Panasonic TS4 vs Sony A6300
92 Imaging
35 Features
33 Overall
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83 Imaging
66 Features
82 Overall
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Panasonic TS4 vs Sony A6300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Launched January 2012
- Other Name is Lumix DMC-FT4
- Succeeded the Panasonic TS3
- Newer Model is Panasonic TS5
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Revealed February 2016
- Replaced the Sony A6000
- Replacement is Sony A6500

Panasonic TS4 vs. Sony A6300: A Comprehensive Hands-on Comparison for Today’s Photographer
Choosing a new camera? Whether you’re stepping up your kit or hunting for that reliable backup, the Panasonic Lumix TS4 and the Sony Alpha A6300 occupy quite different corners of the camera world. Having personally tested thousands of cameras, I find that understanding what each model excels at - and where they fall short - is crucial for making the right choice. Sizing them up side-by-side clarifies who will benefit most from each and what you’re trading in features, performance, and value.
Let’s dive into this detailed comparison, covering every angle - from sensor tech to ergonomics, image quality to real-world autofocus, and even specialized photography needs like wildlife or travel - and see which camera suits your shooting style best.
First Impressions and Body Design: Rugged Compactness Meets Mirrorless Elegance
Right off the bat, the Panasonic TS4 and Sony A6300 couldn't be more different in design and intended use.
The TS4 is a rugged, compact waterproof camera designed to endure harsh environments - perfect for outdoor adventures or underwater shoots. The A6300, however, is an advanced mirrorless camera sporting a rangefinder-style body built for versatility, manual control, and high-performance shooting.
Let's look at size and ergonomics to appreciate their form factors:
The TS4’s compactness (103x64x27 mm at 197 g) makes it easy to carry anywhere, with environmental sealing that protects against water, dust, shock, and even freeze conditions. Its thickness suits outdoor usage but limits grip and manual control.
On the other hand, the A6300 measures 120x67x49 mm and weighs 404 g - noticeably larger and heavier but also offering a comfortable grip and extensive control real estate. This size accommodates a robust electronic viewfinder and a tilting 3-inch screen.
An overhead look confirms the difference in sophistication:
The Sony’s top plate provides dedicated dials for shutter speed, exposure compensation, and a thumbwheel - an enthusiast’s dream for quick adjustments. The Panasonic, while rugged, has a more minimal control scheme, no dedicated dials, and lacks manual focus rings due to its fixed lens.
Ergonomically, if you want weather resistance and adventure-ready toughness, TS4 shines. But for extensive shooting flexibility and manual control, Sony’s A6300 is the clear winner here.
Sensor and Image Quality: Small Sensor Tough Guy vs. APS-C Powerhouse
At the heart of image quality lies the sensor, and this is where these two cameras really diverge.
The Panasonic uses a 1/2.3" CCD sensor - tiny compared to the 23.5x15.6 mm APS-C CMOS sensor inside the Sony. That’s a drastic difference. The TS4’s CCD sensor offers 12 megapixels, suitable for snapshots and casual shooting but struggles with noise and dynamic range.
Conversely, the A6300 packs a 24MP CMOS sensor without an anti-aliasing filter, which enhances sharpness. Sony’s sensor technology, paired with its BIONZ X processor, delivers excellent color depth (24.4 bits), dynamic range (13.7 EV), and low-light performance (native ISO up to 25600, expandable to 51200).
In practical terms, this means the A6300 consistently produces cleaner, sharper images - even at high ISO - and can handle challenging lighting much better. The TS4 is fine for daylight or underwater shots where versatility trumps nuanced image quality.
LCD Screen and Viewfinder: Monitoring Your Shot Clearly
When composing and reviewing images, your interface matters a lot.
The TS4 offers a 2.7-inch fixed TFT LCD at a modest 230k-dot resolution. It’s small and doesn’t tilt or touch-responsive - adequate for its rugged use case but falls short for creative framing or detailed focus checking.
The A6300 jumps ahead with a 3.0-inch tilting screen boasting 922k dots, which greatly improves usability for low-angle or overhead shots. Notably, it lacks touchscreen capability, a minor downside given its other strengths.
But the real difference lies in the electronic viewfinder: the TS4 has none, relying on the rear LCD for everything. The Sony equips a 2359k-dot OLED EVF with 100% frame coverage and 0.7x magnification. For outdoor shooting or fast action, this EVF is a game-changer, offering a clear, lag-free preview.
For most enthusiasts and pros, having an EVF and a higher-res, articulating screen dramatically improves shooting accuracy and comfort.
Autofocus Showdown: From Point-and-Shoot Simplicity to Precision Tracking
Autofocus systems can make or break your shooting experience, especially in fast-paced scenarios.
The Panasonic TS4 uses a contrast-detection autofocus system with 23 focus points but no face or eye detection, phase-detection, or animal recognition. While contrast AF is reliable in good light, it tends to be slower and less precise, particularly when tracking moving subjects.
Sony's A6300 lifts AF performance to a different tier with 425 focus points incorporating both phase-detection and contrast detection. It features face and eye detection autofocus, speedy continuous AF tracking, and can shoot bursts at 11 fps. This system is suited for wildlife, sports, and any shooting demanding quick subject acquisition.
Real-world testing confirmed this: the TS4 hesitates or hunts in lower light or dynamic scenes, yielding missed shots, whereas the A6300 nails focus rapidly and accurately.
Handling Different Photography Genres: Who Excels Where?
Let’s break down how these cameras perform across diverse photography disciplines.
Portrait Photography
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TS4: Offers optical image stabilization and a fixed 28-128 mm equivalent lens with modest apertures (f/3.3–5.9). The lack of eye detection autofocus and a small sensor limits subject separation and pleasing bokeh. Skin tones remain reasonable in good light but can appear flat.
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A6300: APS-C sensor enhances subject isolation with shallow depth of field achievable. Eye AF ensures tack-sharp eyes. The larger lens selection lets you choose fast primes for beautiful bokeh. Sony produces natural skin tones with good dynamic range to hold details.
Landscape Photography
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TS4: Compact and weatherproof, perfect for beach or rainy weather landscapes. However, the small sensor restricts resolution (12 MP) and dynamic range, reducing detail and tonal gradation in shadows/highlights.
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A6300: Higher 24 MP resolution captures finer detail. Dynamic range excels, preserving highlight and shadow texture. While weather sealing isn’t waterproof like the TS4, it’s splash-resistant and better suited for professional-grade landscape work with interchangeable lenses.
Wildlife Photography
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TS4: The zoom range maxes at 128 mm equivalent, insufficient for distant wildlife. Slow autofocus and limited frame rate (4 fps) hinder capture of fast-moving animals.
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A6300: Combines 11 fps burst shooting with precise AF tracking. Paired with telephoto E-mount lenses, it shines in wildlife scenarios, capturing sharp, detailed images even with erratic subjects.
Sports Photography
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TS4: Contrast AF and 4 fps limit ability to track fast action. Lack of manual control reduces creative flexibility.
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A6300: Pro-level continuous autofocus and quick frame rate excel here. Ready for various lighting conditions with high ISO capability.
Street Photography
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TS4: Compact and discreet form factor aids candid shooting. Waterproof and shockproof enables worry-free urban exploration.
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A6300: Bigger and more noticeable, but tilting screen helps covert angles. Low-light performance is better for evening street scenes.
Macro Photography
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TS4: Attention to close focusing down to 5cm is a plus amongst rugged cameras. Optical image stabilization assists handheld shooting.
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A6300: With compatible macro lenses and focus peaking, achieves superior precision and image quality despite lacking built-in stabilization.
Night and Astro Photography
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TS4: Limited by sensor noise above ISO 800, struggles in extreme low light.
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A6300: Outstanding high ISO performance with clean images at 6400+ ISO, making it a solid choice for astrophotography with manual exposure modes.
Video Capabilities
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TS4: Full HD (1080p) at 60fps provides decent video, though lacks advanced codecs or audio input.
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A6300: Offers UHD 4K recording at 30/24 fps, slow-motion 1080p at 120fps, and microphone input for professional audio capture.
Travel Photography
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TS4: Ruggedness and compact size ideal for active travel; waterproof is rare among compact cameras.
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A6300: More versatile photo/video tool with wider lens selection; heavier but more capable for varied shooting styles.
Professional Use
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TS4: Exists mostly as a specialized rugged backup or hobbyist camera.
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A6300: Suited for professionals seeking a lightweight, flexible mirrorless system supporting RAW capture and robust workflow integration.
For a quick visual breakdown by type:
Build Quality and Environmental Resistance
The TS4 takes the cake for pure ruggedness: waterproof to 12 meters, shockproof, freezeproof, and dustproof. It’s truly an adventure companion.
Meanwhile, Sony’s A6300 provides weather sealing but is not waterproof or shockproof - be cautious in adverse conditions. The Sony’s metal magnesium alloy body delivers solid durability for day-to-day professional use.
Battery Life and Storage
Battery endurance is a practical concern:
- Panasonic TS4 delivers about 310 shots per charge.
- Sony A6300 improves on that with around 400 shots.
Not huge differences, but longer shooting sessions will favor the Sony. Both use single SD card slots with no dual slots for redundancy.
Connectivity and Workflow
In connectivity, the A6300 sports built-in Wi-Fi and NFC for wireless file transfer and tethering. Unfortunately, no Bluetooth.
The TS4 lacks any wireless connectivity - a dated omission by today’s standard.
Price and Value Assessment
Pricing currently puts the TS4 around $400, reflecting its age and niche rugged design. The A6300 hovers near $880, but its advanced feature set, sensor, and lens ecosystem justify the premium for serious shooters.
Their value depends entirely on your priorities: if you need a tough, waterproof point-and-shoot, the TS4 presents a budget-friendly option. For a serious photographic tool, the A6300 remains compelling despite its higher cost.
Here’s a summary of overall performance ratings I derived from my testing and accumulated benchmarks:
Real-World Image Gallery Comparison
To close the technical section, let me show you practical examples captured under similar conditions by both cameras:
You’ll notice the Sony A6300’s images are richer in detail and better exposed with cleaner shadows, while the TS4 produces noisier, softer images - acceptable for casual use but not competitive for fine art or commercial work.
Final Thoughts and Recommendations
Wrapping this up, it’s clear these cameras serve very different photographic needs:
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Choose the Panasonic Lumix TS4 if:
- You require a rugged, waterproof compact for outdoor adventures or underwater.
- You want a simple-to-use camera with optical stabilization and decent video in extreme conditions.
- Your photography is casual, travel-oriented, or involves rough environments.
- Budget constraints prevent buying a higher-tier interchangeable lens camera.
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Choose the Sony Alpha A6300 if:
- You seek a versatile mirrorless camera for portrait, wildlife, sports, video, or professional work.
- You need superior image quality, fast accurate autofocus, and a wide lens selection.
- You want 4K video and superior low-light performance.
- You can invest in a system that supports growth and creative experimentation.
If you’re new to cameras and want simplicity without sacrificing durability, the TS4 won’t disappoint. But for anyone aiming to develop skills with manual control and high-quality output, the A6300 is still an excellent mid-range choice years after release.
Thanks for joining me in this detailed Panasonic TS4 vs. Sony A6300 comparison! I hope my hands-on experience helps clarify which camera fits best into your photographic adventures. If you want an expert’s deeper dive into either camera model (including my image samples and video reviews), feel free to reach out - I’m always happy to help you make informed choices.
Happy shooting!
Panasonic TS4 vs Sony A6300 Specifications
Panasonic Lumix DMC-TS4 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DMC-TS4 | Sony Alpha a6300 |
Otherwise known as | Lumix DMC-FT4 | - |
Category | Waterproof | Advanced Mirrorless |
Launched | 2012-01-31 | 2016-02-03 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine FHD | BIONZ X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 6000 x 4000 |
Max native ISO | 6400 | 25600 |
Max enhanced ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 425 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 28-128mm (4.6x) | - |
Maximal aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.7" | 3" |
Display resolution | 230k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/1300s | 1/4000s |
Continuous shutter speed | 4.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.60 m | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 197g (0.43 lbs) | 404g (0.89 lbs) |
Physical dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO Overall rating | not tested | 85 |
DXO Color Depth rating | not tested | 24.4 |
DXO Dynamic range rating | not tested | 13.7 |
DXO Low light rating | not tested | 1437 |
Other | ||
Battery life | 310 photos | 400 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail cost | $399 | $889 |