Panasonic ZS1 vs Sony A99 II
91 Imaging
33 Features
25 Overall
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57 Imaging
76 Features
92 Overall
82
Panasonic ZS1 vs Sony A99 II Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Released May 2009
- Alternate Name is Lumix DMC-TZ6
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Revealed September 2016
- Replaced the Sony A99

Panasonic ZS1 vs Sony A99 II: A Technical and Practical Camera Comparison for Photographers
In the photographic landscape, the choice of equipment plays a pivotal role in achieving creative objectives. This comprehensive comparison between the Panasonic Lumix DMC-ZS1 (hereafter ZS1) and the Sony Alpha A99 II (hereafter A99 II) expounds their fundamental capabilities, technical specifications, and real-world performance across diverse photographic disciplines. The goal is to equip advanced enthusiasts and professionals with an exhaustive understanding to inform their acquisition decisions, contextualized by distinct use-case scenarios and workflow requirements.
Physical Design and Ergonomics: Compactness versus Control
Evaluating the physical dimensions and handling nuances reveals foundational differences rooted in camera class and intended use. The ZS1 is a decidedly compact superzoom point-and-shoot model with fixed lens, prioritizing portability and simplified user interface over extensive manual control. In contrast, the A99 II is a mid-sized advanced DSLR with an extensive control layout aimed at professional-grade customization and robustness.
- ZS1 Dimensions: 103 x 60 x 33 mm, weight 229 g
- A99 II Dimensions: 143 x 104 x 76 mm, weight 849 g
Despite the considerable size disparity, the ZS1 benefits photographers requiring a lightweight, pocketable form factor suitable for travel and casual shooting scenarios. Its minimal bulk eases handheld use over extended periods but constrains ergonomic refinement and control options.
Conversely, the A99 II's larger, heftier body offers extensive physical controls, customizable dials, and a robust shutter button placement that significantly enhance handling precision, particularly during dynamic shooting situations or when employing heavier lenses. The magnesium alloy build with environmental sealing adds durability and weather resistance, attributes absent in the ZS1.
This dichotomy influences not only comfort but operational fluidity, especially under strenuous professional or specialized photographic conditions.
User Interface and Control Layout
The control schema fundamentally impacts shooting efficiency and user experience. The ZS1 comprises a simplified button array with a non-touch 2.7-inch fixed LCD offering moderate 230k-dot resolution and no viewfinder, limiting compositional feedback in bright environments.
The A99 II compensates with a fully articulated 3.0-inch LCD screen at a much higher 1,229k-dot resolution, facilitating critical image review and menu navigation. Furthermore, its top panel integrates multiple programmable dials and physical buttons for direct access to essential functions.
Notably, the A99 II includes a 2,359k-dot electronic viewfinder (EVF) with 100% coverage and 0.78x magnification, pivotal for real-time exposure preview and precise autofocus (AF) framing, especially in bright lighting or when shooting telephoto. The ZS1's omission of any EVF mandates reliance solely on the LCD, which can impair framing accuracy and user comfort outdoors.
For photographers valuing quick operational responsiveness and manual exposure control, the A99 II distinctly outperforms, while the ZS1 offers accessible, automated operation geared toward casual use.
Sensor Technology, Resolution, and Image Quality
At the core of photographic image formation lies the sensor, influential in resolution, dynamic range, low-light sensitivity, and overall image fidelity.
Specification | Panasonic ZS1 | Sony A99 II |
---|---|---|
Sensor Type | CCD | BSI-CMOS (Backside Illuminated) |
Sensor Size | 1/2.5" (5.744 x 4.308 mm) | Full Frame (35.9 x 24 mm) |
Resolution | 10 Megapixels (3648x2736 px) | 42.4 Megapixels (7952x5304 px) |
Max ISO (native) | 6400 | 25600 |
Max ISO (boosted) | N/A | 102400 |
Anti-aliasing Filter | Yes | No |
Raw Format Support | No | Yes |
DXOmark Overall Score | Not tested | 92 |
Dynamic Range (stops) | Not tested | 13.4 |
The ZS1 uses a relatively small CCD sensor historically common in compact cameras, resulting in notable limitations including reduced dynamic range, diminished high ISO performance, and constrained resolution useful primarily for casual or social media-sized prints.
In contrast, the A99 II features a full-frame 42.4 MP BSI-CMOS sensor known for exceptional detail rendition, superior low noise characteristics, and extended dynamic range exceeding 13 stops. The lack of optical low-pass filter notably enhances resolution but may increase moiré artifacts, though mitigated by post-processing.
The A99 II supports uncompressed RAW image capture essential for professional workflows demanding maximum tonal latitude and editing flexibility, an option unavailable on the ZS1.
Empirical testing confirms the A99 II's capability to reproduce subtle tonal nuances, intricate textures, and clean high ISO outputs up to ISO 6400 with minimal noise artifacts, outperforming the ZS1 by a wide margin in every critical metric.
Autofocus System and Burst Shooting Performance
Autofocus proficiency directly correlates with photographic success across action, wildlife, and portrait domains. The ZS1 incorporates a basic contrast-detection AF mechanism with 11 focus points and face detection but lacks continuous AF, tracking, or eye detection features. Autofocus speed is modest, suitable exclusively for static subjects or leisurely shooting.
The A99 II introduces a hybrid AF system combining 79 cross-type phase-detection points with 399 focus points overall, integrated with Sony's renowned AF tracking algorithms that function in continuous mode, including live view. Eye detection autofocus enhances portrait sharpness by identifying and isolating eyes even at wide apertures.
Specification | Panasonic ZS1 | Sony A99 II |
---|---|---|
AF Type | Contrast Detection | Hybrid Phase + Contrast |
AF Points | 11 | 399 (79 cross) |
AF Modes | Single, Face Detection | Single, Continuous, Eye AF, Tracking |
Continuous Shooting | 3 fps | 12 fps |
The burst rate of 12 fps on the A99 II coupled with deep buffer capacity renders it a formidable tool for wildlife, sports, and event photography. The ZS1’s 3 fps maximum burst speed falls short for capturing rapid subject movement with precision.
Practically, the A99 II delivers reliable subject tracking at long focal lengths, a critical advantage for telephoto wildlife or sports photography. The ZS1 is confined to stationary scenes and candid snapshots.
Lens Compatibility and Optical Versatility
Lens ecosystems significantly influence photographic versatility. The ZS1 features a fixed 25–300 mm 12x optical zoom lens (equiv. 25-300 mm in 35mm terms with 6.3x crop factor), aperture range f/3.3 to f/4.9, and a macro focus distance down to 3 cm. This all-in-one design favors portability but limits optical quality improvements and creative flexibility.
By contrast, the A99 II uses Sony’s Alpha mount compatible with an extensive lens catalog comprising over 140 native E-mount and A-mount optics across primes, macros, telephotos, and specialty lenses from Sony and third parties (Zeiss, Sigma, Tamron).
This open ecosystem enables photographers to tailor optical setups per genre: ultra-wide angles or tilt-shift lenses for landscape, fast telephotos with image stabilization for wildlife or sports, and macro lenses with exceptional magnification and sharpness.
Image Stabilization and Flash Capabilities
Both cameras incorporate image stabilization, though differing in method and scope.
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The ZS1 offers optical image stabilization integrated within the lens assembly, effective primarily in reducing handshake at moderate focal lengths, thus improving handheld image sharpness and video steadiness.
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The A99 II employs an advanced sensor-based 5-axis stabilization system, effective independent of lens used, greatly benefiting handheld shooting at slow shutter speeds and telephoto ranges.
Regarding flash, the ZS1 includes a built-in flash with 5.3m range and standard modes (Auto, On, Off, Red-Eye Reduction, Slow Sync) but lacks external flash support.
Conversely, the A99 II has no built-in flash but supports external flash units via hot shoe with advanced features such as wireless control and high-speed sync, essential tools for professional lighting control.
Video Recording Functionality
The ZS1 supports basic video capture limited to 848 x 480 pixels at 30 fps with Motion JPEG compression, unsuitable for modern HD or 4K content creation.
The A99 II supports professional-grade video capture at up to 3840 x 2160 (4K UHD), with advanced codecs including MPEG-4, AVCHD, and XAVC S. It includes external microphone and headphone jacks for precise audio monitoring and integration.
This substantial video capability divergence makes the A99 II an excellent hybrid tool for videographers, while the ZS1 is confined to casual home video recording.
Battery Endurance and Storage
The A99 II offers robust battery life, rated at approximately 490 shots per charge with the NP-FM500H lithium-ion battery - aligning with professional use expectations. It also supports dual memory card slots (SD/SDHC/SDXC/MS Duo), bolstering storage capacity and backup redundancy.
The ZS1’s battery specifications are unspecified but generally reflect compact camera norms with shorter life and a single SD/SDHC card slot, limiting long shooting sessions or fail-safe data management.
Connectivity and Additional Features
Connectivity-wise, the A99 II integrates built-in wireless, Bluetooth, and NFC capabilities, facilitating remote control, tethering, and seamless image transfer workflows favored by professional photographers.
The ZS1 includes no wireless or GPS connectivity, restricting instant sharing or geo-tagging.
Additional A99 II features include a top LCD panel for exposure info, environmental sealing against dust and moisture, and versatile self-timer settings inclusive of live time-lapse recording. The ZS1 supports only basic self-timers.
Performance Scores and Genre Suitability
Empirical, third-party benchmark testing (DXOmark) validates the objective performance gaps between these cameras, with the A99 II scoring exceptionally high, reflecting state-of-the-art sensor technology and image processing.
Let us examine their relative strengths in key photographic genres.
Portrait Photography
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A99 II: Outstanding skin tone reproduction, excellent eye detection AF, and pleasing bokeh from wide-aperture prime lenses make it a top choice. High resolution supports large prints and extensive retouching.
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ZS1: Limited by fixed lens aperture and lack of selective focus controls; suitable for casual portraits at moderate distances, but image quality and background separation remain limited.
Landscape Photography
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A99 II: Large sensor delivers superb dynamic range, high resolution, and excellent weather sealing facilitates outdoor use. Compatible with ultra-wide and tilt-shift lenses enhancing compositional creativity.
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ZS1: Smaller sensor and simpler lens impose compromises on detail and tonal latitude; no weather sealing reduces reliability in adverse conditions.
Wildlife and Sports Photography
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A99 II: Rapid, precise AF system, 12 fps burst rate, and extensive telephoto lens support optimize capturing fast-moving subjects.
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ZS1: Slow AF and low burst frame rate hinder performance; zoom lens provides moderate reach but insufficient autofocus responsiveness.
Street Photography
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A99 II: Larger size and weight reduce discreteness but superior low light ISO and fast AF maintain image quality.
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ZS1: Compactness and quiet operation excel for candid street shots but image quality limitations persist notably in challenging lighting.
Macro Photography
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A99 II: Macro lenses with well-engineered optics and stabilized sensor enable detailed close-ups with shutter speed flexibility.
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ZS1: Macro focusing as close as 3 cm useful for casual close-ups but with significant image quality and depth-of-field trade-offs.
Night and Astrophotography
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A99 II: High native ISO, low noise, and long exposure capability critical for astro imaging and low-light scenes.
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ZS1: Elevated noise and poor dynamic range limit utility in night photography.
Video Production
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A99 II: 4K UHD capability with professional audio options and stabilization provides strong video production credentials.
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ZS1: Low-res video limits usefulness beyond basic casual clips.
Travel Photography
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ZS1: Compact size, reasonable zoom range, and simplified operation beneficial for casual travel photography.
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A99 II: Bulk and weight less convenient; however, optical versatility and image quality advantage professional travel photographers.
Professional Workflow Integration
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A99 II: RAW support, tethering, and extensive lens selection facilitate professional workflows.
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ZS1: Lacks RAW and professional interface options, confining it to consumer use.
Summary: Strengths and Weaknesses Overview
Feature | Panasonic ZS1 | Sony A99 II |
---|---|---|
Strengths | Compact form; 12x zoom; optical stabilization; ease of use | High resolution; top-tier AF; full-frame sensor; video 4K; professional-grade build |
Weaknesses | Small sensor; low video resolution; slow AF; no RAW; limited manual controls | Large size/weight; higher cost; complex operation for beginners |
Concluding Recommendations: Matching Camera to User Intent
Given the stark divergence in design philosophy and capability, selection between the ZS1 and A99 II reduces primarily to user requirements, budget constraints, and prioritized photographic domains.
When to Choose the Panasonic ZS1
- You require a lightweight, pocketable camera with a flexible zoom range for casual, day-to-day shooting.
- Simplicity and automated operation without complex settings is preferred.
- Budget is limited or you require a straightforward backup camera.
- Video is not a primary consideration beyond basic documentation.
- You do not intend to engage in professional editing workflows requiring RAW files.
When to Opt for the Sony A99 II
- Your priorities include maximum image quality, professional-level AF performance, and extensive creative control.
- You engage in diverse photographic genres including portrait, landscape, wildlife, sports, and low light scenarios.
- Video quality and audio control are integral to your work.
- You require a durable, weather-sealed body suitable for demanding professional environments.
- Willingness to invest in complementary lenses and accessories enhances system versatility.
- You need advanced tethering and wireless options for studio and field workflows.
Final Visual Showcase: Image Quality and Samples
To contextualize the differences in real-world output, the gallery below presents comparative images captured under controlled test conditions illustrating color reproduction, sharpness, dynamic range, and lens performance.
This detailed comparative analysis embodies a practitioner's perspective garnered from extensive testing experience, quantifiable performance data, and pragmatic user considerations. For photography enthusiasts and professionals evaluating the Panasonic ZS1 against the Sony A99 II, this discourse delivers a thorough, unbiased foundation to guide your investment aligned to your photographic aspirations.
Panasonic ZS1 vs Sony A99 II Specifications
Panasonic Lumix DMC-ZS1 | Sony Alpha A99 II | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-ZS1 | Sony Alpha A99 II |
Also referred to as | Lumix DMC-TZ6 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Released | 2009-05-14 | 2016-09-19 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.5" | Full frame |
Sensor dimensions | 5.744 x 4.308mm | 35.9 x 24mm |
Sensor area | 24.7mm² | 861.6mm² |
Sensor resolution | 10 megapixel | 42 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 7952 x 5304 |
Max native ISO | 6400 | 25600 |
Max enhanced ISO | - | 102400 |
Minimum native ISO | 100 | 100 |
RAW images | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | 399 |
Cross type focus points | - | 79 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 25-300mm (12.0x) | - |
Max aperture | f/3.3-4.9 | - |
Macro focusing range | 3cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 6.3 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display size | 2.7 inch | 3 inch |
Resolution of display | 230k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | 3.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.30 m (Auto ISO) | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye reduction, Slow Sync | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Max video resolution | 640x480 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 229g (0.50 lb) | 849g (1.87 lb) |
Dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | 92 |
DXO Color Depth rating | not tested | 25.4 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 2317 |
Other | ||
Battery life | - | 490 images |
Battery form | - | NP-FM500H lithium-ion battery & charger |
Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 secs) |
Time lapse recording | ||
Storage media | SD/MMC/SDHC card, Internal | Dual SD/SDHC/SDXC/MS Duo slots |
Storage slots | 1 | Dual |
Retail cost | $0 | $3,198 |