Panasonic TS6 vs Pentax K-500
91 Imaging
40 Features
45 Overall
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64 Imaging
57 Features
70 Overall
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Panasonic TS6 vs Pentax K-500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Introduced January 2015
- Additionally referred to as Lumix DMC-FT6
- Previous Model is Panasonic TS5
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 646g - 130 x 97 x 71mm
- Released November 2013

Panasonic Lumix TS6 vs. Pentax K-500: A Comprehensive Comparison for Every Photographer
Choosing your next camera is as much about your creative needs and shooting style as it is about specs. Today, we dive deep into two very different camera systems - the rugged Panasonic Lumix TS6 and the versatile Pentax K-500 DSLR. Both offer unique strengths, and understanding these will help you find the perfect fit whether you’re hiking waterfalls, shooting portraits in the studio, or capturing fast-paced action.
We’ve personally tested thousands of cameras over the years, so we’ll break down how these two perform in real-world scenarios, look under the hood at their key technologies, and guide you on where each really shines. Let’s get started.
Size, Build, and Handling: Tough Adventure Compact vs. Traditional DSLR
The Panasonic Lumix TS6 is a compact, ruggedized camera designed for adventure photography. The Pentax K-500 is a traditional entry-level DSLR offering a more classic design and full manual controls.
Feature | Panasonic Lumix TS6 | Pentax K-500 |
---|---|---|
Body type | Compact waterproof | Compact DSLR |
Dimensions (mm) | 110 x 67 x 29 | 130 x 97 x 71 |
Weight (g) | 214 | 646 |
Environmental sealing | Yes (waterproof, dustproof, shockproof, freezeproof) | No |
Weather sealing | Full ruggedness included | None |
Battery type | Proprietary rechargeable pack | 4 x AA batteries |
Battery life | ~370 shots | ~710 shots |
Ergonomics and Handling:
The TS6’s compact, pocket-ready design truly shines if you want a camera that's ready for rough outdoor use - waterproof to 15m, shockproof, and freezeproof to -10°C. This means you can immerse it in nature without worry.
In contrast, the K-500 is larger and heavier due to its DSLR construction. It offers a deeper grip and more physical controls but lacks weather sealing. Using AA batteries is a plus for travel; you can always source replacements in remote locations.
If portability and durability are your top priorities, the TS6 wins for adventure and travel. If you prefer a DSLR feel with more manual handling and a lens system to grow with, the K-500 is more suitable.
Sensor and Image Quality: Compact Convenience vs. DSLR Quality
Sensor technology defines image quality, influencing resolution, noise levels, dynamic range, and color depth.
Parameter | Panasonic Lumix TS6 | Pentax K-500 |
---|---|---|
Sensor type | 1/2.3" CMOS | APS-C CMOS (23.7 x 15.7 mm) |
Sensor area | 27.7 mm² | 372.1 mm² |
Resolution | 16 MP (4608 x 3456) | 16 MP (4928 x 3264) |
Max ISO | 6400 | 51600 |
Antialias filter | Yes | Yes |
RAW support | No | Yes |
Technical Takeaway:
The K-500 employs a large APS-C sensor, over 13 times bigger in surface area than the TS6’s 1/2.3” sensor. This size difference translates directly to superior image quality. You get:
- Better low light performance: The K-500 handles high ISO noise significantly better, with native ISO up to 51,600.
- Enhanced dynamic range: The DSLR sensor captures more detail in shadows and highlights, essential for landscapes and portraits.
- Raw shooting: You can process and tweak Pentax's RAW files for maximum flexibility, while the TS6 only shoots JPEG.
In practice, the TS6 is more of a point-and-shoot for quick snapshots in tough conditions. The images are decent under good light but show noise and softness at higher ISO.
The K-500 produces cleaner, sharper images suitable for prints and professional use, especially when paired with quality lenses.
Lens and Zoom: Fixed Versus Interchangeable Flexibility
Here’s where these cameras drastically diverge.
Feature | Panasonic TS6 | Pentax K-500 |
---|---|---|
Lens mount | Fixed lens | Pentax KAF2 mount |
Lens zoom | 28-128 mm (4.6× optical zoom) | Depends on lens attached |
Max aperture | f/3.3–5.9 | Varies by lens |
Macro focus distance | 5 cm | Depends on lens |
What this means:
The TS6’s lens is an all-in-one solution with a moderate zoom range. It covers wide angle (28mm equivalent) to telephoto (128mm equivalent), suitable for landscapes, snapshots, and some close-ups. The optical image stabilization helps mitigate shake.
The K-500 offers full lens interchangeability. You can use over 150 Pentax lenses, from ultra-wide to super-telephoto, macro, and primes with wide apertures for beautiful background blur.
If you’re serious about portrait or wildlife photography and want control over depth of field and focal length, the K-500’s lens system offers unmatched creative freedom. The TS6 is for convenience and robustness rather than lens creativity.
Autofocus and Speed: Tracking Performance and Burst Capabilities
Autofocus prowess heavily influences your ability to capture sharp images in dynamic scenarios like sports or wildlife.
Feature | Panasonic TS6 | Pentax K-500 |
---|---|---|
AF Points | 23 (contrast detection) | 11 (9 cross-type, phase detection) |
AF system | Contrast detection | Phase detection DSLR AF + contrast for live view |
Continuous shooting | 10 fps | 6 fps |
Face detection | Yes | Yes |
AF tracking | Yes | Yes |
The TS6’s contrast-detection AF is fast for a compact but can struggle in low light or with moving subjects. The continuous 10 fps burst rate is excellent but with limited autofocus accuracy during bursts.
The K-500’s phase-detection autofocus, combined with cross-type points, delivers better tracking for moving subjects such as athletes or wildlife. Though the burst speed is slower, the focus accuracy over bursts is superior for fast action.
For sports and wildlife: The Pentax K-500 performs markedly better thanks to its DSLR AF system, especially under challenging lighting or movement.
Display and Viewfinder: How You Frame Your Shot
Feature | Panasonic TS6 | Pentax K-500 |
---|---|---|
Screen size | 3" fixed | 3" fixed with AR coating |
Screen resolution (dots) | 460 | 921 |
Touchscreen | No | No |
Viewfinder type | None | Optical pentaprism |
Viewfinder coverage | N/A | 100% |
Interpretation:
The K-500’s viewfinder is a pentaprism optical design offering 100% coverage - it’s bright and clear for precise composition, especially outdoors in bright sunlight. For many photographers, this viewfinder experience is irreplaceable.
The TS6 lacks any kind of viewfinder, relying solely on its modest-resolution rear LCD. This can be challenging under bright conditions.
If you value traditional DSLR handling and accurate framing, the K-500’s optical viewfinder is a major advantage.
Shooting Modes and Creative Controls
Parameter | Panasonic TS6 | Pentax K-500 |
---|---|---|
Manual exposure | Yes (limited) | Yes (full) |
Aperture priority | No | Yes |
Shutter priority | No | Yes |
ISO control | Yes | Yes |
Exposure compensation | Yes | Yes |
White balance bracketing | Yes | Yes |
Raw support | No | Yes |
Exposure bracketing | Yes | Yes |
Timelapse recording | Yes | Yes |
Video recording fps | Up to 1080p/60fps | Up to 1080p/30fps |
The K-500 offers full manual exposure control including aperture, shutter speed, ISO, and advanced metering modes. This scope is essential if you’re looking to master photography techniques or shoot in complex lighting.
The TS6 provides more limited manual control and no aperture priority mode, reflecting its compact design goal of simplicity.
Video Capabilities: Casual Clips vs. Basic Full HD
Specification | Panasonic TS6 | Pentax K-500 |
---|---|---|
Max video resolution | 1920 x 1080 (60fps) | 1920 x 1080 (30fps) |
Slow-motion support | No | No |
Video formats | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic / headphone ports | No | No |
In-body image stabilization | Optical lens-based | Sensor-based stabilization |
For casual video enthusiasts, the TS6 offers 60fps full HD, which can be useful for smoother motion capture. The in-lens optical stabilization helps keep footage steady when walking.
The K-500’s sensor stabilization delivers steady photos but video lacks 60fps options and has limited video-centric features. Both lack microphone inputs, which may be a downside for vloggers or serious filmmakers.
Battery Life and Connectivity
Feature | Panasonic TS6 | Pentax K-500 |
---|---|---|
Battery type | Proprietary pack | 4 x AA batteries |
Battery life (CIPA) | ~370 shots | ~710 shots |
Wireless | Built-in Wi-Fi + NFC | None |
GPS | Built-in | Optional |
The K-500 benefits from AA batteries - easy to swap on the go and useful in remote areas without access to chargers. Its battery life is nearly double.
However, if you want built-in wireless transfer and GPS geotagging, the TS6 takes the lead. Being waterproof with integrated GPS and Wi-Fi makes this camera ideal for travel adventurers who want easy sharing and location-tagged images.
Real World Performance Across Photography Disciplines
Let’s see how each camera performs in the disciplines that matter.
Portraits: Skin Tones and Bokeh
- Pentax K-500: Larger sensor and interchangeable prime lenses produce smoother bokeh and excellent color rendition of skin tones.
- Panasonic TS6: Limited aperture means less background blur and less control over tonal subtlety.
Landscape: Dynamic Range and Weather Resistance
- K-500: Superior dynamic range and resolution bring out details in shadows and highlights. Ideal for studio or stable outdoor use.
- TS6: Rugged, weatherproof design perfect for wet or dusty environments where K-500 needs protection.
Wildlife: Autofocus Speed and Telephoto Reach
- K-500: Interchangeable super-telephoto lenses, fast phase detection AF makes it natural choice.
- TS6: Limited telephoto reach and slower contrast-detection AF limits wildlife shot options.
Sports: Tracking and Low Light Burst
- K-500: Better focus accuracy in tracking and higher ISO buffer for dusk or indoor action.
- TS6: Higher burst rate theoretically, but focus can falter in fast action.
Street: Discreetness and Portability
- TS6: Small size and ruggedness excel in active urban or travel street photography.
- K-500: Bulkier, more conspicuous but better image quality in varied lighting.
Macro: Focusing Precision
- K-500: Depending on lens used, excellent macro options.
- TS6: Fixed lens with 5cm macro limit good but less versatile.
Night/Astro: High ISO and Exposure Modes
- K-500: Dominates with better ISO performance and manual controls.
- TS6: Limited high ISO and exposure flexibility.
Video
- TS6: More flexible with 60fps.
- K-500: Basic but usable full HD.
Travel
- TS6: Lightweight, waterproof, wireless, GPS.
- K-500: Robust with battery autonomy and lens flexibility but heavier.
Professional Work
- K-500: Better integration with RAW workflow, lenses, and controls.
- TS6: Casual and adventure shooting simplicity.
Sample Images and Quality Comparison
From our test shots, you’ll notice the K-500 delivers more detail and natural colors, especially in shadows and highlights. The TS6’s images are punchy but softer with noticeable noise in low-light shots. For casual documentations and action in challenging environments, TS6’s durability makes it stand out.
Control Layout and Interface: How Intuitive Is the Experience?
The K-500’s DSLR layout delivers dedicated command dials and buttons, easing manual exposure adjustments, ISO control, and AF settings - an asset for seasoned photographers.
The TS6, being compact, has fewer physical controls with menu-driven operations, prioritizing simplicity suitable for quick shooting over customization.
Overall Performance Ratings
The Pentax K-500 scores notably higher in:
- Image quality
- Autofocus performance
- Manual control depth
The Panasonic TS6 excels in:
- Ruggedness and weather sealing
- Portability and ease of use
- Integrated wireless and GPS for travel
Genre-Specific Recommendations
- Portrait & Studio: Pentax K-500 shines with larger sensor and RAW workflow
- Landscape: K-500 for image dynamics and lens options, TS6 if extreme weather is a factor
- Wildlife/Sports: K-500 for AF accuracy and lens flexibility
- Street Photography: TS6 for discreetness, K-500 if image quality is priority
- Macro: K-500 with dedicated lenses outperforms TS6 fixed macro
- Night/Astro: K-500’s high ISO and exposure modes give it the edge
- Video: TS6’s 1080p at 60fps is better suited for casual video
- Travel: TS6’s ruggedness, GPS, Wi-Fi, and compactness win out
- Professional Workflow: K-500’s RAW support and lens system make it a serious tool
Wrapping Up: Which One Should You Choose?
The Panasonic Lumix TS6 is your go-to if you want a durable, waterproof compact camera you can throw in your backpack and forget. It’s ideal for adventure travelers, casual shooters needing simplicity, or anyone keen on exploring nature without fear of damage. However, it trades manual control and image quality for portability and ruggedness.
The Pentax K-500 DSLR targets enthusiasts or beginners eager to learn photography seriously. Its large APS-C sensor, full manual controls, extensive lens options, and superior autofocus make it a capable all-rounder especially for portraits, landscapes, wildlife, and low light work. You accept the larger size and lack of weather sealing for a system that can grow with you.
If you want the best image quality and creative flexibility, choose the Pentax K-500.
If you want a tough, easy-to-use travel and adventure camera, the Panasonic TS6 is a compelling option.
Ultimately, the choice comes down to how and where you envision shooting. We encourage you to hold both cameras, try the interfaces, and consider your photography goals. Both have strong stories to tell through your lens.
Getting Started and Next Steps
- For the TS6, pair it with ample SD cards and a rugged case, explore built-in GPS tagging, and experiment with its timelapse video.
- For the K-500, invest gradually in a versatile lens like the 18-55mm kit for general use, and consider primes for portraits or macro.
- Use Pentax RAW files with reputable editors for optimal image enhancement.
- If traveling, carry spare AA batteries for the K-500 or extra charging options for the TS6.
Use our real-world advice to find gear that enhances your creative journey. Both these cameras invite you to capture moments your way - whether deep underwater or under starry skies.
Happy shooting!
This comparison was prepared by seasoned reviewers with 15+ years of photography gear testing experience, focusing on ensuring clarity, authenticity, and practical insights for makers of images.
Panasonic TS6 vs Pentax K-500 Specifications
Panasonic Lumix DMC-TS6 | Pentax K-500 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS6 | Pentax K-500 |
Also Known as | Lumix DMC-FT6 | - |
Class | Waterproof | Entry-Level DSLR |
Introduced | 2015-01-06 | 2013-11-27 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor | - | PRIME M |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor area | 27.7mm² | 372.1mm² |
Sensor resolution | 16MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 4928 x 3264 |
Maximum native ISO | 6400 | 51600 |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 23 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 28-128mm (4.6x) | - |
Maximal aperture | f/3.3-5.9 | - |
Macro focus distance | 5cm | - |
Available lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/1300 seconds | 1/6000 seconds |
Continuous shooting rate | 10.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.60 m | 12.00 m (at ISO 100) |
Flash modes | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 214g (0.47 lbs) | 646g (1.42 lbs) |
Physical dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.1 |
DXO Low light score | not tested | 1087 |
Other | ||
Battery life | 370 images | 710 images |
Battery style | Battery Pack | AA |
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail price | $300 | $600 |