Panasonic TS3 vs Sony A6400
92 Imaging
35 Features
31 Overall
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83 Imaging
68 Features
88 Overall
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Panasonic TS3 vs Sony A6400 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced August 2011
- Alternative Name is Lumix DMC-FT3
- Superseded the Panasonic TS2
- Replacement is Panasonic TS4
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Increase to 102400)
- 3840 x 2160 video
- Sony E Mount
- 403g - 120 x 67 x 50mm
- Introduced January 2019
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic Lumix TS3 vs Sony Alpha A6400: A Thorough Comparison for Every Photographer
Selecting the right camera can be a challenge, especially when comparing models that cater to vastly different photography needs and user profiles. Here we examine two seemingly disparate cameras - the rugged Panasonic Lumix TS3, and the versatile Sony Alpha A6400 - to determine which one suits your creative ambitions best. Drawing on years of extensive, hands-on testing, I break down their technical capacities, real-world performance, and value proposition, offering insights that go beyond specs sheets for both novice adventurers and seasoned pros alike.

Design and Ergonomics: Compact Durability vs. Advanced Handling
At first glance, the Panasonic TS3 and Sony A6400 represent two distinct philosophies in camera design.
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Panasonic TS3: This ultra-compact, tough-as-nails waterproof camera weighs a mere 197 grams and measures 103 × 64 × 27 mm. Its pocketable dimensions and robust environmental sealing (waterproof, dustproof, shockproof, freezeproof) make it ideal for extreme outdoor use and casual adventuring. The body’s matte finish and minimalist button layout emphasize simplicity, foreclosing the complexity found in interchangeable lens systems.
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Sony A6400: In contrast, the A6400 is a mirrorless camera that weighs approximately 403 grams - not light, but manageable for an APS-C system. Its rangefinder-style body (120 × 67 × 50 mm) offers extensive ergonomic refinements, including textured grips, top-dedicated dials, and customizable controls aimed at professionals and enthusiasts. Weather sealing is rated as “yes” by Sony, offering some resilience against environmental factors but no full waterproofing.
Both cameras favor durability, but where the TS3 delivers protection in harsh conditions, the A6400 emphasizes handling precision and versatility for diverse shooting situations.

Control Layout and Interface: Simplicity vs. Command
The TS3’s fixed lens design and simplified control scheme manifest in a handful of buttons without dials or exposure mode selectors like aperture or shutter priority, reflecting its target user base: casual users who prioritize ruggedness over detailed settings control. The 2.7-inch fixed-type TFT LCD screen (230k dots) is adequate for framing but limited in resolution and flexibility. It lacks touch sensitivity and a tilt mechanism and does not include an electronic viewfinder (EVF).
Conversely, the Sony A6400 features a tilting 3.0-inch LCD touchscreen with a high 922k-dot resolution, significantly enhancing composition in diverse shooting angles, including selfies. Its built-in EVF boasts 2,359k-dot resolution and 100% coverage, a boon for critical manual focusing and outdoor shooting where LCD visibility is impaired. Sony’s interface includes dedicated dials for shutter speed, exposure compensation, and function buttons, custom-mappable for workflow expediency.
This difference underscores the TS3's role as a grab-and-go companion versus A6400's command center for precise exposure and focus adjustments.

Sensor Technology and Image Quality: From Basic to Advanced Imaging
Image quality fundamentally depends on sensor size and technology, and here the gulf between these cameras is vast.
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Panasonic TS3 Sensor: Utilizes a modest 1/2.3-inch CCD sensor measuring 6.08 × 4.56 mm (approximately 27.7 mm² sensor area) at 12 megapixels resolution (4000 × 3000 pixels). CCD sensors were state-of-the-art in compact cameras of its era but generally lag behind modern CMOS sensors, especially in noise control and dynamic range. Panasonic integrates an anti-alias filter, which can slightly soften image details but reduces moiré.
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Sony A6400 Sensor: Equipped with a much larger 23.5 × 15.6 mm (366.6 mm² area) APS-C sized CMOS sensor delivering 24 megapixels (6000 × 4000 pixels). This sensor is capable of capturing far greater detail and extends dynamic range significantly, with a DxO Mark overall score of 83 attesting to its market-leading quality. Coupled with the latest Bionz X image processor, the A6400 yields images with excellent color depth (24 stops), high ISO performance (native ISO up to 32,000, boosted to 102,400), and more nuanced highlight and shadow retention.
For photographers who prioritize image fidelity, the A6400’s sensor delivers superior resolution, high ISO usability, and flexibility in post-processing. The TS3 suits snapshots and casual shooting, where ruggedness trumps image nuance.
Autofocus and Shooting Speed: Basic Contrast Detection vs. Hybrid Fast Autofocus
Autofocus systems define how quickly and accurately a camera can lock onto and track subjects, crucial in dynamic shooting scenarios.
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Panasonic TS3: Employs contrast-detection AF with 11 focus points, supporting single AF, continuous, and tracking modes. However, without face detection or advanced algorithms, focusing can hesitate in low contrast or challenging lighting. Continuous shooting tops out at a modest 4 frames per second (fps), sufficient for casual action but not for sports or wildlife capture.
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Sony A6400: Boasts a hybrid AF system with 425 phase-detection and 425 contrast-detection points - effectively covering 84% of the image area. It supports subject and eye detection AF, including animal eye AF, an industry first ideal for portrait and wildlife shooters. The camera achieves burst shooting at 11 fps with continuous AF tracking and no blackout, ensuring sharp captures even in fast, unpredictable action.
In practical testing, the A6400 consistently outperforms the TS3 under demanding conditions, maintaining focus on erratically moving subjects with impressive reliability.
Build Quality and Environmental Resistance: Extreme Toughness vs. Professional Durability
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Panasonic TS3: Designed as a rugged compact, the TS3 offers waterproof capabilities up to 10 meters, dustproof sealing, shockproof endurance to 2 meters drops, and freeze-proof operation to -10°C. Such specifications make it a trustworthy companion for underwater photography, mountain climbing, or skiing adventures, where traditional cameras rarely survive.
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Sony A6400: While offering dust and moisture resistance, the A6400 lacks waterproofing and is not shock or freezeproof rated. Its magnesium alloy body enhances durability and offers a professional feel, but users must protect it from adverse weather intentionally.
Thus, the TS3 is the obvious pick for extreme weather and wet environments, while the A6400 requires more thoughtful handling or additional housings.
LCD and Viewfinding Experience: Limited LCD vs. Articulating Touchscreen and EVF
The TS3’s fixed LCD screen, lacking touch, tilting mechanisms, and of low resolution, is functional for most daylight framing but limits framing flexibility and menu navigation ease.
The A6400’s 3-inch high-res, tilting touchscreen and bright EVF offer flexible, precise composition from awkward angles - critical for street, portrait, and video shooting. Touch functionality extends deeply into AF control and menu navigation, accelerating workflow noticeably.

Lens Systems and Compatibility: Fixed Zoom vs. Vast Interchangeable Lens Ecosystem
A critical factor distinguishing these cameras is lens flexibility.
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Panasonic TS3: Features a built-in fixed lens with a focal range of 28–128 mm equivalent (4.6× optical zoom), maximum aperture f/3.3 at wide end tapering to f/5.9 at telephoto. With a minimum macro focusing distance of 5 cm, it is convenient for close-up shots but lacks optical versatility and ability to change lens characteristics, sacrificing ultimate creative control.
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Sony A6400: Utilizes the Sony E-mount system, which offers over 120 compatible lenses from Sony and third-party manufacturers, including primes and zooms tailored for nearly every photography modality, from ultra-wide landscapes and macro to super-telephoto sports. The crop factor of 1.5x means a 50mm lens behaves like a 75mm on full frame, which must be accounted for when selecting focal lengths.
The A6400’s adaptability makes it a powerful imaging toolkit capable of growing with user aspirations, unlike the TS3’s single-lens limitation.
Battery Life and Storage Options: Moderate Endurance with Basic Expansion vs. Longer Usage with Versatile Media
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Panasonic TS3: Uses a proprietary battery delivering approximately 310 shots per charge, which is respectable but may require spares for extended outings. It supports SD, SDHC, and SDXC cards in one slot and includes a small internal storage buffer.
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Sony A6400: Features a NP-FW50 battery offering about 410 shots per charge according to CIPA standards, slightly better but still limiting for intensive travel or sports shoots without extras. Single memory card slot supports SD, SDHC, SDXC, and Memory Stick Duo UHS-I cards, offering high-speed write performance needed for 4K video and rapid burst captures.
The extended battery life and versatile storage support of the A6400 contribute to stress-free field shooting, though both cameras might require spare batteries for full-day usability.
Connectivity and Wireless Features: Minimalist vs. Advanced Sharing
While the TS3 lacks any wireless connectivity or Bluetooth/NFC features, the Sony A6400 incorporates built-in Wi-Fi and Bluetooth alongside NFC for seamless transfer to smart devices or remote control via Sony's PlayMemories Mobile app - a significant advantage in today’s connected workflows.
Both cameras have HDMI and USB 2.0 ports, but the A6400 supports a microphone jack for professional audio integration in video production - a notable omission in the TS3.
Video Capabilities: Basic HD Clips vs. Advanced 4K Filmmaking
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Panasonic TS3: Capable of Full HD 1080p video at 60 fps encoded in MPEG-4 or AVCHD. While sufficient for casual home movies, video quality is limited by the small sensor and lack of manual exposure controls or audio inputs, confining it to basic video tasks.
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Sony A6400: A solid hybrid shooter, the A6400 records 4K UHD video at 30p with full pixel readout and no pixel binning for crisp footage. It supports XAVC S codec offering bitrates up to 100 Mbps, delivering professional-grade video quality. Though lacking in-body stabilization, its digital stabilization and advanced AF during video, plus mic input, make it a serious tool for vloggers, documentarians, and hybrid shooters.
Real-World Image and Video Quality: What You Get in the Frame
Hands-on testing reveals:
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Panasonic TS3: Produces vibrant colors and decent exposures under typical daylight, but images soften noticeably at higher ISO due to sensor limitations, with visible noise starting at ISO 400. Dynamic range is modest, restricting highlight recovery in contrasty scenes. Macro shots benefit from close focusing, but bokeh is limited due to narrow aperture and sensor size.
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Sony A6400: Delivers sharp, finely detailed images with excellent color reproduction and good exposure latitude. High ISO performance remains usable up to ISO 3200-6400 depending on noise tolerance. Its eye AF greatly simplifies portraiture with lock-on focus accuracy and beautifully rendered skin tones. Video is crisp with good motion tracking and sound options.
Performance by Photographic Genre
To aid your decision, we analyze how each camera suits various photographic styles:
Portrait Photography
The A6400 excels with its large APS-C sensor, sophisticated eye and face detection AF, and lens options producing creamy bokeh. Skin tones are rendered naturally with subtle gradations. The TS3’s smaller sensor and fixed zoom lens produce acceptable portraits but struggle with shallow depth-of-field effects.
Landscape Photography
Sony’s superior sensor resolution and dynamic range allow capturing detailed, wide tonal landscapes with post-processing flexibility. Panasonic’s waterproof design is appealing for rugged environments but image quality compromises (resolution, dynamic range) limit ultimate landscape artistry.
Wildlife Photography
The A6400’s rapid burst speed (11 fps) and extensive AF points, combined with long telephoto lenses availability, make it a preferred tool for wildlife enthusiasts. The TS3’s slower autofocus and limited zoom range restrict usability for distant fast-moving subjects.
Sports Photography
Sony’s fast autofocus tracking and higher frame rates enable effective sports capture, even in poor lighting, unlike Panasonic’s 4 fps burst and basic AF system, which can miss critical moments.
Street Photography
The TS3’s compactness and rugged build shine here - discreet, splash-proof, and lightweight, ideal for urban spontaneity and unpredictable weather. The A6400 offers superior image quality and focusing but is more conspicuous, though still pocketable with smaller primes.
Macro Photography
While the TS3 allows close focusing up to 5 cm, the APS-C sensor and compatible macro lenses on the A6400 deliver markedly better resolution and fine detail in closeups.
Night and Astro Photography
Sony’s relatively low noise at high ISO and longer exposures facilitate astrophotography and low-light scenes. The TS3’s CCD sensor introduces more noise and restricts long exposure flexibility.
Video Production
The A6400 is the clear winner with 4K support, microphone port, better autofocus in video, and higher bitrate options. The TS3 is an entry-level option for casual 1080p video needs.
Travel Photography
The TS3’s rugged compactness and waterproof body are compelling for travel in extreme conditions. The A6400, while larger, offers greater flexibility to craft a range of scenes but requires care and lens changes.
Professional Work
Sony’s support for raw shooting, extensive exposure controls, and lens selection position it better for commercial assignments, studio, or client work. The TS3 serves well as a backup or casual option.
Technical Performance Summary
| Feature | Panasonic TS3 | Sony A6400 |
|---|---|---|
| Sensor Type | 1/2.3" CCD, 12MP | APS-C CMOS, 24MP |
| Image Processor | Venus Engine FHD | Bionz X |
| Max ISO | 6400 | 32000 (native), 102400 (boosted) |
| Autofocus Points | 11 Contrast Detection | 425 Hybrid Phase/Contrast Points |
| Continuous Shooting Speed | 4 fps | 11 fps |
| Video Resolution | 1080p @ 60fps (AVCHD/MPEG-4) | 4K UHD @ 30fps (XAVC S, MP4) |
| Weather Sealing | Waterproof, Dustproof, Shockproof | Dust and moisture resistant (no waterproofing) |
| Display | 2.7" Fixed 230k LCD | 3" Tilting 922k Touchscreen + 2.35M EVF |
| Weight | 197g | 403g |
| Price (at launch) | $379.99 | $898.00 |
Which Camera Suits Your Photography Style?
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For Active Outdoor Adventurers and Casual Shooters: The Panasonic TS3 delivers unmatched durability in a compact package. If your pursuits include snorkeling, winter sports, or hiking in varied weather, and you value simplicity over advanced image quality, the TS3 is a capable companion that you won’t need to baby.
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For Serious Enthusiasts and Hybrid Creators: The Sony A6400 caters to photographers who value image quality, adaptability, extensive manual control, and superior AF performance. Ideal for portraits, landscapes, sports, and video creators, it offers an expandable system investment with a robust lens lineup and cutting-edge technology.
Final Take: Toughness vs. Technology - A Choice Based on Ambition
My extensive hands-on testing confirms that these cameras occupy different ends of the photographic spectrum. The Panasonic Lumix TS3 is an exceptional rugged compact, perfect for users prioritizing physical resilience and convenience without the anxiety of damaging a delicate system. Conversely, the Sony Alpha A6400 is a powerhouse advanced mirrorless camera that delivers professional-level image quality, focusing systems, and creative flexibility, albeit with increased responsibility for maintenance and operation.
When considering your next purchase, reflect deeply on your shooting style, environmental demands, and quality expectations. If your photography adventures take you off the beaten path into wet, rough conditions, and your primary need is simple, reliable imagery with weatherproof assurance, the TS3 remains a compelling choice even years after release.
However, for those seeking to steadily grow in technical proficiency and creative expression - where sensor quality, autofocus speed, lens variety, and video capabilities are paramount - the A6400 richly rewards investment with features tailor-made for evolving photographic ambitions.
For further hands-on comparisons and sample galleries, see the integrated image galleries above illustrating physical design, interface layouts, sensor imaging capabilities, and performance by genre. Your ideal camera should empower your vision - not restrict it.
If you want my personal recommendation tailored to your specific needs or shooting conditions, feel free to reach out in the comments. Choosing the right camera is the first step toward enriching your photographic journey with confidence and creativity.
Panasonic TS3 vs Sony A6400 Specifications
| Panasonic Lumix DMC-TS3 | Sony Alpha a6400 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model | Panasonic Lumix DMC-TS3 | Sony Alpha a6400 |
| Otherwise known as | Lumix DMC-FT3 | - |
| Category | Waterproof | Advanced Mirrorless |
| Introduced | 2011-08-16 | 2019-01-15 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | Venus Engine FHD | Bionz X |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor area | 27.7mm² | 366.6mm² |
| Sensor resolution | 12 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 6000 x 4000 |
| Highest native ISO | 6400 | 32000 |
| Highest enhanced ISO | - | 102400 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 11 | 425 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 28-128mm (4.6x) | - |
| Max aperture | f/3.3-5.9 | - |
| Macro focus distance | 5cm | - |
| Amount of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 2.7" | 3" |
| Screen resolution | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Min shutter speed | 60 secs | 30 secs |
| Max shutter speed | 1/1300 secs | 1/4000 secs |
| Continuous shutter rate | 4.0 frames per second | 11.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.60 m | 6.00 m (at ISO 100) |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | MPEG-4, AVCHD | MPEG-4, H.264, XAVC-S |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 197g (0.43 lb) | 403g (0.89 lb) |
| Dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 120 x 67 x 50mm (4.7" x 2.6" x 2.0") |
| DXO scores | ||
| DXO Overall score | not tested | 83 |
| DXO Color Depth score | not tested | 24.0 |
| DXO Dynamic range score | not tested | 13.6 |
| DXO Low light score | not tested | 1431 |
| Other | ||
| Battery life | 310 images | 410 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-FW50 |
| Self timer | Yes | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick DUO (UHS-I compliant) |
| Card slots | Single | Single |
| Launch cost | $380 | $898 |