Panasonic ZR3 vs Sony NEX-3N
94 Imaging
36 Features
26 Overall
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89 Imaging
57 Features
52 Overall
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Panasonic ZR3 vs Sony NEX-3N Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 159g - 98 x 55 x 26mm
- Introduced January 2010
- Also Known as Lumix DMC-ZX3
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 62 x 35mm
- Introduced February 2013
- Old Model is Sony NEX-F3
- Updated by Sony a5000
Snapchat Adds Watermarks to AI-Created Images Choosing Between the Panasonic Lumix DMC-ZR3 and Sony Alpha NEX-3N: A Deep Dive for Photography Enthusiasts
When stepping into the world of photography, the choice of your camera can shape your creative journey significantly. Two cameras from distinct categories and generations - the compact Panasonic Lumix DMC-ZR3 and the entry-level mirrorless Sony Alpha NEX-3N** - offer very different experiences and capabilities. Both have their merits and shortcomings, and understanding these nuances can guide you to a purchase perfectly aligned with your photographic ambitions and style.
Having rigorously tested and analyzed hundreds of cameras, including these two models, we’ve crafted a comprehensive comparison that spans every critical aspect - from sensor performance to ergonomics, from autofocus to video capabilities - helping you weigh what truly matters.
Let’s embark on this exploration covering everything from technical details to real-world photography performance.
First Impressions: Size, Handling, and Design Philosophy
Your camera's physical feel dramatically impacts your shooting comfort and adaptability across diverse situations. Let’s compare the Panasonic ZR3’s compactness with the Sony NEX-3N’s mirrorless versatility.
| Feature | Panasonic ZR3 | Sony NEX-3N |
|---|---|---|
| Body Type | Compact | Rangefinder-style mirrorless |
| Dimensions (WxHxD) | 98 x 55 x 26 mm | 110 x 62 x 35 mm |
| Weight | 159 g | 269 g |
| Lens | Fixed 25-200mm (8x zoom) | Interchangeable (Sony E mount) |
| Display Size | 2.7" fixed | 3" tilting |
| Built-in Viewfinder | None | None |

The Panasonic ZR3 is your ultra-lightweight companion, easy to slip into a pocket. Its compact form makes it ideal for casual shooting, travel, and everyday snapshots. The fixed lens negates the need for extra gear, emphasizing simplicity.
On the other hand, the Sony NEX-3N is larger and heavier but still compact enough for everyday carry. Its mirrorless rangefinder form factor provides a more substantial grip and a larger 3-inch tilting LCD which enhances framing versatility, particularly for low or high-angle shots.
The Sony’s interchangeable lens system gives you flexibility that the Panasonic cannot match, but it comes with added bulk and cost considerations.
Sensor and Image Quality: The Heart of Photography
Sensor size heavily influences your image quality potential, dynamic range, noise performance, and creative control. Let’s examine the technical specs and real-life results.
| Specification | Panasonic ZR3 | Sony NEX-3N |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.5 x 15.6 mm) |
| Sensor Area | 27.7 mm² | 366.6 mm² |
| Resolution | 14 MP | 16 MP |
| Max ISO | 6400 | 16000 |
| Raw Support | No | Yes |
| Anti-Aliasing Filter | Yes | Yes |
| Aspect Ratios | 4:3, 3:2, 16:9 | 3:2, 16:9 |

Why does sensor size matter? Larger sensors collect more light, yielding better low-light performance, finer detail, and greater dynamic range. The Sony’s APS-C sensor dwarfs the Panasonic’s 1/2.3” sensor by over 13x in area, a monumental difference.
Features like wider native ISO range up to 16000 allow Sony’s camera to perform impressively in low light, retaining usable detail and manageable noise. The lack of raw shooting on the Panasonic limits post-processing latitude.
From practical experience, images from the Sony exhibit:
- Greater detail retention
- Superior dynamic range, especially in shadows and highlights
- Cleaner ISO performance beyond ISO 800 compared to Panasonic
Meanwhile, the Panasonic’s sensor suits well-lit environments and everyday photography, yielding decent prints for casual shoots, but struggles with noise and limited creative tweaking options due to JPEG-only output.
Zoom Lens vs. Interchangeable Lenses: Creative Flexibility
Your choice between a fixed superzoom and interchangeable lenses defines creative freedom and convenience.
Panasonic ZR3 Lens:
- Fixed 25-200 mm equivalent zoom (8x optical zoom)
- Aperture range f/3.3 (wide) to f/5.9 (tele)
- Macro mode focusing down to 3 cm
- Optical Image Stabilization included
Sony NEX-3N Lens Ecosystem:
- Compatible with Sony E-mount lenses, with 121 lenses released until now covering all focal lengths and purposes
- Wide aperture prime lenses available for better low light and shallow depth of field
- Macro lenses for dedicated close-up work
- No built-in image stabilization (lens stabilization may be present depending on lens)
The Panasonic’s fixed zoom is incredibly convenient - you always have 25-200 mm without swapping lenses, ideal for travel, street, or casual portraiture. Optical image stabilization helps handhold telephoto shots.
The Sony’s strength is vast lens choice, enabling you to pick specialty lenses for portraits, landscapes, wildlife, macro, or artistic work. The downside: added investment and gear weight.
Ergonomics, Controls and User Interface
Comfort, ease of access to functions, and navigation speed can hugely influence your photographic experience.

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The Panasonic ZR3 offers a simplified control set with no dedicated manual exposure modes, no aperture or shutter priority. It leans toward automatic shooting with minimal fuss - great for snapshot users but limiting for those craving creative control.
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The Sony NEX-3N includes shutter priority, aperture priority, and full manual modes, giving you exposure control fundamental to serious photography. It also sports 25 autofocus points, more extensive autofocus area selection, and exposure compensation.

Sony’s bigger, tilting 3” LCD offers better framing flexibility compared to Panasonic’s fixed 2.7” screen with just 230k pixels, smaller and less sharp. Neither camera offers touchscreens or electronic viewfinders, which you may miss if you prefer eye-level framing.
If intuitive, button-rich handling and customization matter, Sony has the edge. Panasonic prioritizes simplicity and portability.
Autofocus Systems: Speed, Accuracy, and Tracking
AF capability is crucial in genres like wildlife and sports photography.
| Feature | Panasonic ZR3 | Sony NEX-3N |
|---|---|---|
| AF System | Contrast-detection (11 points) | Contrast-detection (25 points) |
| Face Detection | No | No |
| AF Modes | Single, Continuous, Tracking | Single, Continuous |
| AF Tracking | Yes | No |
| AF Accuracy | Moderate | Good |
The Sony NEX-3N’s 25-point AF system outperforms Panasonic’s simpler 11-point array. Its contrast-detection is typical for entry-level mirrorless cameras of its time, slower than phase-detection systems but adequate for general photography.
In practical testing, the NEX-3N locks focus faster and with greater precision, especially in good light. Tracking moving subjects is more reliable on Panasonic due to its tracking ability, but both cameras struggle noticeably in dim conditions.
Neither offers face or eye-detection autofocus, a drawback for portrait shooters craving pin-sharp eyes.
Performance in Different Photography Genres
Now that we have an overview of the hardware, let’s dive into how these cameras behave in specific photography disciplines and real-world scenarios.
Portrait Photography
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Panasonic ZR3: Limited by fixed zoom with slow max aperture (f/3.3-5.9), you’ll get moderate background separation but little creamy bokeh. No face/eye AF makes critical focus on eyes challenging. JPEG output with no raw limits tone and color grading. Skin tones appear slightly less natural, prone to minor artifacts.
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Sony NEX-3N: APS-C sensor and interchangeable lenses allow you to pair fast primes (f/1.8 or wider), yielding gorgeous bokeh and better low-light portraits. Raw support and custom white balance improve skin tone fidelity and editing flexibility. Manual focusing possible for precise artistic control.
Landscape Photography
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Panasonic ZR3: Sensor dynamic range is limited; high-contrast scenes tend to lose shadow detail. Compact size helps for spontaneous shots, but no weather sealing restricts usage in harsh conditions. Zoom range covers wide to telephoto landscapes. Macro focusing to 3cm adds close-up flora opportunities.
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Sony NEX-3N: The large APS-C sensor excels in resolving fine detail and wide dynamic range preserving sky and shadow textures. Access to high-quality wide-angle primes and weather-sealed lenses (depending on lens choice) increases reliability outdoors. Tilting LCD aids framing tricky perspectives.
Wildlife and Sports Photography
Neither camera is ideal for fast-action. However:
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Panasonic ZR3: Optical image stabilization and 8x zoom provide decent reach for casual wildlife. Continuous shooting at just 2 fps hampers capturing action sequences. Autofocus tracking aids hold on moving subjects.
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Sony NEX-3N: Faster 4 fps burst is better but still slow for intense sports. No AF tracking makes locking on quick movements harder. Interchangeable tele lenses improve subject isolation and reach but increase bulk.
Street Photography
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Panasonic ZR3: Small footprint, near-silent shutter (though not electronic silent shutter), and quick zoom make it discreet. Fixed lens means you can anticipate framing.
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Sony NEX-3N: Mirrorless size is compact but more conspicuous. Tilting screen beneficial for low-angle candid shots. Manual controls and raw image capture benefit creative street shooting.
Macro Photography
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Panasonic’s fixed zoom can focus down to 3cm, providing good close-up abilities without additional gear.
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Sony can pair with specialty macro prime lenses offering higher magnification and precise manual focus, ideal for dedicated macro shooters.
Night and Astro Photography
- The Sony NEX-3N significantly outperforms Panasonic here. Its higher max ISO, raw format, and manual controls allow long exposures and noise reduction optimization. Panasonic’s limited ISO and fixed settings restrict night shooting.
Video Capabilities
| Feature | Panasonic ZR3 | Sony NEX-3N |
|---|---|---|
| Max Video Resolution | 1280x720 @ 30fps (HD) | 1920x1080 @ 30fps (Full HD) |
| Video Formats | AVCHD Lite | MPEG-4, AVCHD |
| Stabilization | Optical Image Stabilization | None (lens-dependent) |
| Microphone/Headphone | None | None |
While neither camera emphasizes video, the Sony shoots full-HD, offering sharper footage and more flexible codecs. Panasonic’s optical stabilization benefits handheld video smoothness despite lower resolution, making it decent for casual recording.
Build Quality, Battery Life, and Storage
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Both cameras lack weather sealing and rugged protections, limiting use in extreme environments.
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The Panasonic ZR3 weighs only 159 g and fits unobtrusively into daily carry. Battery life details are unspecified, but fixed lens compact cameras typically yield moderate performance.
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The Sony NEX-3N packs more battery power with 480 shots estimated per charge (using the NP-FW50 battery), often making it more reliable for extended sessions.
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Both accept SD cards, with the Sony also supporting Memory Stick formats, reflecting its 2013 heritage.
Connectivity and Additional Features
Neither camera includes modern wireless options like Wi-Fi, Bluetooth, or NFC, limiting direct mobile sharing or remote control.
Both have HDMI output and USB 2.0 ports for data transfer, but no microphone or headphone jacks handicap advanced videographers.
Putting It All Together: Strengths, Limitations, and Who Should Buy?
| Panasonic ZR3 | Sony NEX-3N |
|---|---|
| Strengths: | Strengths: |
| - Ultra-compact, lightweight | - Large APS-C sensor with raw support |
| - Fixed superzoom lens offers versatility | - Manual exposure modes and accurate AF |
| - Optical image stabilization | - Higher-resolution, tilting LCD |
| - Affordable price | - Vast and expanding lens ecosystem |
| - Better low-light and video capabilities | |
| Limitations: | Limitations: |
| - Small 1/2.3" sensor with limited dynamic range | - No built-in image stabilization |
| - No raw shooting capability | - No face/eye detection AF |
| - Slow continuous shooting (2 fps) | - Heavier and bulkier than compact cameras |
| - Basic video features limited to 720p | - No touchscreen or EVF |
Recommendations by Use Case
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Beginner / Occasional Shooter / Travelers Wanting Portability:
The Panasonic ZR3 fits well. It’s affordable, pocket-sized, and covers broad zoom ranges with simple operation. It’s a great “grab-and-go” for snapshots, family outings, travel, and street photography requiring discretion.
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Photography Enthusiasts Seeking Growth and Creative Control:
The Sony NEX-3N is your better partner. The large sensor, manual controls, interchangeable lenses, and raw support unlock creative opportunities across portraits, landscapes, and macro. Its tilting screen also benefits vlogging and experimental angles.
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Video Hobbyists:
The Sony edges ahead for Full HD recording and codec variety. Panasonic’s optical stabilization helps, but resolution is limited.
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Wildlife and Sports Shooters on a Budget:
Both models have compromises, but the Sony’s faster continuous shooting and lens options offer more potential, though serious shooters should consider more modern bodies.
Image Quality and Overall Performance Scores
Our testing ranks the Sony NEX-3N significantly higher across all photographic disciplines, especially in image quality, low light, and creative flexibility. The Panasonic ZR3 holds its own in portability and casual shooting.
Conclusion: Making Your Choice with Confidence
Your ideal camera depends on your needs:
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If mobility, simplicity, and budget top your list, Panasonic ZR3 is a charming, lightweight option. It’s perfect for capturing moments with minimal adjustment.
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If you seek image quality, creative control, and the option to grow your kit, the Sony NEX-3N stands as a more capable system. It introduces you to the world of mirrorless cameras and interchangeable lenses, which is rewarding for long-term photographers.
Given the Sony’s superior sensor, manual controls, and lens ecosystem, we recommend it for enthusiasts. The Panasonic is best suited for straightforward, no-fuss photography.
Final Tips:
- Try both cameras in hand to measure comfort.
- Consider the lens system - do you want fixed simplicity or upgrade potential?
- Factor your workflow: raw support vs JPEG-only.
- Plan your shooting preferences: if video or low light shooting is important, the Sony NEX-3N is the clear choice.
- Look for deals or kits with lenses to lower the barrier of entry with the Sony.
The journey of photography expands with the right tools. Whether you start with the pocket-sized convenience of the Panasonic or the flexible mirrorless world of Sony, your creativity is the most critical lens.
Happy shooting - and may your next camera inspire your best images yet!
Panasonic ZR3 vs Sony NEX-3N Specifications
| Panasonic Lumix DMC-ZR3 | Sony Alpha NEX-3N | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZR3 | Sony Alpha NEX-3N |
| Also Known as | Lumix DMC-ZX3 | - |
| Category | Small Sensor Compact | Entry-Level Mirrorless |
| Introduced | 2010-01-26 | 2013-02-25 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | Venus Engine HD II | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor area | 27.7mm² | 366.6mm² |
| Sensor resolution | 14MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4320 x 3240 | 4912 x 3264 |
| Max native ISO | 6400 | 16000 |
| Lowest native ISO | 80 | 200 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 11 | 25 |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 25-200mm (8.0x) | - |
| Highest aperture | f/3.3-5.9 | - |
| Macro focusing distance | 3cm | - |
| Available lenses | - | 121 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen diagonal | 2.7" | 3" |
| Screen resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 60s | 30s |
| Max shutter speed | 1/1300s | 1/4000s |
| Continuous shutter speed | 2.0 frames per second | 4.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.30 m | - |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | - |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | AVCHD Lite | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 159g (0.35 lbs) | 269g (0.59 lbs) |
| Dimensions | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") | 110 x 62 x 35mm (4.3" x 2.4" x 1.4") |
| DXO scores | ||
| DXO Overall rating | not tested | 74 |
| DXO Color Depth rating | not tested | 22.8 |
| DXO Dynamic range rating | not tested | 12.5 |
| DXO Low light rating | not tested | 1067 |
| Other | ||
| Battery life | - | 480 shots |
| Battery format | - | Battery Pack |
| Battery ID | - | NPFW50 |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Pricing at release | $280 | $399 |