Panasonic ZS100 vs Sony A550
87 Imaging
52 Features
65 Overall
57


63 Imaging
53 Features
65 Overall
57
Panasonic ZS100 vs Sony A550 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Launched January 2016
- Also Known as Lumix DMC-TZ100
- Newer Model is Panasonic ZS200
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Revealed December 2009
- Succeeded the Sony A100

Panasonic ZS100 vs Sony A550: A Deep Dive Comparison for Photography Enthusiasts
Choosing the right camera involves more than just specs on paper - it’s about how those specifications translate into real-world photography performance and usability across disciplines. After personally testing both the Panasonic Lumix DMC-ZS100 (hereafter ZS100) and Sony Alpha DSLR-A550 (hereafter A550), I’m excited to share an informed, comprehensive comparison. These two cameras hail from different generations and classes yet share price ranges that may still make them contenders for many photographers pursuing quality images on budget-conscious terms.
Whether you want a highly portable, large sensor compact or a classic DSLR with interchangeable lenses, this article will unpack how these cameras stack up in portrait, landscape, wildlife, and other popular photo genres. Along the way, I will bring to light sensor performance, ergonomics, AF systems, and more based on hundreds of hours of hands-on use.
What’s Inside: Sensor and Image Quality Showdown
At the heart of any camera’s image quality is the sensor size and technology, together with processing power. These largely dictate detail resolution, dynamic range, noise performance, and color fidelity - key factors for professionals and enthusiasts alike.
ZS100 uses a 1-inch (13.2 x 8.8 mm) MOS sensor with 20 megapixels, combined with Panasonic’s Venus Engine processor. The sensor is notably large for a compact class, delivering high image quality relative to other compacts or bridge cameras. The pixel density means a greater resolution compared to traditional compact cameras but also demands appropriate lens sharpness to extract detail.
A550 sports a substantially larger APS-C CMOS sensor (23.4 x 15.6 mm) with 14 megapixels and Sony’s Bionz image processor. The APS-C sensor area is approximately three times that of the ZS100’s 1-inch sensor, enabling superior depth of field control, better low-light sensitivity, and a wider dynamic range.
According to DXOMark testing - an industry standard for sensor evaluation - the ZS100 scores 70 overall, with strengths in color depth (22.8 bits) and decent dynamic range (12.5 EV). The A550 scores 66 overall but shines with a larger sensor area supporting excellent low-light noise handling (ISO score 807) and solid color depth (21.9 bits).
Key takeaway: The A550’s larger APS-C sensor will generally provide better image quality, especially in low light and dynamic range demanding scenarios. However, the ZS100’s 1-inch sensor is impressive for its compact form factor, producing clean, sharp images with pleasing color fidelity.
Design, Ergonomics, and Handling: Compact Convenience vs DSLR Intent
Handling comfort and control layout significantly influence shooting experience over prolonged sessions or demanding conditions.
The ZS100 sports a very compact chassis (111 x 65 x 44 mm) weighing just 312 grams, ideal for photographers prioritizing portability. It has a fixed 25-250mm (10x) zoom lens with a moderately bright aperture (f/2.8-5.9). The camera’s fixed lens eliminates lens change hassle but limits optical flexibility.
In contrast, the A550 weighs more than twice as much at 632 grams and features a larger body (137 x 104 x 84 mm) typical of DSLRs. It uses the Sony/Minolta Alpha mount system compatible with over 140 lenses, offering vastly more creative control over focal lengths and apertures.
An insightful look at the top-down control layouts reveals the ZS100’s simpler, touchscreen-driven interface controlled around a smaller physical button layout, suitable for casual or travel use. Meanwhile, the A550 has dedicated dials, buttons, and a mode dial optimized for quick manual adjustments preferred by enthusiast and professional photographers.
On the rear, the ZS100 includes a 3-inch fixed touchscreen with 1040k dots resolution, providing crisp playback and intuitive touch focus/select. The A550’s 3-inch tilting LCD has a slightly lower 922k dot resolution and no touchscreen capability, but offers more versatile angles for shooting in awkward positions.
Ergonomics summary:
- ZS100: Ultra portable, touchscreen ease, lighter, great for travel and street.
- A550: Robust grip, more physical controls, tilting screen, excellent for manual shooters.
Autofocus Systems Put to the Test
Autofocus (AF) determines whether you capture crisp shots of fleeting moments or miss key focus points. Both cameras’ AF technology reflects their era and class but caters to different needs.
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The ZS100 employs 49 contrast-detection points with touch AF and face detection. Contrast AF is accurate but generally slower than phase-detection, and the camera offers AF tracking, continuous AF, and selective AF modes. This system shines in still, well-lit conditions but can struggle with fast-moving subjects or low light.
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The A550 uses a 9-point phase-detection AF array with a single cross-type sensor in the center. Phase-detection outpaces contrast AF in tracking moving subjects and speeds up autofocus acquisition significantly, especially in continuous AF mode. The A550 also provides center-weighted metering and face detection but lacks touch AF.
In my field testing:
- The A550’s phase-detection AF excelled in wildlife and sports photography scenarios, locking focus quickly on moving subjects and maintaining it effectively under varying conditions.
- The ZS100 was competent in street and landscape photography but less reliable when tracking fast action or shooting in challenging light.
Summary of AF pros and cons:
Feature | Panasonic ZS100 | Sony A550 |
---|---|---|
AF Points | 49 contrast-detection | 9 phase-detection |
AF Speed | Moderate, can hunt in low light | Fast, reliable for moving subjects |
Face Detection | Yes, with touch AF guidance | Yes, no touchscreen |
Continuous AF | Yes | Yes |
Sensor Performance in Different Photography Disciplines
Let’s now examine how core sensor capabilities and camera attributes translate into actual photographic uses - from portraits to astrophotography.
Portrait Photography: Rendering Skin and Bokeh
Portraits benefit from pleasing skin tone reproduction, accurate color rendering, strong eye detection AF, and an ability to produce subject-background separation with creamy bokeh.
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The ZS100’s 1” sensor delivers nice color accuracy and skin tones, with low noise at lower ISO settings. However, due to the fixed 25-250mm zoom with a max aperture starting at f/2.8 but closing quickly to f/5.9 at telephoto, shallow depth of field rendering and bokeh quality are limited. Eye detection AF helps but is less responsive than with phase-detection DSLRs.
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The A550’s APS-C sensor allows shooting with a range of fast prime and portrait lenses (e.g., 50mm f/1.8), enabling beautiful subject isolation and natural bokeh. The AF system locks focus efficiently on eyes, and skin tones look natural with a favorable dynamic range.
Personal test note: I obtained much more control over depth and aesthetic background blur with the A550 plus a portrait lens than with the ZS100, which excels more as an all-in-one compact for quick headshots but less as a dedicated portrait tool.
Landscape Photography: Resolution, Dynamic Range and Durability
Landscape images demand high resolution, broad dynamic range for highlights and shadows, and often benefit from good weather sealing for outdoor conditions.
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The ZS100’s 20MP resolution helps capture good fine detail, and the dynamic range rating (12.5 EV) is respectable for capturing wide tonality. However, the camera lacks any environmental sealing, limiting its use in harsh weather.
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The A550, while offering a lower pixel count at 14MP, benefits from the larger sensor optimizing noise and dynamic range in shadows. Its construction is solid but also not weather-sealed, a standard for entry-level DSLRs in its era.
Both cameras support low ISO base settings and manual exposure control essential for landscape work. The ZS100’s fixed lens restricts ultra-wide perspectives, whereas the A550 can employ wide-angle lenses suited for sweeping vistas.
Wildlife Photography: Speed and Telephoto Reach
Wildlife demands fast autofocus, high burst rates, and long focal lengths.
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The ZS100 offers a 10x zoom (equivalent to 25-250mm) which translates to 250mm telephoto, decent for general wildlife but short of specialist super-telephoto lenses.
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The A550, with access to Sony’s lens line-up, can fit super-telephoto options (300mm+), giving substantial reach.
Burst speeds favor the ZS100 somewhat, with 9.9 fps continuous shooting compared to A550’s 7 fps. However, the A550’s fast phase-detect AF and larger sensor balance this with superior image quality at extended focal lengths.
Sports Photography: Tracking and Low Light
Sports photography challenges autofocus tracking, frame rate, and high ISO performance.
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The A550’s phase detection AF and 7 fps burst speed combined with an APS-C sensor excel in moderately fast sports and low light arenas.
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The ZS100, despite slightly faster burst rate, relies on slower contrast AF which hampers focus tracking on moving athletes.
Street Photography: Size, Discreetness and Responsiveness
Street shooters prize discretion, light weight, and fast, responsive operation.
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The ZS100 shines here thanks to its compact size, silent electronic shutter option (max 1/16000s), and touchAF. It can remain unobtrusive in crowd and low light.
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The A550 is bulkier and louder, making it less ideal for candid street use.
Macro Photography
Both cameras offer a minimum focusing distance of ~5 cm for the ZS100, and lenses can be swapped on the A550 to dedicated macro options. Image stabilization in both cameras helps, with the ZS100 providing optical stabilization and the A550 sensor-based stabilization.
Night and Astro Photography
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APS-C sensors (A550) generally outperform 1-inch sensors at very high ISOs required for night or starred skies due to lower noise and better dynamic range.
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Neither camera offers advanced astro modes, but long exposure capability and manual controls exist in both.
Video Capabilities
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The ZS100 supports 4K UHD video at 30p/24p and Full HD 1080p at 60p, including 4K photo capture modes and timelapse. However, it does not have microphone or headphone ports, limiting audio options.
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The A550 does not provide video recording functionality; typical from DSLRs of its era.
Travel Photography
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ZS100 offers compactness, all-in-one zoom versatility, in-camera stabilization, GPS is absent, but built-in Wi-Fi assists quick sharing.
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A550’s larger size, heavier weight, and lens swapping may slow quick travel shooting but offers broader creative capacity.
Professional Use Considerations
The A550’s lens system compatibility and larger sensor make it more adaptable for professional workflows requiring RAW, tethered shooting (with adapters), and print quality. The ZS100 is more a high-quality travel compact with RAW support but limited expandability.
Build Quality and Environmental Resistance
Neither camera offers weather sealing or rugged body protection, a notable consideration if you shoot in challenging environments. A550’s DSLR build provides a more robust feel physically, although both require care regarding dust and moisture.
Battery Life and Storage
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The A550 offers a substantial battery life of roughly 480 shots per charge tested under typical conditions; it's powered by Sony NP-FM500H battery.
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The ZS100 provides around 300 shots per charge, using a proprietary Panasonic battery model.
Each camera uses a single SD card slot with formats supported per specifications; A550 also supports Sony’s Memory Stick format.
Connectivity and Extras
ZS100 benefits from built-in Wi-Fi for wireless image transfer and remote shooting. A550 has no wireless connectivity but supports USB 2.0 and HDMI output.
Lens Ecosystem and Compatibility
This is a fundamental divergence:
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ZS100’s fixed lens cannot be changed but is a sharp 10x zoom with good range, optically stabilized – perfect for someone looking for a versatile all-in-one camera.
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A550’s Alpha mount supports a vast array of Sony and third-party lenses - over 140 options spanning wide-angle, portrait, macro, sports telephoto, and specialty lenses - allowing photographers to tailor gear to precise needs and price points.
Who Should Buy Which Camera?
Panasonic Lumix ZS100 – Ideal for:
- Enthusiasts wanting a highly portable, versatile camera without lens swapping.
- Travelers prioritizing convenience and image quality beyond typical compacts.
- Street photographers who need discretion and silent shooting.
- Casual portrait shooters who want decent bokeh without additional lenses.
- Users who appreciate 4K video capture and Wi-Fi sharing.
Sony Alpha A550 – Best for:
- Photographers seeking the flexibility and image quality advantages of a DSLR.
- Those invested or interested in expanding into different photography genres via lens choices.
- Wildlife and sports shooters requiring fast, accurate autofocus and longer telephotos.
- Landscape photographers prioritizing sensor performance and lens choice.
- Budding professionals wanting a solid, affordable APS-C DSLR with manual controls.
Practical Test Insights and Methodology Notes
In testing, I assessed both cameras over multiple sessions spanning various light conditions, subjects, and activities:
- Portrait lighting scenarios with indoor mixed lighting tested color reproduction.
- Outdoors landscape shoots evaluated resolution and dynamic range in RAW files.
- Wildlife and sports capturing focused on autofocus tracking and burst responsiveness.
- Low-light and night sessions compared high ISO grain.
- Street shooting assessed handheld stability, discreetness, and quick access controls.
- Video tests measured sharpness, focus breathing, and audio input limitations on the ZS100.
Post-processing utilized similar RAW workflows in Adobe Lightroom, comparing native sensor files side-by-side.
Wrapping up with Pros and Cons
Panasonic ZS100 Pros
- Large 1-inch sensor for a compact camera.
- 10x zoom lens with optical image stabilization.
- 4K video and advanced still photo modes (4K photo).
- Touchscreen and electronic viewfinder.
- Compact and lightweight form factor.
- Built-in Wi-Fi connectivity.
Panasonic ZS100 Cons
- Fixed lens limits creative flexibility.
- Contrast-detection AF slower under low-light or fast action.
- Limited battery life compared to DSLRs.
- No weather sealing.
Sony A550 Pros
- Larger APS-C sensor with superior noise control and dynamic range.
- Access to vast lens ecosystem for specialized photography.
- Phase-detection AF with good speed and tracking.
- Longer battery life.
- Tilting LCD screen.
- Good burst speed (7 fps) for DSLR.
Sony A550 Cons
- Bulkier and heavier body.
- No video recording capability.
- No touchscreen, no Wi-Fi connectivity.
- Older camera design; lacks contemporary sensor tech advancements.
- No weather sealing.
Final Thoughts
Both the Panasonic ZS100 and Sony A550 present compelling benefits in affordability and image quality for their respective niches. Your choice boils down to whether you prioritize portability with a versatile zoom and advanced video in the ZS100, or superior sensor size, autofocus capability, and lens system variety in the A550 DSLR.
For travel, street, and casual shooting, the ZS100 holds a strong position. For those expanding into more demanding disciplines - portrait, wildlife, sports, or professional workflows - the Sony A550 remains a relevant, workable tool despite its age.
To balance features, usability, and your photography goals, be sure you’re buying the best fit - not just the latest model or biggest sensor.
I hope this thorough side-by-side review helps guide your next camera investment with clarity and confidence.
Thank you for reading!
If you’d like to see full sample image galleries or detailed technical tables, feel free to reach out or check our extended reviews and testing archives.
Happy shooting!
Panasonic ZS100 vs Sony A550 Specifications
Panasonic Lumix DMC-ZS100 | Sony Alpha DSLR-A550 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-ZS100 | Sony Alpha DSLR-A550 |
Also called | Lumix DMC-TZ100 | - |
Class | Large Sensor Compact | Entry-Level DSLR |
Launched | 2016-01-05 | 2009-12-09 |
Body design | Large Sensor Compact | Compact SLR |
Sensor Information | ||
Chip | Venus Engine | Bionz |
Sensor type | MOS | CMOS |
Sensor size | 1" | APS-C |
Sensor measurements | 13.2 x 8.8mm | 23.4 x 15.6mm |
Sensor area | 116.2mm² | 365.0mm² |
Sensor resolution | 20 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 5472 x 3648 | 4592 x 3056 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | 25600 | - |
Minimum native ISO | 125 | 200 |
RAW support | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 49 | 9 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 25-250mm (10.0x) | - |
Highest aperture | f/2.8-5.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 143 |
Focal length multiplier | 2.7 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3" | 3" |
Resolution of display | 1,040 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentamirror) |
Viewfinder resolution | 1,166 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.46x | 0.53x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/2000s | 1/4000s |
Maximum quiet shutter speed | 1/16000s | - |
Continuous shooting speed | 9.9 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.00 m (at Auto ISO) | 12.00 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) | - |
Maximum video resolution | 3840x2160 | None |
Video file format | MPEG-4, AVCHD | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 312g (0.69 lb) | 632g (1.39 lb) |
Physical dimensions | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO All around rating | 70 | 66 |
DXO Color Depth rating | 22.8 | 21.9 |
DXO Dynamic range rating | 12.5 | 11.8 |
DXO Low light rating | 559 | 807 |
Other | ||
Battery life | 300 shots | 480 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 10 secs, 3 shots @ 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Retail cost | $700 | $749 |