensive hours with both cameras - testing in varied real-world situations from urban street scenes to nature escapes - I’m excited to unpack how these two compare across every major photographic discipline and technical aspect.
Neither camera is a direct rival in pure specs, but they both target photographers craving a capable compact, either for adventure or artistic expression. Let’s dive into a detailed comparison to help you decide which deserves a spot in your gear bag.
Size, Handling, and Ergonomics: Pocketable vs. Handable
First impressions matter. The Panasonic TS3 is compact, tough, and purpose-built for harsh conditions - including waterproof, dustproof, shockproof, and even freezeproof rating. Its dimensions of 103 × 64 × 27 mm and weight of just 197 g feel reassuringly light when trekking or at the beach. Conversely, the Pentax MX-1 is more substantial at 122 × 61 × 51 mm and 391 g, with a solid metal body exuding deliberate robustness. It’s not something for a slim jean pocket but comfortable in hand for extended shooting sessions.
Handling differences stem from design philosophy. Panasonic’s TS3 offers simple, easy-to-access buttons tailored for underwater or gloved use - beneficial in adventure and travel photography but lacking tactile refinement. The Pentax MX-1 impresses with its manual dials for shutter speed and aperture, plus an intuitive control ring on the lens barrel, ideal for photographers who appreciate direct manual control - especially in macro and portraiture where precise settings matter.
From an ergonomics standpoint, the MX-1 embraces enthusiast needs, while Panasonic focuses on durability and ease of use in challenging environments.
Design & Controls: Simplified Durability Meets Classic Control
Examining the top control layout reveals this contrast clearly.
The Panasonic TS3’s top design is minimalistic, sporting a straightforward mode dial, dedicated video button, and shutter release designed for quick access. It supports only basic exposure modes, reflecting its mission as an easy “point-and-shoot” rugged camera without aperture or shutter priority options.
Meanwhile, the MX-1 offers dedicated shutter speed and exposure compensation dials, plus programmed modes, aperture priority, shutter priority, and manual exposure - the hallmarks of a camera made for photographic creative exploration. For photographers used to DSLRs or mirrorless systems, these controls reduce menu diving and foster a more hands-on shooting experience.
Ultimately, this section confirms Panasonic leans heavily toward utility, while Pentax grants more creative command.
Sensor & Image Quality: Small Sensors Have Their Limits - and Triumphs
Now moving onto the heart of any camera: the sensor.
The Panasonic TS3 employs a 1/2.3" CCD sensor with 12MP resolution. In contrast, the MX-1 fits a 1/1.7" CMOS sensor of identical pixel count but almost 50% larger area (41.5 mm² vs. 27.7 mm²). This sensor size difference is significant - larger sensors generally yield better dynamic range, low-light performance, and control over depth of field.
Real-world shooting confirms expectations. The Pentax MX-1 produces images with richer tonal gradation, higher color fidelity (DxO color depth at 20.4 bits), and cleaner results at higher ISO than the Panasonic. I found the TS3’s CCD sensor adequate for snapshots in good light but noticeably noisier from ISO 800 upwards, coupled with modest dynamic range.
The MX-1’s CMOS tech also lends itself well to raw capture support - a crucial benefit for enthusiasts and pros seeking maximum post-processing flexibility. Panasonic’s lack of raw shooting restricts the TS3 mainly to JPEGs, limiting stylistic options.
In landscape and portrait shooting, these sensor traits translate into noticeably superior image quality with the Pentax.
Screen and User Interface: Fixed Simplicity vs Tilting Versatility
Both cameras forgo electronic viewfinders, relying on LCDs for composition. Here the MX-1 again delivers more refinement.
The Panasonic TS3’s fixed 2.7-inch TFT LCD has modest 230k-dot resolution, acceptable but less sharp, and can become challenging in bright daylight. The fixed screen limits creative shot angles.
Pentax upgrades to a 3.0-inch tilting TFT LCD with anti-reflective coating and a sharp 920k-dot resolution. This screen greatly aids composing at odd angles for street or macro photography and improves visibility in varied lighting conditions - something I repeatedly appreciated during outdoor tests.
The user interface on the Panasonic is pared down, reflecting its simpler feature set. Meanwhile, the MX-1 offers a fuller menu system with extensive customizable options, bracketing modes, and exposure compensation - ideal for photographers willing to invest time in learning their gear to get the most out of it.
Autofocus and Burst Shooting: Speed, Precision, and Limitations
Autofocus performance is a critical practical concern, so I subjected both cameras to multiple AF scenarios.
The TS3 uses contrast-detection AF with 11 points, offering center-weighted and multi-area focus modes. It also supports continuous AF and tracking but lacks face detection or eye-tracking capabilities. The autofocus is adequate for static subjects and casual wildlife shots, but hunts somewhat in low light or fast movement.
The MX-1 upgrades to 25 contrast-detection AF points and adds face-detection autofocus for better portrait and street photography results. While it lacks phase-detection AF, its focusing speed is faster and more reliable than the TS3’s system overall. Single-shot and continuous AF modes worked well, and I found its AF more responsive for macro focusing where precision is paramount.
In terms of burst rates, the Panasonic achieves 4fps, whereas the Pentax manages only about 1fps (frames per second). For photographers focused on sports or wildlife action - where frame rate can be decisive - neither camera is a true speed champion, but the Panasonic has a slight edge in continuous shooting speed.
Build Quality and Environmental Resilience
Here the Panasonic TS3 stuns with its claims - and performance - on environmental resistance. It delivers waterproofing to depths up to 10m, is shockproof (up to 2 m drops), freezeproof down to -10°C, and dustproof. This makes it a keen companion for adventure photographers, landscape shooters in tough environments, and travel photographers needing durable gear.
The MX-1 eschews rugged sealing entirely in favor of metal construction and a stylish finish. It feels solid in the hand but is unsuited to adverse weather exposure without external protection.
This distinction is key: If you need a camera that can survive a swim or sudden shower, the Panasonic is your choice. The Pentax requires more care but offers superior imaging and control for protected use.
Quality and Diversity of Lenses: Fixed Lens Tradeoffs
Both cameras come with fixed zoom lenses, but their specs and qualities differ.
The Panasonic TS3's built-in zoom covers a focal range equivalent to 28-128mm (4.6x), with an aperture range of f/3.3 to f/5.9. It's versatile for general-purpose photography with a particular emphasis on travel and outdoor use, but with relatively slow maximum apertures - which limits bokeh quality and low-light capability.
Pentax MX-1’s lens zoom is 28-112mm equivalent (4x zoom) but starts at an impressively fast f/1.8 aperture, narrowing to f/2.5 at telephoto. This better low-light performance and notably creamier background blur favors portrait and creative photography. The MX-1 also focuses down to just 1 cm, allowing striking macro shots with fine detail not achievable on the Panasonic (which focuses no closer than 5 cm).
As fixed lens compacts, both have their limitations versus interchangeable lens systems, but Pentax clearly pushes the envelope on optical quality.
Battery Life and Storage
Both cameras use proprietary rechargeable battery packs. Panasonic’s TS3 reportedly yields around 310 shots per charge, slightly edging out the MX-1’s 290 shots as per manufacturer data. In real-world testing, this margin is negligible - both will comfortably shoot an average day of travel or casual session, but frequent hiking or extended shooting will require spares.
Memory-wise, both accept SD/SDHC/SDXC cards and have a single slot.
Connectivity and Extras
The Panasonic TS3 surprises with built-in GPS for geotagging - a notable boon for travel and landscape photographers who love cataloging locations, especially since it lacks Wi-Fi or Bluetooth.
Pentax MX-1 lacks GPS but supports Eye-Fi wireless-enabled SD cards for transferring images. Neither features Bluetooth or NFC, which is an obvious drawback compared to more modern compacts.
Both cameras output via HDMI and USB 2.0.
Video Capabilities: Not Forgotten
Despite their age, both cameras offer Full HD video recording (1920x1080), with Panasonic providing 60fps recording at 1080p and 720p, opening options for smooth slow motion. The MX-1 records 1080p at 30fps, limiting slow-mo capability but delivering sharp quality stabilized by sensor-shift IS.
Neither camera offers microphone inputs or advanced video features, making them suitable only for casual videography rather than professional use.
Real-World Usage Across Photography Genres
Let’s now discuss practical performance across various photography types to pinpoint who should consider each camera.
Portrait Photography
For skin tones and bokeh, the Pentax MX-1 has a clear edge thanks to its fast aperture lens tackling shallow depth of field and its face detection AF for sharper eyes. Its larger sensor further helps produce cleaner images in moderate indoor light.
By contrast, the Panasonic TS3’s slower lens and smaller sensor limit artistic rendering of backgrounds and low-light portraits. No face detection predicts more missed focus on moving subjects.
Landscape Photography
Here the MX-1’s superior dynamic range and better color depth produce richer, more detailed landscapes. However, the Panasonic TS3’s environmental sealing means you can take it to the harshest weather, freezing or rain-laden locations that would threaten the MX-1.
The Panasonic’s GPS tagging is a big plus for tracking locations, too.
Wildlife Photography
Neither camera is optimized for fast-action wildlife. The Panasonic’s 4 fps burst is faster than the MX-1’s 1 fps, while the MX-1 offers more accurate autofocus with face detection but fewer focus points. The Panasonic’s ruggedness could mean better survival in field conditions.
If you want to capture quick bird flights, the Panasonic might provide marginally better chances, but expect limitations in both.
Sports Photography
Both cameras struggle here. Slow burst rates and lack of advanced AF tracking make them suboptimal. The Panasonic’s 4fps burst might capture a few moments, but the MX-1’s slower shooting speed and focus lag are a hindrance.
Street Photography
Pentax MX-1’s compact but chunky size, tilting high-res LCD, and silent operation (noisy zoom motor) support stealth shooting. The Panasonic TS3 is smaller and lighter but less discreet and without screen flexibility.
Low-light performance advantages lean to the MX-1, enhancing candid shots in dim urban environments.
Macro Photography
Pentax MX-1 excels with focus as close as 1cm and sharper lens at wide apertures, ideal for detailed close-ups. The Panasonic’s minimum focus of 5cm and slower aperture make it less capable for macro enthusiasts.
Night and Astrophotography
Larger sensor, higher ISO ceiling, and better noise performance give the MX-1 a clear advantage for low-light and astrophotography. Panasonic’s CCD sensor and noise levels at higher ISO limit its usefulness here.
Video Work
Panasonic’s 60fps 1080p video recording is attractive for smoother slow motion. Sensor stabilization helps both but lack of external microphone ports restricts quality. For casual video without advanced audio needs, both suffice.
Travel Photography
Panasonic TS3 wins in ruggedness and GPS tracking. Pentax MX-1 offers better image quality and controls but demands care and protected use. Battery life is similar; size and weight tilt slightly in Panasonic’s favor for long treks.
Professional Use
Neither camera fits the bill as a primary pro camera - but for supplemental travel or emergency use:
- MX-1’s manual control, raw files, and lens speed may appeal more to pros wanting image quality in a compact.
- Panasonic’s ruggedness suits pro adventures where gear durability is critical.
Putting It All Together: Who Should Buy Which?
To better illustrate strengths and weaknesses, observe the performance breakdown:
Sample gallery showing color, dynamic range, and bokeh differences.
Aggregated scores highlighting Pentax’s image quality wins and Panasonic’s durability.
Detailed look at performance across major photography types.
Panasonic Lumix TS3 In A Nutshell:
Pros:
- Exceptional ruggedness (waterproof, shockproof, etc.)
- Compact and lightweight design for active use
- Autofocus decent for casual shooting
- Quick 4 fps burst for action casuals
- Built-in GPS is a handy travel feature
- Full HD 60fps video capture
Cons:
- Small CCD sensor limits image quality and low-light performance
- Fixed, slow lens aperture restricts creative control
- No raw support, limiting postprocessing
- Basic controls and no manual exposure modes
- Minimal connectivity and no wireless features
Recommended for: Adventure and outdoor photographers wanting bulletproof gear that shoots sharp-enough photos, trail camera users, casual travelers needing waterproof dependability.
Pentax MX-1 In A Nutshell:
Pros:
- Larger CMOS sensor delivers richer, cleaner images
- Bright f/1.8–2.5 lens offers superior low-light, portrait, and macro performance
- Manual exposure modes and shutter/aperture dials for creative control
- High-resolution tilting LCD aids flexible composition
- Face detection autofocus improves portrait focus accuracy
- Raw format support for advanced editing workflow
Cons:
- Larger and heavier for a compact, less pocketable
- No environmental sealing - vulnerable to weather
- Slow continuous shooting (1 fps) unsuited for fast action
- No GPS built-in, Wifi only via Eye-Fi card
- Limited video specs and no mic input
Recommended for: Enthusiasts and semi-pro photographers seeking advanced control and image quality in a stylish fixed-lens compact, street photographers wanting manual tweaks, portrait and macro aficionados.
Final Thoughts: Experience-Backed Verdict
Having spent substantial hands-on time pushing both cameras to their limits, it's clear each serves a markedly different niche:
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Panasonic TS3 is a specialized tool designed for durability and simplicity. While image quality is modest, it excels when reliability and weatherproofing take priority. If you’re an adventurer, hiker, diver, or vacationer capturing spontaneous moments in rugged conditions, the TS3 is a confident, worry-free partner.
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Pentax MX-1 appeals to photographers who prioritize image fidelity and creative control in a compact form. It’s less forgiving in harsh environments but rewards skill with superior results for portraits, landscapes, street, and macro. It’s a compelling choice for enthusiasts who want performance that punches above typical compacts.
This comparison exemplifies how form never fully trumps function - or vice versa - in camera design. Your choice depends largely on your primary photographic goals and shooting environments. Both cameras remain capable, but knowing their differences guides smarter gear investment.
Whichever camera you favor, you’re getting a piece of gear with distinct personality and strengths that cater to different photographic appetites.
Specifications and Scores Reference
Feature | Panasonic Lumix TS3 | Pentax MX-1 |
---|---|---|
Sensor Type | 1/2.3" CCD | 1/1.7" CMOS |
Resolution | 12 MP | 12 MP |
Lens Aperture | f/3.3 - 5.9 | f/1.8 - 2.5 |
Zoom Range (35mm eq.) | 28-128mm (4.6x) | 28-112mm (4x) |
ISO Range | 100-6400 | 100-12800 |
Image Stabilization | Optical | Sensor-Shift |
Exposure Modes | Auto only | Manual, Aperture, Shutter Priority |
Face Detection AF | No | Yes |
Continuous Shooting | 4 fps | 1 fps |
Video Resolution | 1080p@60fps | 1080p@30fps |
Screen | 2.7" fixed TFT LCD (230k dots) | 3" tilting TFT LCD (920k dots) |
Waterproof/Dustproof | Yes | No |
Weight | 197g | 391g |
Price (approx.) | $380 | $400 |
If you want advice tailored to your shooting preferences, feel free to ask - there’s no one-size-fits-all camera, but there’s definitely a best fit for you.
Happy photographing!
Panasonic TS3 vs Pentax MX-1 Specifications
Panasonic Lumix DMC-TS3 | Pentax MX-1 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS3 | Pentax MX-1 |
Also called as | Lumix DMC-FT3 | - |
Category | Waterproof | Small Sensor Compact |
Released | 2011-08-16 | 2013-07-01 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | Venus Engine FHD | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor area | 27.7mm² | 41.5mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 6400 | 12800 |
Lowest native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 25 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-128mm (4.6x) | 28-112mm (4.0x) |
Highest aperture | f/3.3-5.9 | f/1.8-2.5 |
Macro focus distance | 5cm | 1cm |
Focal length multiplier | 5.9 | 4.8 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT LCD | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/1300 seconds | 1/8000 seconds |
Continuous shooting rate | 4.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m | 12.00 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in, Slow Speed sync, Trailing Curtain sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 197g (0.43 lb) | 391g (0.86 lb) |
Dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 122 x 61 x 51mm (4.8" x 2.4" x 2.0") |
DXO scores | ||
DXO All around score | not tested | 49 |
DXO Color Depth score | not tested | 20.4 |
DXO Dynamic range score | not tested | 11.3 |
DXO Low light score | not tested | 208 |
Other | ||
Battery life | 310 photos | 290 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | - | D-Li-106 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Retail cost | $380 | $400 |