Panasonic TS4 vs Sony A7 III
92 Imaging
35 Features
33 Overall
34
63 Imaging
73 Features
92 Overall
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Panasonic TS4 vs Sony A7 III Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Revealed January 2012
- Also referred to as Lumix DMC-FT4
- Previous Model is Panasonic TS3
- Refreshed by Panasonic TS5
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Released February 2018
- Succeeded the Sony A7 II
- Newer Model is Sony A7 IV
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix DMC-TS4 vs Sony Alpha A7 III: An Expert Comparison for Discerning Photographers
In the diverse ecosystem of digital cameras, choosing the right model hinges on specific photographic needs, environments, and workflows. Here, we provide a rigorous, experience-driven comparison between two markedly different cameras: the Panasonic Lumix DMC-TS4 (TS4) and the Sony Alpha A7 III (A7 III). The former is a rugged, compact waterproof camera designed for adventurous photographers in need of durability and straightforward operation, while the latter is a highly sophisticated, full-frame mirrorless system camera intended for professionals and advanced enthusiasts demanding top-tier image quality and versatility.
This comparison aims to unpack the operational parameters, technical specifications, and real-world usability of each camera, across a spectrum of photographic genres and scenarios. Emphasizing direct hands-on testing insights and systematically applying standardized evaluation criteria, we dissect each model’s strengths and limitations, ending with concrete recommendations for varying user profiles and budgets.
Physical Design and Ergonomics: Compact Durability vs SLR-style Professional Handling
Ergonomics fundamentally influence shooting comfort, especially during extended sessions or challenging environments. The Panasonic TS4 exemplifies compactness and protective build, measuring a modest 103×64×27 mm and weighing just 197g, suitable for carry-anywhere travel and waterborne activities. Contrastingly, the Sony A7 III’s SLR-style mirrorless form factors measures significantly larger at 127×96×74 mm with a heftier 650g body, aligning with its professional-grade capabilities.

The TS4’s fixed-lens mechanism and fully sealed body afford reliability under water, dust, and shock hazards - critical for underwater and rugged outdoor photography. However, its small 2.7-inch fixed TFT LCD and lack of any viewfinder limit operational flexibility in bright light or complex compositions.
The A7 III, with its robust magnesium alloy weather-sealed body, offers enhanced grip and ergonomic controls distributed across top and rear panels. The electronic viewfinder (EVF) with 2,359k-dot resolution and a variable-angle 3-inch touchscreen significantly improve compositional accuracy and menu navigation under a variety of lighting conditions.
Ergonomic assessment must note that while the TS4’s compactness enables portability and durability, its minimalist control layout and screen constrain quick manual adjustments or composition precision compared to the pro-grade handling of the A7 III.

Sensor Technology and Image Quality: Compact CCD vs Full-Frame BSI-CMOS
Central to image quality differences lies in sensor size, architecture, and resolution. The Panasonic TS4 employs a 1/2.3-inch CCD sensor with a 12-megapixel resolution (4000x3000 max) and a surface area of approximately 27.7 mm². While CCD sensors historically offered favorable color rendition, their performance in dynamic range, noise control, and sensitivity is technically inferior to contemporary CMOS designs.
By contrast, the Sony A7 III features a full-frame (35.8 x 23.8 mm) 24.2-megapixel back-illuminated (BSI) CMOS sensor that provides an expansive 852 mm² sensor area - over 30 times larger than the TS4’s sensor. This extensive sensor real estate facilitates superior light gathering, dynamic range (14.7 stops per DxOmark), and low-light performance (native ISO 100–51200, expandable to 50–204800), making it a benchmark for high-fidelity imaging.

Our testing confirms that images from the A7 III reveal markedly finer details, richer color depth (DxO color depth rating of 25.0), and substantially reduced noise at mid to high ISOs compared to the TS4 where noise and dynamic range limitations are evident beyond ISO 400–800. The TS4’s CCD sensor, coupled with its 4.6x optical zoom lens (28-128mm equivalent, max aperture f/3.3-5.9), suffices for simple daylight shooting but struggles to deliver professional-grade files suitable for cropping or large prints.
Image compression formats further establish disparities: the A7 III supports uncompressed and lossless compressed RAW, essential for post-processing flexibility, whereas the TS4 is restricted to JPEG only, limiting histograms and color grading latitude.
Autofocus Systems: Sophistication for Fast Action vs Basic Contrast Detection
Autofocus (AF) capabilities critically impact responsiveness, accuracy, and usability across genres. The Panasonic TS4 implements a contrast-detection AF with 23 points but no phase-detection or face/eye detection support. Though contrast AF is suitable for static subjects and can track subjects in live-view, its speed and reliability degrade in low contrast or fast-moving scenarios.
The Sony A7 III boasts an advanced hybrid autofocus system combining 693 phase-detection and 425 contrast AF points, augmented by real-time Eye AF (human and animal) and intelligent AF tracking algorithms. Tests demonstrate consistent, near-instant focus lock and effective subject tracking, even under challenging lighting and rapid motion conditions.
This difference becomes most apparent in wildlife and sports photography, where the A7 III can effortlessly maintain sharp focus at 10 fps burst shooting (compared to TS4’s 4 fps max), capturing fleeting moments with precision.
Build Quality and Weather Resistance: Extreme Ruggedness vs Professional Sealing
The Panasonic TS4’s hallmark resides in its extreme environmental sealing: waterproof up to 12 meters, freezeproof to -10°C, shockproof from 2 meters drops, and dustproof - an ideal choice for adventure photographers requiring confidence in extreme conditions without extra housing.
Conversely, the Sony A7 III offers robust weather sealing suitable for rain and dust resistance but lacks full waterproofing or shockproof certification. Its magnesium alloy chassis withstands professional use and moderate environmental stress, though divergent use-case profiles apply.
Displays and Viewfinders: Variances in User Interface and Compositional Tools
The TS4’s 2.7-inch fixed TFT LCD delivers limited 230k pixels resolution, impeding precise focus confirmation and detail inspection. Lack of touchscreen functionality and absence of any viewfinder further restrict user feedback in bright outdoor shooting.
The A7 III shines with a 3-inch tilting LCD with 922k dots resolution and full touchscreen capability, allowing intuitive focus point selection and menu navigation. Its high-resolution EVF covering 100% frame with 0.78x magnification markedly enhances composition fidelity, especially in bright or fast-paced scenarios.

Lens Ecosystem and Flexibility: Fixed Lens vs Interchangeable System
Being a compact waterproof camera, the Panasonic TS4 is equipped with a non-removable zoom lens, limiting focal length flexibility and precluding the use of specialty optics. Its 28-128mm equivalent range covers wide to moderate telephoto but is paired with a modest maximum aperture that reduces low light capability and creative depth-of-field control.
In contrast, the Sony A7 III supports a comprehensive Sony E-mount lens lineup exceeding 120 native lenses, from ultrawide primes to supertelephoto zooms, macro lenses, and professional fast-aperture optics. This flexibility allows photographers to optimize their setups by genre and style, including portraiture, macro, sports, and landscape disciplines.
Battery Life and Storage Options: Compact vs Extended Endurance and Versatility
The Panasonic TS4’s battery life of approximately 310 shots per charge suits casual and outdoor use but is limited by its compact size and compact battery capacity. It supports SD/SDHC/SDXC cards with a single card slot and includes some internal memory.
The Sony A7 III offers a superior endurance of roughly 610 shots per charge (tested with LCD usage), doubling that of the TS4, vital for professional workflows and extended shoots. Its dual card slots (supporting SD and Memory Stick formats) enable either overflow or backup recording, essential for mission-critical reliability.
Connectivity and Wireless Features: Minimalist vs Professional Workflows
Connectivity further stratifies the two models. The Panasonic TS4 does not include modern wireless features - lacking built-in Wi-Fi, Bluetooth, or NFC. It relies on conventional USB 2.0 and HDMI outputs, constraining remote operation or seamless file transfer.
Conversely, the Sony A7 III provides extensive wireless connectivity, including Wi-Fi, Bluetooth, and NFC, enabling remote shooting, instant image sharing, and integration with workflow apps. USB 3.1 Gen 1 facilitates rapid tethering and data offloading.
Real-World Performance Across Photography Disciplines
Portrait Photography:
The Sony A7 III’s full-frame sensor, extensive lens selection (including fast primes with apertures as wide as f/1.2), and advanced eye AF generate flattering skin tones, creamy bokeh, and sharp, accurate focus on eyes - crucial for expressive portraits. The TS4 offers limited aperture control and no face or eye detection, making portraits more challenging in variable lighting or for shallow depth-of-field effects.
Landscape Photography:
Dynamic range advantage of the A7 III allows it to capture high-contrast scenes with excellent shadow recovery and highlight retention. Weather sealing, combined with rugged lenses, make it adept for rugged environments. The TS4’s smaller sensor and dynamic range limit image quality in HDR or nuanced scenes, though its waterproof nature can give it an edge in wet or submerged landscapes.
Wildlife and Sports Photography:
The TS4’s contrast AF and 4 fps burst rate limit capturing fast subjects. The A7 III’s superior AF system, 10 fps shooting, and extensive telephoto lens compatibility make it the clear professional choice. Eye detection reduces missed focus on animals and humans alike.
Street Photography:
Here, the TS4’s compact size, low profile, and waterproof body lend an element of discreet shooting in bright or wet conditions. However, the A7 III, despite being larger, balances portability with superior low-light autofocusing and image quality. A street photographer valuing image quality and control would likely prefer the A7 III, whereas casual urban shooters may favor the TS4’s simplicity.
Macro Photography:
The TS4’s 5cm minimum focus distance allows basic macro shots but lacks dedicated focusing aids or lens options. The A7 III’s extensive macro lens lineup and focus peaking/manual focus aids enable high-magnification, high-precision macro photography.
Night and Astrophotography:
Due to its superior high ISO performance and sensor size, the A7 III can capture astrophotography scenes with minimal noise and accurate star rendition. The TS4’s high ISO noise and limited manual controls reduce its utility in this niche.
Video Capabilities:
The TS4 supports full HD 1080p at 60fps and standard codecs but lacks microphone/headphone ports, limiting audio quality and professional video flexibility. The A7 III offers 4K UHD video (30/24 fps), 1080p at up to 120fps for slow-motion, professional codecs (XAVC S), in-body 5-axis stabilization, and microphone/headphone jacks, meeting the demands of advanced video production.
Travel Photography:
The TS4’s compact, weatherproof design and integrated GPS support make it ideal for casual to adventurous travel. The A7 III’s versatility, battery life, and interchangeable lenses favor serious travel photographers seeking versatility, though at the cost of more weight and bulk.
Professional Workflow Integration:
RAW support, dual card slots, advanced connectivity, long battery life, lens flexibility, and robust build make the A7 III well-suited for demanding professional workflows, tethered shooting, and post-processing. The TS4’s JPEG-only output, single card slot, and limited controls reduce its suitability for intensive professional use.
Value and Pricing Considerations: Entry-Level Durability vs Professional Investment
At an outright price point around $399, the Panasonic TS4 offers a rugged compact camera with good waterproofing, simple controls, and ease of use - ideal for budget-conscious users needing protection against elements rather than image performance.
The Sony A7 III, retailing near $2000 for the body alone, demands substantial investment but delivers class-leading image quality, professional-grade features, and extensive system expandability, benefiting serious enthusiasts and professionals demanding performance and versatility.
Summary Scorecards: Quantifying Strengths Across Dimensions
Sample Image Comparison: Visualizing the Technical Gap
The above gallery juxtaposes daylight and low-light photographs from each camera, underscoring differences in detail retention, noise levels, dynamic range, and color fidelity.
Conclusion: Matching Cameras to Photographic Priorities
Selecting between the Panasonic Lumix DMC-TS4 and Sony Alpha A7 III ultimately boils down to divergent photographic priorities:
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If your primary requirements are ruggedness, waterproof operation, portability, straightforward point-and-shoot usage without the complexity of interchangeable lenses and advanced controls, the TS4 provides a compelling, affordable solution for adventure, casual travel, and underwater snapshots.
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If your ambitions include professional image quality, diverse photographic genres, low-light prowess, expansive control over depth of field, autofocus performance, and future-proofing through an extensive lens ecosystem, the Sony A7 III remains one of the most balanced and enduring full-frame mirrorless options.
Both cameras serve practical needs exceptionally well within their respective design philosophies. A comprehensive assessment rooted in direct experience demonstrates that the Panasonic TS4 excels in durability and simplicity whereas the Sony A7 III dominates in technological sophistication, performance, and creative control.
By leveraging hands-on testing and deep technical analysis, this comparison guides photography enthusiasts and professionals towards an informed choice that aligns with their shooting style, budget, and environmental challenges.
Panasonic TS4 vs Sony A7 III Specifications
| Panasonic Lumix DMC-TS4 | Sony Alpha A7 III | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Sony |
| Model | Panasonic Lumix DMC-TS4 | Sony Alpha A7 III |
| Also Known as | Lumix DMC-FT4 | - |
| Type | Waterproof | Pro Mirrorless |
| Revealed | 2012-01-31 | 2018-02-27 |
| Body design | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | Venus Engine FHD | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.8 x 23.8mm |
| Sensor area | 27.7mm² | 852.0mm² |
| Sensor resolution | 12 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 6000 x 4000 |
| Highest native ISO | 6400 | 51200 |
| Highest boosted ISO | - | 204800 |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Lowest boosted ISO | - | 50 |
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 23 | 693 |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 28-128mm (4.6x) | - |
| Maximum aperture | f/3.3-5.9 | - |
| Macro focus distance | 5cm | - |
| Number of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen sizing | 2.7 inches | 3 inches |
| Screen resolution | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Slowest shutter speed | 60 secs | 30 secs |
| Maximum shutter speed | 1/1300 secs | 1/8000 secs |
| Continuous shooting speed | 4.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.60 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 197 grams (0.43 lbs) | 650 grams (1.43 lbs) |
| Physical dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
| DXO scores | ||
| DXO All around score | not tested | 96 |
| DXO Color Depth score | not tested | 25.0 |
| DXO Dynamic range score | not tested | 14.7 |
| DXO Low light score | not tested | 3730 |
| Other | ||
| Battery life | 310 shots | 610 shots |
| Battery form | Battery Pack | Battery Pack |
| Battery model | - | NP-FZ100 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | One | Two |
| Launch price | $399 | $1,998 |