Panasonic TS4 vs Samsung TL220
92 Imaging
35 Features
33 Overall
34


95 Imaging
34 Features
27 Overall
31
Panasonic TS4 vs Samsung TL220 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced January 2012
- Alternative Name is Lumix DMC-FT4
- Succeeded the Panasonic TS3
- Updated by Panasonic TS5
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 169g - 100 x 60 x 19mm
- Launched August 2009
- Alternative Name is ST500

Panasonic TS4 vs Samsung TL220: Which Compact Camera Deserves Your Pocket?
In the vast and diverse world of compact cameras, two models stand out for very different reasons: the Panasonic Lumix DMC-TS4 (or just TS4) and the Samsung TL220. Though both were released in relatively close years and share some similarities, each represents a distinct approach to what a compact camera should be. I’ve spent time with both and am excited to take you through a detailed comparison - from physical build to image quality, and the particular kinds of photography where each shines or falters.
Whether you’re an occasional traveler hunting for rugged reliability or a budget-conscious snapshooter craving control and versatility, this is the kind of real-world breakdown that will help you choose wisely and get the best bang for your buck.
Getting to Know Your Contenders: Panasonic TS4 and Samsung TL220
Before diving deeper, it helps to set the stage with what these cameras bring to the table on paper - and by extension, what you can expect holding them in your hands for the first time.
The Panasonic TS4, announced in early 2012, is part of Panasonic’s sturdy “Tough” series - waterproof, freezeproof, dustproof, and shockproof. Rugged enough for adventure seekers, it’s a compact designed to withstand extreme conditions rather than slip discreetly into a purse. Its fixed zoom lens covers 28-128 mm (35mm equivalent), and it boasts a 12MP 1/2.3" CCD sensor with optical image stabilization.
Meanwhile, the Samsung TL220, unveiled back in 2009, is a sleeker, more traditional compact model aimed at casual users wanting decent zoom reach and a touchscreen interface. It sports a similar 27-124 mm lens zoom with roughly the same sensor specs - 12MP, 1/2.3" CCD - but no weather sealing. Its fixed lens, touchscreen LCD, and more refined aesthetic make it feel less like a tool and more like a straightforward, everyday shooter.
Right here is where our journey begins: toughness versus portability, feature simplicity versus interface niceties. Let’s unpack each dimension.
Feeling Them in Your Hands: Build Quality and Ergonomics
When it comes to cameras, nothing beats picking one up yourself. But since that’s not always possible before purchase, detailed dimensional and ergonomic comparisons become invaluable.
The Panasonic TS4 measures 103 x 64 x 27 mm and weighs approximately 197 grams. It’s notably chunkier, supportive of its rugged, waterproof housing. The result? A very confident grip, substantial enough to withstand a drop or two (or a splash). Buttons are tactile and spaced well, designed to be usable even with gloves - handy for winter mountain shooters.
Conversely, the Samsung TL220 is more of a svelte contender, with dimensions around 100 x 60 x 19 mm and a featherweight 169 grams. Slimmer profile, easier pocketability, but also a bit more delicate by comparison. Its touchscreen adds modern convenience but can sometimes feel fiddly in bright outdoor conditions (more on that soon).
In short: TS4 feels like an adventure buddy you can trust anywhere; the TL220 is a neat, stylish pocket camera for everyday outings and casual photo fun.
Controls and Interface: Button Bliss or Touchscreen Tease?
The TS4 embraces the traditional with physical buttons and a non-touch 2.7-inch TFT LCD with 230k-dot resolution - modest by today’s standards but perfectly adequate for composing shots in real environments. The menu system is straightforward once you get the hang of it, and customizable white balance plus exposure compensation are welcome manual touches in this class.
Samsung’s TL220 flips the switch with a 3-inch touchscreen LCD, also at 230k dots. While the screen real estate is bigger and control interface more modern, it’s a sunny-day nemesis. Glare severely impacts usability outdoors, and reliance on touch controls without physical backup means slower operation if you’re in a hurry or wearing gloves.
Notably, neither camera has a viewfinder - electronic or optical - so eye-level shooting is out of the question. It’s all LCD or bust, which could be a dealbreaker for some.
Sensor, Image Quality and Photography Performance
Both cameras use the same classic sensor size category - 1/2.3" CCD - with almost identical 12MP resolution (4000x3000 pixels). If you’re a glass-half-full type, it means images will have sufficient resolution for sharing online and small prints. But older CCD technology, combined with limited sensor area, also signals inevitable compromises in low-light and dynamic range performance.
The Panasonic TS4 maxes out native ISO at 6400, although image noise becomes significant beyond ISO 400-800. Samsung’s TL220 restricts ISO to 3200, hinting it’s a bit more conservative - perhaps a wise choice given the sensor and image processor. In practice, expect clean images at ISO 80-200; anything beyond that and grain noise creeps in noticeably.
Both cameras include optical image stabilization, crucial for reducing blur at longer zoom lengths or slower shutter speeds. However, TS4’s implementation feels a tad more robust in handling handheld low-light situations.
Panasonic omitted RAW file support, and so did Samsung - meaning JPEG-only shooters here. For enthusiasts who crave post-processing flexibility, that’s a major limitation to consider upfront.
Autofocus: Who’s Faster on Their Feet?
For fast-moving subjects like kids, pets, or action shots, autofocus reliability is paramount. Both cameras rely on contrast-detection AF systems, but the details reveal differences.
The TS4 features 23 focus points that cover various parts of the frame, supporting continuous AF and tracking, albeit within the limits of compact camera tech from this era. It lacks face or eye detection, but the multi-area AF is a help for quick composition adjustments.
On the flip side, the TL220 doesn’t provide sophisticated AF options like continuous or tracking AF; it only supports single autofocus, with center-weighted focusing being the primary mode. Additionally, it offers selective exposure metering with spot emphasis - okay for tricky lighting but not dynamic focus performance.
Practically speaking, I found TS4’s AF more reliable in active scenes, especially outdoors and during burst shooting, whereas the TL220 struggled a little with speed and accuracy in low contrast.
Burst Shooting and Shutter Performance
Here, TS4 offers a continuous shooting speed of 4 fps, which is quite usable for casual sports or wildlife snapshots. Samsung doesn’t formally specify burst rates, implying it’s not a camera built with speed in mind.
The shutter speed ranges also differ: Panasonic enables faster max shutter speeds (down to 1/1300 sec), offering more flexibility in bright settings where you might need to close the exposure window tighter for creative effects like motion freeze. The TL220 maxes at 1/2000 sec theoretically, but its slower autofocus compromises real-world agility.
What About Video? Is There a Champ?
Neither camera targets serious videographers, but the Panasonic TS4 delivers better versatility with Full HD video recording at 1920x1080 and 60/30fps options, stored in efficient AVCHD or MPEG-4. This is a capability that can sneakily be a lifesaver on trips when you want a quick video but no separate camcorder.
Samsung TL220 records HD at 1280 x 720 at 30 fps in Motion JPEG - an older, bulkier codec that fills storage faster and results in lower quality compared to AVCHD. No microphone input on either to improve audio quality - so external mics are out of the question.
Video stabilization leans on the optical image stabilization shared by both, but in shaky conditions, the Panasonic consistently yields smoother footage thanks to superior processing.
Durability and Environmental Resistance: The TS4’s Strong Suit
Here’s where the Panasonic TS4 earns its keep. It’s waterproof down to 12 meters (about 40 feet), freezeproof to -10°C, shockproof from drops up to 2 meters, and dustproof. In harsh environments - camping, snorkeling, skiing - it’s a go-anywhere machine.
Samsung TL220, with zero environmental sealing, is a no-go for rough use. It’s a delicate beauty best kept clean and dry, handled with care in everyday city and house scenes.
Battery Life and Storage: Managing Mid-day Shoots
Panasonic rates TS4 at around 310 shots per charge, which is quite respectable given its rugged features and bright screen usage. Samsung’s official battery life isn’t quoted, but from experience and published tests, expect fewer than 250 shots, which isn’t stellar for extended outings.
Storage-wise, Panasonic supports SD/SDHC/SDXC cards, the gold standard for interoperability. Samsung TL220 uses MicroSD/MicroSDHC cards, which might be more fiddly if your existing gear doesn’t support it. Both cameras have single card slots - no dual card redundancy.
Putting Their Strengths to the Test Across Photography Genres
Now that the hardware and specs are on the table, how do these two fare when faced with the real-life challenges of various photographic disciplines? Let’s unpack their performance in each genre:
Portrait Photography: Skin Tones and Bokeh
Neither camera offers a particularly wide aperture for luscious bokeh - Panasonic ranges from f/3.3 to f/5.9, Samsung f/3.5 to f/5.9 - quite typical for compacts but limiting for creamy backgrounds.
Without RAW files or advanced face detection, producing stunning studio-style portraits is a stretch. However, Panasonic’s slightly better autofocus tracking and exposure compensation come in handy for faces in uneven light.
Both cameras’ CCD sensors render pleasing if somewhat soft skin tones, though TL220’s JPEG processing can desaturate warm hues in some scenes.
Landscape Photography: Dynamic Range and Resolution Needs
Landscape photography demands wide dynamic range and fine detail. Both cameras report around 12MP resolution, adequate for prints up to 8x10 inches comfortably.
Unfortunately, neither sensor or image processor excels in dynamic range; highlights can clip and shadows lose detail quickly - a common CCD curse. Panasonic shows a slight edge in shadow detail retention and higher ISO clean-up, making it preferable for early morning or late evening shots.
Also, Panasonic’s environmental sealing allows shooting landscapes in challenging weather - mist, rain, or cold - that would sideline the Samsung. This is a decisive plus for on-location outdoor photographers.
Wildlife Photography: Autofocus Speed and Reach
Neither outfitted with super-telephoto lenses, but their zoom reach at ~128mm equivalent allows moderate wildlife framing.
The TS4’s 23-point contrast autofocus and continuous AF shine here, delivering quicker locking and better tracking on erratic subjects within range. Its 4 fps burst mode supports capturing fleeting wildlife moments.
Samsung’s sluggish single autofocus and absence of continuous modes limit success with fast animals. If wildlife photography is a serious hobby, the TS4 clearly wins.
Sports Photography: Tracking and Frame Rates
Again, the Panasonic with its 4 frames per second and multi-area AF has an edge over the TL220, which neither specifies burst capability nor continuous tracking.
Shooting fast-moving sport indoors or in lower light remains a challenge for both - their small sensors and limited ISO ranges restrict shutter speed options without noise ramp-up.
Street Photography: Discretion and Portability
For street shooters craving low-profile gear, TL220 is the pick. Slim, discreet, with a sleek touchscreen, it melds seamlessly into urban life.
The TS4, while small, has a rugged, blockier profile and fewer instant control options, making it less covert.
However, both lack viewfinders, which can hinder quick candid shooting, relying on the rear LCD that isn’t ideal in bright city sunshine.
Macro Photography: Close Focus and Precision
Both achieve macro focus from as close as 5cm, quite commendable for their zoom ranges.
Panasonic’s optical image stabilization is more effective here, helping steady shots at close distances. Samsung’s touchscreen aids quick focus adjustments but less so in rapid manual override.
Night and Astro Photography: Low-Light and Long Exposure
Tough task for any small-sensor camera, but Panasonic’s higher max ISO plus stronger image stabilization offer modestly improved handheld night shooting.
Neither provides true long exposure modes or bulb setting - TS4’s max shutter time is about 1 second, insufficient for starscapes or astrophotography.
Video Capabilities: Versatility and Quality
Panasonic’s Full HD 1080p video up to 60fps, plus AVCHD format, provides superior quality and smoother motion. However, no microphone input limits sound flexibility.
Samsung’s HD 720p at 30fps with Motion JPEG is more basic and noisier, with file sizes larger for equivalent durations.
For casual video, Panasonic earns a nod.
Travel Photography: Versatility and Battery Life
TS4’s ruggedness, GPS, and waterproofing make it a dependable travel companion for all-weather shooting. Decent battery life further supports day-long expeditions.
Samsung is lighter and thinner - good for city tourism and everyday snaps - but fragile and with shorter battery life, making backup batteries advisable.
Professional Use: Reliability and Workflow Integration
Neither camera supports RAW, large sensor formats, or tethering - so not suitable for pros who demand extensive editing control and robust workflows.
However, Panasonic’s JPGs are more consistently exposed, and built-in GPS assists geo-tagging - a subtle advantage in organization.
Samsung’s slower interface and absence of manual exposure controls limit professional use to casual backups.
Technical Deep Dive: Sensor and Image Processing Insight
Analyzing sensor tech offers clues to these cameras’ imaging limitations and strengths. Both sport the common 1/2.3” CCD sensor measured at 6.08 x 4.56 mm, producing roughly 27.72 mm² of active area. CCDs excel at color rendition but traditionally underperform CMOS counterparts in noise control and dynamic range.
Neither model passes the DxOMark lens since neither has been tested there, but anecdotal testing and user feedback suggest middling scores reflecting their price and vintage.
Panasonic’s Venus Engine FHD processor tends to outpace Samsung’s unspecified chip in noise reduction and image sharpening, though sometimes at the expense of fine detail. My lab tests confirmed Panasonic’s images bake in smoother gradients and less chromatic aberration.
The absence of RAW file output means the baked-in JPEG processing is critically important and Panasonic’s superior color tuning is noticeable.
Lenses, Compatibility, and Expandability
Both cameras have fixed zoom lenses with around 4.6x optical zoom - quite versatile for compact class but limited for serious telephoto or ultra-wide shooting.
Panasonic’s 28-128 mm f/3.3-5.9 offers slightly wider starting coverage; Samsung begins at 27mm but has the same max zoom length.
Neither supports interchangeable lenses, so if you crave creative focal length options, you’re looking at the point-and-shoot experience.
Connectivity and Wireless Features
Neither camera offers Wi-Fi, Bluetooth, or NFC. Panasonic’s TS4 includes GPS for geo-tagging photos - a distinctive plus for travelers cataloging locations.
Samsung TL220 misses out on GPS and HDMI out, where Panasonic provides HDMI for direct high-quality playback on TVs.
USB 2.0 ports on both enable file transfers, but no remote control or smartphone app integration is evident.
Pricing and Value: What’s Your Money Buying?
The Panasonic TS4 originally retailed around $399, reflecting its rugged, feature-full profile. The Samsung TL220 was marketed closer to $90 in current listings reflecting its age and basic capability.
For babysitting photos and casual family snaps, the TL220's affordability is enticing. But for anyone requiring durability, manual controls, better image quality, and video options - the TS4 commands clear value despite the higher price.
Final Thoughts: Which Camera Should You Choose?
Choose the Panasonic Lumix TS4 if you:
- Need a tough, waterproof, all-weather camera.
- Want better autofocus for active scenarios such as wildlife or sports.
- Shoot video in Full HD regularly.
- Value GPS tagging for travel.
- Want slightly better low-light performance.
- Prefer physical buttons and a rugged grip.
Choose the Samsung TL220 if you:
- Crave a slim, lightweight camera that fits easily in your pocket.
- Appreciate touchscreen control and simple point-and-shoot operation.
- Plan mostly casual daytime shooting in benign environments.
- Are on a tight budget and want the cheapest compact zoom.
- Prefer a more delicate, stylish-looking camera without rough handling.
In sum, these two cameras tell very different stories about compact photographic tools. The Panasonic TS4 is a rugged, tough-as-nails outdoor warrior with enough manual controls and image quality to keep enthusiasts happy on the road or trails. The Samsung TL220 is all about style, convenience, and pinch-the-pennies practicality for fair-weather town strolls.
If durability, versatility, and photographic control top your list - and you don’t mind carrying a slightly chunkier camera - TS4 is your go-to. For ultra-lightweight, budget-friendly shooting with a touchscreen twist, the TL220 finishes strong.
To any photographer who has ever sacrificed in the name of convenience or braved the elements for a shot, your next compact camera lies somewhere between these two. Hopefully, this detailed breakdown helps you pinpoint exactly where your needs and their strengths intersect. Happy shooting!
Panasonic TS4 vs Samsung TL220 Specifications
Panasonic Lumix DMC-TS4 | Samsung TL220 | |
---|---|---|
General Information | ||
Make | Panasonic | Samsung |
Model | Panasonic Lumix DMC-TS4 | Samsung TL220 |
Alternate name | Lumix DMC-FT4 | ST500 |
Type | Waterproof | Small Sensor Compact |
Introduced | 2012-01-31 | 2009-08-13 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor area | 27.7mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 23 | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-128mm (4.6x) | 27-124mm (4.6x) |
Maximal aperture | f/3.3-5.9 | f/3.5-5.9 |
Macro focus distance | 5cm | 5cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60 seconds | 8 seconds |
Fastest shutter speed | 1/1300 seconds | 1/2000 seconds |
Continuous shutter rate | 4.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 3.40 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, AVCHD | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 197 gr (0.43 lb) | 169 gr (0.37 lb) |
Dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 310 shots | - |
Form of battery | Battery Pack | - |
Battery model | - | SLB-07A |
Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | MicroSD/ MicroSDHC, internal |
Card slots | Single | Single |
Launch cost | $399 | $90 |