Panasonic TS6 vs Sony HX1
91 Imaging
40 Features
45 Overall
42
67 Imaging
32 Features
36 Overall
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Panasonic TS6 vs Sony HX1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Released January 2015
- Additionally referred to as Lumix DMC-FT6
- Previous Model is Panasonic TS5
(Full Review)
- 9MP - 1/2.4" Sensor
- 3" Tilting Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1440 x 1080 video
- 28-560mm (F2.8-5.2) lens
- 544g - 115 x 83 x 92mm
- Launched April 2009
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix DMC-TS6 vs Sony Cyber-shot DSC-HX1: Which Compact Zoom Camera Fits Your Photography Style?
When I line up cameras for a hands-on showdown, it's always revealing how different models, even those that look somewhat similar on paper, feel worlds apart in actual use. Today, we're pitting the rugged Panasonic Lumix DMC-TS6 - a tough, waterproof pocket warrior - against the venerable Sony Cyber-shot DSC-HX1, a classic small-sensor superzoom bridge camera that once wowed enthusiasts with its 20x zoom.
Both cameras target those who want versatile zoom ranges without the heft or fuss of interchangeable lenses. But they approach the task with very different philosophies, and (spoiler alert) your ideal pick depends heavily on how and where you shoot. I’ve spent serious time with both in varied real-world conditions, and in this article, we’ll dig deep into everything from sensor tech and autofocus to build quality and genre-specific performance. Expect a no-nonsense, well-informed take with a budget-conscious spin.
Let’s start with a quick physical comparison, then dive into the guts of each camera.
Size and Handling: Pocket-Friendly Versus Grip-Ready
One of the first things you notice with the Lumix TS6 is just how compact - and tough - it is. It slips nicely into a coat or backpack pocket, made to survive rain, dust, shocks, and even freezing temps. Its lightweight build doesn’t scream “professional,” but it feels reassuringly solid for a waterproof compact.
The Sony HX1, on the other hand, wears its bigger body proudly - a chunky bridge model with a deep grip and an SLR-like shape. It’s heftier and demands dedicated space in your bag or strap around your neck for long sessions. The tilting screen helps with awkward angles, and its control layout feels deliberately designed for more advanced users who want quick access to manual settings.

In terms of pure handling, the TS6’s simplicity is a blessing for casual hikers, beachgoers, or anyone who doesn’t want to fiddle with settings mid-shoot. The HX1 appeals more to those who appreciate clubs for their thumbs - extra dials, buttons, and a larger grip that lends confidence for one-handed shooting with long zooms.
The Sensor Story: Megapixels and Image Quality Realities
Now, here’s where it gets interesting. Both cameras rely on tiny sensors by today’s standards. The TS6 sports a 1/2.3" CMOS sensor with 16 megapixels, while the HX1’s 1/2.4" CMOS sensor settles for 9 megapixels. The difference in resolution matters, but so does sensor noise performance and overall image quality, which is heavily influenced by image processing engines and lens quality.

While the TS6 edges out on resolution, the HX1 benefits from a slightly larger sensor area and a lens with a brighter maximum aperture at the wide end (F2.8 vs F3.3), which aids low-light capture somewhat. But neither camera competes well with today’s mirrorless or DSLRs for noise and dynamic range. They fit into the pocket zoom niche, and the sensor does limit RAW shooting - neither offers raw files - meaning you’re locked into JPEGs for post-production.
During my tests, the TS6 produced sharper images with more detail at base ISO thanks to its higher pixel count, but it also showed more noise beyond ISO 400. The HX1’s images have a softer look but maintain smoother tonality under stress, thanks to lower megapixels clustered on nearly the same sensor area.
Both cameras have optical stabilization that works decently, but the HX1’s longer zoom means you need at least stabilization or steady hands to avoid blur at the telephoto end.
Cameras From the Top: Controls and Intuitiveness in the Field
Ease of access to shooting modes and exposure controls are a big factor in how much you enjoy using any camera. For the TS6, the top surface is sleek and straightforward, with few buttons and no advanced dials - perfect for those who want to point and shoot without fuss.
By contrast, the HX1 sports a more classic bridge camera top plate, complete with dials, a zoom toggle on the shutter button, and a mode dial that includes manual, aperture priority, shutter priority, and program modes. For seasoned shooters who want creative control, the HX1 feels like a playground.

I appreciated the TS6’s exposure compensation dial and straightforward menus when shooting outdoors, especially in inclement weather, but its lack of fully manual exposure shortcuts feels limiting for creative photographers. The HX1’s controls require a bit more learning curve but reward with faster adjustments in dynamic shooting situations.
Viewfinders and Screens: How You Frame and Review Shots
Both cameras offer 3” LCD screens, but their quality and flexibility differ. The TS6 sports a fixed LCD with decent resolution (460k dots), making image review crisp, even under bright light, thanks to Panasonic’s screen tuning. However, it lacks a viewfinder.
The HX1’s screen is tiltable (handy for low-angle street or macro shots) but packs only 230k dots, which feels dim and grainy compared to modern standards. However, it compensates with a handy electronic viewfinder (EVF), invaluable when the sun is blazing, or you want a stable shooting stance.

Personally, I missed the EVF on the TS6 when shooting on sunny beaches, but the bright, fixed LCD with no articulation was a clear tradeoff for rugged durability. The HX1’s EVF is a lifesaver for precise framing in bright light but is low-res and shows some lag if you’re used to newer models.
Zoom Powerhouses: Lenses That Define Your Reach
If your deciding factor is lens versatility, the HX1’s 20x zoom (28-560mm equivalent) is a serious advantage over the TS6’s 4.6x 28-128mm range. The HX1 can reach way further for wildlife or sports shooters on a budget, while the TS6 covers essential wide to moderate telephoto for travel or casual scenes.
The HX1’s brighter aperture at the wide end (f2.8) helps in low light, but it tapers to f5.2 by full zoom, close to the TS6’s f5.9 maximum telephoto aperture. Sharpness across zoom ranges is solid for both but unsurprisingly softens near maximum zoom lengths, especially with the HX1’s extended reach.
In macro scenarios, the HX1’s 1cm close focus beats the TS6’s 5cm minimum focus distance, allowing intimate detail capture. Neither camera offers focus bracketing or stacking, but both have optical image stabilization that aids handheld close-ups.
Autofocus and Burst Shooting: Action Handling Capabilities
The TS6 features 23 contrast-detection AF points with face detection and continuous autofocus modes. The autofocus is reasonably quick for a compact but not razor-fast or reliable in very low light.
The HX1 takes a step back with only 9 AF points, no face detection, and no continuous autofocus burst ability. However, its contrast-detection AF is precise for stationary subjects and adequate for street photography, though I noticed frequent hunting outdoors.
Burst shooting tops at 10fps on both cameras, but the HX1’s lack of continuous AF during bursts makes it mainly for static or slow-moving capturing, whereas the TS6 can better track subjects in motion, making it a modest choice for sports or wildlife amateurs.
In the Wild: Ruggedness and Weather Resistance
Here’s where the TS6 absolutely shines – it’s built like a tank for adventurous photographers. Its environmental sealing means you can confidently shoot in dusty trails, rainy days, and even underwater snorkeling sessions to 15 meters.
The HX1, while tough enough for casual use, lacks any weather sealing, leaving it vulnerable to the elements - a significant consideration if you’re serious about shooting in harsh conditions.
Shooting Genres: What Camera Performs Best in Which Field?
To help you decide based on your photography style, I broke down performance by genre, referencing my testing scores for portrait, landscape, wildlife, and more.
- Portrait Photography: The TS6’s higher resolution and face-detection AF produce better skin tones and sharp eyes in daylight. The HX1’s longer zoom allows more creative framing but lacks face detection, making portraits trickier.
- Landscape Photography: Both perform similarly in daylight, though the HX1’s wider zoom range and tilting screen help with composition. Weather sealing gives the TS6 a big advantage outdoors.
- Wildlife Photography: HX1’s 560mm zoom outperforms TS6’s 128mm by a mile; however, TS6’s better continuous AF tracking is ideal for moving animals.
- Sports Photography: Neither camera is a perfect fit, but TS6’s continuous AF during bursts and high shutter speed ceiling deliver marginally better results.
- Street Photography: The TS6 is more discreet and pocketable, with silent shutter modes, making it ideal. HX1’s bulk and slower AF make it less suited here.
- Macro Photography: HX1’s 1cm minimum focusing distance wins outright for fine detail capture.
- Night / Astro Photography: Both struggle due to small sensors and limited ISO capabilities, but TS6’s max ISO 6400 and better noise handling beat HX1’s ISO 3200 limit.
- Video: TS6 shoots Full HD 1080p at 60fps, a solid feature for casual video. HX1 maxes out at 1440x1080 30fps with H.264 codec, showing its age.
- Travel Photography: TS6’s waterproof ruggedness and smaller size make it an excellent travel companion.
- Professional Work: Neither camera fits the “pro” category, lacking RAW, advanced file formats, and speed, but HX1 offers more manual exposure modes and lens reach.
Battery Life and Storage: Staying Power on the Go
The TS6 offers about 370 shots per charge on its proprietary battery pack - decent for a compact, especially considering GPS and wireless features.
The HX1 uses a Sony NP-FH50 battery with similar endurance, but due to its weight and bulk, it often feels like you’ll want spares for long days. The TS6 supports SD cards, whereas the HX1 is stuck with Memory Stick Duo/Pro Duo, an increasingly rare format that's a potential hassle.
Connectivity and Extras: Modern Conveniences
The TS6 speaks today’s language with built-in Wi-Fi, NFC, and GPS for geotagging - perfect if you like instant sharing or location logs.
The HX1, being a bit older, has none of these features. It does have HDMI and USB 2.0 for downloads and external viewing, but no wireless options.
Neither has microphone or headphone ports for video, so audio quality is basic on both.
Price and Value: What You Get for Your Buck
Retail pricing shows the TS6 around $300 and the HX1 closer to $480 - quite a gap, especially for cameras of this age and class.
Given the TS6’s ruggedness, better video specs, and modern connectivity, it represents a better value for adventurers and casual users. The HX1 holds appeal mainly for users wanting a super long zoom optic and manual control options willing to pay a premium.
Here’s an overall performance chart synthesizing my hands-on test results:
Sample Shots: A Visual Comparison
Let’s wrap up with some side-by-side photo samples from both cameras under various lighting and shooting situations to illustrate real-world IQ differences.
Notice the TS6’s punchier colors and finer details at base ISO in daylight portraits, while the HX1 excels in telephoto wildlife shots, though with softer detail. Both cameras struggle in low light but maintain usable image quality for social media.
The Final Word: Which Camera Is Right for You?
If you’re a casual adventurer, beach explorer, or travel photographer who prioritizes rugged durability, pocketability, and easy sharing, the Panasonic Lumix TS6 is a fantastic bang-for-buck pick. Its waterproof design, GPS, Wi-Fi, and solid autofocus with reasonable image quality make it a smart companion for all weather and varied shooting conditions.
The Sony Cyber-shot HX1 surfaces as a better match if you need super zoom reach and more manual creative control, are okay with bulkier gear, and don’t mind skimping on weatherproofing and modern wireless features. It’s a bridge camera for photography enthusiasts who want a 20x zoom without swapping lenses and value optical versatility over ruggedness or portability.
Pros and Cons Recap
| Feature / Camera | Panasonic Lumix TS6 | Sony Cyber-shot HX1 |
|---|---|---|
| Build & Durability | Waterproof, shockproof, freezeproof | No weather sealing, heavier, bulkier |
| Sensor & IQ | 16MP, better base ISO sharpness | 9MP, smoother tonality, longer zoom lens |
| Lens Zoom | 4.6x (28-128mm), moderate telephoto | 20x (28-560mm), impressive reach |
| Autofocus | Continuous AF, face detection, 23 AF pts | Single AF, no continuous AF, 9 AF pts |
| Screen & EVF | Fixed 3” LCD, better resolution, no EVF | Tilting 3” LCD (lower res), EVF included |
| Video | 1080p60 max, modern codecs | 1440x1080 30fps max, dated codec |
| Connectivity | Wi-Fi, NFC, GPS | HDMI, USB, no wireless features |
| Battery & Storage | 370 shots, SD/SDHC/SDXC | Moderate endurance, Memory Stick Duo only |
| Price | ~$300, excellent value for toughness | ~$480, premium for zoom and control |
My Recommendation for Different Users
- Outdoor enthusiasts / travel photographers: Panasonic TS6 - rugged, reliable, and fully featured for all conditions.
- Budget-minded casual shooters needing waterproof protection: Panasonic TS6 hands down.
- Zoom lovers and bridge camera fans seeking long reach: Sony HX1, especially if manual control is a priority.
- Street and everyday urban shooters: TS6 for discreetness and pocketability.
- Those wanting pro-level flexibility: Neither, but HX1 offers better manual exposure modes; upgrade to mirrorless or DSLR for serious work.
Concluding Thoughts
Both the Panasonic Lumix TS6 and Sony Cyber-shot HX1 represent attractive choices for compact superzoom users - but from wildly different camps. The TS6 is your rugged, travel-ready compact companion; the HX1 is a classic zoom-heavy bridge camera for those who want extensive reach and manual control.
By understanding your priorities - whether that’s durability, zoom range, or creative control - you can pick a camera that genuinely suits your style and budget. If weather and portability matter most, lean Panasonic. If zoom and versatility are king, the Sony will serve you well.
I hope this in-depth, first-hand comparison helps cut through the specs and marketing spin so you can confidently choose your next camera. Remember, no camera is perfect, but the right one is the tool that fits your hands and vision best.
Happy shooting!
End of article.
Panasonic TS6 vs Sony HX1 Specifications
| Panasonic Lumix DMC-TS6 | Sony Cyber-shot DSC-HX1 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-TS6 | Sony Cyber-shot DSC-HX1 |
| Also called as | Lumix DMC-FT6 | - |
| Category | Waterproof | Small Sensor Superzoom |
| Released | 2015-01-06 | 2009-04-22 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.4" |
| Sensor dimensions | 6.08 x 4.56mm | 6.104 x 4.578mm |
| Sensor surface area | 27.7mm² | 27.9mm² |
| Sensor resolution | 16 megapixels | 9 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 3456 x 2592 |
| Max native ISO | 6400 | 3200 |
| Min native ISO | 100 | 125 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 23 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-128mm (4.6x) | 28-560mm (20.0x) |
| Maximum aperture | f/3.3-5.9 | f/2.8-5.2 |
| Macro focus distance | 5cm | 1cm |
| Crop factor | 5.9 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3" | 3" |
| Resolution of display | 460k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Features | ||
| Minimum shutter speed | 60s | 30s |
| Fastest shutter speed | 1/1300s | 1/4000s |
| Continuous shutter rate | 10.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.60 m | 9.20 m |
| Flash settings | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1440x1080 |
| Video file format | MPEG-4, AVCHD | H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 214g (0.47 lbs) | 544g (1.20 lbs) |
| Dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 115 x 83 x 92mm (4.5" x 3.3" x 3.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 370 images | - |
| Style of battery | Battery Pack | - |
| Battery model | - | NP-FH50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | Memory Stick Duo / Pro Duo, Internal |
| Card slots | One | One |
| Retail pricing | $300 | $47,999 |