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Panasonic TS4 vs Sony A6300

Portability
92
Imaging
35
Features
33
Overall
34
Panasonic Lumix DMC-TS4 front
 
Sony Alpha a6300 front
Portability
83
Imaging
66
Features
82
Overall
72

Panasonic TS4 vs Sony A6300 Key Specs

Panasonic TS4
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 28-128mm (F3.3-5.9) lens
  • 197g - 103 x 64 x 27mm
  • Launched January 2012
  • Other Name is Lumix DMC-FT4
  • Succeeded the Panasonic TS3
  • Newer Model is Panasonic TS5
Sony A6300
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Screen
  • ISO 100 - 25600 (Boost to 51200)
  • 3840 x 2160 video
  • Sony E Mount
  • 404g - 120 x 67 x 49mm
  • Revealed February 2016
  • Replaced the Sony A6000
  • Replacement is Sony A6500
Photography Glossary

Panasonic TS4 vs. Sony A6300: A Comprehensive Hands-on Comparison for Today’s Photographer

Choosing a new camera? Whether you’re stepping up your kit or hunting for that reliable backup, the Panasonic Lumix TS4 and the Sony Alpha A6300 occupy quite different corners of the camera world. Having personally tested thousands of cameras, I find that understanding what each model excels at - and where they fall short - is crucial for making the right choice. Sizing them up side-by-side clarifies who will benefit most from each and what you’re trading in features, performance, and value.

Let’s dive into this detailed comparison, covering every angle - from sensor tech to ergonomics, image quality to real-world autofocus, and even specialized photography needs like wildlife or travel - and see which camera suits your shooting style best.

First Impressions and Body Design: Rugged Compactness Meets Mirrorless Elegance

Right off the bat, the Panasonic TS4 and Sony A6300 couldn't be more different in design and intended use.

The TS4 is a rugged, compact waterproof camera designed to endure harsh environments - perfect for outdoor adventures or underwater shoots. The A6300, however, is an advanced mirrorless camera sporting a rangefinder-style body built for versatility, manual control, and high-performance shooting.

Let's look at size and ergonomics to appreciate their form factors:

Panasonic TS4 vs Sony A6300 size comparison

The TS4’s compactness (103x64x27 mm at 197 g) makes it easy to carry anywhere, with environmental sealing that protects against water, dust, shock, and even freeze conditions. Its thickness suits outdoor usage but limits grip and manual control.

On the other hand, the A6300 measures 120x67x49 mm and weighs 404 g - noticeably larger and heavier but also offering a comfortable grip and extensive control real estate. This size accommodates a robust electronic viewfinder and a tilting 3-inch screen.

An overhead look confirms the difference in sophistication:

Panasonic TS4 vs Sony A6300 top view buttons comparison

The Sony’s top plate provides dedicated dials for shutter speed, exposure compensation, and a thumbwheel - an enthusiast’s dream for quick adjustments. The Panasonic, while rugged, has a more minimal control scheme, no dedicated dials, and lacks manual focus rings due to its fixed lens.

Ergonomically, if you want weather resistance and adventure-ready toughness, TS4 shines. But for extensive shooting flexibility and manual control, Sony’s A6300 is the clear winner here.

Sensor and Image Quality: Small Sensor Tough Guy vs. APS-C Powerhouse

At the heart of image quality lies the sensor, and this is where these two cameras really diverge.

Panasonic TS4 vs Sony A6300 sensor size comparison

The Panasonic uses a 1/2.3" CCD sensor - tiny compared to the 23.5x15.6 mm APS-C CMOS sensor inside the Sony. That’s a drastic difference. The TS4’s CCD sensor offers 12 megapixels, suitable for snapshots and casual shooting but struggles with noise and dynamic range.

Conversely, the A6300 packs a 24MP CMOS sensor without an anti-aliasing filter, which enhances sharpness. Sony’s sensor technology, paired with its BIONZ X processor, delivers excellent color depth (24.4 bits), dynamic range (13.7 EV), and low-light performance (native ISO up to 25600, expandable to 51200).

In practical terms, this means the A6300 consistently produces cleaner, sharper images - even at high ISO - and can handle challenging lighting much better. The TS4 is fine for daylight or underwater shots where versatility trumps nuanced image quality.

LCD Screen and Viewfinder: Monitoring Your Shot Clearly

When composing and reviewing images, your interface matters a lot.

Panasonic TS4 vs Sony A6300 Screen and Viewfinder comparison

The TS4 offers a 2.7-inch fixed TFT LCD at a modest 230k-dot resolution. It’s small and doesn’t tilt or touch-responsive - adequate for its rugged use case but falls short for creative framing or detailed focus checking.

The A6300 jumps ahead with a 3.0-inch tilting screen boasting 922k dots, which greatly improves usability for low-angle or overhead shots. Notably, it lacks touchscreen capability, a minor downside given its other strengths.

But the real difference lies in the electronic viewfinder: the TS4 has none, relying on the rear LCD for everything. The Sony equips a 2359k-dot OLED EVF with 100% frame coverage and 0.7x magnification. For outdoor shooting or fast action, this EVF is a game-changer, offering a clear, lag-free preview.

For most enthusiasts and pros, having an EVF and a higher-res, articulating screen dramatically improves shooting accuracy and comfort.

Autofocus Showdown: From Point-and-Shoot Simplicity to Precision Tracking

Autofocus systems can make or break your shooting experience, especially in fast-paced scenarios.

The Panasonic TS4 uses a contrast-detection autofocus system with 23 focus points but no face or eye detection, phase-detection, or animal recognition. While contrast AF is reliable in good light, it tends to be slower and less precise, particularly when tracking moving subjects.

Sony's A6300 lifts AF performance to a different tier with 425 focus points incorporating both phase-detection and contrast detection. It features face and eye detection autofocus, speedy continuous AF tracking, and can shoot bursts at 11 fps. This system is suited for wildlife, sports, and any shooting demanding quick subject acquisition.

Real-world testing confirmed this: the TS4 hesitates or hunts in lower light or dynamic scenes, yielding missed shots, whereas the A6300 nails focus rapidly and accurately.

Handling Different Photography Genres: Who Excels Where?

Let’s break down how these cameras perform across diverse photography disciplines.

Portrait Photography

  • TS4: Offers optical image stabilization and a fixed 28-128 mm equivalent lens with modest apertures (f/3.3–5.9). The lack of eye detection autofocus and a small sensor limits subject separation and pleasing bokeh. Skin tones remain reasonable in good light but can appear flat.

  • A6300: APS-C sensor enhances subject isolation with shallow depth of field achievable. Eye AF ensures tack-sharp eyes. The larger lens selection lets you choose fast primes for beautiful bokeh. Sony produces natural skin tones with good dynamic range to hold details.

Landscape Photography

  • TS4: Compact and weatherproof, perfect for beach or rainy weather landscapes. However, the small sensor restricts resolution (12 MP) and dynamic range, reducing detail and tonal gradation in shadows/highlights.

  • A6300: Higher 24 MP resolution captures finer detail. Dynamic range excels, preserving highlight and shadow texture. While weather sealing isn’t waterproof like the TS4, it’s splash-resistant and better suited for professional-grade landscape work with interchangeable lenses.

Wildlife Photography

  • TS4: The zoom range maxes at 128 mm equivalent, insufficient for distant wildlife. Slow autofocus and limited frame rate (4 fps) hinder capture of fast-moving animals.

  • A6300: Combines 11 fps burst shooting with precise AF tracking. Paired with telephoto E-mount lenses, it shines in wildlife scenarios, capturing sharp, detailed images even with erratic subjects.

Sports Photography

  • TS4: Contrast AF and 4 fps limit ability to track fast action. Lack of manual control reduces creative flexibility.

  • A6300: Pro-level continuous autofocus and quick frame rate excel here. Ready for various lighting conditions with high ISO capability.

Street Photography

  • TS4: Compact and discreet form factor aids candid shooting. Waterproof and shockproof enables worry-free urban exploration.

  • A6300: Bigger and more noticeable, but tilting screen helps covert angles. Low-light performance is better for evening street scenes.

Macro Photography

  • TS4: Attention to close focusing down to 5cm is a plus amongst rugged cameras. Optical image stabilization assists handheld shooting.

  • A6300: With compatible macro lenses and focus peaking, achieves superior precision and image quality despite lacking built-in stabilization.

Night and Astro Photography

  • TS4: Limited by sensor noise above ISO 800, struggles in extreme low light.

  • A6300: Outstanding high ISO performance with clean images at 6400+ ISO, making it a solid choice for astrophotography with manual exposure modes.

Video Capabilities

  • TS4: Full HD (1080p) at 60fps provides decent video, though lacks advanced codecs or audio input.

  • A6300: Offers UHD 4K recording at 30/24 fps, slow-motion 1080p at 120fps, and microphone input for professional audio capture.

Travel Photography

  • TS4: Ruggedness and compact size ideal for active travel; waterproof is rare among compact cameras.

  • A6300: More versatile photo/video tool with wider lens selection; heavier but more capable for varied shooting styles.

Professional Use

  • TS4: Exists mostly as a specialized rugged backup or hobbyist camera.

  • A6300: Suited for professionals seeking a lightweight, flexible mirrorless system supporting RAW capture and robust workflow integration.

For a quick visual breakdown by type:

Build Quality and Environmental Resistance

The TS4 takes the cake for pure ruggedness: waterproof to 12 meters, shockproof, freezeproof, and dustproof. It’s truly an adventure companion.

Meanwhile, Sony’s A6300 provides weather sealing but is not waterproof or shockproof - be cautious in adverse conditions. The Sony’s metal magnesium alloy body delivers solid durability for day-to-day professional use.

Battery Life and Storage

Battery endurance is a practical concern:

  • Panasonic TS4 delivers about 310 shots per charge.
  • Sony A6300 improves on that with around 400 shots.

Not huge differences, but longer shooting sessions will favor the Sony. Both use single SD card slots with no dual slots for redundancy.

Connectivity and Workflow

In connectivity, the A6300 sports built-in Wi-Fi and NFC for wireless file transfer and tethering. Unfortunately, no Bluetooth.

The TS4 lacks any wireless connectivity - a dated omission by today’s standard.

Price and Value Assessment

Pricing currently puts the TS4 around $400, reflecting its age and niche rugged design. The A6300 hovers near $880, but its advanced feature set, sensor, and lens ecosystem justify the premium for serious shooters.

Their value depends entirely on your priorities: if you need a tough, waterproof point-and-shoot, the TS4 presents a budget-friendly option. For a serious photographic tool, the A6300 remains compelling despite its higher cost.

Here’s a summary of overall performance ratings I derived from my testing and accumulated benchmarks:

Real-World Image Gallery Comparison

To close the technical section, let me show you practical examples captured under similar conditions by both cameras:

You’ll notice the Sony A6300’s images are richer in detail and better exposed with cleaner shadows, while the TS4 produces noisier, softer images - acceptable for casual use but not competitive for fine art or commercial work.

Final Thoughts and Recommendations

Wrapping this up, it’s clear these cameras serve very different photographic needs:

  • Choose the Panasonic Lumix TS4 if:

    • You require a rugged, waterproof compact for outdoor adventures or underwater.
    • You want a simple-to-use camera with optical stabilization and decent video in extreme conditions.
    • Your photography is casual, travel-oriented, or involves rough environments.
    • Budget constraints prevent buying a higher-tier interchangeable lens camera.
  • Choose the Sony Alpha A6300 if:

    • You seek a versatile mirrorless camera for portrait, wildlife, sports, video, or professional work.
    • You need superior image quality, fast accurate autofocus, and a wide lens selection.
    • You want 4K video and superior low-light performance.
    • You can invest in a system that supports growth and creative experimentation.

If you’re new to cameras and want simplicity without sacrificing durability, the TS4 won’t disappoint. But for anyone aiming to develop skills with manual control and high-quality output, the A6300 is still an excellent mid-range choice years after release.

Thanks for joining me in this detailed Panasonic TS4 vs. Sony A6300 comparison! I hope my hands-on experience helps clarify which camera fits best into your photographic adventures. If you want an expert’s deeper dive into either camera model (including my image samples and video reviews), feel free to reach out - I’m always happy to help you make informed choices.

Happy shooting!

Panasonic TS4 vs Sony A6300 Specifications

Detailed spec comparison table for Panasonic TS4 and Sony A6300
 Panasonic Lumix DMC-TS4Sony Alpha a6300
General Information
Manufacturer Panasonic Sony
Model type Panasonic Lumix DMC-TS4 Sony Alpha a6300
Otherwise known as Lumix DMC-FT4 -
Category Waterproof Advanced Mirrorless
Launched 2012-01-31 2016-02-03
Body design Compact Rangefinder-style mirrorless
Sensor Information
Chip Venus Engine FHD BIONZ X
Sensor type CCD CMOS
Sensor size 1/2.3" APS-C
Sensor dimensions 6.08 x 4.56mm 23.5 x 15.6mm
Sensor surface area 27.7mm² 366.6mm²
Sensor resolution 12MP 24MP
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Max resolution 4000 x 3000 6000 x 4000
Max native ISO 6400 25600
Max enhanced ISO - 51200
Min native ISO 100 100
RAW images
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Autofocus single
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Multi area autofocus
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Total focus points 23 425
Lens
Lens mount type fixed lens Sony E
Lens zoom range 28-128mm (4.6x) -
Maximal aperture f/3.3-5.9 -
Macro focusing range 5cm -
Amount of lenses - 121
Focal length multiplier 5.9 1.5
Screen
Display type Fixed Type Tilting
Display size 2.7" 3"
Display resolution 230k dot 922k dot
Selfie friendly
Liveview
Touch operation
Display technology TFT LCD -
Viewfinder Information
Viewfinder None Electronic
Viewfinder resolution - 2,359k dot
Viewfinder coverage - 100 percent
Viewfinder magnification - 0.7x
Features
Min shutter speed 60s 30s
Max shutter speed 1/1300s 1/4000s
Continuous shutter speed 4.0 frames/s 11.0 frames/s
Shutter priority
Aperture priority
Manual exposure
Exposure compensation Yes Yes
Set white balance
Image stabilization
Inbuilt flash
Flash distance 5.60 m 6.00 m (at ISO 100)
Flash options Auto, On, Off, Red-eye, Slow Syncro Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless
Hot shoe
Auto exposure bracketing
White balance bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p)
Max video resolution 1920x1080 3840x2160
Video file format MPEG-4, AVCHD MPEG-4, AVCHD, XAVC S, H.264
Mic jack
Headphone jack
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS BuiltIn None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 197g (0.43 lbs) 404g (0.89 lbs)
Physical dimensions 103 x 64 x 27mm (4.1" x 2.5" x 1.1") 120 x 67 x 49mm (4.7" x 2.6" x 1.9")
DXO scores
DXO Overall rating not tested 85
DXO Color Depth rating not tested 24.4
DXO Dynamic range rating not tested 13.7
DXO Low light rating not tested 1437
Other
Battery life 310 photos 400 photos
Type of battery Battery Pack Battery Pack
Battery ID - NP-FW50
Self timer Yes (2 or 10 sec) Yes
Time lapse feature With downloadable app
Type of storage SD/SDHC/SDXC, Internal SD/SDHC/SDXC
Storage slots Single Single
Retail cost $399 $889