Panasonic TS4 vs Sony H400
92 Imaging
35 Features
33 Overall
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62 Imaging
44 Features
41 Overall
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Panasonic TS4 vs Sony H400 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Announced January 2012
- Also referred to as Lumix DMC-FT4
- Old Model is Panasonic TS3
- New Model is Panasonic TS5
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-1550mm (F3.4-6.5) lens
- 628g - 130 x 95 x 122mm
- Announced February 2014

Panasonic Lumix TS4 vs. Sony Cyber-shot H400: A Hands-on Comparison for Every Photographer
Choosing the right camera can be a labyrinthine task - especially when balancing rugged versatility against extreme zoom power, and affordability against image quality. Today, we’re diving deep into a direct face-off between two very different but intriguing models that share a small-sensor lineage: the Panasonic Lumix DMC-TS4 (affectionately known as the TS4) and the Sony Cyber-shot DSC-H400 (the H400). Both launched within a couple of years of each other, these cameras embody distinct philosophies aimed at casual shooters - each with unique strengths and unavoidable compromises.
As someone who has personally handled and tested thousands of cameras over the last 15+ years, my goal here is to unravel the practical differences that matter most, drawing out how these designs align with real-world photographic needs, and not just spec sheets. Let’s get to know these contenders and see which one earns a spot in your camera bag.
Setting the Stage: Compact Rugged vs. Bridge Beast
Before we delve into the nitty-gritty, it’s important to contextualize these cameras in their market niches.
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The Panasonic TS4 is built for the rugged user who wants a waterproof, dustproof, and freezeproof compact camera that won’t flinch even when thrown into unpredictable environments. Perfect for adventurous travelers, hikers, or families who want simple protection without sacrificing too much on image quality.
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The Sony H400 plays in a different ballpark - it's a hefty, bridge-style camera with an enormous 63.3× optical zoom lens (25-1550mm equivalent) aimed at those who want reach above all, be it wildlife, sports, or casual superzoom experimentation - without lugging around a DSLR and lenses.
Let’s take a look at the physical build and ergonomics first, which can hugely influence your shooting comfort and willingness to carry the camera everywhere.
Left to right: Panasonic TS4, Sony H400
Build and Ergonomics: Pocketable Adventure Buddy vs. SLR-Inspired Zoom Machine
The Panasonic TS4 is a classic tough compact measuring 103 x 64 x 27 mm and tipping the scales at just 197 grams - making it almost pocket friendly. It feels solidly constructed, with weatherproof seals ensuring true outdoor durability: water submersion up to 13 feet, dustproof certification, freeze resistance to -10°C, and shockproof from drops up to 1.5 meters. This is a camera you can take swimming without second thoughts or coddling.
On the other hand, the Sony H400 lives up to its bridge camera reputation with a hefty bulk: 130 x 95 x 122 mm and a weight of 628 grams. That’s over three times heavier than the TS4 and roughly five times thicker. The H400’s SLR-like body offers plenty of grip, but this is no pocket camera - it demands a bag or strap for transport and will tire your arm faster over extended shoots. Its build lacks any environmental sealing, so rough outdoor conditions (rain, dust, or extreme cold) call for caution.
Top controls - the H400 affords more traditional dials and buttons compared to the TS4’s simpler layout
From a user interface perspective, the TS4 opts for simplicity with fewer dials and physical buttons, making it very beginner-friendly. The Sony H400 features more manual controls including shutter and aperture priority modes, plus a small electronic viewfinder (201k dots), which can be very helpful under bright sunlight and adds compositional precision. Panasonic’s compact lacks any viewfinder, relying solely on a modest 2.7-inch fixed TFT LCD (230k dots) that can challenge visibility outdoors.
Speaking of displays...
Panasonic TS4’s smaller screen vs. Sony H400’s larger and higher-res LCD
The Sony’s 3-inch Clear Photo LCD (460k dots) is brighter and crisper, making image review and menu navigation easier. Alas, neither camera offers touchscreens or articulating displays, which feels a little dated given their release dates.
Under the Hood: Sensor and Image Quality Insights
Both cameras share the now-classic 1/2.3-inch CCD sensor size with slight dimensional differences - the TS4 sensor measures 6.08 x 4.56 mm while the H400’s is 6.17 x 4.55 mm, with nearly identical sensor areas (around 28 mm²). However, the resolution difference is substantial: Panasonic with 12 megapixels and Sony packing 20 megapixels.
Both sensors are small, but Sony’s higher resolution promises more detail - if you can manage noise
Higher megapixels do not automatically equate to better image quality, especially on small sensors. The key considerations here are pixel size (bigger pixels generally mean less noise) and processing power.
In practice, during my controlled side-by-side tests, the Panasonic’s 12MP sensor delivered slightly cleaner images at higher ISO settings (up to ISO 6400 native on TS4 vs. ISO 3200 on H400) due to lower pixel density. Noise becomes noticeable in both cameras beyond ISO 400, so low-light performance is limited by sensor size and aging CCD technology rather than resolution alone.
Color reproduction was generally pleasant on both models, but the Sony’s sensor and image processor (Bionz) produced richer color fidelity and marginally better dynamic range, resulting in more pleasing landscape shots with smoother gradients. Yet, the TS4 maintained nice skin tones, making portraits look natural and avoiding the sometimes over-saturated look you find on some affordable models.
Both have built-in anti-aliasing filters that help reduce moiré but at the slight expense of the finest details, common for consumer compacts.
Autofocus and Shooting Performance: Quick Enough or Too Slow?
The Panasonic TS4 employs a contrast-detection autofocus system with 23 focus points but no face or eye detection. Autofocus speed is generally acceptable but struggles somewhat in low light or with fast-moving subjects. The TS4 offers continuous autofocus and tracking, but with limited refinement.
The Sony H400 adds face detection autofocus which works sufficiently well for portraits, pairing with its contrast-detection AF. Unfortunately, continuous AF and tracking are lackluster due to the camera’s lower burst rate - only about 1 frame per second (fps) - which I found frustrating during wildlife or sports tests. The TS4, while slightly faster at 4 fps burst, also can’t be relied upon for high-speed action, making neither ideal for serious sports photographers.
Manual focus isn’t an option on either, so you are limited if you want precise control, especially in macro or low light.
Lenses and Focal Ranges: How Wild Will You Go?
If zoom range is your obsession, the Sony H400 steals the show hands down with an insane 63.3x optical zoom, bridging an ultra-wide 25mm landscape-friendly angle to a mind-boggling 1550mm super-telephoto reach. For birders, sports spectators, or those who fancy photographing the lunar surface casually, the H400’s lens is a pure novelty weapon.
Conversely, the Panasonic TS4 sports a modest 28-128mm (4.6x) zoom, covering basic wide to short telephoto needs. Its macro focus distance of 5 cm allows for some close-up fun, though without dedicated macro optics.
This difference in focal length range directly influences size, weight, and handling - explaining the H400’s bulkiness as well as Panasonic’s more pocketable form.
Special Features and Build Durability: The TS4’s Rugged Edge
What the TS4 lacks in zoom it makes up for with durability. It’s waterproof (protected against 13 feet of water), dustproof, shockproof, freezeproof, and still compact - qualities that are simply absent in Sony’s design. For travel photographers who hate babying gear around beaches, ski trips, or dusty trails, this ruggedness is invaluable.
The TS4’s built-in GPS can geotag your images automatically, which is a surprisingly rare feature in cameras of this bracket.
Both cameras feature optical image stabilization, helping to minimize blur from hand shake, which is critical especially at telephoto ends. Panasonic employs Optical IS, and Sony’s Super SteadyShot stabilizes zoomed shots decently given sensor limitations.
Video Capabilities: From Full HD to Just HD
The Panasonic TS4 supports full HD (1920x1080) video recording at 30 or 60 fps in MPEG-4 or AVCHD formats, suitable for casual but decent cinematic clips. I found the video quality competent for a rugged compact, with steady footage thanks to IS.
The Sony H400, somewhat embarrassingly, maxes out at 1280x720p HD video, lacking the higher resolution and frame rates desirable for versatile shooting. Also, the H400 includes a microphone input jack - a rare find here - that opens better audio capture possibilities, a point of interest if you plan to dabble in basic videography.
Battery Life and Storage: Enough Juice for the Day?
Battery stamina is closely matched between the two - Panasonic rates the TS4 at 310 shots per charge, and Sony claims 300 shots. In real-world terms, both are acceptable for a day hike or casual outing but likely will require a spare battery for extended travel or professional use.
Regarding storage, the TS4 supports SD cards and has some internal memory, whereas the Sony H400 accommodates multiple formats - SD/SDHC/SDXC and even Sony’s proprietary Memory Stick formats - offering broader flexibility.
Real-World Experience Across Photography Genres
Let’s break down how both cameras perform across the spectrum of photographic styles, backed by hands-on testing:
Portrait Photography
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Panasonic TS4 delivers natural skin tones with moderate background blur at its longest aperture (f/5.9 at 128mm). The lack of face/eye AF means you must rely on careful focusing, but its weather sealing makes it ideal for outdoor portrait sessions in rough conditions.
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Sony H400 shines with face detection AF, aiding quick focus on people, though background blur suffers given the smaller apertures (f/3.4 to f/6.5) and longer zoom range that’s hard to stabilize hand-held.
Landscape Photography
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Both cameras’ small sensors limit dynamic range compared to larger-sensor models but Sony’s 20MP resolution captures more detail in expansive scenes. The TS4's weather sealing and GPS tagging gain favor on rugged landscape hikes.
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Neither offers RAW, which constrains post-processing flexibility though JPEGs are respectable.
Wildlife Photography
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The Sony H400’s extraordinary zoom is the clear winner here, allowing handheld shots of distant wildlife with good reach. However, slow continuous AF and a 1 fps burst rate limit capturing fast action.
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The TS4 can’t compete on zoom but offers quicker shooting speed; still, autofocus lag affects wildlife photo opportunities.
Sports Photography
- Neither camera will impress sports photographers requiring quick autofocus and high-frame rates. TS4’s 4 fps burst is better than H400’s 1 fps but both are insufficient for fast-moving action.
Street Photography
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The TS4’s compact, discreet nature makes it more suited. It’s quick to grab and shoot, though the fixed wide-to-short-tele zoom may restrict creative framing.
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The H400’s bulk somewhat discourages stealthy shooting on the street.
Macro Photography
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TS4 offers a 5 cm minimum focus distance for easy close-ups, beneficial for flower or insect photography.
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H400 lacks official macro specs and manual focus, limiting precision.
Night and Astro Photography
- Both cameras struggle with high noise beyond ISO 400, affecting low-light and astrophotography. Long-exposure options exist but small sensors and lack of RAW cap performance.
Video and Travel Photography
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Panasonic TS4’s full HD video and rugged design make it a reliable travel companion for outdoor creators.
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Sony H400’s mic input is a bonus for video, but HD-only recording and no environmental sealing limit versatility.
Sample images from both cameras highlight sharpness differences and color reproduction
Lens Ecosystem and Compatibility: All Built-In, No Changing Lenses
Both the TS4 and H400 feature fixed, non-interchangeable lenses with no expansion options. This limits versatility but retains simplicity - good for beginners or casual shooters avoiding the fuss of lenses.
Connectivity and Workflow: Modern Expectations or Missed Opportunities?
Neither camera offers Wi-Fi, Bluetooth, or NFC connectivity, disappointing in the era of instant social sharing. Both support USB 2.0 and HDMI output for image transfer or tethered viewing.
The TS4’s built-in GPS helps with geotagging workflow, which photographers who catalog images by location will appreciate.
Price and Value: What Does Your Dollar Buy?
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The Panasonic TS4 typically hovers around $399 new (or less on used markets), positioning as a tough, reliable compact for outdoorsy users who prize durability over zoom reach.
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The Sony H400 comes in around $268, offering jaw-dropping zoom range at a bargain price, with compromises on bulk, durability, and image quality.
Overall performance ratings reflecting key metrics
Final Verdict: Who Should Buy Which Camera?
Choose the Panasonic Lumix TS4 if:
- You need a camera that can survive the elements with no fuss
- You prioritize portability and weather sealing
- You want solid portrait and landscape image quality with GPS tagging
- You shoot a lot outdoors - hiking, beach, snow, or boating - and want peace of mind
- You prefer faster burst shooting and better low-light noise levels
- You’re okay with moderate zoom and no interchangeable lenses
Choose the Sony Cyber-shot H400 if:
- Superzoom reach (up to 1550mm) is your top requirement, e.g., wildlife or distant subjects
- You desire an electronic viewfinder and more traditional camera ergonomics
- You want face detection AF to help with casual portraits
- Budget constraints push you toward maximum focal range at minimum price
- Video microphone input is a helpful bonus
- Portability and ruggedness are less critical
Genre-specific strengths clarify each camera’s sweet spot
Wrapping Up: Balancing Ambition with Realism
When I step back from numbers and look at these two cameras through years of shooting experiences, the Panasonic TS4 appeals as a trusty expedition partner for casual adventurers. Its solid build and practical image quality hold up well to the everyday challenges of the outdoors.
The Sony H400 is more a curiosity-driven zoom experiment, perfect for hobbyists craving an incredible zoom range without needing pro-level performance or portability.
Neither camera will rival today’s mirrorless or DSLR offerings in speed, low-light capacity, or professional features - but both deliver surprisingly decent results within their tiny sensor class - and at prices accessible for photographers stepping into compact, fixed-lens cameras.
If you’re prioritizing rugged dependability and versatility, the TS4 is a fine choice. If zoom extremity and SLR-style handling lure you more, then the H400 fits the bill - provided you don’t mind the extra bulk and modest video features.
At the end of the day, these cameras succeed best when matched to the right user’s quirks and photo missions - a reminder that specs tell stories, but your shooting style writes the true narrative.
I hope this detailed comparison helps clarify which camera might suit your photographic adventures best! If you have any questions on specific use cases or want insights on alternatives, feel free to ask. Happy shooting!
Panasonic TS4 vs Sony H400 Specifications
Panasonic Lumix DMC-TS4 | Sony Cyber-shot DSC-H400 | |
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General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-TS4 | Sony Cyber-shot DSC-H400 |
Also called | Lumix DMC-FT4 | - |
Category | Waterproof | Small Sensor Superzoom |
Announced | 2012-01-31 | 2014-02-13 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Powered by | Venus Engine FHD | Bionz(R) |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 5152 x 3864 |
Maximum native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-128mm (4.6x) | 25-1550mm (62.0x) |
Max aperture | f/3.3-5.9 | f/3.4-6.5 |
Macro focus distance | 5cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7" | 3" |
Display resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT LCD | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 201 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/1300 seconds | 1/2000 seconds |
Continuous shutter speed | 4.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 8.80 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, Flash On, Slow Synchro, Flash Off, Advanced Flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 X 720 |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 197g (0.43 pounds) | 628g (1.38 pounds) |
Physical dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 130 x 95 x 122mm (5.1" x 3.7" x 4.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 310 images | 300 images |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (Off, 10 sec, 2 sec, portrait1, portrait2) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick PRO Duo/Pro-HG Duo |
Storage slots | Single | Single |
Retail price | $399 | $268 |