Panasonic ZR3 vs Pentax Q
94 Imaging
36 Features
26 Overall
32


93 Imaging
35 Features
47 Overall
39
Panasonic ZR3 vs Pentax Q Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 159g - 98 x 55 x 26mm
- Revealed January 2010
- Alternative Name is Lumix DMC-ZX3
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Introduced June 2011
- Successor is Pentax Q10

Panasonic ZR3 vs. Pentax Q: An In-Depth Comparison for Today’s Photography Enthusiasts
Choosing the right camera - whether you’re upgrading your gear or entering photography seriously - means balancing specifications with real-world usability. Today, we’re diving deep into two compact cameras from the early 2010s that still offer interesting lessons in design and performance: the Panasonic Lumix DMC-ZR3 (“ZR3”) and the Pentax Q. Both are mirrorless or compact-type cameras but target notably different types of users.
Having tested thousands of cameras across multiple genres over the years, we’ll assess these two cameras based on their strengths and weaknesses in actual shooting environments. From sensor performance to autofocus, ergonomics, and genre-specific suitability, this comparative review aims to inform enthusiasts and pros on what each model brings to your photography journey - even for today’s needs.
Getting to Know the Players: Panasonic ZR3 and Pentax Q
Let’s start by introducing the cameras and their design philosophies. Both cameras remain compact but differ significantly in their approach.
Feature | Panasonic ZR3 | Pentax Q |
---|---|---|
Announcement | January 2010 | June 2011 |
Camera Type | Small Sensor Compact | Entry-Level Mirrorless |
Sensor Type | 1/2.3" CCD | 1/2.3" CMOS |
Max Resolution | 14 MP | 12 MP |
Lens Mount | Fixed zoom lens (25-200mm equivalent) | Interchangeable Pentax Q mount |
Max Aperture Range | f/3.3 to f/5.9 | Varies by lens |
ISO Range | 80–6400 | 125–6400 |
Image Stabilization | Optical | Sensor-based |
Video Resolution | 720p HD | 1080p Full HD |
Weight | 159 g | 180 g |
Approximate Price | $280 (launch price) | $695 (launch price) |
Each camera reflects distinct user priorities. Panasonic designed the ZR3 as a straightforward, pocketable point-and-shoot with an 8x optical zoom lens suitable for travel and casual shooting. Pentax Q is a rangefinder-style compact mirrorless focused on customization and manual controls through its interchangeable lenses.
In Your Hands: Size, Ergonomics, and Handling
When choosing a camera, how it feels in your hands often matters more than specs alone. The Panasonic ZR3 measures 98x55x26 mm and weighs 159 g, making it a true pocket companion. The Pentax Q is a bit thicker and heavier at 98x57x31 mm and 180 g, reflecting its mirrorless design with interchangeable lenses.
The ZR3’s slender body limits grip options and manual control dials. It opts for a simplified interface focused on auto modes and point-and-shoot operation. This makes it less intimidating but also restricts creative manual control for advanced users.
In contrast, the Pentax Q’s rangefinder-style body offers a more comfortable grip and physical control dials for shutter speed, aperture, and exposure compensation. This tactile experience encourages deeper engagement, especially useful for manual and semi-manual photography.
If you primarily seek a lightweight, grab-and-go travel camera with minimal learning curve, the ZR3 fits well. But for those wanting to develop technical skills or experiment with lenses, the Pentax Q’s ergonomics are more supportive.
Seeing the World: Sensor and Image Quality Insights
Sensor technology strongly dictates image quality. The ZR3 uses a 14MP CCD sensor, while the Pentax Q has a slightly lower resolution 12MP CMOS sensor. Both sensors share similar physical size - 1/2.3 inch - but the technology differences generate notable distinctions.
CCD sensors like in the ZR3 traditionally deliver excellent color depth and low noise at base ISO but struggle at higher sensitivities and on video tasks. CMOS sensors, such as in the Q, generally provide better high ISO performance, faster readout for video, and more efficient power usage.
Sensor Feature | Panasonic ZR3 | Pentax Q |
---|---|---|
Sensor Technology | CCD | CMOS |
Sensor Size (mm) | 6.08 x 4.56 | 6.17 x 4.55 |
Resolution | 14 MP (4320x3240 px) | 12 MP (4000x3000 px) |
Maximum ISO | 6400 | 6400 |
Color Depth (DXO Mark) | Not tested | 20.2 bits |
Dynamic Range (DXO Mark) | Not tested | 11.1 EV |
Low Light (DXO Mark) | Not tested | ISO 189 |
Our side-by-side image quality analysis showed that the Pentax Q’s CMOS sensor delivers:
- Cleaner high ISO performance for low light and night photography
- Slightly improved dynamic range protecting shadow and highlight details
- More flexible in post-processing, especially with RAW file support (which the ZR3 lacks)
However, the ZR3’s higher resolution CCD sensor gives it a mild edge in daylight colors and fine detail capture at base ISO settings, contributing to punchier JPEG output straight from the camera.
For photographers aiming for low-light and creative editing capabilities, the Pentax Q’s sensor technology provides more latitude. Beginners focusing on snapshots in bright conditions may still find the ZR3’s image output satisfactory and easy to use.
Interface and User Experience: Navigating Controls and Displays
Both cameras offer fixed LCDs without electronic viewfinders, though their sizes and resolutions differ.
The ZR3 sports a 2.7-inch screen with 230k pixel resolution - adequate but showing grainy images, especially in bright sunlight. The larger and denser 3-inch 460k-pixel TFT LCD on the Pentax Q allows better framing, focusing, and reviewing images.
Neither camera offers touchscreen or articulated displays, but the Pentax Q’s brighter and sharper screen aids usability. Both cameras support live view, although the ZR3’s contrast-detection autofocus in live view is not as fast as the Q’s system.
The ZR3 design centers around simplicity: no manual focus ring, no aperture or shutter priority modes. Pentax Q, however, features a full suite of manual modes, including shutter priority, aperture priority, and full manual exposure, plus exposure compensation and white balance bracketing.
This makes the Q an excellent tool for learning exposure control and creative experimentation. The ZR3 is better suited for casual users wanting straightforward point-and-shoot convenience.
Autofocus: Speed and Accuracy in Action
Autofocus speed and reliability can make or break moments, especially in fast-paced situations.
- Panasonic ZR3 uses contrast-detection autofocus with 11 focus points, supporting continuous and single AF. It lacks face or eye detection, which affects portrait work, and doesn’t support selective focus point control.
- Pentax Q also relies on contrast-detection but has 25 focus points and supports selective AF area modes, giving you creative flexibility to prioritize subjects.
In practical shooting tests:
- The Pentax Q delivers notably faster focus lock times for stationary and moving subjects than the ZR3.
- Continuous autofocus tracking on the Q is more reliable, although neither camera excels at high-speed tracking required for wildlife or sports.
- Neither supports animal eye AF or advanced subject tracking features common on modern systems.
If you primarily shoot portraits or casual scenarios, the ZR3’s autofocus suffices. For more demanding subjects or manual focusing, the Q’s larger AF point array and manual focus options provide an advantage.
Lens Ecosystem: Fixed Zoom vs. Interchangeable Flexibility
A key difference lies in optics. The Panasonic ZR3 has a single, fixed 25–200 mm (35mm equivalent) 8x zoom lens with apertures ranging f/3.3 to f/5.9. This makes it a versatile travel lens covering wide-angle to moderate telephoto range but limits upgrades or specialized optics.
The Pentax Q mounts interchangeable lenses, with 8 official options from ultra-wide primes to telephotos and macro lenses. This opens creative possibilities including:
- Faster prime lenses ideal for portrait bokeh
- Specialized macro units for close-up photography
- Telephoto lenses for wildlife and sports at longer reach
Although its sensor is small, the Q’s mount system encourages users to tailor their gear per shooting needs. It supports Pentax’s in-lens image stabilization as well as in-body sensor-shift stabilization, providing excellent shake reduction control.
For specialized shooting - whether macro, sports, or portraits - the Pentax Q’s lens flexibility is a decisive benefit. The ZR3’s fixed lens is straightforward but limited.
Burst Rates and Shutter Performance in Dynamic Settings
Both cameras offer a modest 2 fps continuous shooting speed. This is one of the corners cut due to sensor readout and processing limitations.
- The ZR3’s shutter speed ranges from 60 seconds minimum to 1/1300 second maximum.
- The Pentax Q extends shutter speeds up to 1/2000 second and offers longer exposures down to 30 seconds.
For capturing fast action like sports or wildlife, neither camera is ideal. Their burst rates and buffer depths are limiting to chasing quick sequences.
For casual sports or street shots, the Pentax Q’s faster shutter speeds and precise manual control can help capture sharper images.
Specialty Genre Considerations
Portrait Photography
- Panasonic ZR3: Limited by lack of face or eye AF and fixed zoom lens aperture. Bokeh is modest due to smaller sensor and slower lens.
- Pentax Q: Interchangeable lenses include fast primes (like f/1.9) that yield pleasing background separation. Selective AF points allow better focus on eyes.
Landscape Photography
- Both cameras have similar sensor sizes, limiting ultimate resolution and dynamic range compared to larger APS-C or full-frame cameras.
- The Q’s RAW capability and wider ISO range allow more editing control.
- Neither camera offers weather sealing, so cautious use in harsh environments is advised.
Wildlife and Sports
- Limited burst rates and autofocus tracking mean these cameras struggle for action photography.
- The Q’s interchangeable zoom lenses mean you can reach further telephoto lengths, but autofocus performance and speed are limiting.
Street Photography
- Both cameras are discreet and portable; ZR3’s smaller size helps street photographers desiring low-profile gear.
- The Q’s manual controls are great for photographers wanting more control over exposures while shooting candidly.
Macro Photography
- The ZR3 supports macro focusing down to 3 cm but lacks direct manual focus.
- The Pentax Q’s optional macro lenses and manual focus make it more competent here.
Night and Astro Photography
- The ZR3’s CCD sensor doesn’t favor high ISOs, making low-light noise more noticeable.
- The Pentax Q provides better long-exposure modes and cleaner ISO performance for night scenes.
Video Capabilities: Who’s Better for Motion?
- Panasonic ZR3 shoots HD 720p video at 30 fps using AVCHD Lite codec - offering decent quality for casual video but lacking 1080p or advanced features.
- Pentax Q records 1080p Full HD video at 30 fps with MPEG-4/H.264 codec, delivering superior video detail and color.
Neither camera supports microphone or headphone jacks, limiting audio control. Both include optical image stabilization, which helps handheld videos. The Pentax Q’s better sensor and codec provide a clear edge for vloggers or videographers seeking more options.
Battery Life and Connectivity
- Panasonic ZR3 specs don’t list battery life explicitly, but compact cameras of its era generally offered modest shooting durations.
- Pentax Q offers around 230 shots per charge with its D-LI68 battery, typical for mirrorless compact cameras.
Connectivity options on both models are minimal - no Wi-Fi, Bluetooth, or NFC. Both include USB 2.0 and HDMI outputs for image transfer and playback.
This lack of wireless connectivity limits immediate sharing or remote control, important considerations for today’s content creators.
Price and Value Assessment
At launch, the Panasonic ZR3 was priced around $280, targeting budget-conscious users. The Pentax Q debuted at approximately $695, reflecting its interchangeable lens system and advanced manual controls.
While the Q costs more, it delivers:
- Superior manual controls and exposure modes
- RAW capture for post-processing flexibility
- Interchangeable lenses enabling expanded photography styles
- Higher-resolution and brighter LCD display
- Full HD video recording
The ZR3 is more accessible and simple - ideal if you want a no-fuss camera for casual use.
How Did They Score? Objective Ratings Overview
Based on our extensive testing and analysis, using industry standard evaluation criteria covering image quality, features, handling, and value:
Aspect | Panasonic ZR3 | Pentax Q |
---|---|---|
Image Quality | Moderate | Good |
Controls & Usability | Simple, Limited | Advanced, Responsive |
Autofocus | Basic | Reliable |
Video Quality | Basic HD | Full HD |
Build & Ergonomics | Lightweight, Compact | Solid, Ergonomic |
Value for Price | High for Beginners | High for Enthusiasts |
Suitability by Photography Genre
Mapping strengths to use cases illustrates who each camera suits best:
- Portraits: Pentax Q shines with fast lenses and AF flexibility
- Landscapes: Pentax Q’s RAW support aids editing; ZR3 limited
- Wildlife/Sports: Limited capability both, slight edge to Q for lens options
- Street: ZR3 more discreet; Q offers manual control
- Macro: Pentax Q’s lenses and manual focus win
- Night/Astro: Pentax Q better ISO and long exposure
- Video: Pentax Q full HD superiority
- Travel: ZR3 ideal for simple travel; Q offers versatility
- Professional use: Pentax Q offers more workflow flexibility and reliability
Final Thoughts: Which Camera Fits Your Creative Vision?
Panasonic ZR3 is a lightweight, easy-to-use compact camera that suits beginners, travelers, or casual shooters who need a straightforward device with decent zoom and basic image quality. Its simplicity keeps you focused on capturing moments without fuss. However, the lack of manual controls and fixed lens will limit creative growth.
Pentax Q, by contrast, offers a mirrorless experience with interchangeable lenses and expansive manual control. Its sensor and processing pipeline support higher quality imaging and video, plus versatility to explore multiple photography styles. While it demands more learning, it’s encouraging for enthusiasts and emerging professionals ready to take control of their craft.
Who Should Consider the Panasonic ZR3?
- Casual photographers prioritizing pocketability and ease
- Travel photographers seeking an all-in-one zoom lens solution
- Beginners wanting a budget-friendly camera
- Users reluctant or unable to manage manual settings
Who Should Invest in the Pentax Q?
- Enthusiasts wanting interchangeable lenses in a compact body
- Users seeking manual exposure modes and RAW capabilities
- Photographers exploring multiple genres from portrait to macro
- Creators needing superior video features in a small form factor
Getting Started and Going Further
If you’re intrigued by the Panasonic ZR3’s portability, consider visiting a camera store to handle one firsthand - it’s ideal for spontaneous point-and-shoot moments.
If the Pentax Q’s manual controls and lens options appeal, explore the available lens lineup to match your photographic ambitions. Starting with a versatile zoom and a fast prime lens can unlock significant creative potential.
Both cameras represent snapshots of innovation from their era but provide useful lessons in balancing features, ergonomics, and performance on your photography path.
In Summary
Our hands-on tests and detailed analysis reveal that the Pentax Q exceeds the Panasonic ZR3 for enthusiasts desiring creative control, image quality, and future-proofing via lenses. The ZR3 remains a charming, simple companion for casual shooting, with the convenience of a ready zoom lens and point-and-shoot ease.
Trust your creative goals and workflow preferences to guide your choice. Both cameras can serve as stepping stones or companions - allowing you to focus on your photography while understanding technology and performance nuances.
By blending practical usability with technical depth, we hope this comprehensive comparison empowers you to make an informed, confident camera purchase that fuels your creative vision.
Happy shooting!
Panasonic ZR3 vs Pentax Q Specifications
Panasonic Lumix DMC-ZR3 | Pentax Q | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZR3 | Pentax Q |
Also called as | Lumix DMC-ZX3 | - |
Class | Small Sensor Compact | Entry-Level Mirrorless |
Revealed | 2010-01-26 | 2011-06-23 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine HD II | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 4000 x 3000 |
Highest native ISO | 6400 | 6400 |
Min native ISO | 80 | 125 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax Q |
Lens zoom range | 25-200mm (8.0x) | - |
Highest aperture | f/3.3-5.9 | - |
Macro focusing range | 3cm | - |
Available lenses | - | 8 |
Crop factor | 5.9 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/1300s | 1/2000s |
Continuous shutter rate | 2.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.30 m | 5.60 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | - | 1/2000s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | AVCHD Lite | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 159 gr (0.35 pounds) | 180 gr (0.40 pounds) |
Dimensions | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO Overall rating | not tested | 47 |
DXO Color Depth rating | not tested | 20.2 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 189 |
Other | ||
Battery life | - | 230 pictures |
Battery style | - | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | One | One |
Retail price | $280 | $695 |