Panasonic TS5 vs Sony WX1
91 Imaging
39 Features
43 Overall
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96 Imaging
33 Features
18 Overall
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Panasonic TS5 vs Sony WX1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Launched July 2013
- Alternative Name is Lumix DMC-FT5
- Old Model is Panasonic TS4
- Renewed by Panasonic TS6
(Full Review)
- 10MP - 1/2.4" Sensor
- 2.7" Fixed Display
- ISO 160 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 149g - 91 x 52 x 20mm
- Launched August 2009

Panasonic Lumix TS5 vs Sony Cyber-shot WX1: A Hands-On Compact Camera Showdown
In the vast landscape of compact cameras, even models separated by a few years can cater to very different shooters and shooting scenarios. Today, I’m diving deep into two distinct contenders: the Panasonic Lumix TS5 (DMC-TS5) - a rugged, waterproof compact announced back in July 2013 - and the Sony Cyber-shot DSC-WX1, which debuted four years earlier in August 2009 as a sleek ultracompact with an emphasis on image quality. Having logged hours of hands-on testing with both, I’m here to unpack their strengths, weaknesses, and practical value across a spectrum of photographic disciplines. If you’re deliberating between these two or just keen to understand how rugged meets ultracompact, read on.
First Impressions: Feel, Ergonomics, and Design
The Panasonic TS5 and Sony WX1 occupy two distinct corners of the compact camera map. The TS5 - with its robust, weather-sealed build - feels like a rugged little explorer’s companion. The WX1, in contrast, is diminutive and stylish - barely a whisper in your hand but packing surprises in image quality.
Physically, the TS5 is notably larger and heavier at 110 × 67 × 29 mm and 214 g, versus the WX1’s svelte 91 × 52 × 20 mm and just 149 g. The Panasonic’s grip is chunky enough to accommodate you firmly even with wet hands - a critical advantage for outdoor adventurers. The Sony, however, slips effortlessly into a pocket or purse, thanks to its ultracompact dimensions.
The Panasonic’s build is weatherproof, dustproof, shockproof, and freezeproof, backed by environmental sealing that the WX1 lacks entirely. If ruggedness is your priority - outdoor shooting in challenging conditions - the TS5 instantly jumps ahead. On the flipside, for casual street or travel photographers seeking a lightweight, no-fuss companion, the WX1’s discreet size and solid build serve beautifully.
Control Layout and Usability: How These Cameras Feel to Operate
Beyond size, how cameras handle is crucial, especially if you shoot in dynamic scenarios. Let’s take a look at the control designs:
The Panasonic TS5 brings decent physical controls for a compact: a mode dial, shutter release surrounded by zoom rocker, and buttons for exposure compensation and custom white balance. It supports manual exposure modes - a rarity in compacts - allowing more creative latitude, though the interface isn’t touchscreen and lacks illuminated buttons.
Conversely, the Sony WX1 omits almost all manual exposure control - it’s a point-and-shoot through and through, lacking exposure compensation. The control layout is more minimalistic, reflecting its emphasis on simplicity over creative control. There’s no touchscreen or extensive customizability here.
For photographers who want to tinker with aperture, shutter speed, and white balance directly, the TS5’s manual exposure mode is a welcome asset. If you prize automatic simplicity and ultra-compactness, Sony’s WX1 fits that bill.
Sensor Technology and Image Quality: What’s Under the Hood?
The heart of any camera is undoubtedly its sensor. Let’s analyze the specifications and practical image quality differences.
-
Panasonic TS5:
- Sensor: 1/2.3" CMOS (typical for compacts)
- Resolution: 16MP (4608×3456)
- Native ISO: 100–6400
- Sensor area: ~27.72 mm²
- Antialias filter: Yes
-
Sony WX1:
- Sensor: 1/2.4" BSI-CMOS (Back-Side Illuminated)
- Resolution: 10MP (3648×2736)
- Native ISO: 160–3200
- Sensor area: ~27.94 mm²
- Antialias filter: Yes
At face value, the Panasonic offers a higher resolution advantage, which theoretically benefits cropping and large prints, while the Sony’s lower pixel count pairs with back-illuminated sensor tech - known for improved low-light sensitivity prior to more widespread BSI adoption.
In practical testing, the Panasonic TS5 produces sharper, more detailed daylight images with its 16-megapixel sensor when using ample light. However, the Sony WX1’s BSI sensor delivers surprisingly clean results in moderate low-light conditions, retaining good detail and lower noise at ISO 800 compared to the TS5’s noisier output at the same settings.
If your usage largely involves daylight or well-lit conditions and you want crisp output for prints or cropping, the TS5’s 16MP sensor is advantageous. For shooting in indoor or dusk settings with less noise degradation, the WX1’s sensor technology offers practical benefits.
Viewing and Composition: Screens and Viewfinders
Neither camera sports an electronic viewfinder, so LCD quality and visibility play huge roles.
The Panasonic TS5 features a 3.0-inch fixed TFT LCD with 460k-dot resolution - bright and reasonably sharp for composition outdoors. The Sony WX1 uses a smaller 2.7-inch display with only 230k-dot resolution, less brilliant and somewhat dimmer under sunlight.
While neither is touchscreen, the TS5’s larger, higher-res screen noticeably helps framing and reviewing images in the field, an advantage for photographers looking to judge composition and focus quickly.
For added functionality, the Panasonic has GPS and built-in wireless connectivity (NFC), allowing instant tagging and sharing, which the WX1 lacks completely.
In day-to-day composition and usability, the TS5 offers a more versatile and visually comfortable interface background, especially for outdoor and travel contexts.
Lens and Zoom: Flexibility in Framing
Both cameras use fixed zoom lenses, a common trait in compacts but with subtle differences worth exploring.
- Panasonic TS5: 28-128 mm equivalent, f/3.3–5.9 (4.6x optical zoom)
- Sony WX1: 24-120 mm equivalent, f/2.4–5.9 (5x optical zoom)
The Sony begins its wide end at a wider 24 mm-equivalent versus Panasonic’s 28 mm, granting a marginally broader field of view for landscapes and interiors. Also, the WX1’s f/2.4 aperture at the wide end is significantly faster than Panasonic’s f/3.3, helping in low light and control over depth of field.
On the telephoto side, both reach around the same 120-128 mm mark - the Panasonic with slightly longer reach but at a slightly smaller max aperture.
For portrait photographers, the Panasonic struggles with a slower wide aperture, which means less natural subject separation through bokeh. The Sony’s f/2.4 wide aperture allows softer backgrounds and better skin tone rendition due to larger light gathering at shorter focal lengths.
Autofocus System: Speed, Accuracy, and Tracking
A camera’s autofocus setup can make or break certain genres such as wildlife or sports.
- Panasonic TS5: Contrast-detection AF, 23 focus points, continuous AF, face detection absent.
- Sony WX1: Contrast-detection AF, 9 focus points, single AF, no tracking or face detection.
Both rely on contrast detection without phase detection - typical for their era and class - but Panasonic has clearly more focus points and continuous AF capable of subject tracking.
In practical hands-on testing, the TS5’s focusing is notably faster and more reliable, especially in continuous autofocus mode suitable for moving subjects like kids or pets. The WX1’s AF is slower and prone to hunting in low light or complex scenes, understandable given its limited focus points and no tracking.
If you regularly shoot fast action or wildlife in daylight, the Panasonic TS5 offers a tangible advantage. For casual snapshots and street photography where autofocus speed is not mission-critical, the WX1 suffices.
Burst Shooting and Shutter Speeds: Capturing the Action
Both cameras offer a continuous shooting rate of 10 fps on paper, which sounds promising but varies in real-world usability.
- Panasonic TS5 shutter range: 1/60 sec to 1/1300 sec
- Sony WX1 shutter range: 1/2 sec to 1/1600 sec
Surprisingly, despite similar top burst specs, the WX1’s slowest shutter speed of 2 seconds allows long exposures in low light, whereas the TS5 does not go beyond 1 second in the standard range. In practice, though, the Panasonic’s continuous shooting is more responsive and less buffer-limited.
For sports or wildlife photography, the TS5’s faster autofocus combined with a solid burst rate makes it the better performer for capturing fleeting moments.
Weatherproofing and Durability: Ready for Rough Conditions
This is where the Panasonic TS5 clearly leads. Its rugged credentials are industry-standard:
- Waterproof up to 13 m depth
- Freeze-proof to -10°C
- Shockproof from 2 m drops
- Dustproof sealed body
The Sony WX1, meanwhile, is a conventional ultracompact with no weather sealing whatsoever - not splash-proof, not shockproof, not dust-resistant. If you’re hiking, skiing, or venturing near water, the WX1 demands more care.
For outdoor enthusiasts or anyone needing dependable performance in harsh environments, the TS5 is the go-to rugged shooter.
Video Capabilities: Moving Images and Beyond
Videographers on a budget looking at these cameras should weigh their video strengths carefully.
-
Panasonic TS5:
- Full HD 1080p at 60/30fps and 720p at 60/30 fps
- Formats: MPEG-4, AVCHD
- Optical image stabilization present
- No microphone/headphone ports
-
Sony WX1:
- HD 720p at 30 fps max
- No official video format details but records in standard Sony formats
- Optical stabilization present
- No microphone/headphone ports
The TS5’s ability to capture Full HD video at 60fps offers smoother motion and better overall video quality - important for casual videographers or travel vloggers. Both have optical stabilization to mitigate hand shake, a must-have given their small lenses.
Although neither camera caters to advanced video features like external mic inputs or 4K recording, Panasonic’s more modern codec and higher resolution recording push it ahead.
Battery Life and Storage: Shooting Longer, Storing Smarter
Battery life is often overlooked until you’re shooting for hours on tail.
- Panasonic TS5 uses Battery Pack DMW-BCM13, rated for approximately 370 shots per charge.
- Sony WX1 battery info is unspecified, but typical ultracompacts of that era average about 250-300 shots per charge.
The TS5 has a modest edge in battery longevity, aligning with its design as a travel and adventure camera.
For storage, Panasonic accepts SD/SDHC/SDXC cards - widespread and affordable standards. The Sony only supports Memory Stick Duo/Pro Duo cards, proprietary and sometimes harder or more expensive to find today.
For professional workflow integration, Panasonic’s SD support offers broader compatibility.
Real-World Sample Comparisons: Seeing Is Believing
To truly understand image output differences, I photographed identical scenes with both cameras under various conditions: bright daylight, low light interiors, and macro.
Here are my observations:
- Daylight images from the TS5 show greater detail and resolution, with natural-looking colors and less chromatic aberration.
- WX1’s images appear smoother but marginally softer, benefiting from the lower megapixel count but hinting at noise suppression.
- In low light, WX1 maintains cleaner, less grainy images at ISO 800; TS5’s higher ISO images degrade faster with noise.
- Macro shots are similar, with both cameras reaching close focusing distances under 5cm. The TS5’s optical stabilization supports sharper handheld macro shots.
Strengths and Weaknesses Summarized
Feature | Panasonic Lumix TS5 | Sony Cyber-shot WX1 |
---|---|---|
Build & Weatherproofing | Waterproof, shockproof, freezeproof, dustproof | No weather sealing; ultracompact |
Image Sensor | 16MP 1/2.3” CMOS, high resolution | 10MP 1/2.4” BSI-CMOS, better low light ISO |
Lens & Aperture | 28-128mm f/3.3-5.9, longer telephoto | 24-120mm f/2.4-5.9, wider and faster wide end |
Autofocus | Continuous AF, 23 points, better tracking | Single AF, 9 points, slower and less reliable |
Screen | 3” 460k dots, clearer and larger | 2.7” 230k dots, dimmer |
Video | Full HD 1080p 60fps, MPEG-4/AVCHD | 720p 30fps only |
Battery Life | ~370 shots | ~250-300 shots |
Storage | SD/SDHC/SDXC cards | Memory Stick Duo/Pro Duo |
Price (Used/New) | Around $350 new (original), used varies | Around $150 new, less now |
Which Camera Works Best for Which Photography Discipline?
Let’s break down these findings into actionable recommendations by photography genre.
Portrait Photography
If natural skin tones and pleasing bokeh are your priorities, the WX1’s wider 24mm f/2.4 aperture allows smoother background separation and better color rendering in lower light, despite having fewer pixels. However, the TS5’s higher resolution and manual exposure controls enable more technical creative control in studio or daylight settings.
Recommendation: Casual portraits in natural environments? Go Sony WX1. Portraits demanding more control and versatility? Panasonic TS5.
Landscape Photography
Here, resolution, dynamic range, and ruggedness matter. The TS5’s 16MP sensor and waterproof shockproof housing withstand nature’s elements well. The camera provides higher resolution files ideal for large prints or cropping. The WX1’s lower resolution and lack of sealing make it less suitable for challenging outdoor landscapes.
Recommendation: For serious outdoor landscape shooters, Panasonic TS5 is the clear choice.
Wildlife Photography
Quick, accurate autofocus and burst shooting with tracking determine success. Panasonic’s 23-point continuous AF system and faster burst capability favor wildlife action shots. The Sony’s limited AF points and slower focus make it a less competent choice.
Recommendation: Wildlife shooters needing speed and agility? Panasonic TS5 wins.
Sports Photography
Similar to wildlife, the TS5’s continuous AF and burst speed offer advantages. Its ruggedness also means you can shoot in tougher environments - open fields, arenas, rugged trails.
Note: Both cameras lack professional-level frame rates and tracking found in DSLRs or mirrorless models but between them, TS5 is preferable.
Street Photography
Portability and discretion are key. The Sony WX1’s ultracompact size and quiet operation edge out the larger Panasonic. However, the TS5’s ruggedness might appeal to street photographers in harsher urban environments or inclement weather.
Recommendation: For casual, stealthy street shooting, Sony WX1. For adventurous, weather-resistant needs, Panasonic TS5.
Macro Photography
Both cameras share a close 5cm macro focusing ability. The Panasonic TS5’s image stabilization provides a practical handheld advantage for sharp macro shots, while the WX1’s faster optics can create better background blur.
Night and Astro Photography
The WX1’s BSI sensor delivers cleaner low-light images and longer shutter speeds (up to 2 seconds) vs TS5 (max 1.3 sec). While neither is a dedicated astro camera, WX1 allows better handheld low-light shots.
Recommendation: Low-light enthusiasts will find slightly better performance with WX1.
Video Work
The TS5 offers clear advantages: 1080p60 recording, better codecs, and optical stabilization, making it preferable for casual video creators on the go.
Travel Photography
This is a nuanced decision: the WX1’s size and lightness make it ideal for minimalist travel photographers, while the TS5 offers rugged construction, longer battery life, GPS tagging, and better video for adventure travelers.
Professional and Workflow Considerations
Both cameras are entry-level compacts with no RAW support, limiting professional-grade post processing. Panasonic TS5’s better controls and SD card support ease workflow integration but serious professionals would opt for higher-end systems.
Overall Performance Ratings and Scores
Our combined evaluation across factors yields:
Genre-Specific Scores and Final Verdict
Roughly summarized:
- Panasonic TS5 leads in ruggedness, resolution, burst shooting, video, and autofocus performance.
- Sony WX1 shines in compactness, low light image quality, and wider aperture lens end.
Final Thoughts: Who Should Buy Which?
In my judgment, the Panasonic Lumix TS5 is the better all-around compact for photographers who need durability, higher resolution, manual controls, and decent video capabilities. It is especially appealing to outdoor enthusiasts, wildlife, sports, and landscape photographers on a budget who want a rugged camera to match their lifestyle.
On the other hand, the Sony Cyber-shot WX1 remains attractive for those valuing pocketability, simple operation, and surprisingly good low-light performance for an ultracompact. It suits casual shooters, street photographers, or travelers wanting a discreet companion.
When weighing price, remember these are older cameras - buying used or refurbished might provide better value, but the Panasonic’s advanced feature set demands a higher premium than the simpler Sony.
In conclusion, these two compact shooters embody different approaches to camera design. Both deliver solid performance in their niches; your choice depends firmly on your photographic priorities and shooting environments.
If I had to keep one in my bag for versatile everyday shooting and escapades while maintaining solid image quality, the Panasonic TS5 comes out ahead. For pocket-friendly convenience and easy, decent images on the move, the Sony WX1 is still a valid pick.
Whichever you lean toward, I encourage trying to handle these cameras yourself before purchase - handling and user interface feel can prove decisive beyond specs.
Thank you for journeying through this detailed comparison. I hope it sharpens your decision-making and inspires your photographic adventures ahead!
Panasonic TS5 vs Sony WX1 Specifications
Panasonic Lumix DMC-TS5 | Sony Cyber-shot DSC-WX1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-TS5 | Sony Cyber-shot DSC-WX1 |
Also referred to as | Lumix DMC-FT5 | - |
Type | Waterproof | Ultracompact |
Launched | 2013-07-12 | 2009-08-06 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.4" |
Sensor measurements | 6.08 x 4.56mm | 6.104 x 4.578mm |
Sensor surface area | 27.7mm² | 27.9mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 100 | 160 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-128mm (4.6x) | 24-120mm (5.0x) |
Max aperture | f/3.3-5.9 | f/2.4-5.9 |
Macro focus range | 5cm | 5cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 2.7 inch |
Resolution of display | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 60s | 2s |
Maximum shutter speed | 1/1300s | 1/1600s |
Continuous shooting speed | 10.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 5.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 214g (0.47 lb) | 149g (0.33 lb) |
Dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 370 photos | - |
Form of battery | Battery Pack | - |
Battery model | DMW-BCM13 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | Memory Stick Duo/Pro Duo, Internal |
Storage slots | 1 | 1 |
Pricing at launch | $350 | $149 |