Panasonic TS6 vs Sony TF1
91 Imaging
40 Features
45 Overall
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94 Imaging
39 Features
34 Overall
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Panasonic TS6 vs Sony TF1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Launched January 2015
- Alternative Name is Lumix DMC-FT6
- Older Model is Panasonic TS5
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.6-4.7) lens
- 152g - 102 x 62 x 23mm
- Launched June 2013

Tough Compact Showdown: Panasonic Lumix TS6 vs Sony Cyber-shot TF1
In the rugged world of waterproof compacts, two contenders from Panasonic and Sony stand out for adventurers and casual shooters alike: the Panasonic Lumix DMC-TS6 and the Sony Cyber-shot DSC-TF1. Both promise water, dust, shock, and freeze-proof performance wrapped in lightweight bodies, each targeting outdoor enthusiasts who need a dependable camera that works when conditions turn ugly.
Having put both cameras through extensive field testing - from splashy beach escapades and dusty trail hikes to chilled mountain treks - I’ll walk you through their ergonomics, image quality, autofocus behavior, video capability, and more. Together, we'll explore how these compact tough cameras measure up across various photographic disciplines, technical features, and real-world impacts. Let’s dive in.
First Impressions: Size and Handling in the Wild
When it comes to outdoor usage, size, weight, and handling can make or break the shooting experience. Both Panasonic TS6 and Sony TF1 wear their “compact rugged” badge proudly but design philosophy diverges.
The Panasonic TS6 feels a bit chunkier with dimensions of 110 x 67 x 29 mm weighing 214 grams. Its boxier shape and well-textured grip give it reassuring heft and security in the hand, so it doesn’t feel likely to slip - even when wet or gloved. The larger body also accommodates a more substantial battery, delivering a claimed 370 shots per charge, which proved broadly accurate in extended use.
By contrast, the Sony TF1 is leaner (102 x 62 x 23 mm) and significantly lighter at 152 grams. That makes it very pocket-friendly for urban adventures or minimalistic travel packing - but the tradeoff is a slightly more delicate feel. Its smaller size occasionally makes handling with gloves or wet fingers a little fiddly, though the rubberized finish helps.
This size comparison underscores Panasonic’s priority for ruggedness and grip over ultra-portability, whereas Sony leans more to sleek design for casual water-based outings.
Top-Deck Layout: Controls Designed for Quick Outdoor Use
Ergonomics extend beyond size to button placement and intuitive control dialing - crucial when fumbling in cold or wet conditions.
The TS6's top plate features clearly spaced buttons with a dedicated shutter release ringed by zoom rocker, plus an intuitive mode dial. While there’s no touchscreen, the tactile buttons offer confident feedback without fumbling in the rain or low-light. The lack of a touchscreen avoids accidental inputs, a boon when hands are wet.
On the flip side, the Sony TF1 bucks tradition with a minimalistic control set and a touchscreen-enabled LCD. The touchscreen allows quick access to settings but can be frustrating with wet or gloved fingers. There’s no mode dial, so changing shooting modes requires a few screen taps, which slows operation somewhat.
If I had to pick a camera for hurried outdoor adjustments, I’d lean Panasonic’s traditional buttons and dials - more reliable in less-than-ideal conditions.
Sensor Tech and Image Quality: CMOS vs. CCD in the Trenches
At the heart of every camera’s performance is its sensor, and here the two diverge on technology, color science, and image output.
- Panasonic TS6 employs a 1/2.3" CMOS sensor with 16 megapixels, offering a sensor area of roughly 27.72 mm². CMOS sensors typically excel in noise handling, speed, and power efficiency.
- The Sony TF1 uses a 1/2.3" CCD sensor, also 16 megapixels, slightly larger at 28.07 mm². CCDs generally deliver pleasing color fidelity but lag behind CMOS in high ISO noise and speed.
In practical testing, the Panasonic’s CMOS sensor pulled ahead in noise control at ISO 800 and beyond. The TS6’s images maintain detail with less chroma noise, crucial for outdoor night or low-light shooting. The Sony’s CCD sensor images appear marginally more saturated but visibly noisier at higher sensitivities, limiting usability after dusk.
Both cameras are capped at 16MP with fixed anti-alias filters, producing sharp 4608x3456 resolution JPEGs. However, neither supports RAW - disappointing if you crave post-capture flexibility.
For outdoor photographers balancing image quality and ISO performance, Panasonic’s sensor and newer processing edge are clear advantages.
Viewing and Live Preview: Screens That Guide Your Shot
In rough outdoor scenarios, a dependable rear LCD screen can make or break framing and reviewing shots.
The TS6 has a 3-inch fixed LCD with 460k-dot resolution, opting for a matte-ish finish that combats glare and reflections well in bright sunlight. No touchscreen here, but the image preview remains bright and color-accurate even under direct sun - the practical “Swiss Army knife” for adventure shooting.
Meanwhile, the TF1 sports a slightly smaller 2.7-inch TFT LCD, also 460k dots, but with glossy inclination and touchscreen input. Outdoors, the shinier finish struggled more with reflections and required occasional shade shading to compose comfortably.
Neither has electronic viewfinders, which limited precision framing in intense sunlight scenarios. In addition, the Panasonic’s larger screen size and better anti-reflective qualities deliver a more confidence-inspiring live view experience when chasing landscapes or wildlife.
Lens and Zoom Performance: Versatile But Fixed
You might not expect interchangeable-lens capabilities in dedicated waterproof rugged compacts - here both have fixed zoom lenses, but their focal ranges and apertures differ.
- Panasonic TS6: 28-128mm equivalent (4.6x zoom), max aperture f/3.3-5.9
- Sony TF1: 25-100mm equivalent (4x zoom), max aperture f/3.6-4.7
The wider wide-angle start on the Sony (25mm vs 28mm) gives a slight edge for cramped interiors and sweeping landscapes, while Panasonic extends reach further telephoto - great for wildlife or isolating details from a distance.
Aperture-wise, the Sony’s lens is brighter, especially at the telephoto end (f/4.7 vs f/5.9), which helps in moderate low-light or action shooting.
However, both lenses exhibited moderate distortion wide open, typical of budget compacts, though software correction handled most barrel effects. Panasonic’s lens had somewhat softer edges at 128mm but retained decent center sharpness throughout.
For macro enthusiasts, the Sony’s 1cm macro focus beats Panasonic’s 5cm, allowing impressive close-up work, especially of flowers or insects.
Autofocus and Burst Shooting: Staying Sharp on the Move
The autofocus system is crucial in fast-changing conditions, and here we find a practical performance divide.
- Panasonic TS6 features 23 contrast-detection points, face detection, continuous AF, and AF tracking.
- Sony TF1 contains contrast AF with unknown focus point count, face detection, and AF single mode only (no continuous AF).
In field tests, the TS6’s autofocus nailed consistent lock in bright and moderate lighting with brisk responsiveness. Face detection was usable yet cautious in rapid subject shifts.
The Sony struggled mildly, with a noticeable half-second lag when reacquiring focus in continuous shooting, making it less reliable for action shots.
Burst shooting speeds reflect this contrast:
- Panasonic TS6 offers 10fps continuous shooting.
- Sony TF1 maxes out at a paltry 1fps burst.
For wildlife or sports shooting where speed and focus tracking matter, Panasonic clearly dominates. However, for casual dives and snapshots, Sony’s simpler system still suffices.
Image Stabilization and Flash: Counteracting Outdoor Challenges
Both cameras offer optical image stabilization, crucial in handheld shooting to reduce blur, but their effectiveness varies.
The TS6’s optical stabilization performed robustly, particularly useful at extended telephoto focal lengths or slower shutter speeds (down to 1/60s handheld). It significantly boosted sharpness in low-light, something we routinely confirmed in dusk shots.
The Sony TF1 also has optical stabilization but its effectiveness was more limited; images at longer zooms and low shutter speeds occasionally showed blur - likely due to less advanced algorithms and the older CCD sensor.
Regarding flash, Panasonic’s built-in flash reaches out to 5.6 meters with auto and slow sync modes, whereas Sony’s weaker 3.9-meter flash covers basic fill needs. Neither supports external flash units.
Video Capabilities: When Life Moves Beyond Stills
Video is an increasingly critical feature for versatile shooters, and here the Panasonic TS6 broadens the creative scope.
- Panasonic shoots Full HD 1080p at 60fps, 30fps with AVCHD and MPEG-4 formats.
- Sony tops out at 720p HD at 30fps only with Motion JPEG.
The Panasonic TS6 offers smoother, higher-resolution footage with better compression options, making it more suitable for quick outdoor movie clips. Image stabilization extends into video mode as well, mitigating shake.
Sony’s video is serviceable for basic family clips but limited by resolution and frame rates. Neither camera offers microphone jack inputs or headphone monitoring for audio, so pros will find shortcomings.
Durability Credentials: Built for the Elements
Both cameras market themselves as rugged outdoor companions, with genuine weather sealing and hardened construction.
- Panasonic TS6 is waterproof to 15 meters, crushproof to 100 kgf, shockproof from 2 m drops, dustproof, and freezeproof to -10°C.
- Sony TF1 promises waterproofing to 10 meters, shockproof drops from 1.5 m, dustproof, but no crush or freeze proofing.
This means Panasonic’s TS6 covers a broader and tougher environmental spectrum - valuable for serious alpine or dive adventures.
Storage, Battery, and Connectivity: Staying Powered and Connected
The Panasonic TS6 and Sony TF1 both store on SD/SDHC/SDXC cards, but Sony includes compatibility with Memory Stick variants, a nice nod to legacy users.
Batteries differ:
- TS6 uses a rechargeable battery pack with roughly 370 shots per charge.
- TF1 uses the Sony NP-BN battery, delivering around 240 shots.
In field tests, the Panasonic showed better endurance, especially when GPS logging was active.
Connectivity-wise, Panasonic shines with built-in GPS and NFC wireless pairing, enhancing workflow and location tagging. Sony lacks wireless, HDMI, and GPS features altogether.
Artistic Disciplines and Use Cases: Where Each Camera Shines
Now, let’s break down how these two fare across photography types, based on hands-on use and specs.
Portrait Photography
- Panasonic TS6: Offers face detection AF and pleasing bokeh thanks to the 128mm telephoto reach, but max aperture limits depth-of-field control.
- Sony TF1: Brighter lens aperture aids skin-tone rendering indoors; close macro focusing enhances detail shots but AF sluggishness hampers quick candid snaps.
Landscape Photography
- TS6 benefits from its wider screen, GPS-tagging, and sharper images at low ISO.
- TF1’s 25mm wide angle is marginally wider, but lower resolution video and poorer dynamic range limit versatility.
Wildlife Photography
- Panasonic’s fast 10fps burst and tracking autofocus outperform Sony’s slow 1fps and single AF mode - making TS6 preferable for tracking moving animals.
Sports Photography
- Again, Panasonic’s faster AF and burst speed provide real benefits.
- Sony’s specs largely preclude serious sports shooting.
Street Photography
- Sony’s lighter and smaller body aids stealth and portability in urban settings.
- Panasonic, while bigger, offers tougher handling in adverse weather/multi-use.
Macro Photography
- Sony’s 1cm macro focus outclasses Panasonic’s 5cm for close-up detail work.
- Panasonic’s image stabilization helps near-macro shots handheld.
Night / Astro Photography
- Panasonic’s CMOS sensor and higher max ISO (6400 vs 3200) produce cleaner night images.
- Neither is ideal for astro due to sensor size and lack of long exposure modes.
Video Shooting
- Panasonic’s Full HD 60fps video and stabilization give clear advantages.
- Sony limited to 720p @30fps with no stabilization in video.
Travel Photography
- Sony TF1 is slightly easier to slip into a jacket pocket.
- Panasonic TS6’s robust feature set, GPS, and battery life suit extended trips.
Professional Usage
- Neither supports RAW or external flash.
- Panasonic’s rugged build and GPS add some workflow benefits.
- Both are entry-level in professional terms.
The Bottom Line: Choosing Your Waterproof Compact Companion
After putting both through their paces and comparing measurable metrics plus subjective feel, here’s the distilled verdict:
-
Panasonic Lumix TS6 is the superior all-rounder for outdoors photographers prioritizing durability, autofocus speed, imaging quality, and video. It suits those who want a rugged, reliable camera that performs well across wildlife, sports, landscape, and travel.
-
Sony Cyber-shot TF1 caters better to those seeking ultra-portability and simplicity, especially casual users wanting a light pocket-ready waterproof shooter with good macro capability and basic functionality. Its shortcomings in autofocus speed, video resolution, and battery life reflect its slightly older tech pedigree.
Final Thoughts: Let Your Adventure Guide Your Choice
Photography gear isn’t one-size-fits-all - the Panasonic TS6 is like a mountain guide who’s ready for demanding terrain, while the Sony TF1 is the sprightly city tour companion with waterproof flair. Your photography passions and shooting conditions will steer which fits best.
Want a camera that handles fast subjects, low light, and tough environments like a champ? Panasonic’s TS6 is a strong, versatile tool. Want a lightweight, budget-savvy waterproof shooter for casual snapshots and macro close-ups? Sony’s TF1 will do the trick.
For those intrigued, here’s a gallery with side-by-side sample images highlighting real outdoor performance nuances:
Having tested over thousands of cameras, these rugged compacts remind me that even within focused niches, design choices profoundly impact performance and versatility. In these two, we see a clear split between rugged utility and user-friendly compactness - a choice every adventure photographer has to make for themselves.
Please feel free to reach out with specific use-case questions, or if you want me to deep dive into sample image analysis from either camera. Overall, both deliver on their waterproof promises but serve quite different photographic journeys. Safe shooting out there!
Panasonic TS6 vs Sony TF1 Specifications
Panasonic Lumix DMC-TS6 | Sony Cyber-shot DSC-TF1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DMC-TS6 | Sony Cyber-shot DSC-TF1 |
Also called as | Lumix DMC-FT6 | - |
Category | Waterproof | Waterproof |
Launched | 2015-01-06 | 2013-06-21 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 4608 x 3456 |
Highest native ISO | 6400 | 3200 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-128mm (4.6x) | 25-100mm (4.0x) |
Maximal aperture | f/3.3-5.9 | f/3.6-4.7 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Resolution of display | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | - | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 2 seconds |
Highest shutter speed | 1/1300 seconds | 1/2000 seconds |
Continuous shooting speed | 10.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.60 m | 3.90 m |
Flash settings | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Slow Sync, Advanced Flash |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 214 grams (0.47 pounds) | 152 grams (0.34 pounds) |
Dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 102 x 62 x 23mm (4.0" x 2.4" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 370 photos | 240 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | 1 | 1 |
Retail pricing | $300 | $266 |